Literature illustrated with engravings, lithographs, photographs, first edition drawings, beautiful illustrated books and artists' books

First edition.
Publisher's full grained brown sheep binding, orange top edge, smooth spine decorated with gilt fillets.
Rich iconography.
Handsome copy complete with its dust jacket, glassine wrapper and flexible slipcase.

First edition abundantly illustrated.
Publisher's full blue and pink cardboard binding, smooth spine, covers illustrated with drawings by Reiser and Cabu.
We include the historic issue number 1178 of Charlie Hebdo from January 14, 2015 with the famous front page "Tout est pardonné" ["All is forgiven"] showing Mohammed holding a sign reading "Je suis Charlie" ["I am Charlie"].

First edition of this surrealist tale, one of the numbered copies, ours unnumbered, the only deluxe copies.
Work illustrated with 40 collages reminiscent of Max Ernst's style
Publisher's full red moiré cloth binding, smooth spine, complete with its illustrated dust jacket whose spine and covers are slightly yellowed as is usual.

Edition illustrated with 21 original compositions by Michel Ciry, one of 260 numbered copies on handmade paper, the only issue after 15 Japan copies and a few hors commerce.
Chemise spine sunned.
Handsome copy.

Edition printed in 104 numbered copies on Arches vellum, ours being one of 14 named copies reserved for collaborators, and illustrated with 74 original drypoints by Jean Frélaut.
The illustrations comprise: 3 full-page hors-texte including 1 frontispiece, 51 in-text and 20 tailpieces.
Our copy is enriched with a menu from a luncheon organized by the Société des Amis des Livres on Saturday March 13, 1943, the menu is illustrated with an original drypoint by Jean Frélaut which he justified.
Cover boards shaded, spine and boards of the chemise and slipcase marginally sunned.
Fine and rare copy.

First illustrated edition by Rochegrosse with 15 etchings including 12 full-page, 1 half-page and 1 tailpiece, and a very beautiful cover by Georges Rochegrosse engraved by Champollion. Subscription leaf at rear. One of 250 copies on Arches vellum, numbered 246. The same artistic team created Flaubert's Salammbo in the same creative spirit.
Half brown morocco binding with corners signed J. Kauffmann at the top of the first endpaper. Smooth spine decorated with an ornamental composition in mirror pattern connected by fine fillets. Red morocco title label. Spine uniformly faded. Light rubbing traces. Top edge gilt. Covers and spine preserved. Entirely uncut, perfectly fresh.
Beautiful edition illustrated by Rochegrosse with Orientalist inspiration in which the illustrator excels.

Illustrated edition with 210 wood engravings by Hector Giacomelli.
Half red shagreen binding, spine with five raised bands set with blind fillets, some traces of rubbing to spine and joints, boards decorated with Japanese-inspired and floral motifs stamped in blind, marbled endpapers and pastedowns, three corners slightly bumped, top edge gilt, contemporary Japonist binding.
A handsome copy in contemporary Japonist binding.

New illustrated edition with 172 drawings by Riou, engraved by Pannemaker.
Publisher's binding known as "A la mappemonde" or "Au dos à l'ancre," beveled. Second cover of Engel type i. Very beautiful upper plate with particularly brilliant golds, signed Engel in the anchor. Dark traces to the left and right of the world map. Beautiful spine with soft but not collapsed headcaps, infinitely faded; this spine has the particularity of possessing a laminated lower section, as with the first inlay bindings, one might think it is one of the first anchor spines, formed like the first gilt globe bindings, with an inlay in the lower section; however, this world map binding is not at its first attempt, it has been thinned in this version (the first ones too bulky and heavy would deform) and the spine is more harmonious, losing its wide unsightly red band. Let us recall that this binding enjoyed a short life and dressed only three titles: The Children of Captain Grant, The Mysterious Island and Matthias Sandorf. Perfect second cover. Well-pointed corners, lightly rubbed. A tear on the interior border of the second cover measuring 8mm. Perfect edges. Shiny percaline. Very fresh copy, completely free of foxing.
Magnificent copy, very rare in this condition.
One of the author's great classics, 2 children set out to search for their shipwrecked father. The novel leads the reader from Scotland to New Zealand via the Canary Islands, Cape Verde, the Strait of Magellan, the Andes mountain range, the Argentine pampa, the Cape of Good Hope, Amsterdam Island, and Australia. Let us recall that The Children of Captain Grant forms a trilogy with The Mysterious Island and then 20,000 Leagues Under the Sea, not a sequel, but indeed a trilogy.

First edition.
Handsome copy despite small stains on the back cover.
Contributions by Géo Norge "Dieu, mon dieu", Adrien Copperie "Confusion des arts", Fernand Marc "Cette monnaie d'oiseaux"...
Issue illustrated with reproductions of works by Roger de La Fresnaye, Jean Marembert, Georges Papazoff...

First edition.
A handsome copy despite small marginal foxing on the boards, a minute tear at the head of the second board.
Contributions by Lorna Rea "L'esprit souffle où il veut" translated by Odette Chauvet-Villard, Géo Norge "Poëmes", Ivan Goll "Mélusine"...
Issue illustrated with reproductions of works by Pablo Picasso, Giorgio de Chirico, Marie Laurencin, Victor Servranckx, Alexander Calder, Jacques Maret...

First edition.
Publisher's full brown grained sheep binding, orange top edge, smooth spine decorated with gilt fillets.
Rich iconography.
Handsome copy complete with its glassine wrapper and slipcase.

First edition.
Publisher's binding in full brown grained sheep, smooth spine decorated with gilt fillets.
Rich iconography.
Fine copy complete with its cellophane wrapper and soft slipcase.

First edition published in the Bibliothèque de La Pléiade.
Publisher's full brown grained sheep binding, smooth spine decorated with gilt fillets, handsome copy complete with its glassine wrapper as well as its soft slipcase.
Iconography.

First edition.
Publisher's full brown grained sheep binding, orange top edge, smooth spine decorated with gilt fillets.
Rich iconography.
Handsome copy complete with its dust jacket, cellophane wrapper and soft slipcase.

First edition.
Publisher's binding in full brown grained sheep, orange top edge, smooth spine decorated with gilt fillets.
Rich iconography.
Fine copy complete with its cellophane wrapper and soft case.

First edition published in the Pléiade library.
Iconography.
Publisher's binding in full brown grained sheep, smooth spine decorated with gilt fillets.
Handsome copy complete with its cellophane wrapper as well as its soft slipcase.

First edition.
Rich iconography.
Spine of the rhodoid slightly yellowed.
Handsome copy complete with its rhodoid and slipcase.

First edition, one of 1000 numbered copies on Arches paper, the only edition after 10 copies on Japan paper.
Work illustrated with 10 wood engravings by Pierre-Eugène Vibert after drawings by Rouveyre which were subsequently destroyed by Rouveyre and whose text engraved on wood by Vibert was entirely burned.
Some foxing on the covers, a tiny hole in the lower right corner of the first cover, handsome interior condition.
Autograph inscription dated and signed by André Rouveyre to Jules Romains.

Edition illustrated with 4 original drypoints and a vignette on the title page by Tavy Notton, one of 185 numbered copies on Rives laid paper, the only printing with 5 Japan and 10 special paper copies.
Slipcase lightly and marginally soiled without consequence.
Rare and handsome copy complete with its chemise and slipcase.

New edition and first printing of Jacques Tardi's illustrations.
Two light creasing marks to corners of front cover.
Handsome copy complete with publisher's slip.

First edition illustrated with two out-of-text vignettes and a frontispiece engraving.
Half red morocco binding, spine very slightly faded with five raised bands, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns.
Occasional light foxing, light rubbing to corners of boards, amusing biographical note concerning the author pasted to head of one pastedown.

First edition illustrated with an engraving as frontispiece to each of the four volumes.
Half red shagreen bindings, spines with four thin raised bands set with gilt garlands and decorated with broad black fillets, gilt friezes at head and foot, marbled paper boards, two joints slightly cracked.
On the fourth volume: a filled gap at foot of pages 41-42 (not touching text) and a marginal tear without loss on pages 211-212 with slight damage to text.
Charles-Antoine-Guillaume Pigault de l'Épinoy, known as Pigault-Lebrun, was a French novelist and playwright born in 1753 in Calais and died in 1835 at La Celle-Saint-Cloud. Pigault Lebrun is at the very source of French popular fiction which flourished in the 19th century with Alexandre Dumas and Eugène Sue. He made the fortune of publisher Barba who wrote his biography.
Rare.

The rare first edition.
Half red shagreen binding with corners, smooth spine decorated with gilt ornamental motifs, olive green shagreen title-label slightly faded, black fillet frame on marbled paper boards, combed paper endpapers and pastedowns, illustrated covers preserved.
Upper headcap with rubbing, a crease at head of second board which has a small black stain at foot.
Prestigious provenance: from the library of Paolo Fratellini with two bookplates mounted on a pastedown and facing the half-title page.

First edition in volume.
Publisher's full white paper boards, smooth spine, illustrated front cover.
Work illustrated with humorous drawings by Jacques Faizant.
Handsome copy despite small lacks to the laminated film on the joints.
Autograph inscription signed by Jacques Faizant to Jean Langlois.

First edition illustrated with 15 etched portraits engraved by Jeanron; the portrait of Camille Desmoulins is before letters.
At the beginning of the volume, the index listing the engraved portraits has been marked with blue ink in the left margin of each name.
Some foxing, three lacks at head and foot of spine, small tears and marginal lacks to the dusty angular boards, two portraits (out of 15) are missing from our copy: that of Robespierre jeune and that of Georges Couthon.

First edition illustrated with 39 photographs hors texte.
Publisher's full bottle-green percaline cloth binding, smooth spine, head slightly rubbed, front cover illustrated with a circus scene, frame of blind fillets on the rear cover, endpapers and pastedowns of gilt floral motif paper, all edges gilt.
German pencil annotations at the head of an endpaper and in black felt pen on the printed dedication page, occasional foxing, otherwise handsome interior condition.
Prestigious provenance: from the library of Paolo Fratellini with two bookplates pasted on a pastedown and facing the half-title page.

First edition, one of 500 numbered copies on snow-white offset paper.
Spine sunned, one stain to upper right margin of back cover, handsome interior condition.
Work illustrated with 3 drawings by Jacques Hérold.
Autograph inscription signed by Ghérasim Luca to gallerist Nane Stern enriched with a drawing representing the constellation of the Great Bear, thus linking their two names.

First edition.
Minor marginal tears to boards, not affecting text.
Illustrated front cover.

First edition of Gébé's first work, consisting of a collection of his drawings.
Handsome copy complete with its illustrated dust jacket showing small corner tears.
Autograph inscription signed by Gébé to Pierre Courtois, journalist at L'Equipe: "A monsieur Courtois en l'invitant amicalement à un petit footing dans cette rue de la magie. Gébé." ["To Mr Courtois, cordially inviting him for a little jog in this street of magic. Gébé."]

First edition established by André Malraux, one of 50 numbered copies on Japan paper, deluxe printing.
Preface by Gabriel-Albert Aurier.
Work illustrated with a frontispiece, 6 headpieces as well as 3 tailpieces engraved on wood by Jean-Gabriel Daragnès.
Fine full-margined copy complete, as stipulated in the print run justification, with the suite of woodcuts on China paper.

First edition of this issue of Beaux-Arts magazine published on the occasion of Pierre Soulages' exhibition at the Musée d'Art moderne de la ville de Paris.
Fine copy.
Iconography.
Autograph inscription signed by Pierre Soulages to a man named Jean-Claude.

First edition, one of 50 copies on China paper printed specially for the bookseller Carteret, ours bearing No. 1, the only deluxe copies.
Work consisting of 87 plates of drawings by the author which he captioned in order to ridicule bourgeois marriage.
Bradel binding in half green morocco with corners, smooth spine slightly discolored, gilt date at foot, marbled paper sides, covers and spine preserved, endpapers and pastedowns of combed paper, top edge gilt on deckled edges, contemporary binding signed Durvand.
Handsome full-margined copy agreeably bound in contemporary binding signed Durvand.

First edition printed in only 125 numbered copies on strong laid paper.
Work illustrated by Charles Jouas with 12 compositions engraved with etching and burin by Boisson, including one frontispiece and eleven in-text. These engravings were printed on China paper in Wittman's workshops and mounted on laid paper.
Full lavallière morocco binding, spine with five raised bands decorated with triple gilt compartments, place and date at foot, quintuple gilt compartment framing the boards, important gilt stamped decoration framing the pastedowns, combed paper endpapers, double gilt fillet on the edges, guilloche headcaps, original covers preserved, all edges gilt, binding signed Chambolle-Duru.
Superb copy perfectly executed by Chambolle-Duru.

Fifth edition and first printing of the 425 drawings by Gustave Doré.
Half brown sheep binding, smooth spine decorated with gilt and black fillets, traces of rubbing to spine, joints slightly cracked at head and foot, marbled paper boards, marbled endpapers and pastedowns, one upper corner slightly bumped.
Some minor foxing.

New edition illustrated with an engraved frontispiece in each volume.
Binding in half green Russia morocco with small almond-green corners, smooth spine decorated with gilt friezes and fleurons, blind roulettes on headcaps, green paper boards, blind fillets on edges, contemporary binding.
Some foxing, some rubbing to spine.
Rare edition of this emblematic work of the Age of Enlightenment denouncing intolerance and all forms of fanaticism.

First edition illustrated with drawings by Alain Grée.
Publisher's polychrome paper boards, smooth spine.
Small lack to film covering at head of one joint, five fine blue ballpoint pen marks in margins of two pages, a small light stain on the fore edge, otherwise handsome copy.
Autograph inscription signed by Paul Guth to Stéphanie de Gonneville.

Illustrated edition, with frontispiece to the first volume, of a portrait of Joan of Arc drawn by Gaucher as well as 21 figures drawn by Lebarbier, Marillier, Monnet, Monsiau, all engraved by Baquoy, Choffard, Delignon, Delvaux, Duhamel, Dupréel, Lemire, Lingée, Malbeste, Patas, Pauquet, Ponce and Romanet...
Half black shagreen bindings, smooth spines decorated with blind fillets, some rubbing to headcaps and joints, marbled paper boards, marbled endpapers and pastedowns.
Some minor foxing.

First edition illustrated with 101 lithographs by Daumier and 2 frontispieces by Nanteuil. Each issue contains 3 pages of text and one captioned lithograph. The volumes dated 1840 are reprints. These lithographs were originally published separately from 1836 to 1838, and were reduced in size for this volume.
Contemporary half calf binding with lavender tint. Smooth spine decorated with mirror rococo tooling. Spine uniformly darkened. Joints cracked. One scratch on the upper cover. Evidence of rubbing. Lithograph 36 has a repaired tear running lengthwise across the entire page. Very light scattered foxing. Small dampstain to lower margin of lithographs 48 to 57. Paper generally somewhat browned.
Satire of society through the character of Robert Macaire, an unscrupulous businessman

Edition illustrated with original in-text compositions by Henri Cassiers and an etching by Félicien Rops as frontispiece.
Spine broken with losses, handsome interior condition.

First edition illustrated with humorous drawings by the author.
Full paper boards binding, smooth spine, complete with its illustrated dust jacket.
Handsome copy.
Autograph inscription signed by Avoine to Jean-Pierre Richard and his wife Michelle.

Illustrated edition with copperplate engravings by Jean-Gabriel Daragnès, one of 200 numbered copies on Arches paper, the only issue after 25 on Japan paper.
Some light worming of no consequence, otherwise a handsome copy.
Autograph inscription signed by Paul Valéry: "Cet exemplaire de la Jeune Parque appartient à mon neveu Jean Valéry. Paul Valéry." ["This copy of La Jeune Parque belongs to my nephew Jean Valéry. Paul Valéry."]

First edition.
Half tawny sheep binding, smooth spine (faded and with a scratch at head) decorated with gilt arabesques, marbled paper boards, combed paper endpapers and pastedowns, original wrappers preserved, top edge gilt, contemporary binding.
About Cléo de Mérode, Yvette Guilbert, Liane de Pougy, Lina Cavalieri, la belle Otéro, Sada Yacco, Loïe Fuller, café-concert...
Prestigious provenance: from the library of Paolo Fratellini with two bookplates pasted on a pastedown and facing the half-title page.

First edition of this issue.
Light stains on the covers, a small lack to the lower right corner of the first cover, handsome interior condition.
The magazine "Jazz," celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
Contributions by Pierre Mac Orlan "Vieille et jeune Bretagne" ["Old and young Brittany"], Jacques Dyssord "Clemenceau", Pierre Ichac "Un auteur dramatique chez les mangeurs d'homme" ["A playwright among the cannibals"], Claude Aveline "Le souvenir de Bourdelle" ["The memory of Bourdelle"], Eli Lotar "Amsterdam", Louis Hirschauer "Retour du Soudan" ["Return from Sudan"], André Hunebelle "Art abstrait" ["Abstract art"]...
Issue illustrated with works by Carlo Rim and Georges Grosz as well as numerous photographs by Germaine Krull, Yvonne Chevalier, Eli Lotar, Jean Collar, Sougez...

First edition of this issue.
Some tears to the spine, a lack to the lower left corner of the back cover.
The magazine "Jazz", celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
Contributions by Léo Larguier "La brocante en l'an 2030", Jacques Maret "Peintures sous verre", Emile Condroyer "Islande", André Beucler "Batoum", Jean Schlicklin "Bréhat"...
Issue illustrated with numerous photographs by Germaine Krull, Sébastien Gallais, Paul Nadar, Henri Manuel, De Smet...

First edition of this issue.
Two tears to the spine, some stains to margins of covers.
The magazine "Jazz" celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
Contributions by Joseph Conrad "Atterrissages et départs", Henri de Montherlant "Les conduites de taureaux en Camargue", Florent Fels "La route", Titaÿna "Panama", Pierre Lazareff "Vie intime des artistes du music-hall", Paul Chauveau "Jean Cocteau l'imposteur", Urbain Faure "plongeurs de nacre... pêcheurs de perles"...
Issue illustrated with works by Jean Cocteau, Henri-Pierre Gassier as well as numerous photographs by Jean Dreville, Eli Lotar, Kertesz, Carlo Rim, Titaÿna, Pierre Ichac, Germaine Krull, Urbain Faure...

First edition of this issue.
Small tears of no consequence to spine, some light stains at foot of front cover.
The magazine "Jazz," celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
Contributions by Jacques Dyssord "Rue de Lappe," Florent Fels "Le port d'Amsterdam," Joseph Delteil "Le Paradis terrestre," Henri Thétard "Fêtes foraines," Waldemar George "Expressionisme," Carlo Rim: "La rue chinoise"...
Issue illustrated with works by Moïse Kisling, Louis Touchagues, Jean Cocteau, Bécan, Carlo Rim as well as numerous photographs by Germaine Krull, Achay, Manuel frères...

First edition of this issue.
Very light marginal worming to covers, handsome copy.
The magazine "Jazz," celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
Contributions by Titaÿna "La vie à bord des grands paquebots," Carlo Rim "Lubaki, peintre nègre," Georges Altman "Vladimlir Iliitch Lénine," Serge "Promenade en avion," André Hunebelle "Images du verre," Legrand-Chabrier "Contorsions," Ivan Goll "Sodome et Berlin," Georges Thiry "Antoine, photographe nègre"...
Issue illustrated with works by Carlo Rim, Antoinette Lubaki and Sem as well as numerous photographs by Eli Lotar, Antoine, Rap, Gergely, Hansa Luftbild, Sougez, Keystone, Jean Painlevé...

First edition of this issue.
Marginal stains to covers, pleasant interior condition.
The magazine "Jazz", celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and was published monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
Contributions by Titaÿna "Bagdad", Ilya Ehrenbourg "Slovaquie", Marcel Zahar "Centenaire du bec de gaz", Carlo Rim "Rues", Pierre Scize "Le cinéma"...
Issue illustrated with works by Carlo Rim, Honoré Daumier, Eugène Delacroix, Francisco de Goya, Paul Gavarni as well as numerous photographs by Germaine Krull, Laszlo Moholy Nagy, Ilya Ehrenbourg, Achay, Plicka...

First edition of this issue.
Light marginal foxing to the covers, minor tears to the spine without consequence, handsome interior condition.
The magazine "Jazz", celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
Contributions by Titaÿna "Alep", Florent Fels "Joris Ivens", Jean Dorsenne "L'Océanie à travers les artistes", Carlo Rim "Rues", Legrand-Chabrier "Frégoli"...
Issue illustrated with works by Carlo Rim, Serge and Sennep as well as numerous photographs by Germaine Krull, Joris Ivens, Brunoff, Titaÿna, Castelli, Douaze, Manuel...

First edition of this issue announcing the forthcoming publication by "Sans pareil" of "Plan de l'aiguille" by Blaise Cendrars photographed with a cigarette between his lips.
Minor marginal foxing.
The magazine "Jazz," famous for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
Contributions by Titaÿna "Jérusalem," Jacques Dyssord "Défense et illustration du chantage," Florent Fels "Acier," Paul Chauveau "Ubu de chair," Pierre Scize "Lorsque Charlot parut...," Jacques Heller "Le voyageur, le sauvage et le sociologue..."
Issue illustrated with works by Alfred Jarry, Louis Touchagues, Carlo Rim and Serge as well as numerous photographs by Germaine Krull, Eli Lotar, Jacques Heller, Achay, Titaÿna...

First edition, one of 1000 numbered copies on laid paper, ours one of the hors commerce copies.
Work illustrated with 4 reproductions of works by Claude Garache.
Handsome copy.
Autograph inscription signed by Yves Bonnefoy to his friend the painter Myklos Bokor: "Pour Myklos Bokor, avec affection Yves" ["For Myklos Bokor, with affection Yves"] enhanced by the manuscript signature of Claude Garache in pencil.

First edition, a Service de Presse (advance) copy.
Handsome copy despite slight worming of no consequence to the covers.
Covers illustrated by Raymond Peynet.
Autograph inscription signed by Jean Dutourd to Gilbert Guilleminault.

Edition printed in 100 numbered copies on handmade laid paper and decorated with original illustrations by Gustave Guétant engraved on wood by A. Thévenin.
Two small tears repaired with minimal losses at head and foot of spine.
Fine and rare copy.

New edition, one of 42 nominative copies on heavy Arches paper, deluxe issue.
Work illustrated with 21 plates hors-texte presented in a separate chemise and at the end of the volume.
Our copy, as stipulated in the justification page, is complete with a suite of 11 color separations of the frontispiece plate.
Fine and rare copy.

Edition illustrated with 19 original etchings by Constant Dratz, one of 90 numbered copies on Arches paper, deluxe issue.
Our copy, as stipulated in the justification page, is complete with the portrait of the author signed in pencil by Constant Dratz as well as the duplicate suite of the 19 etchings (two of which are signed by Constant Dratz).
A handsome copy.

Illustrated edition with a black frontispiece and 23 bistre lithographs including full-page plates by Jos Bouuaert, one of 90 numbered copies on Japan paper with a black suite of the 11 full-page plates, deluxe copy.
Small foxing on the boards and spine slightly sunned.
Handsome copy complete with its chemise with flaps and slipcase.

Illustrated edition with 100 original lithographs in-text and hors-texte by Georges Gobô, one of 125 numbered copies on vellum, the only issue along with 41 other vellum copies.
Light foxing to endpapers and edges.
Handsome copy complete with its slipcase.
We include the menu from a dinner of the bibliophile association of the Société des amis du livre moderne.
Our copy is enriched with an original black drawing by Georges Gobô.

Illustrated edition with 14 in-text black etchings by Adolphe Lalauze (8 chapter headings, 6 tailpieces), one of 170 numbered copies on Holland paper.
The etchings are in duplicate state in our copy.
Preface by Louis Ulbach.
Full glazed brown morocco binding, smooth spine decorated with a pattern of gilt sextuple compartments, location and date gilt at foot, gilt roulettes on headcaps, covers framed with a pattern of octuple gilt fillets, white and purple watered silk endpapers and pastedowns, pastedowns framed with a pattern of quintuple gilt fillets, double gilt fillets on leading edges, original wrappers preserved, all edges gilt, magnificent unsigned binding.
A very handsome copy superbly bound.

First edition of the Dutch translation by J.W.F. Werumeus Buning.
Half tan sheep binding, smooth spine decorated with a gilt cartouche with floral motifs enhanced with red mosaic morocco pieces forming the petals, red morocco title-label and author's name, marbled paper boards, marbled endpapers and pastedowns, covers preserved, top edge gilt, contemporary binding.
Illustrated with 6 photographic portraits as well as 50 drawings.
Precious signed autograph inscription from the translator J.W.F. Werumeus Buning: "A Messieurs les Fratellini hommage respectueux de leur traducteur et admirateur. JWF Werumeus Buning, Paris 28 Mai 1925." ["To Messrs. Fratellini, respectful tribute from their translator and admirer. JWF Werumeus Buning, Paris 28 May 1925."]
Distinguished provenance: from the library of Paolo Fratellini with two bookplates pasted on a pastedown and before the photographic section.

First edition of the German translation by Hanns Heinz Ewers.
Half tan sheep binding, smooth spine decorated with a gilt cartouche with floral motifs enhanced with red mosaic shagreen pieces forming the petals, red shagreen title-label and author's name, marbled paper boards, marbled endpapers and pastedowns, illustrated covers preserved, top edge gilt, contemporary binding.
Illustrated with 100 drawings in the text, covers illustrated by Erich Buttner.
Distinguished provenance: from the library of Paolo Fratellini with his bookplate pasted after the first illustrated cover.

First edition in French.
Two vertical fold marks on the covers.
Work illustrated with drawings by Tomi Ungerer.
Autograph inscription signed by Tomi Ungerer to a young man named Thomas.

Third edition with some parts in first edition as it was revised and expanded.
Iconography, press clippings included.
Handsome copy.
Autograph inscription signed by Carzou to Madame Troillard.
We include an envelope addressed to the dedicatee and an invitation to an exhibition of Carzou's recent works presented at "Le Dôme" in Montparnasse.

First edition of Jean Lébédeff's compositions printed in 350 numbered copies on strong vellum.
Calligraphy and colored images by Jean Lébédeff, signed by him on the justification page.
Shadows from the folded-over cover, very fine copy in publisher's chemise and slipcase.
Signed autograph inscription from Jean Lébédeff to André Goukowsky.

First edition of the exhibition catalog for the retrospective of photographic works by William Klein, Jörg Krichbaum and Anton Corbijn at the Morsbroich Museum in Leverkusen.
Richly illustrated.
Complete with dust jacket which has a scratch to the lower left corner of the front panel.
Autograph inscription signed by William Klein to Thierry Marlat on the dust jacket, with William Klein having crossed out the surnames of the two other photographers participating in the exhibition.

First edition.
Contributions by Marcel Martinet "Le vert grandit. Les peupliers", Daniel-Rops "Pluie", Maurice Fombeure "Nocturne", Jean Follain "Mélodrame", Fernand Marc "Chanson"...
Issue illustrated with drawings and wood engravings by Amedeo Modigliani, Auguste Clergé, Auguste Sandoz, Albert Rièra, Celso Lagar, Engel-Rozier.

First edition printed on ordinary paper.
Work illustrated with an out-of-text drawing by Fernand Léger.
Precious autograph inscription signed by Luc Bérimont: "Pour Colette de Jouvenel, avec l'affectueuse pensée du grand viager 1958." ["For Colette de Jouvenel, with the affectionate thoughts of the grand viager 1958."]

First edition of this issue dealing sometimes ironically with the Franco-English entente.
Cover illustrated with a color drawing by Théophile Alexandre Steinlen "La promenade des anglais", back cover illustrated with a color drawing by Vallotton "Le discours de bienvenue".
Texts by Tristan Bernard "Têtes couronnées", Charles-Louis Philippe "Un roi", Franc-Nohain "L'idée d'Edouard VII", Jules Renard "Marthes Brandès à la campagne" Alfred Jarry "Cambronne et Edouard au Jockey-club".
Issue illustrated with drawings by Hermann-Paul, Théophile Alexandre Steinlen, Jean Villemot, Roubille, Abel Faivre...

First edition of the catalogue of works donated by Tomi Ungerer to the Museum of the city of Strasbourg, the artist's birthplace.
Handsome copy.
Very rich iconography.
Signed autograph inscription from Tomi Ungerer to a couple of friends whose surname he enigmatically does not cite in full: "Pour Marie Jane et Jean H....d herzlich" ["For Marie Jane and Jean H....d heartily"] accompanied by a small drawing depicting a heart pierced by an arrow.

New edition illustrated with a frontispiece engraving in each volume.
Bindings in half bottle-green Russia morocco, spines with five fine raised bands decorated with typographical motifs and gilt friezes showing slight rubbing, apple-green cardboard boards, marbled paper endpapers and pastedowns, marbled edges, contemporary bindings.
Foxing, two spines faded.

New edition of the French translation.
Handsome copy.
Work illustrated with drawings by Tomi Ungerer.
Autograph inscription signed by Tomi Ungerer to a young man named Eliott.

First edition printed in a small number of copies of this offprint from the Mémoires de la société d'agriculture, sciences, belles-lettres et arts d'Orléans.
A tear at head of spine.
Rare pamphlet illustrated with a folding genealogical table as well as 3 plates hors-texte and 1 in-text representing playing cards.

First edition.
Cover illustrated with a color drawing by Hermann-Paul "Les rameaux", back cover illustrated with a color drawing by Abel Faivre "Interpellation".
Literary contributions by Charles-Louis Philippe "Le dimanche des rameaux", Jules Renard "Au théâtre", Franc-Nohain "Choses à dire", Alfred Jarry "André Médaillé"...
Issue illustrated with drawings by Lucien Pissarro, Théophile Alexandre Steinlen, Louis Morin, Félix Vallotton...

First edition.
Cover illustrated with a color drawing by Steinlen "Vive la liberté!", back cover illustrated with a color drawing by Félix Vallotton.
Literary contributions by Charles-Louis Philippe "Leur vérité", Franc-Nohain "Le vieux libéral", Alfred Jarry "Le tribunal de Dieu"...
Issue illustrated with drawings by Kupka "La sortie de la synagogue", Théophile Alexandre Steinlen, Sancha, Hermann-Paul, Paul Iribe...

First edition illustrated with drawings by Raymond Peynet.
Publisher's full white cardboard binding, smooth spine, boards slightly and marginally yellowed.
Autograph inscription signed by Raymond Peynet to a couple of his friends enriched with a drawing representing the famous lovers: "A Paulette et René, voeux de bonheur. Peynet." ["To Paulette and René, best wishes for happiness. Peynet."]

First edition printed on laid paper.
About Auguste Rodin, Rembrandt, Gustave Doré, Jules Chéret, symbolism, the salon of 1892...
Spine and boards partially sunned, two small stains to upper right corner of front board.
Our copy is complete with its original drypoint by Auguste Rodin as frontispiece.

First edition, one of the numbered copies on vellum, the only deluxe copies after 30 Japan and 100 Holland.
Handsome copy.
Dated autograph inscription signed by Maurice Dekobra to Mr Rasquin.

New edition of the French translation.
Handsome copy.
Work illustrated with drawings by Tomi Ungerer.
Autograph inscription signed by Tomi Ungerer to a young lady named Manon.

Edition with some parts in first edition, illustrated with 100 (of 103) vignettes after drawings by Daubigny, Johannot, Charlet, Raffet, Scheffer, Devéria...
Half red calf bindings with corners, spines slightly faded with one raised band decorated with gilt and black romantic arabesques, gilt friezes at head and foot, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, speckled edges, some corners slightly bumped, contemporary bindings.
Some foxing, four vignettes lacking in our copy.
However, our copy is complete with the two portraits of Béranger and the facsimile of a 4-page manuscript letter, all placed at the beginning of volume I.

New edition of the French translation.
Handsome copy.
Work illustrated with drawings by Tomi Ungerer.
Autograph inscription signed by Tomi Ungerer to a young lady named Manon.

First edition of this complete 1883 year containing 50 issues in original wrappers under blue temporary covers.
Spine split with angular lacks to the covers.
Each issue consists of four pages.
Texts by Emile Goudeau, Alphonse Allais, Jean Richepin and Paul Verlaine ("Le Chat noir", "Langueur", "La Princesse Bérénice", "Pantoum négligé", "Paysage", "Conseil falot", "L'Aube à l'envers", "Un pouacre", "Madrigal") notably.
Drawings by Willette, Rodolphe Salis, Henri de Sta, Tiret-Bognet, Henri Pille, Caran d'Ache etc.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its record. It published the texts recited during performances. It is, moreover, an important literary and artistic testimony of the end of the 19th century, centered around bohemian life and the Parisian effervescence characteristic of it.

First edition in French.
A light circular stain to lower left corner of front cover.
Work illustrated with drawings by Tomi Ungerer.
Autograph inscription signed by Tomi Ungerer to a young lady named Adélaïde.

First edition of this collection of ferociously anti-Semitic caricatures presented in the form of a booklet of 24 checks.
Bradel binding in full olive cloth, smooth spine decorated with gilt fillets, very light scratches of no importance to the right margin of the front cover, endpapers and pastedowns of decorative patterned paper, front cover preserved.
Some inevitable minor restorations to the check stub area, some foxing at the end of the volume, handsome copy.

First edition illustrated with 15 etched portraits by Jeanron. The portrait of Camille Desmoulins appears before letters.
A few discreet marginal pencil annotations, likely in Champfleury’s hand.
Some occasional foxing.
Bradel binding in olive green half cloth, flat spine decorated with a gilt fleuron, double gilt fillet and date at foot, tan shagreen label, marbled paper boards, original wrappers preserved despite some marginal losses, corners rubbed.
This copy includes all 15 engravings depicting the most illustrious figures of the Montagne.
Provenance: From the library of Champfleury (no. 519 in the catalogue published by Léon Sapin in 1890), then from the library of Archibald Philip Primrose, fifth Earl of Rosebery, with his engraved bookplate mounted on a pastedown: "Honi soit mal y pense" and his "Rosebery / Durdans" stamp at the top right of the title page. He served as Prime Minister of the United Kingdom.

Illustrated edition with first printing of a title vignette, 140 half-page vignettes, all by Tony Johannot, engraved by Brevière. Moorish-style bandeaux and drop capitals. Text framed with a double black fillet.
The original frontispiece has been replaced by an original signed watercolor by Adolphe Lalauze (1838-1906) for an illustration of Le Diable boiteux, and an original ink drawing by the painter and illustrator Henri Pille (1844-1897), dedicated to his friend Dr. Laffont and dated May 3, 1896. Furthermore, the copy has been enhanced with 9 etchings engraved by Louis Monziès after drawings by Henri Pille for the Lemerre edition of 1879, in two states, on vellum before letters and on chine before letters (the 9 proofs on chine bear Pille's autograph signature); and with a portrait of the author and 7 etchings by Adolphe Lalauze for the Jouaust edition of 1880, before letters on laid paper (each proof has been signed in red by the artist). Copy assembled by Dr. Laffont, dedicatee of Henri Pille's drawing, who noted in his hand the list of added pieces opposite the cover. The binding was also executed at his request by Charles Meunier in 1899.
Full lavender morocco binding signed Charles Meunier at the bottom of the pastedown (with morocco-edged slipcase). Spine with raised bands decorated with 2 tools and the same mirrored in the center. Covers with a wide frame repeating the motif used on the spine. Decorative border frame inside on the pastedowns. Edges gilt. Covers and spine preserved. Some pale foxing only from p. 304 to 312. Traces of rubbing to joints and headcaps. Some offsetting from the engravings.
Superb copy in very rare condition.

First edition illustrated with woodcuts by Raphaël Drouart. Copy no. 728 (66 to 1050 on Vélin d'Arches). 18 full-page color plates printed in different tones: sepia, grey, blue, gold, green...), 7 black and white vignettes at chapter beginnings, 3 at chapter ends and one at text end.
Contemporary signed full brown marbled calf binding by René Kieffer, with his label at top of first endpaper. Raised band spine decorated with 2 diamond shapes with stylized foliage panel in blind. Boards decorated with 2 large panels with alternating foliage in blind, one darker brown, the other lighter. The spine and edges are lighter, only the panels and tools are dark brown. Minor rubbing. Some occasional foxing on an otherwise fresh set.
Superb Art Deco binding by Kieffer. This binding has already been used on several copies of this edition (generally on first paper copies), so it is likely a publisher's commission for this work.

The first edition, of which there were no deluxe copies.
Spine and boards marginally sunned without gravity.
Cover illustrated with a drawing by Raoul Ubac.
Retaining publisher's wraparound band.
Fine autograph inscription dated and signed by Jean Lescure to Georges Goldfayn: "A toi mon cher Georges ce 1848 dont la révolution n'a pas empêché la gauche d'être gauche et ne l'a pas pas rendu adroite pour autant. Avec l'amitié de Karl. J. Lescure" ["To you my dear Georges this 1848 whose revolution did not prevent the left from being left and did not make it skillful for all that. With the friendship of Karl. J. Lescure"].
Jean Lescure crossed out, at the very end of the volume, the last intervention of the Game Leader, one of the characters of this dramatic poem in three days, to add, in manuscript this remark for the attention of Georges Goldfayn: "Et comme il n'y pas (mot illisible) que cela arrive jamais pourquoi voulez-vous que la révolution finisse. Budapest nov. 1956" ["And as there is no (illegible word) that this ever happens why do you want the revolution to end. Budapest Nov. 1956"]

First edition, one of 100 numbered copies on Arches vellum reserved for friends of the author.
Handsome copy illustrated with 3 illustrations by Raoul Ubac, Gustave Singier and Léon Gischia.
Autograph inscription signed by Jean Lescure to Georges Goldfayn: "... qui a des faiblesses pour mes bavardages, voici ceux de mes gnomides bien pires mais l'amitié est d'abord celle de Jean Lescure." ["... who has weaknesses for my chatter, here are those of my gnomides much worse but friendship is first that of Jean Lescure."]

New edition, carefully revised and expanded by Dujardin and illustrated with 58 copperplate reproductions including 10 in color and 6 double-page (the title page erroneously announces 64, the table of contents correctly accounting for 58 plates). Limited edition of 100 copies on Velin paper. Normally the 100 copies are nominative and numbered, this one marked only "Réservé" in pencil.
Bound in contemporary half navy morocco with mosaic corners signed Champs at the top of the first endpaper. Spine richly decorated with 5 ornaments featuring 2 birds with laurel leaves in red mosaic compartments with ornaments and succession of fillets. Roll tooling at head and foot. Top edge gilt. Full-margined copy, uncut. Light traces of rubbing, particularly to the 2 upper corners. Title page yellowed by the tissue guard opposite, as well as the few pages which are also in contact with the tissue guards where the captions of the engravings are inscribed.
Superb copy.

Illustrated edition in first printing limited to 1000 copies on handmade laid paper. No. 480. A portrait of the author drawn and etched by Gaujean and 10 plates etched by Gaujean after Albert Dawant, as well as headpieces, ornamental letters and tailpieces by Emile Mas after Sébastien Leclerc. Original wrappers preserved with titles in gold and vignettes printed in blue and red.
Contemporary half pink morocco binding with corners. Raised bands in Jansenist style. Titles and volume numbers gilt. Top edge gilt. Entirely uncut, superbly fresh. Spine uniformly sunned. Light traces of rubbing. Scattered speckling on the spine of volume I. Small brown mark on the top of the first compartment of volume I.
Handsome copy.