First and only edition. This copy is one of the rare examples complete with the 64 full-page plates. The work is also illustrated with a title vignette depicting the artist Ambroise-Louis Garneray in a small boat, sketching the entrance to the port of Brest.
Contemporary binding of half tan sheep with corners, smooth spine richly decorated in gilt and blind with multiple large typographic tools, discreet restorations to the joints, marbled-paper boards, marbled endpapers and pastedowns.
A magnificent work on the ports of France, and one of the finest collections ever...
Illustrated edition with a portrait of Jean Boccaccio as frontispiece to the first volume and 11 etched out-of-text engravings by Léopold Flameng, one of 600 copies on Holland paper in forme.
Half straw-yellow morocco bindings with corners, spines with five raised bands decorated with black fillets, gilt dates at foot, red morocco title and volume labels, marbled paper boards, marbled endpapers and pastedowns, top edges gilt, bindings signed by Canape-Helz.
Our copy is exceptionally enhanced with a suite of engravings executed by Gravelot.
Handsome set.
First edition printed on alfa paper, no mention is made of deluxe copies.
Work illustrated with illustrations in the text.
Manuscript signature of Géo Lévy-Say at the head of the title page.
Album of lithographed plates in third state, first cover printed in 3 tones, black, bistre with gradients and white highlights, followed by 24 lithographs in black on 12 double-sided pages.
Gray half calf binding, smooth spine, some foxing, original soft cover preserved, binding signed by Charles Septier.
Created in 1851, this youthful work influenced by Rodolphe Töppfer's style, is now considered an incunabulum of comic strips.
20 full-page lithographs in black by Gustave Doré, in second state.
Red half oblong Bradel-style cloth binding, smooth spine, black morocco title label, marbled paper boards, beige paper endpapers and flyleaves, corners slightly dulled.
2 frontispieces and 12 numbered engravings bound at rear of the second volume.
Small lack of paper to upper right corner and marginal restoration to the first volume's title page. Minor foxing, a light halo to the right margin of each of the 12 engravings at rear of the second volume.
Red half morocco binding, smooth spines with arabesques motifs in gilt, marbled paper boards, snags and rubbing to boards and edges, corners bent.
The book was first published as The Universal Cook in London in 1792; its fourth edition was translated into French...
First edition, one of 20 copies on Arches paper, most limited deluxe issue (tirage de tête).
Like all copies on Arches, it is wrapped in a double dust jacket in yellow and white, and bears the rare sanguine vignette drawn and engraved by Hans Bellmer.
Preface by Jean Paulhan.
Our copy is housed in a custom clamshell box featuring an original design signed by Julie Nadot.
Beautiful first edition copy of this masterpiece of erotic literature, in its most limited deluxe issue.
First edition, one of 170 numbered copies on vélin du Marais, the only issue after 30 copies on Arches.
Custom chemise and slipcase, chemise in half blue box calf, flat spine with blind and palladium-stamped lettering, date in palladium at foot, patterned paper boards, slipcase edged in blue box calf, patterned paper boards, sides and spine in petrol blue paper, signed by Boichot.
A very fine copy.
Illustrated with 3 original etchings in black by Georges Braque and one in black and grey as frontispiece.
Signed by René Char and Georges Braque on the colophon, with an exceptionally added original artist's proof signed in pencil on...
