Antique photography, daguerreotype, vintage photos, writers and artists portraits, silver prints, albumen prints, signed first edition prints

Photographic portrait of Eugène Delacroix

Original photograph on albumen paper, in carte de visite format, mounted on a board. Some small foxing.

Rare copy of this photograph, only found at Carnavalet, Louvre and Orsay museums.

Original photograph of the first edition of Gustave Flaubert's Madame Bovary dressed in a signed binding on a library background.
Printed on Premium Luster 270 g, laminated on Dibond (aluminum).
Hanging system on reverse.

Certificate of authenticity provided by Librairie Le Feu Follet.

Photo credits @Librairie Le Feu Follet. All rights reserved.

Original photographic portrait of Sigmund Freud, in silver print made later by Engelman from the original negative.

After the Night of Broken Glass, the young Jewish photographer Edmund Engelman (1907-2000) fled to the United States leaving behind his precious but compromising negatives of his clandestine photography. He did not recover them until after the Second World War, in 1952, from the psychoanalyst's daughter Anna Freud.
Handwritten inscription signed by photographer Edmund Engelman in the lower margin of the photograph: “à Nadine Nimier Cordialement Edmund Engelman” (“To Nadine Nimier Sincerely Edmund Engelman”).
Nadine Nimier was...

Complete series of illustrations the tale of Red Riding Hood hand-painted on 12 glass plates intended for a magic lantern, the ancestor of the projector and the cinema.
Publisher's cardboard box, with the titles on the top board: “12 Superior English Made lantern slides”. Handwritten: “Red Riding Hood”. Signs of rubbing on the box. A stop in the split lid at 2cm. On plate 9, paper is missing which circles the plate in a border. On plate 12, the black part has a small scratch, this part encircling the medallion which is projected by the lantern. Otherwise collection in excellent condition.
Millikin & Lawley carried out their trade in magic lanterns and plates between 1860...

Photographic portrait of Charles Destouches, uncle of Louis-Ferdinand Céline, pictured with his wife and their young daughter Charlotte Destouches—Céline’s cousin known as “Lolotte”—on albumen paper mounted on a card from the Parisian studio A. Lauga.
 
Small loss to lower right corner. Some glue residue along the edges. Handwritten caption on verso.

Rare photographic portrait of Amélie Destouches, aunt of Louis-Ferdinand Céline, in cabinet card format on albumen print mounted on cardboard from Studio Louis.
Manuscript captions "Suzannica 3 ans, Bucarest ce 14 juin 1877" ["Suzannica 3 years old, Bucharest this 14th June 1877"] and "Zenon Zawirski" in another hand, on verso.
The portrait was taken by Studio Louis, at 127 Calea Mosilor in Bucharest.
 
At twenty-four, Amélie married the wealthy Romanian Zenon Zawirski, who poses beside her with their daughter Zenone Zawirska, then three years old. Céline devoted an unflattering portrait to her in Death on the Installment Plan, borrowing her features...

Photographic portrait of Auguste Destouches, paternal grandfather of Louis-Ferdinand Céline, after a painting of the period, in cabinet card format on albumen paper mounted on cardboard from J. Couturier studio.
Cardboard slightly trimmed at lower margin. Handwritten caption on verso.

Original photograph of Ravachol flanked by gendarmes, period albumen print mounted on card with a red border, bearing the handwritten caption « Ravachol à Montbrison » at the foot.

This image was taken by Auguste Berthon, a photographer based in Saint-Étienne, on the eve of Ravachol’s execution, during a walk in the prison yard at Montbrison. This promenade is mentioned in the surveillance reports of the Conciergerie: « Le détenu a été conduit à la promenade à 8 heures, a déjeuné à 9 heures et est retourné à la promenade de 10 heures à midi où il était encore lorsque nous avons été remplacés. » (11 May 1892)
Very skilful...

Superb original photographic portrait of Ravachol taken by Alphonse Bertillon, contemporary print on albumen mounted on bristol board.
Extremely rare handwritten caption signed by the most famous of the French anarchists, written in his hesitant and naive handwriting, at the bottom of the photo: “1er mai 1892 Koningstein [sic] Ravachol” “1st May 1892 Koningstein [sic] Ravachol”.
The spelling Koningstein chosen by Ravachol differs from his father's surname (Königstein). This variation confirmed by the Maintron (Biographical dictionary of the social and labour movement) is found in particular in a piece of his writing by hand dated 13 April 1892 and kept at the Conciergerie.
“ Un...