Illustrated collected editions, with added unpublished works or critical notes. Complete works are often elegantly bound at the time of their publication, making them an essential part of any book collector's collection.
Illustrated edition of Victor Hugo's speeches and political writings.
Wide-margined copy on chine, numbered (6), unopened.
Illustrated wrappers with some soiling, water stains and minor tears to the margins, spine split, occasional foxing to the leaves.
First collected edition of the works by the author of Les Étourdis ou le Mort supposé, a comedy that enjoyed great success just before the Revolution.
The set includes a portrait frontispiece in the first volume, four engraved plates, and ten engraved headpieces.
Bound in contemporary full polished and mottled brown calf, gilt decoration, smooth spines with six false raised bands highlighted with gilt fillets and repeated gilt floral tools, gilt fillet frames on covers bordered with a garland roll, gilt tooling to head- and tailpieces, green morocco spine labels, marbled endpapers and pastedowns, gilt edges on boards, marbled edges, contemporary bindings.
Some...
New edition, revised, corrected, and considerably enlarged.
Contemporary bindings in half mottled fawn calf over corners, smooth spines gilt with fillets, morocco title and volume labels, brown paper-covered boards, sprinkled edges.
Some minor rubbing to the spines, a few corners slightly bumped.
L'Esprit des lois occupies volumes I to IV; La Défense de l'Esprit des lois volume V (with a general index); Lettres persanes volume VI; volume VII gathers the Considérations and related pieces; volume VIII contains the posthumous works.
This collected edition of Montesquieu's works offers no particular bibliographical peculiarities in its...
Composite edition combining seven volumes from the very first collected edition with others from various reissues published between 1836 and 1852. Volumes 15 to 30 (1839-1852) each include an engraved title with a vignette and two illustrated plates; the earlier editions, covering volumes 1 to 15 (1830-1836) did not contain illustrations.
Half polished calf bindings in Restoration style. Smooth spines decorated with a central panel richly gilt in grotesque design, gilt and blind-tooled motifs at head and foot of spine, also ruled in gilt. Small tear to the spine-ends of volumes 5 and 9. Volumes 25 and 26 show some surface loss to the leather on the boards.
A handsome...
First bilingual edition with texts in Spanish and French, one of the numbered copies.
Publisher’s full beige cloth bindings, smooth spines, complete with their illustrated dust jackets and slipcase.
A richly illustrated work featuring numerous black and colour reproductions of Vieira da Silva’s artworks.
Texts by Jean-François Jaeger, Guy Weelen, Jean-Luc Daval, Diane Daval Béran, Virginie Duval...
A fine copy, complete with the chronological list of works reproduced in colour, inserted as a loose leaf.
Second edition of the French translation prepared by François-Victor Hugo.
Half red shagreen bindings, slightly faded spines with four raised bands numerously framed in gilt and central gilt tooled motif, marbled paper boards, marbled endpapers, speckled edges, contemporary bindings.
Some occasional foxing, minor black specks on a few spines, upper corners of volume 10 slightly damaged.
Our set, attractively bound uniformly in contemporary bindings, is complete in 18 volumes including the often lacking final three volumes of apocryphal writings.
New edition of the French translation established by Amédée Pichot, partly original as it is enhanced with a historical notice on Lord Byron.
Half blue glazed calf bindings, spines partially faded with four raised bands framed by gilt garlands and richly decorated gilt compartments, navy blue glazed calf title and volume labels, blind-stamped floral tools at head and tail, marbled paper boards, gilt fillets at foot, marbled endpapers and pastedowns, marbled edges; a few lightly rubbed corners. Romantic bindings of the period.
Our copy contains 13 engraved plates, some serving as frontispieces.
Scattered foxing, a few leaves browned due to paper acidity.
A copy in...
First edition, richly illustrated with reproductions of works by Edouard-Marcel Sandoz.
Publisher’s full cream cloth binding, smooth spine, complete with its illustrated dust jacket.
A very handsome copy.
A fine set of the first four volumes of the French intégrale edition, identical to the original American structure. Volume 1 is housed in a metal case with embossed lettering and a folding map of Westeros. It is a copy of the highly sought-after very first French collector's edition of the series published in 2012. Volumes 2 and 3 followed in 2013, and volume 4 in 2014.
Each volume signed by George R.R. Martin on the title page. The signatures were obtained during the author's only public signing session for French...
The ‘Kehl edition’, the most renowned edition of Voltaire's works, illustrated and published on deluxe paper. It was printed on five different types of paper, and only the deluxe editions, such as ours on laid paper, feature engravings. These are naturally the most sought-after and rarest copies.
Binding in full painted sheep decorated with a “honeycomb” motif, smooth spine tooled with gilt fleurons, fillets and compartments, light beige calf lettering and volume pieces, gilt chain-roll border on covers, marbled endpapers, gilt roll on edges, all edges marbled, contemporary binding. Two volumes (nos. 50 and 70) with slight variations in gilt tools on the spines and...
Edition with some parts in first edition.
Half green straight-grained morocco with corners, smooth spines faded and decorated with gilt romantic arabesques, gilt friezes at head and foot, almond paper boards, covers and spine preserved, top edges gilt, handsome pastiche romantic bindings.
The Poésies nouvelles and the Oeuvres posthumes are here in first edition, and the Comédies et proverbes in edition with some parts in first edition.
This set comprises: "Oeuvres posthumes" (2 volumes), "Poésies nouvelles" (3 volumes), "Poésies complètes", "Mélanges de littérature & de critique", "Contes", "Comédies et proverbes" (2 volumes).
Some light foxing of no...
New edition, adorned with a portrait of the author by Daullé, three headpieces by de Sève engraved by Juste Chevillet, twelve plates engraved by Jacques Aliamet, Jean-Jacques Flipart, Noël Le Mire, Louis-Simon Lempereur, Dominique Sornique, and Jacques-Nicolas Tardieu, and thirteen vignettes and sixty tail-pieces, all by de Sève engraved by Jean-Charles Baquoy, Jean-Jacques Flipart, and Louis Legrand.
A superb copy of the first luxury edition of Racine, among the most sought-after, bound in the most sumptuous red morocco.
Contemporary full red morocco, spine with five raised bands and gilt compartments, triple gilt fillet border, corner fleurons, yellow...
First collected edition. No deluxe paper copies issued.
Publisher’s binding in full green cloth, flat spines, with their dust jackets designed by Adam Rusak, showing only minor and insignificant marginal tears.
Rare presentation copy dated May 1, 1992 and signed by Solzhenitsyn to USSR émigré journalist and writer Sam Yossman, on the title page of the first volume.
First collected edition of the author's works (see Quérard, V, 642; DSB, IX, 186–189; Poggendorff I, 85).
Printed in Dresden by George Conrad Walther ["Printed in Leipsic by Jean Gottlob Immanuel Breitkopf"]
Full mottled fawn calf, spine with five raised bands richly gilt in compartments with floral tools, red morocco label, joints restored, marbled endpapers and pastedowns, red edges; contemporary binding.
Some occasional foxing; restorations to the joints, edges and corners of the boards.
First edition of the "Works" of Maupertuis. Pages 95 to 142 contain the "Mesure de la terre au Cercle Polaire"; pages 311 to 326 feature the "Relation d'un Voyage fait dans la...
Collected edition, partly first edition, of the plays of Pierre Corneille, printed in Rouen by Laurens Maurry and sold in Paris by Augustin Courbé and Guillaume de Luyne. Illustrated with three allegorical engraved frontispieces and 23 full-page copper-engravings, largely designed by François Chauveau and engraved by artists including Jérôme David, Mathéus and Louis Spirinx.
All three frontispieces are dated 1660. The title-pages and privileges of the first and third volumes are likewise dated 1660, while those of the second volume bear the date 1664. The second volume therefore belongs to the 1664 reissue...
First edition, partly original, of the author's complete works.
Our copy retains the engraved frontispiece portrait of Madame de Staël by Müller, present in the first volume.
Some minor foxing, rare minor scratches on a few covers, holes at the bottom of the last marbled paper flyleaf in the ninth volume.
Full pinkish-red glazed calf bindings, smooth spines with richly...
Seven octavo volumes bringing together, in uniform contemporary bindings, the greater part of La Fontaine’s Works in the critical edition prepared by Charles-Athanase Walckenaer and published in Paris by Lefèvre in the early 1820s, with one important distinction: in place of the volume of Contes et nouvelles en vers originally intended for the set, an independent edition, abundantly illustrated after Eisen and published in Paris by the Libraires associés in 1791-1796, has been substituted.
Edition translated by Defaucompret. Each volume has an engraved title with a vignette and at least 2 steel engravings per work, the animated scenes are by Tony Johannot, the views are English engravings. 28 folding maps heightened in colors, including a large map of Scotland, at the end of the History of Scotland.
Half navy blue shagreen binding, slightly later, ca 1850. Spine with raised bands decorated with gilt compartments and thick and thin fillets, in blind and gilt. Spine uniformly and slightly darkened. Author, volume number and title gilt. Volume 1: trace of dampstain to one corner of p. 300 to the end. Volume 4: broad yellowing on title page to p.30. Volume 7: trace of...
First edition of the French translation by A. J. B. Defauconpret. Illustrated vignette on the title page of each volume, with two illustrations in each volume (60 in total) by Louis Marckl after Noël Bertrand.
Green half shagreen binding, spine with five raised bands elaborately framed in gilt and blind, spine-ends stamped with a gilt rosette bearing cabbalistic signs, marbled paper boards, marbled endpapers and pastedowns, speckled edges, contemporary bindings.
Spines slightly lightened, some corners slightly dulled, more pronounced foxing on some volumes, a tear not affecting text to pp. 303-304 of vol. 2, a restored tear and a marginal lack of paper not affecting text to pp...
New edition, augmented with an introductory study and notes. Engraved portrait of William Shakespeare as frontispiece.
Green calf binding, gilt and blind-tooled border on the covers, spine with five raised bands, gilt ornaments on the bands, gilt caissons and fleurons between the bands, gilt edges, blind-tooled decorative border on the doublures, French Curl paper doublures, French Curl edges. Binding rubbed and scuffed, some surface wear, the spine and part of the rear board sunned.
Manuscript ex-libris of the celebrated medium Julie de Güldenstubbe on a front free endpaper.
The Shakespearean theater populated by ghosts and...
New printing of the author's works issued by Alexandre Houssiaux, who had acquired the Furne publishing stock under which the works had originally appeared. He expanded the set with three additional volumes (Theatre, Contes drolatiques, etc.), published here for the first time.
Bound in red half shagreen, spines with four raised bands ruled in gilt and richly gilt-panelled, a few minor scuffs to some spines, marbled paper boards, marbled endpapers, speckled edges.
A few light foxing spots, as usual.
Illustrated with 125 plates hors texte by the leading artists of the period, including Bertall, Daumier, Gavarni, Johannot, Meissonier and Nanteuil, together with rare...
Edition illustrated with colour plates by Albert Dubout, one of the numbered copies on Arches wove paper, the only issue after 500 copies on deluxe Arches laid paper.
Spines of the chemises slightly faded.
The set comprises the following titles: "The Miser", "The Bourgeois Gentleman", "The School for Wives", "The Learned Ladies", "Scapin's Deceits", "The Imaginary Invalid", "The Misanthrope", "Tartuffe".
An attractive complete set in 8 volumes, also complete with all its chemises and slipcases.
A fine large-paper copy on vellum of the 1796 edition, which contains several previously unpublished texts by the author, a frontispiece portrait, 13 illustrations and 2 maps, engraved by Pierre-Alexandre Tardieu, Claude-Nicolas Malapeau, P. F. Tardieu, A. Girardet, Jean Louis Charles Pauquet, François Denis Née, Emmanuel-Jean-Népomucène de Ghendt, Charles Emmanuel Patas, Noël Le Mire and Vincent-Marie Langlois (in order of appearance).
Contemporary half long-grain red morocco bindings, smooth spines divided by...
A complete set of the astronomical writings of Jean Sylvain Bailly, partly in first edition. This is the main work of the author, first Mayor of Paris, elected during his lifetime to three French academies, a distinction previously achieved only by Bernard Le Bovier de Fontenelle.
The present set comprises the second edition of the Histoire de l'astronomie ancienne, the new edition of the Histoire de l'astronomie moderne, and the first edition of the Traité de l'astronomie indienne et...
First quarto edition, complete with all volumes and plates, commonly referred to as the “Third Edition” of the Encyclopédie, and also known as the “Encyclopédie de Pellet” or “Encyclopédie de Lyon” or “Encyclopédie du Lac” by Simon-Nicolas-Henri Linguet.
Full marbled and polished brown sheepskin contemporary bindings, spines with five raised bands and four gilt compartments decorated with pomegranate gilt tools, two gilt decorative rolls at foot, title and volume lettering-pieces in red and green morocco, boards twice framed in blind, board edges gilt, all red edges, marbled pastedowns and...
First edition and complete run of the 9 G.L.M. cahiers issued between May 1936 and March 1939.
A few spines slightly faded, as is often the case; otherwise a pleasing copy, complete with its original publisher’s slipcase in full grey boards, with red printed title label pasted to the spine.
With numerous contributions by most of the Surrealist poets, writers, and artists, including: André Breton, René Char, Paul Éluard, Philippe Soupault, René Crevel, Valentine Penrose, Federico García Lorca, Pablo Neruda, Michel Leiris, Max Ernst, Man Ray, and André Masson, as well as several spiritual forebears of Surrealism such as Franz Kafka, Lewis Carroll, and Raymond Roussel...
First complete collected edition, published in Paris in 1781 in twelve volumes. For the first time, it brings together in a single set Marivaux’s plays, novels, periodical writings, and a number of prose works previously scattered across separate publications. Portrait of Marivaux as frontispiece, painted by Pougin de Saint-Aubin, within an ornamental frame designed by Clément-Pierre Marillier and engraved by François-Robert Ingouf, known as Ingouf le Jeune.
Uniform contemporary full mottled tan calf. Spines with raised bands, gilt compartments and rolls at foot; tan...
Complete new edition of Buffon's works, published in Paris by Eymery between 1825 and 1828 according to the arrangement established by the Comte de Lacépède and completed by the supplementary volume issued in 1828. A handsome complete set in 26 bound volumes (13.5 × 21 cm; total shelf length: 103 cm), illustrated with 245 plates: Buffon's portrait engraved by Devéria as the frontispiece, 216 hand-coloured plates - some heightened with gold - including 91 devoted to mammals and 126 to birds, 13 plates in black, and 4 folding maps. Most of the coloured plates were executed by Jean-Gabriel Prêtre, the animal painter successively attached to Empress Joséphine's menagerie...
First collected edition of the works of François-René de Chateaubriand, issued in parts between 1826 and 1831 and here gathered in 32 volumes. Partly a first edition, the series includes the first appearances of Les Natchez, Le Dernier Abencérage, Voyage en Amérique and Moïse. Each volume is illustrated with a wood-engraved frontispiece by Charles Thompson, the English engraver established in Paris from 1816, showing a young woman seated beside a stone inscribed
Extremely important edition, comprising a large number of works appearing here in their first edition. The complete set of these 27 volumes is rare (Clouzot). The titles present in first edition are: Mattea, Lettres d’un Voyageur, La Dernière Aldini, Les Maîtres mosaïstes, L’Uscoque, Spiridion, Les Sept Cordes de la lyre, Gabriel,
New illustrated edition with 232 figures, principally by Borel. Volume XIV contains an additional suite by Moreau, a suite by Marillier and another anonymous suite. Copy on vellum paper, the figures on heavy vellum. At the end of the publisher's notice, a leaf with the price of works: the 20 volumes in-18, fine paper, in wrappers with 18 engravings...30Fr. The same with 212 engravings, in wrappers...60Fr. The same, 17 volumes, deluxe vellum paper, figures from first proofs...120Fr. The volumes may be purchased separately by works. While at Princeton University and the Royal Library of Denmark one finds only the edition in 20 volumes with 18 engravings, this copy proves more desirable in...
First collected edition, partly original, by far the most important and most sought-after (cf. Clouzot), with Chateaubriand having revised and reworked a large part of his writings.
This set also contains in first edition several texts including Les Natchez, Le Dernier Abencérage, Le Voyage en Amérique, and Moïse (placed at the end of vol. XXII and often lacking).
Each volume illustrated with a frontispiece...
Letter typed and signed from André Malraux to Maurice Béjart. One leaf headed by the Ministre d'Etat chargé des Affaires Culturelles (Ministry of Culture), bearing a stamp from 29 January 1969.
André Malraux hopes to place choreographer Maurice Béjart in charge of the Ballet de l'Opéra in Paris.
First edition, illustrated with a frontispiece by Mellan and a portrait of the author by Champaigne engraved by Nanteuil, published posthumously by the author's nephew, Martin de Pinchesne.
Contemporary late 18th-century full mottled calf. Spine with raised bands, richly gilt in a grotesque pattern with two alternating tools. Pink calf lettering-piece. Joints split at the head. Worming at the foot. Two corners bumped. Some rubbing. A few leaves evenly browned, others lightly yellowed. Headcap clumsily restored. Yellow dampstain to the lower outer corner of the first 30 pages.
