Published in the year of the first edition, one of 950 numbered copies on wove paper.
Publisher’s binding after the original design by Paul Bonet.
Attractive copy, complete with its original flexible cardboard slipcase.
New edition, illustrated with 111 drawings by Neuville and Riou. 7 plates some of which in color.
Publisher's gilt Globe binding, upper plate signed Blancheland, Engel relieur, spine with lighthouse, second plate of Engel H type, publisher's catalogue Y at end of volume.
Fine copy despite the last endpaper hinge partly split.
Undoubtedly the most famous of Jules Verne's novels, featuring the mythical figure of Captain Nemo and his legendary submarine, the Nautilus.
First edition, one of 1050 numbered copies on alfa paper.
Two very slight sunning without gravity to head of boards, handsome copy.
Paperboard binding after Mario Prassinos' original design.
Illustrated edition with 13 colour plates on brown paper by Arthur Rackham tipped in with captioned tissue guards, together with 14 black-and-white illustrations in the text by Rackham, including a frontispiece portrait of Alice, one of the very rare 20 copies on Japon, signed by Arthur Rackham on the limitation page, copy from the deluxe issue. A few name copies on the same paper were also issued.
Publisher’s full vellum binding, smooth spine lettered in gilt with a gilt illustration of the Cheshire Cat, upper cover stamped in gilt with the title and an illustration of two fantastic creatures, illustrated endpapers, top edge gilt. Occasional light foxing.
A handsome copy of the most sought-after of Rackham’s illustrated works, one of the exceedingly rare copies on Japon paper.
Provenance: manuscript ex-libris on the half-title of Maurice Feuillet, celebrated press illustrator, notably for major legal trials, as well as art critic and founder of the 'Figaro artistique'. Feuillet remains renowned for his courtroom sketches during the trials of Émile Zola in 1898 and Alfred Dreyfus in 1899.
Second issue of the first illustrated edition of Victor Hugo’s masterpiece, distinguished by the small bat vignette on the title-page.
Publisher’s neo-Gothic binding in full brown polychrome cloth, the smooth spine gilt-stamped with an allegory of Notre-Dame de Paris, the boards adorned with an extensive gilt and polychrome design (red, blue, and pink) depicting scenes from Notre-Dame de Paris, yellow endpapers and pastedowns, shaded white flyleaves, all edges gilt, a characteristic Romantic publisher’s cloth binding. Spine evenly faded. Minute split at the head of the upper joint. One leaf detached, two others working loose. Occasional marginal foxing.
Work embellished with illustrations by Charles François Daubigny, Valentin Foulquier, Thoedor Josef Hoffbauer, Tony Johannot, Aimé de Lemud, Ernest Meissonier, Célestin Nanteuil, Camille Roqueplan, Louis Henri de Rudder, and Louis Steinheil...
A handsome copy of Victor Hugo’s timeless masterpiece, preserved in its polychrome Romantic cloth binding.
Stated fifth edition, illustrated with 316 wood engravings, including numerous plates. This fifth edition is the only one issued in the publisher’s cloth.
Publisher’s binding by Souze. Half red shagreen. Spine richly tooled with a bouquet of flowers, various large tools and special rolls. Boards elaborately decorated with a central gilt panel bearing the American eagle and the motto: E pluribus unum. Broad red and black border with several red and gilt medallions on a black ground. Gilt edges. A few scattered marginal foxmarks. Some rubbing, notably to the headcaps. Corners softened.
A handsome copy in its publisher’s binding.
First octavo edition illustrated with 92 engravings by Benett, including one folding map in colour: this marks the very first use of polychromy in an illustration for a Jules Verne novel.
Publisher’s Hetzel binding "aux deux éléphants" in full red cloth, signed by Lenègre, type 3, upper cover signed by Souze, lower cover Lenègre type “e” as described by Jauzac, original blue endpapers, all edges gilt, publisher’s EL catalogue at rear.
Spine slightly faded as usual, small black marks along the hinges, spine-ends softened as often, a pleasant copy almost free of any foxing.
“Deux ans de vacances” is a Robinson Crusoe-like novel featuring fourteen schoolboys from New Zealand.
First edition of this album of caricatures by Frédéric-Auguste Bartholdi which he numbered and initialled (copy no. 36, followed by his initial). Printed "in small numbers” (Bartholdi Museum), with only six located in institutions (Colmar Museum, BnF, Harvard, UPenn, NYPL, Rutgers University).
Publisher’s blue cloth binding, smooth spine gilt-lettered along its length, upper board numerously framed in black, anchors and stars stamped in black at the corners, title and date gilt-stamped; lower board numerously framed in black, black stars at the corners and a central anchor, red edges. Slight rubbing to joints, faint mottling to the lower part of the upper board, a few plate tabs slightly split at foot, not affecting the integrity of the binding.
Illustrated with an engraved title-frontispiece, a half-title featuring the head of the Statue of Liberty, and 30 full-page hand-coloured lithographs.
Exceptionally rare copy of Auguste Bartholdi’s caricature album created on board the steamship bound for the United States for the 1876 Philadelphia World’s Fair, where he exhibited part of the Statue of Liberty.
This curious album contains the only caricature of the Statue by Bartholdi ever published: a vignette on the half-title depicting the top of Lady Liberty’s crowned head with her amused eyes emerging above the Atlantic. Moreover, the profits from the album were donated to the Franco-American subscription fund for the statue's construction.
Second edition, illustrated with 33 plates outside the text, including 23 in black and white, 8 on tinted background, and 2 folding plates in colour (panorama of the city of Ballarat; map of the gold deposits), cf. Ferguson VII, 18716.
No copy recorded in the CCF.
The list of plates, p. xv, mentions only 27, as it groups together the reproductions of documents relating to the 1854 uprising.
Publisher’s binding in full grey cloth, flat spine and covers decorated in black and gilt, headcaps worn, endpapers and pastedowns in brown paper, inner hinges split, slightly shaken copy, a tear with paper loss along the inner hinge of the lower board, some light foxing.
The first edition of this early monograph on the city of Ballarat (State of Victoria) was published in 1870.
The town had only been founded in 1850 on the site of a former Indigenous encampment, and its spectacular growth owed much to the exploitation of gold deposits.
It is today the third largest city in the State.
The work is also of great importance for the history of the Eureka Stockade of 1854–55. William Bramwell Withers (1823–1913), born in England, emigrated to Natal in 1849, then to Victoria in 1852. Having become a journalist in Melbourne, he settled permanently in Ballarat only in 1885, fifteen years after the publication of his book.
New "À la bannière" edition with bevelled boards, violet on a red background, illustrated with 154 drawings by Férat engraved by Barbant.
Publisher’s decorative cloth binding "à la bannière" of type 6 signed by Lenègre, upper cover plate signed by Souze, lower cover of type e1 with central medallion on a black ground, framed with geometric motifs.
Attractive upper cover, with glossy percaline and sharp gilt, small black spots on the spine, head- and tailcaps collapsed as usual, some occasional foxing, small dark and light stains on the lower cover.
L’Île mystérieuse is linked, though not a sequel, to two other novels by Jules Verne, Vingt mille lieues sous les mers and Les enfants du capitaine Grant.
The author notably drew inspiration from Robinson Crusoe for the castaways’ life on a deserted island.
This work, one of Jules Verne’s most celebrated, was adapted eight times for cinema and television.
Edition decorated with a portrait frontispiece, 24 plates, and a folding map at the end of the volume.
Publisher’s full blue cloth binding, blind-stamped, smooth spine gilt-tooled, blind-stamped illustrations on the front cover, gilt dentelle framing on the pastedowns, gilt edges. A handsome copy in its publisher’s binding.
First edition, large octavo, illustrated with 78 engravings together with 12 chromotypographic plates by George Roux and 2 coloured maps.
Publisher’s binding by Hetzel in full red cloth signed A. Lenègre, with the "portrait collé" design: the upper cover signed Souze, polychrome, depicting various means of transport (balloon, locomotive, ships), with a sepia-toned portrait of the author mounted at the centre, and various navigational instruments highlighted in gilt in the foreground; lower cover of type "e" as recorded by Jauzac; spine decorated with several gilt and coloured illustrations; original blue endpapers; one upper corner slightly crimped; all edges gilt. HF catalogue at the end.
Some light scattered foxing.
A maritime adventure recounting a treasure hunt, leading the hero from Tunisia to the Gulf of Guinea, then to Scotland, the island of Spitzbergen, and finally to Sicily.
First edition, illustrated throughout the text.
Some foxing, light rubbing without consequence to the spines, small losses of green paper on the endpapers.
Contemporary manuscript ex-donos on the endpapers as a gift.
Publisher’s full blue cloth, smooth spines decorated with black Greek key motifs, black Greek key borders on the boards, upper boards adorned with a marine illustration, publisher’s black monograms stamped on the lower boards, green paper endpapers and pastedowns, wrappers preserved.
First illustrated edition, featuring 82 drawings by Tiret-Bognet and a color map of the Saint Lawrence River. Publisher's 1890 EX catalogue bound in at rear.
Binding with the two elephants, Lenègre type 3. Rear cover Lenègre type e.
Spine lightly faded, internally clean and well preserved.
In Famille sans nom, Verne recounts the story of a French-Canadian family during the Patriote Rebellion (1837–1838) against British injustice.
First collected illustrated edition, illustrated by Ferat, with engravings by Pannemaker and Hildibrand. The volume also includes Les Forceurs de blocus.
Publisher's binding known as "à l'obus" in a rare violet cloth, with the back cover in Lenègre type C. Spine faded, as is almost always the case with this particularly light-sensitive color. Strikingly fresh front cover. One corner slightly blunted, the others rubbed and a little turned in. Head- and tailpieces in good condition. Generally fresh paper, with some leaves showing spots of browning. All edges gilt, perfectly preserved.
A very good copy, clean and sound throughout.
New edition, illustrated with drawings by de Neuville and Benett.
Publisher’s gilt-pictorial cloth binding known as “à un éléphant, titre dans l’éventail”, with Engel’s signature at the foot of the front cover plaque, spine featuring a lighthouse, rear cover of type “i” as defined by Jauzac, all edges gilt.
Headcaps very slightly compressed, faint trace of a removed label to the verso of the front board.
A handsome copy.
Le Tour du monde en quatre-vingts jours is an adventure novel. It tells the story of an English gentleman, Phileas Fogg, who wagers he can travel around the world_
First deluxe large octavo edition illustrated by George Roux.
Publisher’s pictorial binding by Hetzel signed Engel, known as "type 4 globe" design, with "lighthouse" spine and lower cover of Engel "i" type as per Jauzac, all edges gilt.
Original blue endpapers marginally faded, as usual; headcaps very slightly compressed; some foxing at the beginning and end of the volume.
Sequel to Robur le conquérant, Maître du monde recounts Robur’s return to civilization aboard an amphibious vehicle.
Un drame en Livonie is a detective novel centred on the story of an innocent man accused of a murder he did not commit in Livonia.
Illustrated edition comprising 68 illustrations by George Roux, including 20 large plates in chromotypography and a map.
Y catalogue at rear.
Publisher’s binding by Hetzel signed Engel, known as “au globe”, type 4, spine with lighthouse motif, lower cover type Engel “i” as per Jauzac, all edges gilt.
Headcaps slightly pushed and frayed, some foxing, offsetting from adhesive paper to the head and tail of the blue endpapers.
Le Sphinx des glaces is a fantastical novel intended as a sequel to Edgar Poe’s The Narrative of Arthur Gordon Pym, to which it is dedicated.
Copy not recorded by Jauzac.
First edition, one of 1050 numbered copies on bouffant alfa paper.
Publisher's binding after the original design by Paul Bonet.
Very handsome copy complete with its flexible cardboard slipcase.
New edition printed in 3,100 numbered copies on châtaignier paper, ours one of 100 hors commerce copies.
Publisher's full cardboard binding made according to Paul Bonet's original design.
Handsome copy.
Illustrated edition by George Roux featuring 12 large chromotypographs, 2 maps, and numerous photographic views.
Publisher’s decorative binding by Hetzel, signed Engel, known as “au globe,” type 4, spine with the lighthouse design, lower cover of Engel type "h" as per Jauzac; all edges gilt.
Headcaps very slightly pushed without consequence, original blue endpapers faintly faded as often, a few occasional spots of foxing.
Les Frères Kip is a detective and adventure novel, likely inspired by a late 19th-century criminal case: the Rorique brothers.
Copy not recorded by Jauzac.
New edition, illustrated with 111 drawings by Neuville and Riou. 7 plates, some in color.
Publisher's gilt Globe binding, upper cover signed Blancheland, Engel relieur, spine with lighthouse motif, rear cover of Engel H type, publisher's Y catalogue at rear of volume.
Spine with minor discoloration, a few small stains to upper corner of front cover, endpapers discolored, corners slightly twisted, the engraving between pages 122-123 with small corner lacks, occasional light foxing mainly to edges.
Undoubtedly the most famous of Jules Verne's novels, featuring the mythical figure of Captain Nemo and his legendary submarine, the Nautilus.
First edition, one of 1050 numbered copies on alfa bulky paper.
Publisher's binding after the original design by Paul Bonet.
Handsome copy despite slight traces of sunning at head and foot of spine and to margins of boards.
First edition of each volume.
Publisher’s full burgundy cloth bindings, flat spines, blue endpapers and pastedowns, original wrappers preserved for the second volume, front cover preserved for the first volume, gilt top edges.
Minor discoloration spots on the boards.
The first volume includes 75 biographies of notable figures of the time (each featuring a facsimile autograph and a wood-engraved portrait by Brauer), including Paul Arène, Léon Cladel, Coquelin ainé, Charles Gounod, Frédéric Mistral, Albert Robida, Octave Uzanne...
The second volume contains 76 biographies (each with a facsimile autograph and a wood-engraved portrait by Brauer) of figures such as Auguste Bartholdi, Benjamin Constant, Georges Courteline, Alexandre Dumas, Thomas Edison, Judith Gautier, Jules Massenet, Catulle Mendès, Henri Rochefort, Georges Rochegrosse, Emile Zola...
Some light foxing.
A handsome set.
