Artists Books & Illustrated Books

First edition, with the illustrations of the author (often missing) and 79 plates (plate 27-28 double page) hors texte steel-engraved by Forestier after drawings by Antoine Chazal.
Strictly contemporary Romantic binding in brown calf, spine in six compartments richly decorated with gilt fillets and blindtooled arabesques, boards with blindtooled arabesques to corners, double fillet frame and gilt initials ‘A.D.' to centre, gilt roulette framing marbled endpapers and pastedowns, double gilt fillets to edges of covers. Binding very skilfully restored.
Jacques-Pierre Maygrier (1771-1835) was a student of Antoine Dubois, the obstetrician of Empress Marie-Louise. He practiced at the...

First edition, one of 15 numbered copies on Corée paper, the tirage de tête after three on 3 Japon.
Illustrated with 3 images by Irène Lagut.
Two small insignificant tears to head and foot of spine.
This copy has a chemise and slipcase of paper boards covered in snakeskin-effect paper with black and green scales, the slipcase edged with black cloth. 

Seventh edition, first to illustrate Zimeo, adorned with 7 plates by Moreau le Jeune: a frontispiece and 4 plates for Les Saisons, engraved by Delaunay, Duclos, Prévost and Simonet, and 2 plates for the Contes, Poésies fugitives and Fables orientales, together with 4 headpiece vignettes by Choffard. Our copy is further enriched with separate pulls of the title-page ornament and Choffard's vignettes.
Nineteenth-century binding in full midnight-blue morocco. Five-raised-band spine decorated with pastoral flowers (vine, wheat and billhook, game and hunting horn...) and gilt compartments. Triple gilt fillet and...

First edition printed in 51 copies numbered and initialled by the author on Whatman.
Playful and striking signed presentation inscription from Jean Ajalbert to Henry Fèvre: "... ex-écrevisse de rempart, ces vers de l'auteur des bastions..."
Illustrated with an original lithograph by Paul Signac as frontispiece.
Minor spots on the lower cover, a rare and handsome copy.

First edition of only 100 copies, numbered by Pierre-Eugène Clairin on pur fil de Lana paper, plus a few hors commerce copies.
Text by Albert Camus.
With 7 etchings, 2 drypoints and three original lithographs (one in colors) by Pierre-Eugène Clairin, who has signed eight of the illustrations in pencil.
A little light marginal worming, a good copy complete with its chemise and slipcase (with flaps).
Rare.

First edition in French, printed on vergé paper.

Publisher's Arabesque yellow paper binding by A. Lenègre, spine with gilt, black, and turquoise Arabic decorative motifs (head- and tail-pieces slightly rubbed), upper cover richly ornamented with Arabic decorative motifs in gilt, black and turquoise with a frame of gilt and black fillets, turquoise paper pastedowns and endpapers (corners slightly bumped), all edges gilt, a few small insignificant spots to lower cover.
Text by Alfred Edmund Brehm & Johannes Dumichen.
The work is illustrated with 24 watercolors after nature by Charles Werner.
A few small spots, mostly affecting endpapers.
Rare.

With 8 original etchings to text and hors-texte by Oscar Dominguez, one of 70 numbered copies on B.F.K. de Rives paper, the only printing with 4 on old Japon paper, variously enriched.
Autograph inscription from Robert Ganzo to a couple of his acquaintance on half title.
This copy is additionally enhanced with a manuscript quatrain signed by the author on the page opposite half-title.
Autograph signatures of the author and illustrator on the justification page.
Some slight small foxing mostly affecting the first leaves, a joint of the chemise cracked, with a tear almost all over it.
A rare copy in a chemise and flexible...

Seventh edition, first issue of Moreau le Jeune's illustrations, adorned with 7 plates: a frontispiece and 4 plates for Les Saisons, engraved by Delaunay, Duclos, Lebas and Prévost, and 2 plates for the Contes, Poésies fugitives and Fables orientales, together with headpiece vignettes by Choffard, reprinted from the first edition of 1769.
Contemporary full calf binding. Richly decorated smooth spine. Red morocco lettering-piece. Boards in mottled calf (with Greek-key border) added at a later date during restoration. Worn corners. A split to the upper joint extending 5 cm. A very good copy overall.

First edition, one of 300 copies, this one of 20 numbered and justified by François-Louis Schmied, the tirage de tête.
With 42 full page plates hors texte.
Spine and covers sunned at edges, scratch to head of lower cover, occasional wormholes, internally good. 

First edition.
Contemporary full bronze calf, spine with four raised bands lavishly decorated in gilt with fillets and dentelles and with blind-stamped tools in the compartments, sides with large blind-stamped panels composed of an elaborate frame of dentelles and fillets, four corner rosettes, and a central lozenge-shaped cartouche ornamented with gilt arabesques and rosettes, corners bumped, gilt rolls to the edges and turn-ins, gilt dentelle border to the pastedowns, a few scuffs, all edges gilt, strictly contemporary binding, signed Martin.

Our copy is complete with the frontispiece and the facsimile of the signatures of Molière and his daughter.
Some foxing.
A handsome...

The program is illustrated by V. Barthe (wrapper) and includes hors-texts by Chatzman, Manet (a reproduction of his Olympia), Picasso, Vassilieff, Fotinsky and Ganovsky (a spatial composition).

Appearing at this event were: Olga Koklova and the Ballets Suédois of Juger Friis and Jean Borlin, the “dance of the lobster, crab and crocodile” with costumes by Marie Vassilieff and Fernand Léger, the Petrograd Puppet Theatre with costumes and puppets by Goncharova and music by Bohslav Martinou and Vernon Duke, three-dimensional poems by Iliazd and Katabadze as well as futurist poems from Vazry, a dance by Thamara Svirskya to Satie's Gymnopédies, “Japanese...

First edition, one of 50 numbered copies on pur fil paper, the tirage de tête (firsts deluxe) copies after 10 Chine paper.
Illustrated with drawings by Georges Ribemont-Dessaignes.
Spine slightly faded, a few pale spots, not serious, to upper wrapper, internally good.
A rare copy.