
First edition, one of 45 numbered copies printed on Rajasthan jute paper, the only deluxe issue.
Manuscript signature of Emil Cioran at the colophon.
Spine very slightly faded, of no significance.
Rare and fine copy, complete with the three tantric paintings reproduced hors-texte in colour on cream paper.
First edition, limited to 59 numbered copies on Arches vellum, signed in pink pencil by André Masson beneath the limitation statement.
Rare and fine copy.
Illustrated with two original etchings by André Masson, printed full-bleed and issued hors texte.
First edition, printed in 170 numbered copies on Holland paper, this copy being one of the 100 reserved for Robert J. Godet.
Illustrated with ten burin engravings by Gaston-Louis Roux.
A very good copy, with only a few negligible and faint spots to some leaves.
First edition, one of 85 numbered copies on pure wove paper, the only issue following 15 copies on Montval vellum.
A few insignificant spots.
Work illustrated with four original engravings by Suzanne Roger, including a coloured frontispiece.
Manuscript signatures of Tristan Tzara, Suzanne Roger, and Jean Aubier beneath the limitation leaf.
First edition, one of 100 copies printed on antique Montval wove paper, the only issue following 1 copy on old Japan paper, 10 on imperial Japan, and 20 hors commerce.
Work illustrated with 9 original drypoints by Jean Lurçat.
A rare and handsome copy.
Inscribed and signed by Jean Lurçat to Jean Bourgoin.
First edition printed in 125 numbered copies on B.F.K. de Rives paper, ours being one of the 25 containing the two black etchings by Robert Lagarde, the colour suite, and the additional plate, a deluxe issue.
A few spots to the covers, internally clean and pleasing; copy complete with its publisher’s prospectus.
Each etching and additional plate is signed and justified by Robert Lagarde.
First edition, one of 170 numbered copies on vélin teinté de rives, the only issue following 40 copies on vélin blanc d'Arches, with an additional suite of the illustrations.
A fine copy.
Illustrated with three etchings by Alberto Giacometti.
Edition partly original, one of 90 numbered copies on hollande paper, the only issue following 10 on japon, 2 on Chapelle and 2 hors-commerce copies. Volume illustrated with 8 woodcuts by Manolo, four of which are full-page.
Manuscript signatures of Manolo and Pierre Reverdy on the colophon.
A...
New illustrated edition featuring 15 naive woodcuts, including one on the rear cover.
No copies recorded in the CCF (Collective Catalogue of France).
Pleasant and rare copy.
This small illustrated tale, primarily serving as an opportunity to showcase all familiar animals within a single narrative, is part of the "penny books" series—the equivalent of our own chapbooks intended for the most modest audiences.
It is traditionally attributed to the publisher, John Golby Rusher (1784–1877), who took over his father’s printing business (William Rusher) and specialized in children’s literature.
A small book entirely in Chinese, from the series Chinese Spoken Language Readers for Lower Primary Schools.
Printed stamp of the Missions Museum S.J. Kirche "Am Hof" on the rear cover; a manuscript ink annotation at the head of the final page of text.
Numerous black-and-white illustrations within the text and one full-page colour illustration.
A rare and pleasing copy.
Illustrated edition with drawings by D. Rahoult and numerous wood engravings by E. Dardelet (Vicaire I, 812–813; Carteret III, 95–96).
Preface by George Sand. Grenoble, Rahoult et Dardelet, 1864–1874, issued in two parts bound in one volume, large quarto.
Half brown morocco over corners, spine with five raised bands decorated with gilt fleurons and blind tooling, minor rubbing to the spine, covers of marbled paper framed with double gilt fillets, surface wear to the boards, comb-marbled endpapers and pastedowns, gilt top edge.
The first part, issued in nine instalments between 1859 and 1864, consists of a poem in local patois on the flooding of Grenoble in 1733, first...
First edition illustrated with 2 engraved plates of this rare anonymous collection of poems, recently and definitively attributed to the poet from Réunion Antoine de Bertin (1752-1790), and believed to constitute his earliest works (cf. Seth, Poète créoles, 304. Ryckebusch, Bibliographie… Réunion, 750. Conlon 71: 879.)
Contemporary-style half black sheep with corners, spine with five raised bands ruled in blind, comb-marbled paper boards, some rubbing to the covers, corners bumped, modern binding.
They were never included in subsequent editions of his Œuvres complètes.
Bertin alludes to his island in his “Vers à Jeannette. A l'Orient” (p. 68): « …Mais...
Very rare first edition, with the title printed in black, illustrated with 4 copper-engraved plates hors-texte (cf. Gumuchian, 5321.)
Contemporary half brown sheepskin over marbled boards, smooth spine tooled in gilt with fillets and dotted rolls, covers framed with a double gilt rule, marbled endpapers and pastedowns, two corners slightly bumped, speckled edges, period binding.
Expert restorations to the corners and spine ends, spine partially faded with light rubbing, occasional minor foxing.
With a highly interesting preface by the author, in which she explains that she herself directed a puppet theatre.
Brings together the following four adaptations for...
First edition illustrated with 24 colour figures mounted within the text.
No copy recorded in the CCFr.
Occasional light foxing.
Publisher’s original full lemon-yellow percaline, smooth spine, upper cover decorated in red, minor spotting to the boards.
Pleasing album devoted to the monuments of ancient China, then undergoing rapid transformation at the beginning of the twentieth century.
The text was set before the Chinese Revolution of 1911 and the Great War.
On the half-title, this copy is enriched with a long dated autograph inscription by the American singer and society figure Tryphosa Bates-Batcheller (1876–1952) to Henry de Galard de...
Very rare first edition of this album comprising 24 plates engraved by the Valenciennes engraver William Marks.
Indeed, the large figure printed on two sheets counts as two engraved plates (nos. 8 and 9), Cf. Vicaire
Contemporary half tawny shagreen over corners, spine with five raised bands highlighted with gilt dotted tooling and decorated with double fillets and gilt fleurons, some rubbing to the spine and joints, one joint split and then reglued at the head, comb-marbled paper boards, marbled endpapers and pastedowns, original illustrated upper wrapper preserved, top edge gilt, engraved bookplate pasted to one pastedown, contemporary binding.
Texts by...
Rare first edition comprising a suite of 12 lithographs printed in colour on tinted grounds, numbered 1–12.
This series by the painter and lithographer Charles-Edouard de Beaumont (1821–1888), lithographed by Jaime, addresses the theme of children compelled to work from a very early age, exposed to street trades and itinerant entertainments.
Publisher’s half brown cloth over beige paper-covered boards, title stamped on the upper cover.
Some small tears and rubbing to the cloth spine, light dampstaining to the margins of the boards, occasional foxing, a small black mark to the upper cover.
The suite may be read either romantically or socially; in both cases it...
First separate edition of Plain Language from Truthful James, which first appeared as an article in The Overland Monthly in September 1870.
Issued as a printed envelope-folder containing nine lithographed caricature plates by John Hull, each accompanied by a poem.
No copy recorded in the CCF.
Small angular tears to the envelope, with some staining to the lower margin.
Originally intended as a fierce satire on the racial prejudice of Irish-American workers against the numerous Chinese immigrants competing for railway construction jobs, the piece was widely misread as mocking the immigrants themselves.
The Jewish writer and poet Francis Brett...
Paris, Louis Janet and later Madame Veuve Louis Janet, from circa 1840 and subsequent years. 17 octavo volumes, 14.8 x 23.7 cm.
A set comprising the ten volumes of the first series and the seven volumes of the second, corresponding to the complete collection as described by Gumuchian. Uniformly bound in contemporary full burgundy calf, the smooth spines faded and decorated with gilt Romantic arabesques, gilt ornamental bands at head and foot, boards framed with double gilt fillets and gilt cornerpieces, marbled endpapers and pastedowns, gilt lines to the board edges. Some corners slightly bumped. Scattered...
First edition.
Publisher's full cloth-backed pictorial boards, front board with color illustration, pictorial endpapers, a newspaper clipping photograph of the Disney couple pasted on the front pastedown. Minor lacks to the upper cover, corners slightly creased.
Exceptional incribed copy by Walt Disney on the front pastedown: "Best wishes / Walt Disney," below a portrait of him with his wife and their dog.
Second edition, illustrated with a portrait, a title-page vignette, a colour frontispiece and numerous black-and-white engravings in the text, after watercolours by Aranda, Beaumont, Myrbach and Rossi. One of only 50 copies printed on Japanese paper, constituting the deluxe issue, without individual limitation number. This edition appeared one year after the first illustrated edition.
Contemporary full red morocco, signed at the foot of the front pastedown by Michel & Fouque Frepes (signature somewhat difficult to decipher). Raised bands to spine, with four compartments decorated with gilt floral tools within ornamental borders, gilt rolls at head and foot. Gilt ornamental borders...
First edition, one of 20 numbered copies on Japan paper, the smallest issue of the deluxe edition, along with 20 on Arches.
Spine and covers marginally faded and sunned as usual, with minor paper losses at the flaps.
Illustrated with 8 original lithographs by Georges Annenkoff.
As with all copies from the deluxe issue, this copy includes the complete double suite of illustrations on vellum and on China paper.
Illustrated edition by George Roux featuring 12 large chromotypographs, 2 maps, and numerous photographic views.
Publisher’s decorative binding by Hetzel, signed Engel, known as “au globe,” type 4, spine with the lighthouse design, lower cover of Engel type "h" as per Jauzac; all edges gilt.
Headcaps very slightly pushed without consequence, original blue endpapers faintly faded as often, a few occasional spots of foxing.
Les Frères Kip is a detective and adventure novel, likely inspired by a late 19th-century criminal case: the Rorique brothers.
Copy not recorded by Jauzac.
First edition of this important and very rare magazine, complete with 4 issues in 3 volumes.
Complete collection of this luxurious Surrealist magazine, edited and funded by Lise Deharme and characterized by its emphasis on photography. Covers illustrated by Man Ray, illustrations in black.
Contributions by Salvador Dali, Hans Arp, Dora Maar, Oscar Dominguez, Brassaï, Lee Miller, Jacques Lacan, James Joyce, Georges Ribemont-Dessaignes, Ilarie Voronca, Nathalie Barney, Benjamin Fondane, Pierre Drieu La Rochelle, Alejo Carpentier, Eugène Jolas, Lise Hirtz [Lise Deharme], Raymond Queneau, Claude Sernet, Roger Vitrac, Robert Desnos, Jean Follain, Léon-Paul Fargue, Pierre...
First edition of the 4 novels of this 'Histoire contemporaine' tetralogy. First illustrated edition for each. Copy no. 87, one of 100 on japon impérial, including an additional suite of drawings on chine, facing each watercolor illustration. Total run of 1000 copies, with 93 full-page illustrations, head-bands and decorations for each chapter, all in colour ; illustrations after the watercolors of Serge Beaune, made by the workshop of de D. Jacomet & Cie.
Handsomely and uniformly bound copy in red morocco.
A satirical novel about the clergy, the army and civil society in the Third Republic, published from 1897 to 1901, and a portrait of France during...
New edition, illustrated with 111 drawings by Neuville and Riou. 7 plates, some in color.
Publisher's gilt Globe binding, upper cover signed Blancheland, Engel relieur, spine with lighthouse motif, rear cover of Engel H type, publisher's Y catalogue at rear of volume.
Spine with minor discoloration, a few small stains to upper corner of front cover, endpapers discolored, corners slightly twisted, the engraving between pages 122-123 with small corner lacks, occasional light foxing mainly to edges.
Undoubtedly the most famous of Jules Verne's novels, featuring the mythical figure of Captain Nemo and his legendary submarine, the Nautilus.
Complete set of 13 original lithographs by Eugène Delacroix, in first edition, first issue with the letter, one of 20 copies on Chine paper pasted on laid paper:
"It was originally printed in a few proofs on Chine, the format of which exceeds the square line by one or two centimeters. They are highly sought-after, even though they bear the letter" (Robaut).
Bound in the original publisher's brown half-shagreen binding, title gilt stamped on first board, original first cover wrapper preserved. Small restored tear to the margin of the wrapper over 5 cm, sunned spine, joints and corners rubbed, scattered foxing and a dampstain to the lower part of the laid paper...
First edition of this rare and fragile advertising object for the Galeries Lafayette consisting of 47 cardboard pieces with a medallion illustration designed by Jack Roberts and a children's song of four verses.
Handsome copy complete with its original crystal paper envelope.
Second edition with some parts in first edition (with 5 added tales), Félix Vallotton's illustrations in first issue, one of 20 numbered copies on japon, only deluxe issue.
Bradel binding, brown 3/4 cloth, smooth spine with floral motif stamped in gilt at center, twice ruled in gilt at foot, slightly chafed morocco title-label, marbled paper boards, original covers and spine preserved, contemporary binding signed Carayon.
Small clear stains to the top edge of first board, one corner slightly rubbed, a spot of foxing at foot of the first few pages.
Illustrated with 50 drawings by Félix Vallotton.
Rare and handsome copy housed in a contemporary binding by...