Djamila Boupacha
Illustrations.
A fine copy.

First edition of the French translation by Victor Largeau, presented in 1844 to the Geneva archaeologist Gustave-Philippe Revilliod (1817–1890) by Moors with whom he had become close.
Contemporary binding in brown half sheep with corners, spine with five raised bands and no lettering, marbled paper sides, marbled endpapers and pastedowns, soiled original wrappers preserved, modern binding.
Some occasional foxing.
An explorer—he attempted twice to cross the Sahara, the first time in this same year, 1875—Victor Largeau (1842–1897) later became a colonial administrator. He was the father of General Victor-Emmanuel Largeau (1867–1916), one of the founders of Chad.
First edition of this occasional text, illustrated with 4 plates outside the text.
Spine faintly faded, a rare and attractive copy.
Archbishop of Algiers from 1867, Charles Lavigerie (1825–1892) would become in 1884 Primate of Africa through his exceptional accumulation of titles, including the restored See of Carthage.
He took an early interest in the excavations of the Carthage site.
Very rare first edition illustrated with 40 lithographs (cf. Colas 1581, Mayfair, Algeria, 751, Tailliart, 1001, *Iconographie de l'Algérie*).
A few minor spots of foxing; the front free endpaper is slightly creased at the margin, not affecting the text.
The 40 plates, printed on 37 leaves, are arranged as follows: 37 black lithographs including one plan and one folding map (plates 11–12, [37–38], and [39–40] are printed on single leaves).
Among the rarest and most beautiful illustrated albums devoted to Algeria, this edition comprises 40 lithographic plates printed in black across 37 leaves. The map of the Regency of Algiers and the views of Algiers and Constantine, bei
First edition of this collection of observations and reports on French Algeria, whose pacification had just been completed (cf. Quérard VI 70, Playfair 1264. See also Gay 953 and Tailliart 812).
Contemporary bindings in half bottle-green sheep, flat spines decorated with gilt fillets and triple gilt panels, a gilt fillet framing a large plaque decorated with blind-stamped motifs on the percaline-covered boards, school stamp [Pensionnat de M. Ballé], marbled endpapers and pastedowns, marbled edges, gilt fillets at head- and tailcaps, period bindings.
Some restorations to spine ends and joints; school prize labels affixed opposite the half-titles.
The work is sometimes att
First edition, illustrated with portraits, views, and in-text plans (cf. Tailliart 1966).
Scattered light foxing.
Bound in half havana shagreen, spine with four raised bands decorated with gilt dotted fillets and compartments adorned with gilt decorative tools, marbled paper-covered boards, combed paper endpapers and pastedowns, gilt top edge. Original wrappers and spines preserved, with small losses and some soiling.
Several chapters in the second volume are devoted to Medina and Mecca, including an account of the Wahhabis, a detailed description of the mosques of Medina and Mecca, pilgrimage rituals, etc. The author, a retired plenipotentiary minister and former chief
Autograph note signed to his friend and publisher Felia Léal, concerning in particular a political meeting on the situation in Algeria; 17 lines in black ink on a small sheet.
A well-preserved example. A date pencilled in by Felia Léal: the day she received the autograph note (“Reçu le 21 juin 56”).
"Jeudi,
Bien chère amie. Vous devriez bien aller à cette conférence algérienne, qui vous donnerait d'excellentes idées, jeune perfide. Ci-joint les épreuves. Faut-il maintenir l'épigraphe ? Ce n'est pas très necéssaire. Il me semble aussi qu'en petites italiques ce serait mieux. Mais vous déciderez. Jean P. vous embrasse et à qui ne vous préférerait-i
First edition, illustrated with 32 color illustrations by Sureda and engraved by Aubert (full-page, headpieces and fine lettering), many of which are enhanced in gold or silver ink.
Limited edition of 400 copies. This one, marked H. C. V, is one of the rare first paper copies on the finest Japon (only 15 copies), containing every engraving in double state on Vieux Japon and Japon Impérial of all the woodcuts, covers and spine.
Signed and inscribed on the title page from the authors: "What a pleasure it is for you, O reader, if you enjoy La Fête arabe !" Jérôme and Jean Tharaud. December 1928."