Artists Books & Illustrated Books

First edition, one of 450 numbered copies on Holland paper.
Work illustrated with 35 original woodcuts by Fernand Siméon.
Full brown morocco binding, smooth spine decorated with a vertical band of black mosaic morocco, black roulettes on the headcaps, slight rubbing to the upper headcap, gilt title struck to the center of the first cover, covers decorated with a large diamond and a wide horizontal band of black mosaic morocco, endpapers and pastedowns of paper with gilt floral motifs and moiré effect, frame of vertical and horizontal bands of black mosaic morocco on the pastedowns, covers and spine preserved, top edge gilt, double black fillets on the leading edges, slipcase...

First edition, one of 50 numbered copies reimposed on Japan Imperial paper, ours being one of the few hors commerce copies, deluxe edition after 1 unique copy on Japan Imperial and 19 old Japan.
Illustrated work, as frontispiece, with a portrait of Charles Maurras consisting of an original drypoint by Edouard Chimot and original lithographs by Wassily Schoukhaeff.
Half chocolate brown morocco binding with corners, spine with five raised bands, gilt date at foot, black roulettes on headcaps, black fillet frame on wood-effect paper boards, wood-effect paper endpapers and pastedowns, covers and spine preserved, top edge gilt, perfect unsigned binding.
Very handsome copy...

An album containing 14 gouaches on silk, including 12 erotic paintings. The first painting on each side of the folding shows a bird and on the other side maple leaves, thus masking on each of the first pages the erotic aspect of the collection. Shunga is the generic Japanese term that designates erotic art, it literally means Spring Image, spring being a euphemism and figure of style expressing sexuality. The term Shunga having been reserved for a long time for prints, collections or albums have often been designated by the appellation Pillow Books, or notes for the pillow, etc. (Utamaro: The Song of the Pillow, 1788).
Japanese accordion album covered with damask silk with flowers and...

First edition, one of 50 copies printed anonymously on papier japon.
First edition, one of 50 copies printed anonymously on papier japon.
Illustrated with an erotic frontispiece by Félicien Rops on chine.
Custom chemise and slipcase in half morocco and paper boards signed Boichot, some discreet restorations to the spine and covers, some discreet restorations to the top margin of the frontispiece, not affecting the engraving.
“La Présidente”, honorary nickname given to Apollonie Sabatier (alias Aglaëe Savatier, her real name), was one of the most captivating Salon hostesses of the 19th century. She inspired an ethereal love in Baudelaire who...

First edition on ordinary paper.
Work decorated with a frontispiece illustration by Joan Miro.

Very precious autograph inscription signed by Janine Queneau to her great friend Boris Vian: "A Boris dont je crains d'avoir bien mal suivi les conseils. Avec beaucoup d'affection. Janine." ["To Boris, whose advice I fear I have followed very poorly. With much affection. Janine."]

Provenance: Boris Vian Foundation.
 

First edition, one of 1000 numbered copies on special paper called "Hôcho", the only printing along with 12 deluxe copies and 6 hors commerce copies.
Work illustrated with 14 drawings in the text by Audrey Parr engraved on wood by Bonkotsu Igami, "following the Japanese process", with a color composition by Keisen Tomita (on verso), engraved by Bonkotsu Igami, an autograph poem in facsimile, title page drawn by Noémi Pernessin.
Rare and very handsome copy without any foxing, spine of the blue percaline chemise slightly faded as usual.
Provenance: from the library of Doctor Lucien-Graux with his pasted bookplate.

Fourth collective edition for the first part and third for the second and third parts, published by Corneille himself. Our copy is adorned with the frontispiece of the first two editions (dated 1645), and the portrait of Corneille by Michel Lasne, dated 1644.

Later bindings in full blue morocco, Jansenist spines with five raised bands, endpapers and pastedowns framed with gilt dentelles of marbled paper, all edges gilt, marbled paper slipcases bordered with morocco, bindings signed by Alix.

Rare and beautiful copy elegantly bound.

First edition, superbly illustrated with 50 engraved and hand-coloured plates, all numbered and signed by William Ellis. Bilingual text, first in English, followed by the French translation on facing pages. Printed on deluxe wove paper.
English binding. Spine entirely rebacked in chocolate shagreen, decorated with five blind-stamped romantic floral tools. Brown calf boards adorned with a large central lozenge composed of leafy friezes. Blind-stamped border frieze with corner tools, and a second leafy border. Upper board split along the joint and nearly detached, lower joint open at the foot over 5 cm, with a continuing crack of 10 cm though the leather remains closed. Corners heavily...

Rare first edition of this catalogue presenting jewellery creations by the Maison Templier.
Very nice copy.
Illustrated catalogue with 3 photographs by Laure Albin-Guillot.

First edition consisting of 6 decorative plates and 2 plates with pre-cut characters.
Rare and fine copy complete with red glossed slipcase (with two tears at theback cover) and cardboard packaging, affected by some slight foxing on the covers.

Second edition, a reprint of the first folio edition published in 1756 by the same publisher. A rare edition, illustrated with 40 plates including 4 folding and 16 double-page (arms, costumes, plans, manoeuvres...). Large vignette with coat of arms on the title-page, and 41 ornaments (headpieces, tailpieces). Title-page printed in red and black. At the end, Supplement aux Reveries, with its own title-page; this short addition, spanning only a few pages, contains the corrections made to the original. A two-volume quarto edition appeared in Paris in 1757.
Bound in later full marbled brown calf; a skilful early 20th-century pastiche signed Saingy at foot. Spine with raised bands richly...

Rare edition of this bawdy tale, complete in two parts published separately. It is illustrated with four wood-engraved vignettes, borrowed from Decameron of Boccace (Venice, 1531) and ingeniously twisted to suit their context. This edition is the first text of the author and is unique in that it has not been corrected. The book will be translated in French only in 1792.
Modern binding in full red morocco, the spine in five compartments, gilt date and title, golden fillets surround the cover, the endpaper and pastedown of vellum.
Provenance: Library of Gianni de Marco with its book plate and itsseal.
No copies in an American Library, one in the British...

First edition, one of the 1000 numbered copies on vellum cloth, ours one of the hors commerce.

Illustrated book of 4 reproductions of works of Claude Garache.
Nice copy.
Signed autograph Yves Bonnefoy to his friend the sculptor and painter Raymond Mason and his wife: "For Raymond and Janine with affection Yves." enriched with the handwritten signature of Claude Garache in pencil.

First edition, one of 15 numbered copies on Hollande paper, the leading copies.
This copy with the original frontispiece lithograph by André Masson.
Hors-texte illustrations by André Masson.
A very good and rare copy.

First edition, one of 60 numbered copies on vélin d'Arche papers, the only grand papier (deluxe) copies with a few hors commerce also on vergé d'Arches.
Illustrated with 6 original lithographs by Antoni Tapies.

A very nice copy.
HAndwritten signatures of Antoni Tapies and Georges Raillard to colophon.