18th Century Illustrated Books

First edition of each volume.

The first work lacks its map, while the second retains it.

Full marbled blond calf binding, smooth spines decorated with gilt floral and scroll motifs, red calf title labels, gilt fillet borders on the covers, gilt roll tooling along the edges, cat’s-eye endpapers and pastedowns, green edges, contemporary binding.

Restorations to the spines, joints fragile, repairs to the title leaves, handwritten notes at the head of the first page of text in each volume.

Very rare first edition, illustrated in each volume with a copper-engraved frontispiece by Tardieu after Monnet.

Half black grained cloth bindings, smooth spines decorated with blind fillets, marbled paper boards with light rubbing, sprinkled edges, modest late 19th-century bindings.

Some foxing and a few pale waterstains at the end of the second volume.

This work is an essay whose concerns are strikingly close to our own, though expressed in a very different context.

A founder of French ecological thought, the civil engineer François-Antoine Rauch (1762–1837) demonstrated the direct relationship between deforestation and the increase in extreme weather, calling for the preservation of nature in the interest of humankind. He denounced the large-scale clearing of forests undertaken across continents and advocated the restoration and protection of woodland areas.

In the same spirit, he defended wetlands and marshes, to be made healthy without being drained. The first volume is almost entirely devoted to the dangers and imbalances caused by deforestation; the second focuses on the regeneration of rivers and streams, as well as the drainage of marshes, the whole promoting a return to the “primordial harmony.”

Reprint of the 1709 Regensburg edition by the heirs of Mathias Kerner, published under a false imprint (actually printed in Rouen). This copy illustrated with 10 plates (numerous portraits), including 2 folding plates (the procession of the League and the estates of the League) and one in-text illustration. Title pages printed in red and black. Frontispiece repeated in all 3 volumes. Contemporary bindings in full polished calf. Spines with raised bands, richly decorated. Red morocco lettering-pieces and brown morocco volume numbering-pieces. Headcap of volume III restored. Split at head of upper joint of volume I. Paper browned to varying degrees throughout. A handsome, decorative copy. 18th-century armorial bookplate of Louise de Vivier.

Reprint of the early edition, augmented for the first time with Jean Godefroy's notes. It incorporates all previous additions, including those from Duchat's edition.

Among the foundational texts of this late 16th-century collection, the Catholicon is attributed to Pierre le Roy, the verses to Jean Passerat and Pierre Rapin, and the harangues to J. Gillot. This gathering of distinguished and talented men of letters confers considerable literary value upon the pamphlet (the Satire enjoyed successful editions into the 19th century). "At once a comedy, a pamphlet, and a coup d'état, the Satyre Ménippée paved Henry IV's way to the throne" (P. Larousse). The collection of historical, polemical, satirical, and literary texts assembled in the 18th-century editions constitutes the richest testimony to the history of the League.

First collected edition of the works by the author of Les Étourdis ou le Mort supposé, a comedy that enjoyed great success just before the Revolution.

The set includes a portrait frontispiece in the first volume, four engraved plates, and ten engraved headpieces.

Bound in contemporary full polished and mottled brown calf, gilt decoration, smooth spines with six false raised bands highlighted with gilt fillets and repeated gilt floral tools, gilt fillet frames on covers bordered with a garland roll, gilt tooling to head- and tailpieces, green morocco spine labels, marbled endpapers and pastedowns, gilt edges on boards, marbled edges, contemporary bindings.

Some foxing to a few leaves of volume IV and to the endpapers, with minor surface abrasions to the covers.

Poet and playwright F.-G.-J.-S. Andrieux (1759–1833) was for a time drawn to politics under the Consulate.

He is remembered for his famous retort to Bonaparte, who reproached him for his opposition in the Tribunate: « Citoyen Premier Consul, on ne s'appuie que sur ce qui résiste ».

In literature, however, his ultra-classical tastes prevented him from recognizing the genius of Balzac, of whom he said, after hearing Cromwell: « Ce jeune homme doit faire quoi que ce soit, excepté de la littérature ». A splendid copy in Bradel-Derome le jeune bindings (cf. Coligny, Bradel-Derome, type A-T2), bearing a printed label on the pastedown of the first volume and, beneath it, the bookplate of the library of Vicomte E. de Bourbon-Busset (1799–1863).

First edition of this important work on cryptogams, illustrated with 36 hand-coloured plates (cf. Pritzel 3345).

Contemporary half calf with vellum corners, flat spine decorated with gilt floral rolls, partly rubbed, joints worn, lower cap trimmed with a small loss, black morocco title label, blue paper-covered boards.

Endpapers soiled, a few small spots of foxing.

Justin Girod-Chantrans, writer and naturalist [Besançon, 1750–1841], was one of the founders of the Société d’Agriculture du Doubs.

He was elected a member of the legislative body in 1802 (cf. Hoefer).

Edition published one year after the original, illustrated with four fine copper-engraved plates by Charles Eisen depicting Nordic types (Icelandic women, a bear hunt, Samoyeds, a Laplander in a sleigh) engraved by Le Mire, one folding map by Bellin, thirteen maps, plans, or views (eight of them folding) engraved by Croissey, as well as a charming engraved title vignette and a headpiece by Le Gouaz.

See Sabin, 37616; Chadenat, 1633; Boucher de la Richarderie, I, 380.

Full mottled calf binding, smooth spine richly gilt in compartments decorated with gilt fleurons and geometric motifs, sometimes slightly rubbed, red morocco label, restorations to spine and joints, gilt roll tooling on the caps, red-speckled citron edges, gilt fillets on the board edges; late eighteenth-century binding.

A tall, wide-margined copy.

Provenance: copy from the Château de Menneval, with an engraved bookplate mounted on the pastedown.

First edition of the French translation prepared by Joseph Lavallée.

The atlas volume is illustrated with 16 plates (portrait, views, birds, insects), 12 engraved music plates (printed on 6 leaves), and a large folding map on thick paper (cf. Quérard, I, 6; British Museum (Natural History), I, 8 for the atlas only; Pritzel, 6 for the original English edition).

Bound in contemporary half calf, smooth spines gilt-tooled with floral ornaments, rolls and motifs, sometimes slightly faded, orange calf title and volume labels, marbled paper boards, a few rubs and minor defects along the joints, sprinkled red edges; the atlas volume in contemporary half brown calf, smooth gilt-tooled spine with a few small losses at foot, some rubbing to joints and boards, marbled endpapers and pastedowns.

Our copy is complete with the Finnish bath plate, often lacking.

First edition, cf. Quérard I, 271: only cites an edition "Paris, Née de La Rochelle, 1789." Kress B.1163. Goldsmiths 13858. Not in Einaudi.

With loose printed title pages for each volume, dated 1789.

The first volume, with an engraved title-frontispiece after Meunier, contains 52 double-page or folding plates inserted into the pagination, without following its numbering logic.

The second volume has an engraved title-frontispiece by Zaveris after Meunier and includes 154 etched plates of coins.

Full mottled calf, spines with six raised bands, gilt fillets and double gilt panels, red morocco title-pieces, green morocco volume labels, gilt rolls on the caps, double blind-ruled borders on covers, marbled endpapers, gilt fillets on edges, marbled edges, contemporary bindings.

Some restorations to the bindings.

Unique edition, very rare (the 1789 printing to which our two additional title leaves would correspond does not seem to be attested despite Quérard’s mention).

An excellent copy on strong vellum paper, large-margined, with the spines elegantly decorated with special gilt tools.

Pirate edition of 1812, imprint dated 1796. It features the exact pagination of the genuine 1796 edition, as well as the 13 plates and 2 frontispieces by Monnet, Mlle Gérard and Fragonard fils engraved by Baquoy, Duplessi-Bertaux, Dupréel, Godefroy, Langlois, Lemire, Lingée, Masquelier, Patas, Pauquet, Simonet and Trière. The pirate edition is identified by the letters “R. p. D.” in the plates' lower margins, as they have been retouched by Delvaux. In addition, the fillet preceding the date on the title-page is wavy, and the title is presented in seven lines rather than eight.

Bound in full morocco, slight rubbing on the corners, all edges gilt, splendid binding signed by Hardy.

A very fine copy in a magnificent decorated full morocco binding by Hardy.

The ‘Kehl edition’, the most renowned edition of Voltaire's works, illustrated and published on deluxe paper. It was printed on five different types of paper, and only the deluxe editions, such as ours on laid paper, feature engravings. These are naturally the most sought-after and rarest copies.

Binding in full painted sheep decorated with a “honeycomb” motif, smooth spine tooled with gilt fleurons, fillets and compartments, light beige calf lettering and volume pieces, gilt chain-roll border on covers, marbled endpapers, gilt roll on edges, all edges marbled, contemporary binding. Two volumes (nos. 50 and 70) with slight variations in gilt tools on the spines and with orange morocco lettering pieces, edges and covers treated somewhat differently. General condition of the 70 volumes: bindings with light rubbing to corners, gilt a little dulled, occasional foxing, a few wormholes and old restorations, not affecting the text. 28 volumes (vols. 4, 5, 8, 10, 11, 13, 16, 17, 19, 20, 24, 27, 28, 33, 34, 35, 36, 37, 43, 48, 61, 62, 63, 65, 66, 67, 68, 70) with cracked joints at the ends, and 20 volumes (vols. 8, 11, 12, 14, 16, 18, 33, 34, 37, 42, 46, 49, 53, 56, 57, 60, 65, 66, 68, 70) with damaged caps.

Two editions were published at the same time. Our copy belongs to the prestigious in-8 edition on large paper published in 70 volumes (the other edition being in-12 format in 92 volumes). It is richly illustrated with 125 etched plates:

- There are 17 portraits, including 3 of Voltaire: a frontispiece portrait by N. de Largillière engraved by P. Alex. Tardieu; one drawn from Houdon's bust by Moreau le Jeune and engraved by P. Alex. Tardieu; and one allegorical portrait by Louis Croutelle after Moreau le Jeune, belonging to the second series of illustrations of Voltaire's works executed by Moreau for the publisher Renouard. The 14 other portraits include an allegorical frontispiece of Frédéric-Guillaume, Prince of Prussia, depicted in profile in a medallion by Dambrun after Moreau le Jeune; a portrait of Henry IV by Pourbus engraved by Tardieu; one of Charles VII engraved after the original in the King's Cabinet by Mavieri; another of Agnès Sorel drawn by Moreau the Younger after the original in the King's Cabinet and engraved by Mavieri; one of Joan of Arc engraved by Beisson; followed by the Count of Dunois engraved after the original in the King's Cabinet by J. B. Fosseyeux; one of Louis XIV drawn by Moreau Le Jeune after C. Le Brun engraved by J. B. Fosseyeux; one of Charles XII engraved by P. Alex. Tardieu after the original in the King's Cabinet; one of Pierre I engraved by P. G. Langlois after a painting by L. Caravaque; one of Madame du Châtelet after Marie Anne Loir and engraved by P. G. Langlois; one of the Count of Argental after J. Defraine and engraved by J. B. Fosseyeux; one of Frédéric II of Prussia painted from life by Van Loo and engraved by P. G. Langlois; one of Catherine II of Russia engraved by J. B. Fosseyeux; and one of d'Alembert after De La Tour engraved by N. F. Maviez.

- 93 engravings by Moreau le Jeune, including 44 figures for le Théâtre (engraved by Lingée, Simonet, de Launay, Trière, Halbou, Duclos, Romanet, Dambrun, de Longueil, Delignon, Le Mire, Le Veau), 10 for la Henriade (engraved by Masquelier, Delignon, Dambrun, Patas, Gutemberg, Helman, Simonet, Duclos, Romanet), 21 for la Pucelle (engraved by Simonet, Dambrun, Halbou, Baquoy, Trière, Delignon, de Longueil, Croutelle and Duclos), 4 for the Contes (in verse, engraved by Langlois, Duclos, Delignon and Le Veau) and 14 for the Romans (engraved by Trière, Duclos, de Longueil, Dambrun, Baquoy, Delignon, Simonet, Langlois and Halbou). 

- 14 scientific plates in volume 31, illustrating the experiments of Newton, Descartes and Leibniz.

- 1 battle plan in volume 24 about the Histoire de l'Empire de Russie sous Pierre le Grand.

According to Bengesco (IV, no. 2142), our copy is missing a portrait of Louis XV in volume 22, as well as a portrait of Voltaire by De La Tour (replaced here in the last volume by an allegorical portrait by Louis Croutelle after Moreau le Jeune). This copy includes all the additional portraits, with the exception of two illustrations that are almost always missing: a portrait of Vertot and an engraving of the Œuvres.

Illustrated edition with 2 folding maps and 10 engraved plates outside the text (see Garrison & Morton 71; DSB 613-614).

Contemporary full marbled calf binding, spine with six raised bands decorated with double black panels stamped with blind typographic motifs, burgundy shagreen title label, marbled endpapers and pastedowns, red edges.

Some restoration to the binding, spine rebacked; evidence of waterstaining to the upper margins of the leaves in the second volume.

Giovanni Maria Lancisi (1654–1720), an Italian physician trained at the University of Rome, produced significant work on mosquitoes and malaria (he introduced the term), as well as on cardiovascular diseases and aneurysms. These contributions are gathered in the present work, illustrated with ten anatomical plates of the heart. "Lancisi, great Italian clinician, was the first to describe cardiac syphilis; he was also notable as an epidemiologist, with a clear insight into the theory of contagion. He was physician to Pope Clement XI, who turned over to him the forgotten copper plates executed by Eustachius in 1552. Lancisi published these with his own notes in 1714. [...] Lancisi's posthumous De aneurysmatibus published in 1728 appears only in later collected editions" (Garrison & Morton).

Celebrated edition entirely engraved both images and text, richly illustrated with 6 engraved titles, a frontispiece and an engraved half-title for volume I, together with 243 figures, 473 vignettes and tail-pieces engraved by Fessard. The illustration of the first three volumes is the work of Monnet, and in the last three by Fessard after Bardin, Bidauld, Caresme, Desrais, Houel, Kobell, Le Clerc, Leprince, Loutherbourg, and Meyer. The text is entirely engraved by Montulay and Drouet within decorative borders. 
Contemporary red morocco bindings, flat spines gilt in a lattice design with floral gilttooling, beige morocco volume and title labels, triple gilt fillet framing the boards, gilt fillet on the edges, gilt roll-tooled borders on the pastedowns, blue paper endleaves and doublures, gilt dentelle turn-ins, all edges gilt. Joints expertly restored.

A handsome copy, elegantly bound in contemporary red morocco with richly gilt-tooled spines, of this edition undertaken by Etienne Fessard, dedicated to the heirs to the kingdom or"enfants de France", the Duke of Berry, the Count of Provence, and the Count of Artois.

Very rare first edition illustrated at the end with 4 folding plates (cf Quérard VII, 190).

Modern binding in half mottled sheep with small vellum corners, smooth spine decorated with double gilt fillets, red morocco title-piece, marbled paper boards.

The author was a lawyer and architect in Lunéville.

Chapters on fire, the causes of fires, stoves and chimneys, floors, partitions, staircases, roofing, etc.

Pleasant copy.

Rare first edition of the French translation prepared by Thomas-François Dalibard at the request of the Comte de Buffon (cf Wheeler Gift 367d. Waller 11339. DSB V, pp. 129-139).

Full mottled calf, spine with five raised bands ruled in gilt and decorated with double gilt compartments with floral tools, red morocco lettering-piece, gilt rolls on the caps (partly rubbed), restorations to head and tail of spine as well as to the corners of the boards, marbled endpapers and pastedowns, gilt fillets on the edges, marbled edges, contemporary binding.

Some foxing, a dampstain to the upper right corner of the first endpaper.

The English first edition was published in London in 1751 under the title "Experiments and observations on electricity made at Philadelphia in America" (cf. Norman 830 for that edition).

First edition of the French translation by Nicolas-Gabriel Vaquette d'Hermilly (1705 or 1710–1778), later revised by La Harpe (Quérard II, 30; Cioranescu, XVIII, 33 926).

Despite its very late date, this was only the second attempt at a French translation of Os Lusiadas (1572), following that of 1735 by Duperron de Castéra, which had failed to convince contemporary readers.

This edition includes 10 copper-engraved plates out of text, and is further enriched with notes and a biography of the author.

Bound in early 19th-century green bottle Russian morocco over pink paper boards, corners reinforced, flat spines with gilt double fillets and black ruling; some surface abrasions to boards, endpapers and pastedowns lightly shadowed at the margins.

Paper restoration to leaves 293–294 of the first volume; leaves 291–292 misbound in the second volume.

New edition, adorned with a portrait of the author by Daullé, three headpieces by de Sève engraved by Juste Chevillet, twelve plates engraved by Jacques Aliamet, Jean-Jacques Flipart, Noël Le Mire, Louis-Simon Lempereur, Dominique Sornique, and Jacques-Nicolas Tardieu, and thirteen vignettes and sixty tail-pieces, all by de Sève engraved by Jean-Charles Baquoy, Jean-Jacques Flipart, and Louis Legrand.

A superb copy of the first luxury edition of Racine, among the most sought-after, bound in the most sumptuous red morocco.

Contemporary full red morocco, spine with five raised bands and gilt compartments, triple gilt fillet border, corner fleurons, yellow morocco lettering pieces and volume numbers, double gilt fillets on the boards, marbled endpapers, double gilt fillet on the edges, gilt dentelle turn-ins, gilt edges. Occasional light foxing, mostly on the early leaves of the volumes; some browned pages; skilfully restored corners and joints; a few scratches.

First edition, illustrated with 27 engraved plates (13 in the first volume and 14 in the second – plates 1–7 mistakenly bound after plates 8–14), cf. Ryckebusch 4989. Toussaint et Adolphe D 903. Gay 3239. Robertson 129.

Full mottled fawn calf bindings, flat spines gilt with triple fillets and floral tools (gilding partly faded), gilt roll tooling to headcaps, cherry morocco title and volume labels, plain endpapers with some usual marginal soiling, marbled edges. 19th-century bindings presented in two modern custom slipcases.

Joints restored, internally clean and well-preserved.

The astronomer Guillaume Joseph Hyacinthe Jean-Baptiste Le Gentil de La Galaisière (1725–1792), a student of Jean-Dominique Cassini, spent nearly ten years in India and travelling through the Indian Ocean region.

"His work contains valuable information on currents, tides, monsoons, etc. He introduced knowledge of the Hindu zodiac and Brahmanic astronomy, and noted its concordance with Chaldean science" (Hoefer).

The second volume is entirely devoted to the Philippines (pp. 1–366, plates 1–5), Madagascar (pp. 367–628, plates 6–10), and the islands of France and Bourbon (pp. 629–844, plates 11–14).

First edition of the French translation, illustrated with a folding copper-engraved frontispiece by Bénard: "Mort du Capitaine Cook à Owhy-hée, Fevrier 1779," and a folding map titled "Carte montrant la route suivie par M. Cook… dans son troisième et dernier Voyage."

See O'Reilly and Reitman, 419. See also Hill, p. 253, for the first English edition. Forbes, Hawaiian National Biography, 45.

Contemporary binding in half marbled calf with vellum-tipped corners, spine decorated with gilt floral compartments, red morocco title label, marbled paper boards, red edges.

Restored loss to the title page. The half-title is lacking in our copy; the boards are modern.

"An apocryphal account of the third voyage, published surreptitiously more than two years before the official edition. Hocken […] attributed it to Ledyard, who also wrote a narrative of the expedition. But F. W. Howay […] demonstrated that the true author was John Rickman, lieutenant aboard the Discovery. Includes some unpublished details and episodes." Cf. O'Reilly (no. 415). "All the journals kept on board were claimed by the Admiralty, thus the author remained strictly anonymous. The text, especially as regards details of Cook’s death, differs considerably from other accounts." Cf. Hill.

This work also contains one of the earliest high-quality accounts of the Hawaiian Islands: see Forbes, p. 23.

First edition, illustrated with a frontispiece by Ozanne depicting the frigate *L’Aurore*, engraved by Haussard, four plates of instruments, and one folding map at the end of the volume (cf. Polak 2098).

Contemporary-style binding in bronze half calf, flat spine decorated with double gilt fillets, bronze morocco title label with some rubbing, marbled paper boards, modern binding.

In 1767, Coutanvaux was commissioned by the Académie des Sciences to undertake a voyage to the North to test various marine timekeeping systems.

Some light foxing, not affecting the text.

Deluxe edition superbly illustrated with 3 engraved titles, a portrait, a frontispiece and 72 figures, 4 vignettes and 66 tailpieces, all by Le Barbier, and engraved by Alix, Baquoy, Dambrun, Delignon, Gaucher, Giraud le jeune, Godefroy, halbou, Langlois jeune, Le Beau, Lépine, Le Villain, de Longueil, Pauquet, Petit, Ponce, Taxier, Thomas, Trière and Viguet. The first plates are numbered and within frames with captions in the lower margin, the following ones bear pagination indications. Some plates are dated, from 1782 to 1792. Fine printing on vellum. 

Contemporary full green morocco binding. Smooth spine decorated with 4 cornucopia tools, and roulettes. Frame roulette on the boards. Roulette on the leading edges and interior. Pink paper on pastedowns. Edges gilt. Traces of rubbing. Darker areas on the boards of volume 2. Spine uniformly lightened. Scattered foxing.

First and unique edition of this work, illustrated with 9 plates engraved by Benard after drawings by Penevert (cf Polak 8371).

Binding in half mottled tawny basane with vellum corners, smooth spine decorated with gilt friezes, black basane title piece partially torn, some rubbing and small holes on the spine, marbled paper boards with small paper losses, contemporary binding.

Some restorations on the spine, corners rubbed.

This work is one of the volumes of the *Description des Arts et Métiers* published at the initiative of the Académie des Sciences.

Author of numerous works on navigation and ships, Romme was a professor of mathematics at the School of Marine Guards of Rochefort. He developed a new method for measuring longitudes at sea, which earned him election as a corresponding member of the Académie des Sciences in 1775.

The plates depict ships with their rigging, as well as various types of sails with the pieces that allow them to be maneuvered: ropes, pulleys, shrouds, etc.

The text is accompanied by numerous tables detailing the technical characteristics of the sails and ends with an explanation of the nautical terms used in this work.

Pleasant interior condition.

First edition, first issue, with every feature described by Cohen. The illustration includes a frontispiece, three dedication plates, four printed titles in red and black with engraved vignette, thirty vignettes, and a fine tailpiece concluding the final volume. In addition, there are 140 engraved full-page plates (including the frontispiece, numbered 2 to 140), by Boucher, Eisen, Gravelot, Leprince, Monnet, and Moreau, and engraved by Baquoy, Basan, Binet, Duclos, and de Ghendt - 48 in the first volume, 33 in the second, 37 in the third, and 22 in the last. The frontispiece, the fleurons in the first three volumes, and the vignettes were drawn and engraved by Choffart. 

The French translation by Abbé Antoine Banier is printed opposite the Latin text. It also contains historical notes by the translator and a Life of Ovid from his writings under the name M. G***. Our copy is complete, including the 'avis au relieur' bound in volume 4. The plates are printed on a cream thick laid paper, while the text appears on fine laid paper.

Full red glazed morocco contemporary bindings, spines with five raised bands elaborately decorated with gilt compartments and fleurons. The set is well preserved overall, with a few scattered spots and light foxing; some plates are slightly browned. To the upper joint of Vol. 3, a small perforation and minor crack.

A truly magnificent publication, pinnacle of 18th-century illustrated works by the engraver Le Mire. Together with the renowned Fermiers Généraux edition of La Fontaine’s Contes, it is undoubtedly the most elegantly illustrated book of this century. The project includes the finest illustrators and engravers, with mythological subjects serving as particular inspiration. Ovid’s timeless masterpiece comprises 246 fables of metamorphoses, from Chaos to the transformation of Julius Caesar into a star, providing a comprehensive repository of Greco-Roman mythology and an inexhaustible iconographic resource for the history of art.

A handsome and exceedingly rare first issue, bound in contemporary red morocco.

Armorial ex-libris of William Vincens Bouguereau (son of the painter), a card of the Baron de Noirmont.

First edition of this excellent maritime dictionary, later reprinted in 1780, 1797, and 1799.

The work is complete in all its parts and includes 31 engraved plates by Le Gouaz after the author's drawings.

Contemporary full mottled calf binding, spine with five raised bands decorated with gilt compartments and floral tools, red morocco title label, headcap worn down, marbled endpapers and pastedowns, red edges, upper corners worn.

Small loss to the upper left corner of the front free endpaper, tears to the left margin of the title page, occasional foxing, otherwise a pleasant copy internally.

Born in Lyon on 5 November 1743, Daniel Lescallier entered naval service in December 1765 as a writer in charge of accounting at Môle-Saint-Nicolas in Saint-Domingue.

Appointed student-commissary in February 1767, then assistant commissary of ports and arsenals in February 1770, he sailed in 1773 aboard the ship *Le Languedoc*, before being sent by ministerial order to England, Russia, and Sweden. His travel account was published in 1775. Made commissary of ports and arsenals in January 1777, he was appointed in January 1780 as colonial commissary in Grenada, recently seized by d’Estaing, then in May 1782 as commissary in Demerara (British Guiana), recently occupied by Kersaint’s division. Appointed chief commissary in Cayenne in May 1785 and first councillor to the colony’s Superior Council, he endeavoured to rouse the colony from its lethargy before returning to France in July 1788. In 1789–1790, Lescallier travelled again to England and the Netherlands to study shipbuilding techniques. In August 1790, he became assistant to the Navy Committee of the National Assembly and, in February 1792, civil commissary in the Indian Ocean colonies. Captured by the English on 22 August 1793 after the capitulation of Pondicherry, he did not return to France until 1797. Head of the Colonial Bureau at the Ministry of the Navy from August 1797, he was appointed ordonnateur at Corfu but was unable to reach his post. Named colonial prefect of Guadeloupe in July 1801, he returned to France via the United States in April 1804. He was appointed maritime prefect of Genoa in February 1806 and of Le Havre from May 1808 to August 1810. In October 1810, he was made consul general to the United States, but was captured by the English en route. He escaped, returned to France at the end of 1815, left the service, and died in Paris on 14 May 1822.

First edition of the French translation established by Lallemant, illustrated with 3 folding maps with hand-colored outlines (cf. Gay 2788).

Bradel binding in full pink paper boards, smooth spine with laterally mounted paper title labels, contemporary binding.

Headcaps trimmed, some wear to the edges, marginal soiling on the lower cover, occasional foxing throughout.

Scottish surgeon and explorer Mungo Park (1771–1806) reached Pisania (Gambia) during a first expedition to Africa (1795–1797), where he stayed for a time to gather information on the Mandingo people and language. He then continued his journey to the Niger River, ascending it as far as upstream from Ségou; however, hostility from the Moors forced him to turn back. Irish explorer Daniel Houghton (1740–1791) undertook an expedition in 1790, commissioned by the African Society of London, aiming to reach Timbuktu via the Niger. He only got as far as the Falémé River and was likely killed by the Bambara people. Determined to reach Timbuktu after Houghton's failure, Mungo Park embarked on a second journey (1805), during which he died on the Niger.

First edition of the bilingual Greek-Latin text of Iamblichus' Life of Pythagoras by Ludolf Küster from the manuscript held at the Laurentian Library. The facing Latin translation is the work of Frédéric Ulrich Obrecht and Konrad Rittershausen. Bound at the end is Porphyry’s Life of Pythagoras.

Illustrated with a large frontispiece portrait of Pythagoras, based on a coin from the collection of Fulvio Orsini.

Contemporary Dutch gilt-panelled vellum boards, spine with 5 raised bands and gilt ornaments with the arms of the city of Amsterdam, large gilt arms of the city of Amsterdam on each board within double gilt floral borders around sides both with incorporated coat of arms of Amsterdam within vegetal ornaments, armorial corner ornaments, speckled edges. Vellum darkened, a 2.5 cm split to the middle of the upper joint, one abrasion and a pale mark to the upper cover, some gilt tooling partially faded,traces of ties, scattered foxing.

Magnificent copy of the Neoplatonist biographies of Pythagoras by Iamblichus and Porphyry, with the arms of the city of Amsterdam featuring the Stedemaagd, the allegorical female figure of the city flanked by cherubs.

First edition of this highly significant document on the state of Parisian hospitals at the end of Louis XVI's reign, written by Jacques Tenon (1724–1816), surgeon at the Salpêtrière, which remained an influential reference for French hospital policy through to the Third Republic.

The work is complete with its 17 folding plates (including 2 tables and 14 architectural plans and elevations of hospitals).

Some light foxing; the copy appears to have been rebound in this later binding.

Contemporary pastiche binding in half Havana sheep, flat spine with gilt fillets and the gilt cipher and arms of the Chodron de Courcel family, green paper-covered boards, marbled endpapers and pastedowns.

The composition of this text took place within the framework of a public debate on the future of the Hôtel-Dieu hospital in Paris.

In the 18th century, the Hôtel-Dieu was notoriously overcrowded, unsanitary, and prone to fires. It was used almost exclusively by the destitute who had no other care options, and it had gained a reputation as a "death trap" due to its dire conditions and high mortality rate. Two major fires had occurred in 1737 and 1772, the latter destroying much of the complex. In this context, the Baron de Breteuil, Secretary of the King’s Household, commissioned the Académie des sciences to investigate; Tenon's report was the outcome of that consultation. The text comprises five memoranda:

1. General overview of Parisian hospitals
2. Architecture, organization, and outcomes of the major hospitals in Paris
3. Location, surface area, and optimal sites
4. Description and organization of the Hôtel-Dieu in Paris
5. Architecture and organization of a hospital intended to replace the Hôtel-Dieu. Tenon counted 48 hospitals in Paris, excluding the smallest institutions: 22 hospitals for the sick, 20 for able-bodied paupers, and 6 for the indigent (sick or otherwise). He also mentions a hospital specifically for Protestants. Their legal status was complex: some were what we would now call public (under the authority of the King, the City Hall, the Archbishop...), others private (run by religious congregations or funded by lay donations for orphans and the needy). Tenon finally proposes the creation of a purpose-built hospital—what he calls a “healing machine”—a measurable structure subject to management and evaluation. It would be based on principles such as visibility (patients should be distributed so that they can be seen, distinguished, evaluated, and compared), and adequacy and appropriateness in terms of rest space, air circulation, and separation of patients and diseases (isolation of the contagious).

Rare first edition of this elementary Arabic grammar, the author's first publication, composed at the beginning of his teaching career in Oriental languages at Jena by the pastor and theologian Heinrich Eberhard Gottlob Paulus (1761–1851), who would later become known primarily for his systematically rationalist interpretation of the Scriptures.

Illustrated with 5 folding tables.

We have identified only three copies in the CCF (Bulac, Strasbourg, and Chambéry).

Some occasional foxing, small loss of leather to the lower left corner of the upper board.

Contemporary full tree calf binding, spine with gilt fillets, garlands and floral tools, cherry-red morocco label, gilt roll tooling to headcaps, dentelle border, gilt single fillet and egg-and-dart garland on covers, gilt single fillet on edges, marbled endpapers and pastedowns with gilt dentelle border, yellow edges.

Stated second edition, though in fact the fourth, and the second Parisian printing issued by Prault. According to Michaud's *Biographie Universelle*, the true first edition was printed in only 24 copies in Newport for the author's friends; the second, equally rare, appeared in Cassel in 1785. However, that latter version is believed to be erroneous and pirated, published without the author’s consent and incomplete (only one volume in 12mo format). The appearance of the second volume of this edition in 1791, following the first volume in 1788, suggests it is the most complete version. Includes two folding maps with contemporary hand-coloring and three folding plates at the end.
Contemporary full tree calf bindings. Smooth spines richly gilt with star tools and grotesque compartments. Red morocco labels for titles, green morocco labels for volume numbers. Small losses at head of both volumes, not affecting the caps. A wormhole through the first compartment of volume I, and a 1 cm split at the tail of the lower joint. Signs of rubbing and a surface abrasion to the upper board of volume II.

A good copy with both maps in color.

First edition of the French translation, illustrated with a portrait of the author and 29 engraved plates depicting objects, ornaments, coins, plants, and animals (cf. Cordier, Bibl. Japonica, 447. Gay, 3151. Brunet, V, 850).

Contemporary full marbled calf bindings, flat spines richly decorated with gilt typographic tools, gilt roll tooling at head and tail, brown morocco title-pieces, dark green morocco volume labels, gilt roll-tooled borders on boards, marbled endpapers and pastedowns, gilt fillets on board edges, yellow edges.

A Swedish botanist and naturalist, Carl Peter Thunberg (1743–1828) studied medicine and natural history at Uppsala and became one of Linnaeus’s most brilliant pupils.

In 1771, he sailed as a surgeon aboard a ship of the Dutch East India Company. Upon arrival at the Cape, he remained in the colony for three years, exploring regions inhabited by the Hottentots and the Kaffirs while collecting specimens of plants and animals. In 1775, he traveled to Java, stayed in Batavia, and eventually reached Japan. He settled on the island of Deshima, in Nagasaki Bay, where the Dutch trading post of the Company was located. There he worked as a physician and obtained permission to botanize in the nearby mountains, where he collected a large number of rare and previously unknown plants, along with many natural history specimens. In 1776, he accompanied the Dutch Company’s director on a visit to the shogun in Edo (Tokyo), allowing him to explore further and gather more botanical samples. He returned to Sweden in 1779. The first volume recounts the voyage to the Cape of Good Hope, his stays at the Cape, and his first journey inland; the second volume describes his second trip along the Kaffir coast, return to the Cape, journey to Java, and arrival in Nagasaki; the third is entirely devoted to Japan: trade with the Dutch and Chinese, government, administration, religion, language, character and portrait of the Japanese, zoological observations, minerals, etc. The final volume continues with Japan: food, festivals, weaponry, agriculture, calendar, etc., followed by the account of the return voyage via Ceylon. It also includes Lamarck’s explanations of the eight natural history plates.

A rare copy of this important travel account.

Provenance: From the library of the Château de Menneval, with armorial bookplates on the pastedowns of each volume.

Second edition of Lucas’s third journey to the Near East, undertaken between 1714 and 1717 (first published in 1729); cf. Gay, 2122. Chadenat, 5090. Atabey 734. Blackmer, 1038.

The illustrations include two folding maps (Anatolia and surrounding regions by de l’Isle; Lower Egypt and the course of the Nile by Lucas) and 32 plates outside the text: monuments, picturesque views, architectural plans, archaeological artefacts, various inscriptions, etc.

Contemporary half tawny sheep, smooth spines ruled in gilt with triple fillets, headcaps stained, some rubbing, marbled paper boards, sprinkled edges, some wear to the edges of the first volume. 19th-century bindings.

Pleasant internal condition.

According to Brunet (III, 1204), the text was written by Abbé Banier.

A soldier, naturalist, collector and dealer, Paul Lucas (Rouen, 1664 – Madrid, 1737) showed a marked passion for travel from an early age.

He first left for the Levant to trade in precious stones, joining the Venetian army in 1688 and becoming captain of a ship armed against the Turks. Returning to France in 1696 with a collection of antiquities and coins he sold to the King's Cabinet, he was commissioned by Louis XIV to undertake journeys that would make him famous. From 1699 to 1703, he visited Egypt, Cyprus, Persia and Syria. His second expedition, from 1704 to 1708, took him to Greece, Macedonia, Asia Minor, the Holy Land, Egypt and Libya. In 1714, he was entrusted with a new mission in the Levant: he travelled through Rumelia and Thessaly, passed through Constantinople and Smyrna before visiting Syria, Palestine and Egypt. Departing from Cairo, he returned to Paris in December 1717.

First edition of the French translation, illustrated with 12 folding plates and maps outside the text, and 11 folding tables included in the pagination (cf. Sabin 62574).

Contemporary full mottled calf binding, spine with five raised bands decorated with double gilt panels, floral tools and gilt medallions, red morocco title label with some loss and partially lifting, gilt garland frame on covers, marbled endpapers and pastedowns, all edges yellow.

Some minor foxing, one joint fragile.

Famous account of this "unfortunate expedition which served to demonstrate the impossibility of crossing the Polar ice" [Hoefer]. Pages 187 to 208 are devoted to natural history, with 2 plates [XI and XII] depicting crustaceans and mollusks.

First edition, rare, illustrated with a large folding engraved map (cf. Gay 3082).

Contemporary full marbled calf, smooth spine gilt in compartments adorned with gilt floral tools, tan morocco title label, gilt roll tooling at head and foot of spine, marbled endpapers and pastedowns, gilt fillets on board edges, red-speckled yellow edges.

Some restoration to spine and covers, occasional foxing and slight age-toning to a few gatherings.

Written from the memoirs of the missionaries Descourvières and Bellegarde. The first part offers a description of the country and the customs of its inhabitants, followed by notes on their language; the second part recounts the history of the French mission from 1766 to 1773. Originally from Goux-les-Usies, near Pontarlier, Jean-Joseph Descourvières (c. 1740–1804) "fit ses études à Besançon, entra dans les ordres, et fut nommé vicaire à Belfort. Il quitta cette position, vint à Paris, et entra dans la Compagnie de Jésus comme missionnaire. Il fut désigné pour le royaume de Loango, et partit de Nantes en mars 1768, avec un autre prêtre, l’abbé Joli. Ils arrivèrent à Cabinde à la fin d’août. Leurs collègues du Loango, découragés, venaient de retourner en Europe. Descourvières et Joli ne suivirent pas cet exemple ; ils s’établirent dans le Kacongo, et apprirent avec rapidité la langue du pays. Protégés par le roi du Kacongo, les missionnaires firent de nombreux prosélytes ; mais Descourvières ne put résister au climat, et revint en France en janvier 1770 ; son collègue l’y suivit bientôt. Dès qu’ils furent rétablis, ils reprirent leur entreprise, et s’embarquèrent à Paimboeuf, le 7 mars 1773, avec quatre autres missionnaires et six cultivateurs. Ils abordèrent le 28 juin sur la côte d’Afrique, et se rendirent aussitôt à Kacongo ; ils y furent très-bien accueillis, mais cette fois encore le climat les contraignit à renoncer à leur œuvre. Descourvières revint en France en 1775. En 1779, il fut nommé procureur général des missions françaises de Chine. Il se fixa à Macao : son séjour n’y fut qu’une longue suite d’avanies ; il fut enfin expulsé par les naturels, en 1786. De retour en France, il émigra en 1793, et alla terminer ses jours à Rome. Le père Descourvières avait recueilli de précieux documents sur les divers pays qu’il avait habités : ces travaux ont servi utilement à la composition de plusieurs bons ouvrages. Outre un Dictionaire et une Grammaire Kacongaise, il a laissé une volumineuse correspondance, dans laquelle Proyart a puisé son Histoire de Loango (…) Les volumes II, V et VI du Recueil des nouvelles Lettres édifiantes, Paris, 1818, 8 vol. in-12, contiennent de nombreux extraits des écrits de Descourvières". Cf. Hoefer.

A good copy in contemporary binding, with the bookplate of the Château de Laplagne library pasted on the front pastedown; an additional Château de Laplagne label has been affixed over it, with a small loss along the right margin.

Rare first edition of this "relation (...) much sought after for its accuracy", illustrated with 19 folding plates, including 2 maps (cf. Sabin 3604, Leclerc 119).

Full marbled tan calf binding, spine with five raised bands, gilt compartments decorated with gilt floral motifs, small chip at foot of spine, scuffing to covers, red edges, bumped corners, gilt fillets along the board edges, contemporary binding.

The author, a physician and botanist born in Perpignan in 1690—where he held a post at the military hospital—was introduced by Antoine de Jussieu to the Conseil de la Marine in August 1721 and appointed royal physician and botanist in French Guiana. He landed in Cayenne at the end of 1721 and left the colony in May 1724. During his stay, he explored the banks of the Kourou and Orapu rivers, studying the local flora, fauna, and indigenous customs.

His account, one of the earliest on French Guiana, is of great importance and was widely used by eighteenth-century geographers.

First edition, illustrated with 3 hors-texte plates (cf. Rodrigues 1357. Borba de Moraes I, 381. See INED 2496 for the 1774 edition).

The plates depict: Brama, god of the Indians – View of a pagoda tower – Snake charmer.

Contemporary-style binding in marbled tawny calf over vellum-tipped corners, spine with five raised bands, ruled in gilt, brown calf lettering-piece, marbled paper-covered boards, red sprinkled edges, modern binding.

Coromandel Coast, European trading posts, military strongholds, Indian religion, medicine, anatomy, caste system, Indian manners, dress, dwellings, gardens, food (and temperance), wedding rituals, funerals, Indian morals, fauna, flora, etc.

Pages 3 to 21 are devoted to Brazil. The author made a stop at Bourbon Island (pp. 25 to 27).

Provenance: from the Breitenbauch library, with its armorial bookplate pasted on the endpaper.

A pleasing copy.

First edition, comprising the original narrative of the discovery of the Kerguelen Islands, together with a memoir on Madagascar (pp. 154-169), and the portion headed “Observations sur la guerre de l’Amérique” (pp. 121-133, Sabin 3718).

Work illustrated with a folding map bound out of text (“Terres Australes ou partie septentrionale de l’Isle de Kerguelen”), bordered by eight smaller coastal charts or views.

Contemporary full marbled fawn calf, spine tooled in gilt with sawtooth motifs and floral devices; red calf title label with a minor loss at the foot; joints showing rubbing; boards framed in black along the leather edges; gilt fillets on the leading edges, partly faded; red edges.

Spine restored; a scattering of insignificant foxing; faint waterstaining at the top edge towards the close of the volume; a corner loss at the head of leaves 241-42, with the text entirely unaffected.

Seized under the ruling of 28 May 1783 for its dedication “à la Patrie”, the work saw many of its copies eliminated in the aftermath.

Born in Trémarec on 13 February 1734, Kerguelen died in Paris on 4 March 1797. “En mai 1771, il partait pour l'Océan Indien sur le Berryer et arriva en août à l'île de France. Avec la Fortune et le Gros Ventre, il vérifia la nouvelle route des Indes découverte par Grenier puis descendit vers le sud, découvrit en février 1772 les îles de la Fortune, prit possession des terres qui portent depuis son nom et rentra à Brest en juillet 1772. Promu capitaine de vaisseau, il repartit en mars 1773 avec le Roland et l'Oiseau. Arrivé en vue des terres australes en décembre, gêné par le mauvais temps, il dut remonter vers le nord, fit escale à Antongil (Madagascar) et rentra à Brest en septembre 1774 pour être accusé de commerce frauduleux et d'embarquement clandestin d'une jeune fille à son bord. Condamné en mai 1775 à être rayé du corps et emprisonné à Saumur, il fut libéré en août 1778 et arma aussitôt la Comtesse de Brionne à Rochefort avec laquelle il fit la course en mer du Nord” [Taillemite]. 

["In May 1771, he departed for the Indian Ocean on the Berryer and reached the Isle of France in August. With the Fortune and the Gros Ventre, he confirmed the new route to the Indies discovered by Grenier, then sailed south, discovering the Isles of Fortune in February 1772, taking possession of the lands that now bear his name, and returning to Brest in July 1772. Promoted to ship’s captain, he departed again in March 1773 with the Roland and the Oiseau. Upon sighting the southern lands in December, hampered by bad weather, he was compelled to return north, stopping at Antongil (Madagascar), and returned to Brest in September 1774, only to be accused of fraudulent trading and of clandestinely taking a young girl aboard. Condemned in May 1775 to be struck from the service and imprisoned at Saumur, he was released in August 1778 and immediately outfitted the Comtesse de Brionne at Rochefort, with which he cruised in the North Sea."] 

First edition of the French translation of this rare and significant travel account.

Illustrated with 16 folding and full-page plates featuring numerous figures: landscapes, natural history subjects, elephant hunting scenes, and more (cf. Gay 2808).

Contemporary full brown calf, spine with five raised bands, gilt tooled compartments with double gilt frames and decorations, gilt rolls on caps, gilt fillets on board edges.

Spine expertly rebacked to style, repairs to p. 1 and several plates, occasional foxing.

"De toutes les anciennes relations de la Guinée, celle-ci est la plus estimable : elle est aussi très recherchée. C'est sur la Côte d'Or, sur celle des Esclaves et sur le royaume de Benin, assez imparfaitement décrits avant et après Bosman, que ce voyageur s'est particulièrement étendu". Cf. Boucher de La Richarderie.

A Dutch traveller, Willem Bosman lived during the second half of the 17th century. He spent fourteen years in Africa, where he successively served the Dutch West India Company as a factor on the Guinea Coast, and as chief director of the Axim and Elmina trading posts on the Gold Coast. He visited in detail the most notable locations across these regions, commissioned drawings of local fauna, and had maps made of the territories east of Elmina. Upon his return to Europe, he published his observations under the title Naauwkeurige Beschryving van de Guinese goud, land en Slaven-Kust, Utrecht, 1704, followed by a French translation the following year (Hoefer).

Provenance: from the library of Joseph M. Cleason, with his bookplate pasted on the inside board.

Edition regarded as the masterpiece of the painter and engraver Charles Eisen, and a counterfeit of the famed Fermiers généraux edition.

This edition is illustrated with 2 engraved frontispieces by Vidal, 2 title vignettes, 1 portrait after Hyacinthe Rigaud, along with 80 plates and 43 tailpieces. One engraving is unfortunately missing from our copy, which contains 79 engravings instead of 80.

A few minor spots, not affecting the text.

Bound in contemporary full green morocco, flat spines slightly sunned, decorated with double gilt fillets and gilt floral and typographic motifs, red morocco lettering-pieces and volume labels, gilt roll tooling at head and tail, light rubbing to joints, triple gilt fillet frames on boards, marbled endpapers and pastedowns, gilt borders on pastedowns, gilt fillets on board edges, all edges gilt. Roman bookseller’s labels affixed to the pastedowns. Contemporary bindings.

A handsome copy, bound in contemporary full morocco, of La Fontaine's tales superbly illustrated by Charles-Dominique-Joseph Eisen.

First French edition published simultaneously with the octavo edition (more common), by the same publisher. Illustrated with a folding frontispiece, a large folding map of the Cape and 15 plates, some folding. All plates have been bound at the end of volumes I and II.

Contemporary full speckled brown sheep binding. Decorated spine with raised bands. Red morocco title label, black morocco volume labels. Double blind fillet to boards. Lacks to joints at head of volume I. Upper joint narrowly split at head and tail of tome I. In tome II upper joint rubbed. Corners restored with leather strips. At the end of the second volume, some leaves browned, otherwise scattered light foxing. Plate 2 of tome 2 poorly folded. Some plates are erroneously captioned tome 3, which would suggest that the octavo edition preceded the quarto edition, the latter being longer to produce.

Set of 52 original plates, etched and enhanced with watercolours at the time, numbered 1 to 52, mounted in pairs under mats.
 
Leaves in red half calf slipcase (early 20th century), red shagreen boards.
The plates vary in size (10.8 x 17.6 cm to 28.1 x 18.8 cm) and paper stock, as was often the case with La Mésangère's publications. Unbound engraved title on a bifolium, printed separately, absent from most copies. It is replaced here by its identical reprint by Gosselin (1893-1903), on antique watermarked paper and bears the publisher's 'G' mark, characteristic of this reprint a century later. All the plates, however, are in their first edition, without the G mark added by Gosselin to the lower corners of the engravings, in the figure or the bowl, occasionally accompanied by a date.
 
Some foxing, a few rare engravings showing traces of pasted tabs on the reverse. Plate 42 restored without missing. A green stain in plate 11 probably due to the watercolour of the landscape. Twelve plates are trimmed to the plate mark: pl. 12 (12.7 x 19.2 cm), pl. 15 (12.4 x 18.7 cm), pl. 19 (11.9 x 19.8 cm), pl. 29 (11.9 x 19 cm), pl. 30 (12.5 x 19 cm), pl. 39 (12.1 x 18.4 cm), pl. 41 (12.5 x 19.1 cm), pl. 42 (12.5 x 19.1 cm), pl. 48 (11.9 x 18.3 cm), pl. 49 (12.9 x 19.9 cm), pl. 51 (12.5 x 18.4 cm), and pl. 52 (12 x 18.1 cm). Plate 37 is trimmed around the black border (10.8 x 17.6 cm). More pronounced foxing in the margins of plates 4, 28, 30, 31, 35, 44, 45, and 47.
 
A rare and precious complete suite of 52 original costume prints from the Directoire and First Empire periods.

French first edition illustrated with 3 repeated frontispieces, one portrait, 6 folding maps and 26 folding plates, being 36 figures in total. The complete set of illustrations is present whereas most copies lack one or several plates. The Spanish original dates from 1609. "This translation is more complete than the original: the third volume is entirely composed of the history of conquests made by the Dutch in this country". Chadenat, 739p.
Armorial copy with arms stamped on the upper covers and cipher on the lower covers. Unidentified.
Contemporary full brown speckled sheep binding. Spine with raised bands decorated with central fleuronné lozenges and roulettes on the bands. Brown sheep title label and volume labels. Arms and ciphers stamped on the covers with faded gilding or only traces of gilding. If the arms were gilt, the ciphers on the lower covers were stamped in blind. Traces of rubbing. 3 corners slightly bumped. Slight traces of dampstaining in upper margin on the first 3 leaves of volume I and the preliminary leaves, recurring sporadically on some leaves. Same on the title of volume 2 and some leaves and plates. Same in volume III, on the frontispiece, the endleaves, and appearing sporadically on some leaves and plates then recurring again, etc. Some foxing and browned pages. 3 plates have small paper patches on verso filling tears. Nibbling on the upper cover of volume II, and the lower cover of volume III.
Good armorial copy.
Archipelago of 632 islands in Indonesia, these Moluccan islands where spices were found very early attracted the covetousness of Europeans. This is one of the most important works for the history of the Philippine Islands, with precious documents on the navigators Drake and Magellan.
"Although this work is, for the most part, purely historical, one can nevertheless gather quite precious information on the physical state of the Moluccan Islands, on their productions, on indigenous customs, at the time of conquest". Boucher de la Richarderie, V, 184p.

Chez Théodore Le Gras, à Paris 1728, 12° (9,5x17cm), (2 p.) xvij (7 p.) 346 pp.; (2 p.) ij 376 pp.; (2 p.) ij 387 pp.; (6 p.) 392 pp.; (6 p.) 404 pp., 5 volumes bound.
First edition of this famous description of West Africa.
78 full-page engraved plates:
- volume 1: 5 maps, 2 plates and 1 folding plan
- volume 2: 6 maps, 17 plates and 4 folding plans
- volume 3: 2 maps and 13 plates
- volume 4: 5 maps, 8 plates and 3 folding plans
- volume 5: 3 maps and 9 plates
First edition of this famous description of West Africa. Illustrated with 78 full-page engraved plates.
Contemporary beige calf, spine elaborately gilt, 19th century red leather title and volume pieces, all red edges. Joints and spine-ends very skillfully restored. An old strip of white paper hiding the name of a former owner on each volume.
Based on the memoirs of André Brue (director of the Senegal Royal Company), this study contains interesting details on commercial companies in Mauritania, Senegal, Guinea, Gambia and Sierra Leone, customs of the inhabitants, religious beliefs, natural history, etc. Many passages concern the slave trade.
“Jean-Baptiste Labat (1663-1738), more commonly known as Father Labat, was a Dominican missionary, botanist, explorer, ethnographer, military man, landowner, engineer and writer.
A staunch defender of slavery, he played an important role in the sugar cane industry in the French West Indies. He is known for developing a type of brandy to cure fever, which after some improvements became rum.” (Museum of Art and History, Le Havre)

• Volume 1 : 2 fr. et 22 pl. (+1) - vij (1) 304 pp.
• Volume 2 : 2 fr. et 14 pl. - 312 pp. Page 147 mounted. Two small restorations to the lower margin of pages 266 and 267.
• Volume 3 : 2 fr. et 23 pl. - 304 pp. Lower part of p. 121 restored, probably during the binding process, with a different typeface on the last two lines of the text.
• Volume 4 : 2 fr. et 15 pl. (+1) - 293 pp. (3). Small hole to the last page (publisher's catalogue)

• Tome 1 : 2 fr. et 10 pl. - 344 pp. 2 title pages dated 1784 "chés la d.me Veuve Duchesne" + 1 title page Les Dangers de la ville. Restoration to the upper corner of p. 9.
• Tome 2 : 2 fr. et 4 pl. - 320 pp. (mal chif. 220). Title page of Les Dangers de la ville pasted over that of La Paysane pervertie 1784 "chés le libraire indiqué au frontispice de la I Partie du Paysan"
• Tome 3 : 2 fr. et 7 pl. - 320 pp. 2 versions of the title pages as described above. A restoration to the inner margin of p. 257.
• Tome 4 : 2 fr. et 9 pl. - 344 pp. ; 8 pp. ; (1) clxx-ccxliv (12) Also 2 versions also of the title page. The first page of the text of Dangers de la ville bound, with some skillful restorations.