Artists Books & Illustrated Books

First edition, one of 30 numbered copies on Larroque pure rag paper, this copy one of 10 hors commerce copies, from the deluxe issue.

Illustrated with original engravings by Ania Staritsky, who also designed the book’s original maquette with the collaboration of Claude Nardin.

A rare and very handsome copy, complete with its slipcase and chemise in full saffron cloth.

Our copy is enriched with a signed 10-line manuscript poem by Janine Mitaud, an original etching, and a second state of one of Ania Staritsky’s engravings.

Manuscript pencil signatures of Ania Staritsky and Janine Mitaud at the colophon.

First edition, illustrated with a frontispiece portrait of Edouard Manet by Bracquemond and an etching by Edouard Manet after "Olympia".

Black half morocco over corners, spine with five raised bands ruled in blind, date gilt at foot, marbled paper boards, patterned endpapers and pastedowns, original wrappers preserved, binding signed by Stroobants.

A rare and handsome copy, attractively bound.

A unique copy entirely transcribed by hand by Michel Butor for Claude Nardin; the paper, handmade by Georges Duchêne at the Moulin de Larroque, is on antique 15; the wrapper, made of "grès de larroque" rag paper, is adorned with an impression by Ania Staritsky.

The work is illustrated with original colour engravings by Ania Staritsky, who also devised the original layout of the book with the collaboration of Claude Nardin.

A rare and very fine copy, complete with its brown full moiré cloth slipcase, slightly and marginally faded.

Manuscript pencil signatures of Michel Butor and Ania Staritsky at the colophon.

Our copy is...

First edition of this work devoted to the oeuvre of Ania Staritsky.

Illustrated with an original work by Ania Staritsky on the cover.

A rare and very attractive copy, spine plain and unlettered, boards slightly and marginally sunned, without seriousness.

Copy enriched with an artist’s proof engraving, justified and signed by Ania Staritsky in pencil

First edition, one of 56 numbered copies on B.F.K. de Rives laid paper.

Illustrated with original engravings by Ania Staritsky.

A rare and very fine copy, complete with its slipcase and grey full-cloth chemise.

Pencil signatures of Ania Staritsky and Albert Dasnoy on the colophon.

Autograph inscription signed by Albert Dasnoy to Claude Nardin, enriched with the handwritten signature of Ania Staritsky.

First edition, one of 50 numbered copies on Rives mould-made wove paper, the only printing after 20 hors commerce copies on Sirène offset paper.

Illustrated with colour linocuts and woodcuts after collages by Ania Staritsky.

Minor offsetting from glassine onto the inner flaps, tears to the spine.

Pencil signatures of Jacques Lemaire and Ania Staritsky at the colophon.

First edition, one of 42 numbered copies on tabac du moulin paper, issued under limon de rocaille wrappers, our copy one of 12 hors commerce copies, the only issue after 15 copies on papier saumon des eaux claires.

Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work, with the collaboration of Claude Nardin, here in his first contribution.

Rare and very fine copy preserved in its full burlap chemise and slipcase (spine of the chemise and boards of the slipcase slightly sunned at the margins).

Pencil signatures of Jacques Lemaire and Ania Staritsky on the colophon.

...

First edition, one of 37 numbered copies on Nivôse rag paper.

Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work in collaboration with Claude Nardin.

Rare and very attractive copy, preserved in its original old-rose full cloth slipcase (spine slightly faded and two faint stains at the foot of the boards, not serious).

Manuscript pencil signatures of Michel Butor and Ania Staritsky at the colophon.

A unique copy, exceptionally enriched with two original gouaches by Ania Staritsky, both signed, a manuscript text by Michel Butor, an original collage by Ania Staritsky, as well as a...

First edition, printed in 40 numbered copies on hand-made pure rag paper from the Moulin de Larroque, this being one of the 10 hors commerce copies.

The work is illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the volume with the assistance of Claude Nardin.

A rare and very fine copy, complete with its full grey cloth slipcase, slightly discoloured at the edges, and its double chemise.

Manuscript pencil signature by Ania Staritsky at the colophon.

Our copy is further enriched with two original collages by Ania Staritsky, both signed.

First edition, one of 30 numbered copies printed on handmade pure rag paper.

Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work with the collaboration of Claude Nardin.

A rare and very fine copy, complete with its chemise and brown cloth slipcase.

Pencil signatures of Philippe Jones and Ania Staritsky at the colophon.

Inscribed by Philippe Jones to Claude Nardin at the colophon.

Our copy is enriched with a five-line autograph manuscript text by Philippe Jones, as well as an original collage by Ania Staritsky, signed by her.

First edition, one of 35 numbered copies printed on "mousse d'épave" paper, ours one of 10 copies hors commerce.

Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work in collaboration with Claude Nardin.

Rare and very fine copy, complete with its chemise and slipcase in full grey cloth (spine of the chemise slightly faded).

Manuscript pencil signatures of Jean-Claude Renard and Ania Staritsky at the colophon.

Our copy contains a manuscript text by the poet Jean-Claude Renard as well as an original collage by Ania Staritsky, signed by her.

Fine signed...

First edition, printed in 40 numbered copies on "citronnelle de lin troué" paper, this being one of the copies numbered from 11 to 30 (No. 30).

Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work with the assistance of Claude Nardin.

A rare and very fine copy, complete with its chemise and slipcase in full olive green cloth.

Pencil signatures of Jacques Izoard and Ania Staritsky at the colophon.

A unique copy, exceptionally enriched with a manuscript text by the poet Jacques Izoard, an original engraving by Ania Staritsky signed by her, as well as three engravings not retained for...

First edition printed in 150 numbered copies on Licorne du Marais paper, our copy being one of a few hors commerce copies, justified and signed by Ania Staritsky at the colophon.

The work is illustrated with 16 colour illustrations, either in the text or full-page, by Ania Staritsky, who also designed the original layout of the volume.

A rare and fine copy, complete with its chemise and slipcase in full raspberry red cloth.

Manuscript pencil signature of Robert Droguet on the half-title.

First edition, one of 10 numbered copies on Arches laid paper, deluxe issue.

A rare and very fine copy.

We include two invitation cards to the private view of the exhibition of works by Ania Staritsky held at Galerie Les Mains libres on 6 November 1975 between 6pm and 8pm.

Pencil signature of Michel Butor at the colophon.

As stated in the limitation page, our copy does indeed contain an original collage by Ania Staritsky, signed by her, as well as a manuscript text by Michel Butor.

Inscribed, dated and signed by Michel Butor to Claude Nardin, who was a collaborator of Ania Staritsky.

First edition, one of 35 numbered copies on "mousse d'épave" paper, this being one of the 10 hors commerce copies.

Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work.

A rare and very fine copy, complete with its chemise and slipcase in old-rose full cloth.

Pencil signatures of Philippe Jones and Ania Staritsky on the colophon.

Our copy includes a manuscript text by the poet Jean-Claude Renard, as well as an original collage by Ania Staritsky, signed by her.

Framing his manuscript, an autograph inscription signed by Jean-Claude Renard to Claude Nardin, who...

First edition printed in 30 numbered copies on handmade rag paper, this copy unnumbered.

Illustrated with original colour engravings by Ania Staritsky, who also designed the book’s original layout.

A rare and very fine copy, complete with its chemise and brown cloth slipcase.

Pencil signatures of Philippe Jones and Ania Staritsky at the colophon.

As stated in the limitation page, this copy includes a manuscript text by the poet Philippe Jones as well as an original signed collage by Ania Staritsky.

First edition printed in 35 numbered copies on Antique 15 paper, our copy being one of the 10 hors commerce copies.

The work is illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the book.

A rare and very fine copy, complete with its chemise with flaps, the spine slightly discoloured, and its grey cloth slipcase.

Pencil signatures of Michel Butor and Ania Staritsky on the colophon.

As stated in the limitation, our copy is enriched with a 19-line autograph manuscript by Michel Butor, together with an original drawing and a collage by Ania Staritsky.

The upper cover of...

First edition, one of 45 numbered copies, this being one of the rare hors commerce copies corresponding to the 8 deluxe paper copies on "Tabac du Moulin" vat paper, issued in "Tourbe de Varennes" wrappers.

The work is illustrated with 9 original colour engravings by Ania Staritsky, who also designed the original layout of the book.

A rare and very fine copy, complete with its chemise and slipcase in full saffron cloth.

Pencil signatures of Jean Follain and Ania Staritsky at the colophon.

As stated in the limitation page, our copy indeed includes a manuscript text by the poet Jean Follain as well as an original collage by Ania Staritsky...

First edition, one of the numbered copies on wove paper from the Papeteries de Savoie.
Illustrated with original artwork by Pierre-Marie Renet, also known as Frédéric Monnier.
Spine and boards marginally sunned, as often.

Second edition, the "most complete of this work" (baron Pichon sales catalogue, 3rd part, no. 5531) containing a map of Dauphiné, an engraving by Berey fils, and six plates depicting seals.

Full marbled brown sheep bindings, spines with six raised bands framed by gilt fillets and compartments richly decorated with gilt floral motifs, red morocco title labels, green morocco volume labels, blind fillets on the board edges, red edges; contemporary bindings.

First edition.
Literary contributions by Antonin Artaud, Paul Eluard, André Breton, Pierre Brasseur, Louis Aragon, Michel Leiris, Benjamin Péret, Ernest Gegenbach...
Pictorial or photographic contributions by Joan Miro, Yves Tanguy, Max Ernst, Man Ray...
Upper cover with a few marginal stains to the left margin, a small tear at the foot of the spine, otherwise a pleasing copy considering the fragility of this periodical.

First edition printed in 20 numbered copies on hand-made "papier rose jouvencelle" produced by Georges Duchêne.

Illustrated with original engravings by Ania Staritsky, who also designed the original layout of the work.

This copy is exceptionally enhanced with an original collage by Ania Staritsky, signed by her, and with an 8-line autograph manuscript text by Gaston Puel, together with an additional suite of the engravings by Ania Staritsky (one of which bears two small holes).

The spine of the chemise and the boards of the slipcase are slightly and marginally faded, without seriousness.

A rare and very fine copy, complete with its...

First edition, one of the scarce copies on Japon paper.
Work illustrated with 17 colour plates.
A fine copy with wide margins.

First edition, one of 37 numbered copies on handmade paper "Ecume de cépage" under "Chaume de Juillet" wrappers, the only issue after 8 copies on handmade paper "Tabac du moulin".

The work is illustrated with 9 original colour engravings by Ania Staritsky, who also designed the original layout of the book.

A rare and very fine copy, complete with its chemise and slipcase in full orange cloth.

Pencil signatures of Jean Follain and Ania Staritsky on the colophon.

First edition printed in 112 copies, ours one of the 90 numbered copies on Arches laid paper.

A pleasant and scarce copy.

Illustrated with 5 original lithographs by Juan Gris.

Manuscript signatures of Armand Salacrou and Juan Gris at the colophon.

First edition of the French translation, one of 75 numbered copies on ivory offset paper, our copy one of the few hors commerce copies numbered in pencil by Antoni Tapies, the only deluxe paper issue.

A very small stain to the upper edge, otherwise a fine copy complete with its illustrated dust jacket.

Illustrated.

Handwritten signature of Antoni Tapies at the colophon.

First edition, one of 60 numbered copies on Rives wove paper, the only issue after 10 copies on Arches.

A tear to the inner flap on the verso of the upper cover, a pleasant copy.

Illustrated with two original etchings by Jean-Gabriel Daragnès, including the frontispiece.

First edition, one of 85 numbered copies and 3 hors commerce copies, ours one of the 70 on B.F.K. de Rives paper.

A fine copy complete with its chemise and slipcase in full black cloth, spine of the chemise slightly faded, a small tear at the foot of the lower panel of the slipcase.

Illustrated with 19 original photographs signed in pencil by Henri Maccheroni.

First edition, apparently privately printed at the author's expense, illustrated with 15 full-page plates and a folding map (Cf. Lorenz XII, 830).

Contemporary Bradel binding in full paper-covered boards with a gilt tortoiseshell pattern, smooth spine slightly sunned, navy blue shagreen lettering-piece, minor rubbing to the head and foot of the spine, brown endpapers and pastedowns, blind-stamped rules to the board edges, corners lightly bumped, bookplate mounted on the front pastedown, contemporary binding.

A few light spots of foxing.

Count Jean de Pontevès-Sabran, major in the 3rd Cuirassiers Regiment, was born at the Château de Grignols (Gironde) in...

This illustrated volume with 58 engraved plates numbered 1-57 (including a plate 15bis) serves as the atlas to the two text volumes of the Manual of Navigation to the West Coast of Africa, issued in 1851.

Not in Polak, although that bibliography carefully records all the author’s other works, as well as the extracts derived from the Manual.

Some foxing, a light marginal waterstain to the right margin of all leaves.

Contemporary half navy blue cloth, smooth spine ruled in blind, paper losses and abrasions to the marbled paper boards, a small label pasted at the head of the upper cover, a few nicks to the edges, corners rubbed.

A lieutenant in the French Navy...

First edition of the French translation, illustrated with a plan of Macao and 51 engraved plates by S. Simon after drawings by William Alexander (cf. Cordier, Sinica, 2387).

In the train of Lord Macartney’s embassy, by Mr Holmes, sergeant-major of his guard; to which have been added the Views, Costumes, etc., of China, by Mr W. Alexander, the plates from the original atlas of the embassy omitted from the French translation, together with their explanations. Translated from the English (…), revised and published with observations on the political and commercial relations of England and France with China, and notes by L. Langlès. 

Nineteenth-century binding in tan...

First edition of the French translation, illustrated with 14 hand-coloured engravings depicting costumes (cf. Colas 961.)

Bindings in blue half morocco, spines slightly faded, with five raised bands and minor rubbing, dates gilt at the foot, illustrated wrappers preserved, marbled paper boards, comb-marbled endpapers and pastedowns, marbled top edges, corners slightly bumped.

Foxing, small paper flaw to the corner of page 37 and misbound leaves in volume 1.

Paris, G. Masson, 1872. Quarto, 3 unnumbered leaves, ix and 196 pages, with 51 lithographed plates.

First edition of this important and very rare work, issued in a small number of copies. Catalogue Petit, 656; Bibliotheca piscatoria, p. 75; Nissen, ZBI, 1018.

Complete with all 51 plates, numbered I-L with an additional plate XXXV bis. They form two distinct series: 36 plates devoted to nets, fish-farming apparatus and fishing implements used in China, followed by 15 plates depicting fishes collected by the author, including several species then new to European science...

First edition, published in Paris by Nepveu in 1812 in six volumes, illustrated with 72 engraved plates by Lambert, most of them reduced from those in Dalvimart’s Costume of Turkey, published in London in 1802. Complete with all plates; without the binder’s directions and the leaf concerning the orthography of Arabic words, both of which are absent from many copies.

Contemporary full mottled tan calf. Smooth spines, slightly faded, decorated with gilt...

First edition, illustrated with in-text and full-page black-and-white and colour drawings by Albert Robida.
Publisher’s original illustrated cloth binding in full green percaline, signed Engel, smooth spine, featuring a large polychrome illustration heightened with gold and palladium by Souze extending across the spine and boards; the original front cover in colour preserved; all edges gilt.
"Ceci qui va suivre sous un titre ambitieux pris simplement comme une étiquette en chiffres, n'est, bien entendu, pas une histoire, ni un tableau, ni un résumé, c'est une série d'esquisses, de croquis à la plume et à la mine de plomb, de portraits familiers de notre Siècle à différentes époques...

First edition, one of 330 numbered copies on Arches wove paper.

Minor tears to the head and tail of the spine; a pleasing copy.

With wood-engraved illustrations by François de Marliave, printed in several colours by E. Gasperini.

First edition, deluxe issue, one of 58 numbered copies on Montval paper signed by the artist on the colophon, with two original colour lithographs signed by Max Ernst.

Additionally illustrated with 11 full-page drawings reproduced in black and reproductions of paintings by the artist, including one folding plate.

Copy as issued, green wrappers illustrated with an original artwork by Ernst in perfect condition without any trace of discolouration as is commonly the case.

New illustrated edition featuring 15 naive woodcuts, including one on the rear cover.

No copies recorded in the CCF (Collective Catalogue of France).

Pleasant and rare copy.

This small illustrated tale, primarily serving as an opportunity to showcase all familiar animals within a single narrative, is part of the "penny books" series—the equivalent of our own chapbooks intended for the most modest audiences.

It is traditionally attributed to the publisher, John Golby Rusher (1784–1877), who took over his father’s printing business (William Rusher) and specialized in children’s literature.

First edition, illustrated at the end of the volume with a folding plate comprising 5 figures.

Our copy is preserved in its original wrappers, with mustard-coloured temporary paper covers overlaid with modern marbled-paper wrappers with flaps. 

The sole edition, and very rare, of this important treatise in the history of textile cleaning.

Impressed by the results obtained before the Revolution in a laundry at Bercy, Chaptal, upon being appointed Minister of the Interior, had the question investigated by several chemists, including Bosc, Roard, Curaudeau, Bourgeron, de Layre and Cadet de Vaux, who were commissioned to test and assess this new...

First edition illustrated with 105 engravings, a heliogravure portrait frontispiece with tissue guard, as well as 2 folding maps at the end of the volume.

Publisher's bottle-green full cloth Bradel binding, smooth spine, upper cover decoratively blocked, bevelled boards, top edge gilt, marbled endpapers and pastedowns, corners lightly rubbed.

A Geneva-born geographer, Alfred Bertrand (1856-1924) undertook numerous journeys for ethnographic purposes as well as missionary work; a fervent Calvinist, he sought not only the conversion of indigenous peoples but also a deeper understanding of their customs, and the destinations of his expeditions were largely determined by the...

A fine and substantial group relating to the Vaudreuil family, of considerable importance in the history of the French colonies, both in Canada and in Saint-Domingue.

The work is illustrated, at the beginning of the volume, with a folding genealogical table printed hors-texte.

Contemporary full marbled sheep binding, spine in six compartments gilt and tooled with floral motifs, red morocco title-piece, rubbing to the joints and restorations to the spine, gilt arms stamped at the centres of the boards, minor losses and abrasions to the boards, marbled endpapers, gilt fillets to the edges partially faded, marbled edges, an early binding.

The folding plate at the beginning...

First edition illustrated with 8 engraved plates outside the text by Le Bas after Oudry, including a frontispiece and 6 hunting plates depicting stag hunting scenes (cf. Cioranescu, 60 125. Thiébaud 836-39. Cohen 952, with the often fanciful collation characteristic of this bibliography).

A fine copy complete in all its parts, notably retaining leaf Diij, which is sometimes found supplied in facsimile or replaced by a cancel leaf.

Contemporary full mottled tan calf, spine with five raised bands gilt-ruled and richly gilt in compartments with floral tools, gilt rolls to the spine ends, marbled endpapers, two engraved bookplates pasted to the endpapers and pastedowns, gilt...

First edition, exceedingly rare, illustrated with 3 folding tables, 6 charming vignettes drawn and engraved by J. Duplessi-Bertaux, and 5 plates by Tardieu: 1 folding plan of Sebastopol, 1 large folding map, and 3 plates depicting medals, coins, and bas-reliefs (cf. Atabey 1034. Absent from Blackmer. No copy recorded in the NUC.)

Contemporary Bradel binding in full green paper-covered boards, smooth spine decorated with gilt rules, minor scuffing to spine and covers, a small snag at the foot of the upper cover, contemporary binding.

Wear to spine ends, one bumped lower corner, occasional foxing, a few dampstains at the foot of certain leaves.

In February 1803, Baron de...

A very rare first edition of this atlas only, comprising a folding map and 46 plates mounted on guards depicting a total of 135 figures.

Contemporary Bradel-style binding in black half-cloth over marbled boards, spine damaged at the foot, title label partially rubbed away along its length, boards with scuffs and losses to the marbled paper covering, bumped corners, minor wear to the edges.

An exceptionally rare standalone atlas from this landmark monograph on the Chibcha, or Muisca, civilization.

First edition illustrated with 4 hors-texte plates of line-engraved Greek coins.

Our copy is preserved in its original wrappers.

Appointed professor of archaeology at the Sorbonne in 1820, succeeding Quatremère de Quincy,

Désiré Raoul-Rochette (1789-1854) specialized principally in Greek antiquity. He also served as curator of the Cabinet des médailles.

Rare first edition, illustrated at the end of the volume with a large folding plate of inscriptions (cf. Blackmer 1317. Not in Atabey).

Contemporary half tan calf over marbled boards, with corners, darkened smooth spine ruled in gilt, black morocco lettering-piece, boards rubbed, red-speckled edges.

One joint fragile and tending to separate, some foxing.

"Pittakis is known as the first Greek archaeologist. His early steps were guided by the French consul in Athens, Fauvel, and in 1828, under the provisional government, he was appointed inspector of antiquities. In 1833, with the coming of King Otho, he was appointed supervisor of antiquities of mainland Greece. In...

Rare first edition of the French translation of the Journal of the Resolution (London, 1775), illustrated with a large folding copper-engraved map by E. Dussy, issued without legend.

Cf. O'Reilly & Reitman, 380: "Traduction de la relation apocryphe de Marra". See Hill, 60.

Scattered occasional foxing, a few abrasions to the boards.

Contemporary full marbled tan sheep, spine in five raised bands richly decorated with double gilt compartments, gilt fillets to bands partly rubbed, red morocco lettering-piece, gilt decorative tool at foot of spine, gilt rolls to board edges largely rubbed, marbled endpapers, single gilt fillet to edges, corners worn, marbled...

First edition, illustrated with a frontispiece depicting the site of the ancient city of Panticapaeum (now Kerch, in Crimea), a title-page vignette showing a view of the modern town, two maps (Greek colonies of the Bosphorus and the Black Sea; the Strait of Kerch, with Macpherson’s route), as well as 12 plates, 9 of them in colour (tumuli, vases, bronzes, oil lamps, statuettes, symbols, inscriptions and various objects recovered during excavations), and numerous wood-engravings in the text.

Cf. Abbey, Travel in aquatint and lithography, 243. Blackmer, 1055.

Publisher’s grey blind-stamped cloth, gilt title lettered lengthwise to the smooth spine, large gilt device blocked at...

First edition illustrated with 19 lithographed plates in colour or printed on tinted grounds (including a plan), with captioned tissue guards.

Only two copies recorded in the CCF (BnF and Musée de l'Homme).

The sole edition of this report, in fact written by the duke’s secretary, A. Gory.

La Butte-Ronde lies near the Luynes family estate at Dampierre (though in fact within the commune of Saint-Forget): the learned archaeologist who was the eighth duke (1802-1867) could hardly fail to take an interest in excavations carried out on the site, which brought to light a Gallo-Roman fanum. The pamphlet enjoyed only confidential circulation, and the duke’s death, in that same...

Very rare first edition, published in Munich in 1819, illustrated with a frontispiece and five hors-texte lithographic plates by Carl Friedrich Heinzmann, bearing the signature “Carl Heinzmann fec. 1819”. Cf. Quérard, IV, 424; Pfeiffer, 220.

Modern Bradel-style binding in full grey paper-covered boards, smooth spine with longitudinal red morocco lettering-piece. Original plain blue-grey wrappers preserved. Some foxing, lower wrapper soiled.

One of the plates bears a Latin dedication to Maximilian I Joseph, King of Bavaria, celebrated as “father of...

First edition illustrated with 3 plates (Cf. Rodrigues 1357; Borba de Moraes I, 381; see INED 2496 for the 1774 edition).

Modern binding in brown mottled half calf, spine with four raised bands, gilt rules at head and foot, gilt initials at foot, red calf lettering-piece, marbled paper boards, sprinkled edges.

Stamp of a religious institution on the title page; old bookseller’s label pasted to the facing page.

The Coromandel Coast, European trading settlements, military strongholds, Indian religion, medicine, anatomy, the caste system, Indian manners, clothing, dwellings, gardens, food (and temperance), marriage rites, funerary customs, morality, fauna, flora...

First edition of this essential work on the subject.

The first volume is illustrated with an engraved portrait of the author hors texte; the second contains one folding plate hors texte.

Contemporary half aubergine sheep bindings, smooth spines slightly faded and tooled with gilt and blind fillets, a few scuffs to the marbled paper boards, marbled endpapers and pastedowns, speckled edges.

Atlas volume only from this important 8-volume work, produced within the broader movement to generalize the use of statistics initiated by ministers François de Neufchâteau and subsequently Chaptal. 

Contemporary half flexible paper boards, smooth spine without lettering in blue cloth, marbled paper-covered boards with a printed title label of the period to the centre of the upper cover, spine restored.

Marginal dampstaining to the boards, occasional spotting or soiling to the margins of some leaves.

Herbin, who coordinated the work, draws upon official data that prefects were required to supply for this purpose. 

This volume, in accordance with the table of...

First edition, illustrated with a large folding map (hors texte) at the end of the volume.

Half black morocco binding, spine with four raised bands decorated with gilt fillets and dotted tooling; light rubbing to the spine. Marbled paper boards, speckled edges, contemporary binding.

Scattered foxing.

Unique edition of this scarce monograph, among the earliest works in French on Albania, at the time still part of the European territories of the Ottoman Empire.

Hecquard (1814–1866) is better known for his travels in Africa, but he served as French consul in Albania from 1862 onward, which explains the writing of this work.

Signed presentation...

Second edition, revised and enlarged, illustrated with 7 superb copper-engraved plates by Laurent after drawings by David Massil and Antoine Favray, including 4 folding plates (6 plates in the first volume, 1 in the second).

See Contominas 315. Blackmer 655 (the 1783 edition erroneously records 9 plates). Absent from Atabey.

Contemporary full mottled calf, smooth spines richly gilt with floral and typographic ornaments, red morocco lettering-pieces, green morocco volume labels, the latter partially rubbed, gilt rolls to the spine ends partly worn, blue endpapers and pastedowns, red edges.

Some restorations to the spines and joints, occasional foxing.

This second...

First edition of these curious memoirs by a young officer, illustrated with 2 folding maps (cf. Sabin 27391).

Contemporary half Havana calf over corners, spine with five raised bands richly gilt with floral tools and double fillets, green morocco lettering-piece, rubbing to spine and joints, covers framed in gilt fillets on brick-red percaline boards, marbled endpapers, top edge gilt.

Occasional foxing.

In this work, the author recounts, among various observations, the resistance of women at the beginning of the British occupation of 1806; a list, now lost, of the Anglophiles who had sworn allegiance to King George, etc...

First edition of this treatise "qui comprend la structure et les fonctions de la bouche, l'histoire de ses maladies, les moyens d'en conserver la santé et la beauté, et les opérations particulières à l'art du dentiste".

Cf. Crowley 846. David p. 125. Poletti p. 49.

Contemporary half tan calf, smooth spine decorated with gilt ornamental rolls, red calf lettering-piece, some rubbing and minor losses to the joints, speckled-paper boards, marbled edges.

Illustrated with an engraved title-page, an allegorical frontispiece and 13 engraved plates, all hors texte.

Some foxing.

Original edition of this auction catalogue from the sale held on Friday 10 and Saturday 11 May 1872, describing 294 lots.

A tear at the foot of the final leaf.

The catalogue is illustrated with 2 hors-texte engraved plates (line engravings).

Of Baden origin, the numismatist Ludwig Wilhelm Fröhner (1834–1925) settled in Paris in 1859: he became one of the close friends of Napoleon III and assisted him in the preparation of his History of Julius Caesar (1865–1866), which helped him obtain both French naturalisation (1866) and a desirable post at the Louvre.

The Franco-Prussian War of 1870 proved disastrous for him: he lost all his positions and even any prospect...

First edition illustrated with a portrait, 15 plates, and a large folding map printed in colours showing the routes.

Contemporary-style green half shagreen, spine with five raised bands lightly sunned, marbled paper boards, wrappers mounted on guards and preserved, skilfully restored at the corners, modern binding.

Rare collection of 16 hand-coloured engravings, comprising a frontispiece and 15 plates, illustrating the virtues of soldiers and young men during the Consulate period.

Contemporary half bronze calf binding, smooth spine decorated with gilt fillets, dotted tools and floral ornaments, minor rubbing to the spine, brown morocco title label, boards, endpapers and pastedowns of marbled paper, ex-libris pasted on the front pastedown.

An attractive copy.

First edition of this thesis, illustrated with 4 plates.

Modern black half-calf binding, smooth spine decorated with double gilt fillets, marbled-paper boards.

A few minor spots of foxing; stamps of the Library of the Paris Faculty of Medicine on the plates and title page.

Not recorded by V. Rozier. 

The author served as chief surgeon to the First Battalion of Foot Grenadiers of the Consular Guard.

He invented an adjustable inclined bed, an instrument for the treatment of compound fractures of the lower jaw, a compression device for use in cases involving severed arteries, and an apparatus designed to transport seriously wounded men over long distances...

Very rare first edition of this album comprising 24 plates engraved by the Valenciennes engraver William Marks.

Indeed, the large figure printed on two sheets counts as two engraved plates (nos. 8 and 9), Cf. Vicaire

Contemporary half tawny shagreen over corners, spine with five raised bands highlighted with gilt dotted tooling and decorated with double fillets and gilt fleurons, some rubbing to the spine and joints, one joint split and then reglued at the head, comb-marbled paper boards, marbled endpapers and pastedowns, original illustrated upper wrapper preserved, top edge gilt, engraved bookplate pasted to one pastedown, contemporary binding.

Texts by...

Rare first edition illustrated with a frontispiece, an engraved title, two intaglio-engraved plates, and 25 woodcut figures in the text (cf. Rosenthal, Bibliotheca Magica et Pneumatica, 8648, which records only a 1788 edition).

Contemporary full marbled calf, spine with five raised bands richly gilt and panelled, gilt rolls to the spine ends partially rubbed, dark green calf lettering-piece, a few rubs to the spine and joints, gilt fillets to the edges partially faded, corners bumped, red edges.

Album of 25 hand-finished colour lithographs depicting French military uniforms from the last quarter of the 19th century (cf. Glaesser pp. 320-321. Colas 2003 (issued in quarto format?)).

Contemporary paper boards, plain smooth spine in brick-red cloth.

Some foxing.

The unnumbered military costume plates are captioned.

First illustrated edition, featuring at the end of the volume 12 charming hand-coloured copper engravings depicting fashionable hairstyles and costumes (10), as well as furniture (2).

Contemporary binding in half midnight-blue calf, smooth spine decorated with lozenge tools and gilt fillets, gilt tail ornament, marbled paper boards, marbled endpapers, marbled edges.

The work is also illustrated with a portrait of Bonaparte as a frontispiece and one plate hors-texte.

Foxing, black ink stains to page 81.

This work, intended for an American readership, as stated in the Preface ("L'espèce de journal dont nous offrons ici le premier essai, ne contiendra que rarement...

First edition of the exceedingly rare French translation, illustrated with 5 folding maps hors-texte (cf. Atabey 255. Not in Blackmer).

Contemporary half blond sheep bindings, smooth spines decorated with gilt fillets, a few rubs to the spines, marbled paper boards, engraved bookplates pasted onto the endpapers and pastedowns, yellow edges, contemporary bindings.

Some foxing, date erased from the title page of the first volume.

Quérard III, 216: "Le gouvernement ne permit pas la mise en vente de cette traduction ; il n'y en a eu que quelques exemplaires de répandus".

Provenance: notably from the library of H. Tronchin, with his engraved bookplates pasted onto the...

Second edition, issued with the date of the original, which bears the imprint of Michallet in Paris (cf. Willems 1899. Blackmer 325 (our edition) and 326 (third, 1679). Atabey 222 (third edition).

Illustrated with a frontispiece and, at the end of the volume, a large folding view of the battle of Khotin.

Full polished brown calf, spine with five raised bands, decorated in blind with fillets and panel compartments, gilt rolls to the spine ends, covers framed with triple fillet and blind palmette tools, comb-marbled endpapers, gilt garland frame to the pastedowns, double gilt fillets to the edges, red-speckled edges, gilt garland frame to the pastedowns, 19th-century...

First edition, illustrated, featuring at the end of the volume a folding plate bringing together two figures (cf. Quérard II, 130. Poggendorff I, 420. Not in Duveen.)

Bradel binding in full brick-coloured boards, smooth spine, green morocco title label, modern binding.

Chaptal develops ideas he had already set out some ten years earlier in volume VI of the "Mémoires de l'institut, sciences physiques et mathématiques" : he examines the art of restoring faded colours.

Some light, harmless foxing.

First edition of the French translation, illustrated in the atlas volume with 11 plates and 1 large folding map (cf. Hage Chahine, 720; Chadenat, 4227; Wilson, 35 for the 1835 English edition).

Contemporary Romantic bindings in aubergine half calf, smooth spines decorated with gilt arabesque tooling, gilt rolls at head and foot, marbled-paper boards, and marbled endpapers and pastedowns.

The atlas bound in aubergine half shagreen, smooth spine decorated with gilt Romantic arabesque tooling, gilt rolls at head and foot, marbled-paper boards, and marbled endpapers and pastedowns; a modern binding executed to match the Romantic bindings of the text volumes.

Joints...

First edition illustrated with 9 copper-engraved plates hors texte after drawings by Hippolyte Jordan and Baron Charles-Louis de Coubertin (1822-1908, father of Pierre de Coubertin), including one double-page map and one folding plate.

Frédy de Blackmer 177 (calling for 17 plates).

Contemporary half cherry-red shagreen over marbled boards, spine with five raised bands showing a few rubs and darkened at the foot, comb-marbled endpapers and pastedowns, शीर्ष edge gilt, corners lightly bumped.

A light dampstain to the edges without affecting the text, joints restored at head and foot.

The sole edition, printed in an edition of 500 copies and uncommon, of this account...

First edition, illustrated with 18 plates on China paper (cf. Sabin 5832. Leclerc 1075. Streeter, "Bibliography of Texas", 1343.)

Contemporary half tan calf, spine with four fine raised bands ruled in gilt and blind, gilt ornamental rolls partly faded at head and foot, hazel morocco lettering-piece, marbled paper boards, marbled endpapers and pastedowns, all edges marbled.

Dampstaining to the lower margins of most leaves, more pronounced towards the start and the end of the volume; some foxing; two gatherings bound out of sequence by the binder, and the final four preliminary pages bound at the end of the volume; minor repairs to the joints; slight rubbing to the lower edges...

First French edition, illustrated with a lithographed frontispiece and 11 lithographed plates (bound between pp. 360–361), cf. Brunet, I, 787; Chadenat, 5323.

Full calf binding, smooth spine with gilt decorative motifs, gilt roll on the headbands, red morocco title label, gilt roll borders on the boards, handmade paper endpapers and pastedowns, gilt edges on the board edges, red page edges, contemporary binding.

Restorations to the spine, one restoration at the foot of the title page.

An epistolary account of a journey undertaken in 1802 among the Kalmyks, a nomadic people of the Astrakhan province (North Caucasus).

First edition of the French translation, illustrated with 18 engraved plates, 10 of them hand-coloured (cf. Blackmer 87; Atabey 68; Contominas 39; Monglond VII, 654-655).

The 18 plates include the two plates of musical notation and the large folding map at the end of the second volume.

Contemporary green half sheep, darkened smooth spines ruled in gilt, with a narrow gilt roll at foot, marbled paper boards, speckled edges.

Some foxing, light rubbing to the joints, a few gatherings browned. 

First and only edition of Auguste du Coudray's French translation of this account of a journey through Greece, written in the form of letters. Jacob Levin Salomo, known as Jakob...

First edition illustrated with 1 folding plate consisting of a copper-engraved reproduction of the Choiseul Marble by Poisson (cf. Monglond II, 651.)

A restored tear to the verso of the folding plate.

Bradel binding in full marbled paper-covered boards, smooth spine, brown shagreen lettering-piece, red edges, modern binding.

A pleasing copy.

Rare first edition illustrated with 2 plates outside the text, including a frontispiece and a large folding facsimile of the inscription.

Contemporary green half sheep, spine faded and decorated with blind fillets and raised bands, a few scuffs to the spine, marbled paper boards, marbled endpapers, speckled edges, corners bumped.

A few spots of foxing.

This inscription had been unearthed in Marseille in June 1845 and had already given rise to numerous attempts at interpretation.

It is now known as the “Carthage Tariff” and lay at the origin of the enduring myth of the city’s Phoenician origins: the religious regulations it records appeared to provide proof that...

First edition of this rare work. Several states are known: without any plates, not even the engraved title-frontispiece (the extremely rare deluxe issue); with the engraved title bearing the same imprint as the printed title (Tours, R. Pornin et Cie); and, finally, with the Paris, Lehuby imprint (as in the present copy).

The following explanation may be proposed: the Tours publisher Pornin reserved a small portion of the edition, without the engraved material, for the author's friends. The remainder was shared with the Paris publisher Lehuby, a specialist in children's books, who ensured its wider distribution.

The work is illustrated with a frontispiece and two steel-engraved...

First edition illustrated with a large folding plate inserted out of text reproducing the Greek portion of the Rosetta Stone (cf. Quérard I, 48.)

Our copy is preserved in its original wrappers, in temporary root-pattern paper covers.

A key figure in the establishment of literary repositories during the Revolution, and their transformation into libraries, the antiquarian Hubert-Pascal Ameilhon (1730-1811) remains an important, though far too neglected, figure in bibliography and the sciences.

This relative oblivion owes much to the small number of works published during his lifetime : the work offered here constitutes an essential link in the decipherment of the...

First edition featuring the celebrated original color stencil "Aidez l'Espagne!", printed on Arches paper by Joan Miró.
With literary contributions by Christian Zervos on Pablo Picasso's "Guernica", as well as texts by Jean Cassou, Georges Duthuit, Pierre Mabille, Michel Leiris, Paul Éluard, René Char...
Illustrated with numerous reproductions of works by Pablo Picasso and Joan Miró’s "Le faucheur".
Some rubbing and small tears to the spine, as often, a vertical crease to the rear wrapper, otherwise a fresh and well-preserved copy.

First edition, limited to 1,100 copies, divided into four fictitious editions within the same year, in order to create the illusion of commercial success. These were subsequently reissued with a new title-page bearing an edition statement and the author’s name, together with a volume designation on the half-titles (cf. Clouzot). Our copy carries the designation “third edition.” Contemporary bookplate traces on the upper pastedowns. Expert restorations to headcaps and joints, with a tiny loss at the foot of the lower joint of vol. I. A clean copy, entirely free of foxing.

Contemporary half chocolate calf bindings...

First edition of this complete suite of 18 numbered intaglio plates enhanced in colour, on 'J. Honig & Zoonen' laid paper, depicting 72 merchants accompanied by captions beneath each figure.
First printing, subsequent editions will feature individually numbered figures surrounded by a border.

Bound in half sienna morocco with corners, smooth spine, title stamped in gilt throughout, tiger patterned paper boards, combed paper endpapers and flyleaves, first cover retained, gilt head.
 
Extremely rare and the earliest known suite of prints depicting itinerant merchants and pedlars in Spain. Each figure is...

First edition, printed in a small run of numbered copies.

With two photographic portraits: one of Charles Pathé and the other of his brother Émile, and a view of the Kodak-Pathé and Pathé-Cinéma factories.
3/4 beige sheepskin binding, spine with four raised bands decorated with black typographical motifs, date at foot of spine, marbled paper boards, endpapers and flyleaves.
Discrete restorations to spine, some rubbing to upper corners of boards.

Signed by Charles Pathé on his photographic portrait.

Rare first edition of this manual on film development.
Illustrated with 54 figures in the text and 6 folding plates at rear, containing 107 interest­ing samples of films negatives and celluloid.

With a frontispiece photographic portrait of Charles Pathé.

Skilfully restored brown half sheepskin pub­lisher's binding, smooth spine decorated with golden arabesques, small gaps filled at head of spine, marbled endpapers and past­edowns.

"In the early years of the twentieth century, the largest film production company was the Société Pathé Frères (Pathé Brothers Com­pany). Founded in 1897, the company was at its height in 1920s when it unveiled the first home...