Artists Books & Illustrated Books

Edition printed on laid Arches and illustrated with a frontispiece, 7 inset plates in chiaroscuro and in-text vignettes by George Barbier.
Binding in half chocolate brown morocco, spine in five compartments with some scratches, marbled paper boards, wrappers and spine preserved, top edge gilt.

Illustrated edition with 24 original compositions by Adolphe Lalauze, one of 200 numbered copies on Japan paper or grand Arches vellum, ours on Japan paper from the deluxe issue.
Full floral fabric binding, smooth spine, sand morocco title-label, covers and spine preserved, contemporary binding signed by Champs.
Preface by Léo Claretie.
Handsome copy despite some light foxing.
Our copy contains two states of the etchings by Adolphe Lalauze.

Illustrated edition of 10 original Adrien Marie compositions etched by Wallet, one of 50 numbered copies on Japan featuring etchings in double condition;
Binding in half gray percaline with corners, smooth back adorned with a floral golden pattern, golden date and double fillet in tail, title piece of navy shagreen, boards of marbled paper, Contemporary binding.
Edition enriched with an unpublished preface by Jules Clarétie.
Some foxinges mainly affecting the white guards of the binding.
Our copy is exceptionally embellished with an original watercolor in color signed Frédéric Bourdin on the page preceding the title page.

Illustrated edition with headpieces, initial letters in black and gold as well as 8 tipped-in colour plates by Georges-Marie Rochegrosse, one of 1000 numbered copies on laid paper.
Handsome copy despite a small light dampstain at foot of front cover and to its verso, spine lightened and discolored as usual.

Illustrated edition with 12 hors-texte watercolors as well as 225 vignettes and ornaments by Maurice Leloir.
Half blue morocco binding with corners, spine with five raised bands showing minor rubbing, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, binding signed by Champs.
Some foxing.
Preface by Guy de Maupassant.

Illustrated with 21 original compositions by Paul Avril, one of 100 numbered copies on Japan paper with a state of the etchings hors-texte with remarques.
Bradel binding in half blue cloth with corners, smooth spine decorated with a gilt floral motif, gilt date and double fillet at foot, tan shagreen title-label, marbled paper boards, covers and spine preserved, contemporary binding.
A small stain without consequence at head of first board.
Preface by Anatole France.
Handsome copy.

First edition printed on ordinary paper.
Full blue shagreen binding, spine with five raised bands very slightly faded, small scratches on the joints, gilt fillets on the headcaps, marbled endpapers and pastedowns, gilt decorative border on the pastedowns, illustrated cover with watercolor by Pierre Bonnard preserved, gilt fillet on the leading edges, top edge gilt.
A repaired tear at the foot of the cover illustrated by Pierre Bonnard.

First edition and first issue of the full-page color illustrations by Albert Robida.
Publisher's full grey percaline binding, smooth spine, front cover illustrated with a polychrome composition by Albert Robida, blue-grey paper endpapers and pastedowns, all edges gilt.
Headcaps lightly rubbed as often, handsome copy.

First collected edition, one of 290 numbered copies on Rives vellum.
Full lemon yellow shagreen binding, smooth spine, the letters composing the title of the work are inlaid in grey shagreen and set in gold on the first cover which bears at foot the author's name in a grey shagreen rectangle, grey box endpapers and pastedowns, two endpapers marginally soiled, original wrappers preserved, top edge gilt.
The work is illustrated with a frontispiece portrait of the author by André Derain.
Handsome copy pleasantly bound.

First edition, one of 26 numbered copies on Rives vellum, deluxe copy.
Publisher's binding with cream cloth spine, plexiglas boards, full mouse-colored cloth slipcase.
Work illustrated with 6 original drawings by Christian Bonnefoi on polystyrene tracing paper and tarlatane.
Signed by the author and illustrator on the justification page.
Slipcase very slightly and marginally discolored at head and foot of boards.
Rare and handsome copy.

Edition illustrated with original artwork by Raymond Moretti, one of the numbered copies on laid paper, the only printing along with 300 copies on Rives vellum.
Publisher's Bradel bindings in full chocolate imitation morocco, smooth spines, covers decorated with gilt interlacing, mustard paper endpapers and pastedowns, top edges gilt, mustard cardboard slipcases bordered with chocolate imitation morocco.
Introduction by Frédéric Vitoux.
Set illustrated with numerous original color compositions by Raymond Moretti.
Handsome complete set in 9 volumes.