Antique and illustrated books, first edition drawings, painters' monographs, artists' watercolors, studies, catalogs, painting history

First edition.
A very good copy with an illustration.

First edition.
Illustrated, bibliography.
A very good copy.

First edition.
A minor stain of no consequence to the front cover, otherwise a rare and handsome copy.

First edition, of which there were no deluxe copies. Rich iconography, handsome copy.

First edition.
Richly illustrated.

First edition of this lecture given at the Sorbonne on February 16, 1933.
Handsome copy.

Reprint conforming to the first edition printed in 250 copies.
Bradel binding in full red boards.
Handsome copy.

Fifth edition.
Half cloth binding in ochre, smooth spine.
Iconography and illustrations.
Some light foxing.

First edition, one of the numbered copies.
Rich iconography, introduction by R. Borde.
Handsome copy complete with its illustrated dust jacket.

First edition.
An angular tear with two small lacks to the front cover, foxing.

First edition.
Illustrated pamphlet with figures.
Handsome and rare copy despite small marginal lacks affecting the covers.

First edition published in a small number of copies, of which there were no deluxe copies.
Iconography after the work of H. Leys.
Handsome copy despite a tiny corner chip to the front cover.

Published for the first anniversary of the painter's death.
24 plates.
Illustrated with drawings, and color reproductions...
Publisher's blue cloth binding.

NB: This work is available at the bookstore upon request within 48 hours.

First edition.
Half yellow cloth binding. Soiled colour.
One of the first works on English painting.
Indeed, English painting was very little represented in France, and even less so at the Louvre before 1880.
Engravings.

NB: This work is available at the bookshop on request within 48 hours.

Spine slightly yellowed.
28 reproductions and one portrait. 38 p. of text.
Limited edition of 50 copies on Alfa and 1450 numbered. No. 885.

First edition.
Power of automatism as a function of sensitivity, sensitivity of artists, conceptions of the conscious and unconscious, excess tension of ideas or group of ideas bringing about the necessary mechanical discharge...
Rare.

First edition of which there were no deluxe copies.
Iconography, fine copy.

First edition published in a small number of copies of this talk given on October 17, 1936 at the Salon des Surindépendants.
Rare and fine copy.

First edition.
Illustrated, photographic cover, a very good copy.

First edition published in a small number of copies of this offprint from the February 15, 1920 issue of Mercure de France.

First edition of this sale catalogue held at Hôtel Drouot on June 7, 8 and 9, 1932.
Japanese lacquerware from the 16th, 17th and 18th centuries, wooden and ivory netsuke, Japanese pottery from the 16th to 18th centuries, bronzes, paintings and screens...
Illustrated.
Handsome copy.

New edition.
Work illustrated with 28 engravings.
Worming and stains to boards, a small ballpoint pen annotation to front board, colored pencil highlighting inside.

First edition. With frontispiece autoportrait of the painter. Light marginal shadows to boards, spine slightly warped with small loss at foot, occasional foxing. Rare.

First edition.
Stains to first cover, two significant dampstains affecting the interior.
Sold as is and for the text.

First edition.
Illustrated, a very good copy.

Fifth edition.
Half black cardboard binding, unlettered spine decorated with blind-stamped compartments, traces of rubbing to edges.
Work illustrated with figures, fine interior condition.

First edition.
A good copy.

First edition.
Richly illustrated, a very good copy.

First edition on ordinary paper, false statement of second edition, only 20 copies were printed on Holland paper as deluxe copies.
As frontispiece, a photographic portrait of the author.
Biography and notes by P. Blanchon.
Two small marginal dampstains affecting the boards, some light foxing.

First edition of the exhibition booklet, devoted to Jean Atlan, from January 22 to March 17, 1963.
Iconography, complete with the two reproductions on loose sheets.
Slight discoloration to the front cover, otherwise handsome copy.

New edition printed on laid paper and revised by Georges Duplessis.
Full red paper boards, smooth spine with two small tears at head and foot, blind-ruled frames on boards, occasional light foxing.

Fourth edition.
Half chocolate shagreen binding, spine with four raised bands showing minor rubbing, decorated with five gilt compartments and one blind compartment, brown cardboard boards, watered silk endpapers, top edge gilt with deckled edges preserved.
Worming to endpapers, some light foxing.

First edition of this selection of texts established by P. Courthion.
Autograph inscription by the latter.
Handsome copy.

First edition of this catalogue for the first part of this prestigious sale held on November 12 and 13, 1929 at the Marseille auction house.
With iconography, a pasted label at the head of the first cover, handsome copy.

First edition of the catalogue for this prestigious sale held at the Hôtel Drouot on 6 June 1928.
Illustrated, handsome copy.

New edition.
Work illustrated with 3 color plates.
Two small tears at head and foot of spine, handsome interior condition.

First edition, one of 2000 numbered copies, sole printing.
Autograph inscription from the author to his friend Marcel (Aymé) and his wife.
Iconography of the painter's work.
A slight tear without consequence to one joint, spine lightly sunned, fine interior condition.

First edition on ordinary paper, with "second thousand" statement.
Illustrated, handsome copy.

First edition, one of 860 numbered copies on pur fil paper, the only issue along with 40 on Corée paper.
Work illustrated with an unpublished frontispiece portrait of the author by Pablo Picasso.
Spine and covers slightly and marginally sunned as usual, otherwise handsome copy.

First edition.
A small lack at head of spine which also has a slight tear at foot, three tiny corner lacks to boards.
Iconography.

The first edition, published in a small number of copies.
Some rare small wormholes, otherwise handsome copy of this small and surprising treatise on the aesthetics of art.

First edition of the exhibition catalogue held in Paris from 15 March to 15 May 1961.
Rich iconography, original texts by J. Cocteau, E.M. Cioran, E. Junger...
Spine slightly sunned with pale small stains, otherwise a handsome copy.

First edition printed in a small number of copies on laid paper.
Work illustrated with 32 phototype reproductions of the works of G. Grosz.
Rare and handsome copy.

First edition.
Contributions by P. Reverdy, T. Tzara, M. Leiris, G. Limbour, J. Doucet...
Iconography and reproductions of works by H. Laurens.
Fine copy complete with its folded cover very slightly and marginally faded.

First edition.
Bradel binding in full navy blue cloth, smooth spine, unidentified arms stamped in blind to front board. Notice preceded by analytical detail of J. Memling's works preserved in the aforementioned establishment.
Some minor foxing to first endpaper and title page, otherwise a handsome copy.

First edition.
Illustrated with 59 planches.
Spine and covers marginally faded, internally good.

First edition of this exhibition pamphlet for the exhibition held from February 26 to March 16, 1895, in which painters and sculptors participated.
Preface by Léonce Bénédite. Notice by G. Séailles on Alfred Dehodencq.
A pale marginal dampstain affecting the leaves, some minor foxing.
Rare.

First edition.
Split spine with small losses, corner wear to boards, interior without foxing.
Rare but in this condition.

First edition printed in a small number of copies of this offprint.
Autograph inscription signed by the author on the first cover, the dedicatee's name has been skillfully scraped off.
Some minor foxing. Rare.

First edition complete with its original wrappers as issued in parts.
One lithographed portrait of the painter as frontispiece.
Rare and handsome copy.

First edition of this exhibition booklet held at Galerie E. Druet from December 8 to December 19, 1919.
Work illustrated with 3 reproductions of the artist's works. Preface by André Salmon.
Handsome copy with the fragile covers unfaded.