First edition illustrated with 48 color lithographs by the author, one of a few named copies on japon reserved for the principal collaborators of the publication, ours specially printed for the celebrated bibliophile Colonel Sickles, deluxe issue.
This copy is complete, as stipulated in the justification, with the duplicate set of lithographs in black and in color.
The work is also illustrated with 40 decorated initials designed by the prestigious bookbinder Paul Bonet.
This is Maurice de Vlaminck's most important illustrated book, which took him nearly ten years to complete.
A fine copy, complete with its slipcase and box.
First edition illustrated with 15 original copperplate engravings, including 10 in color, by Maurice de Vlaminck, one of 250 numbered copies on Arches laid paper.
The work is also illustrated with 2 portraits by Amedeo Modigliani depicting Maurice de Vlaminck and his wife.
Full Empire green morocco binding, spine with two prominent raised bands extending as triangles in blind on the covers, spine decorated with three gilt lozenges with gilt title and separated by a transverse gilt bar, marbled paper endpapers and pastedowns, triple gilt fillets framing the pastedowns, covers and spine preserved, top edge gilt, Empire green morocco-edged slipcase, marbled paper boards, contemporary binding signed by the workshops of C. Muller, Nancy bookbinder.
Manuscript signature by Maurice de Vlaminck in pencil below his frontispiece portrait.
Spine slightly darkened, otherwise a handsome copy.
First edition illustrated with 11 original black woodcut engravings by Paul-Emile Colin and 15 original engravings and typographical ornaments printed in bistre by Pierre-Eugène Vibert, one of 25 numbered copies on Japan paper containing a collection of artist's proofs by both painter-engravers on China paper.
Full mauve morocco binding, faded spine with five raised bands, gilt date at foot, some rubbing to bands and joints, watered silk endpapers in mauve, brown morocco doublure decorated with vegetal and floral frieze executed with brown and violet mosaic morocco pieces, covers and spine preserved, all edges gilt, slipcase with mauve morocco entry, faded, marbled paper boards, binding signed Canape.
Copy perfectly executed in a full morocco binding with doublure by Canape.
First edition, one of 450 numbered copies on Holland paper.
Work illustrated with 35 original woodcuts by Fernand Siméon.
Full brown morocco binding, smooth spine decorated with a vertical band of black mosaic morocco, black roulettes on the headcaps, slight rubbing to the upper headcap, gilt title struck to the center of the first cover, covers decorated with a large diamond and a wide horizontal band of black mosaic morocco, endpapers and pastedowns of paper with gilt floral motifs and moiré effect, frame of vertical and horizontal bands of black mosaic morocco on the pastedowns, covers and spine preserved, top edge gilt, double black fillets on the leading edges, slipcase with brown morocco entry, covers of paper with gilt floral motifs and moiré effect, perfect Art Deco binding signed A. Pinard-Lefort.
Handsome copy perfectly executed in a beautiful Art Deco binding.
First edition, one of 50 numbered copies reimposed on Japan Imperial paper, ours being one of the few hors commerce copies, deluxe edition after 1 unique copy on Japan Imperial and 19 old Japan.
Illustrated work, as frontispiece, with a portrait of Charles Maurras consisting of an original drypoint by Edouard Chimot and original lithographs by Wassily Schoukhaeff.
Half chocolate brown morocco binding with corners, spine with five raised bands, gilt date at foot, black roulettes on headcaps, black fillet frame on wood-effect paper boards, wood-effect paper endpapers and pastedowns, covers and spine preserved, top edge gilt, perfect unsigned binding.
Very handsome copy perfectly executed and complete, as stipulated in the justification page, with the double state of Edouard Chimot's drypoint with remarques, 1 proof of the cancelled plate and 1 suite of the lithographs on Japan.
First edition consisting of 6 decorative plates and 2 plates with pre-cut characters.
Rare and fine copy complete with red glossed slipcase (with two tears at theback cover) and cardboard packaging, affected by some slight foxing on the covers.
First edition, one of 15 numbered copies on Hollande paper, the leading copies.
This copy with the original frontispiece lithograph by André Masson.
Hors-texte illustrations by André Masson.
A very good and rare copy.
First edition, one of 15 numbered copies on Corée paper, the tirage de tête after three on 3 Japon.
Illustrated with 3 images by Irène Lagut.
Two small insignificant tears to head and foot of spine.
This copy has a chemise and slipcase of paper boards covered in snakeskin-effect paper with black and green scales, the slipcase edged with black cloth.
With 8 original etchings to text and hors-texte by Oscar Dominguez, one of 70 numbered copies on B.F.K. de Rives paper, the only printing with 4 on old Japon paper, variously enriched.
Autograph inscription from Robert Ganzo to a couple of his acquaintance on half title.
This copy is additionally enhanced with a manuscript quatrain signed by the author on the page opposite half-title.
Autograph signatures of the author and illustrator on the justification page.
Some slight small foxing mostly affecting the first leaves, a joint of the chemise cracked, with a tear almost all over it.
A rare copy in a chemise and flexible slipcase with wood-effect paper boards.
