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Pirate edition of 1812, imprint dated 1796. It features the exact pagination of the genuine 1796 edition, as well as the 13 plates and 2 frontispieces by Monnet, Mlle Gérard and Fragonard fils engraved by Baquoy, Duplessi-Bertaux, Dupréel, Godefroy, Langlois, Lemire, Lingée, Masquelier, Patas, Pauquet, Simonet and Trière. The pirate edition is identified by the letters “R. p. D.” in the plates' lower margins, as they have been retouched by Delvaux. In addition, the fillet preceding the date on the title-page is wavy, and the title is presented in seven lines rather than eight.
Bound in full morocco, slight rubbing on the corners, all edges gilt, splendid binding signed by...
Ronéotype réalisé par Boris Vian de son manuscrit original, avec ajout autographe du titre : "Le penseur" et deux corrections autogrpahes, nouvelle initialement parue dans la revue Dans le train n°15, 1949, puis publiée dans le recueil posthume Le Loup-Garou en 1970.
Sans doute réalisé pour conserver une copie de sa nouvelle, avant l'envoi à la revue Dans le train, ce ronéotype du manuscrit originale signé a été conservé dans les archives de l'écrivain jusqu'à sa mort. les deux corrections autogrpahes et le titre au crayon semble indiquer que Boris Vian avait prévu une nouvelle publication.
Cette biogaphie express de la courte vie...
Very important and last remaining archives in private hands, including autograph manuscripts, typescripts, corrected proofs, offprints, first editions, etc.
Exceptional collection of manuscript and printed archives – the last in private hands – of the founder of liberalism and modern economics, Léon Walras, preserved and annotated by his most prominent scholar William Jaffé. One of the 5 most important sets of personal archives belonging to Walras, considered by Schumpeter “the greatest of all economists”.
This collection of 42 important documents, including complete autograph manuscripts, corrected proofs, abundantly annotated offprints...
Original autograph manuscript, 8 pages on 4 squared leaves, extensively revised and signed by Boris Vian. Subtle horizontal folds.
This short story, written on 7 June 1948 according to Noël Arnaud, was first published in issue no. 2 of the magazine Dans le train, and later included in the collection Le Loup Garou. The manuscript differs slightly from the printed versions.
Original autograph manuscript of a short story by Boris Vian, written in 1945 and published posthumously in the collection Le Loup-Garou in 1970.
Highly dense manuscript of 17 pages on 9 sheets, written in black ink with deletions and corrections, on perforated graph paper, dated “25.10.45” at the end of the text. One of the very rare manuscripts dated by the author.
Exceptional manuscript of Boris Vian’s first short story, written at the age of 25, just a few months after the Liberation.
Original autograph manuscript of Boris Vian's short story, first published in the magazine Une bouteille à la Mer, no.72, in 1952, then included in Vercoquin et le plancton and republished posthumously in the 1970 collection Le Loup-Garou.
Heavily revised manuscript, written in blue ink on the recto of each sheet, with corrections in purple ink and black pencil.
Ronéotype réalisé par Boris Vian de son manuscrit original, avec ajout autographe du titre : "L'amour est aveugle", nouvelle initialement parue dans la revue Paris-Tabou n°1 de 1949, puis publiée dans le recueil posthume Le Loup-Garou en 1970.
Sans doute réalisé pour conserver une copie de sa nouvelle, avant l'envoi à la revue Paris-Tabou, ce ronéotype du manuscrit originale signé a été conservé dans les archives de l'écrivain jusqu'à sa mort.
Ecrit d'un seul jet et comportant très peu de corrections, il témoigne de la créativité de l'écrivain et de son univers onirique hors du commun.
Provenance : Fondation Boris...
Important original autograph manuscript, signed, of Boris Vian’s short story written in 1950, first published in Bizarre no. 32–33 in 1964, and later included in the posthumous collection Le Loup-Garou in 1970.
With Vian’s autograph name and address at the head of the manuscript.
Extensively revised manuscript, written in blue and violet ink on the versos of each leaf, with a pasted slip of corrections mounted to page 13.
Manuscript list by André Malraux (20 lines in blue ballpoint pen) providing details and instructions for André Parinaud concerning the publication of his works forming the "Ecrits sur l'art" collection illustrated with photographs by Roger Parry.
Fold marks inherent to postal mailing.
Resistance member and contributor to Combat, André Parinaud was a journalist, columnist, art critic and writer. From 1959 to 1967, he held the position of editor-in-chief of the important weekly Arts bringing together the elite of French creation in all artistic fields : literature, painting, theater, cinema... He would then conduct more than 1000...
