Gazette des Beaux-Arts

First edition printed in a small number of copies of this offprint.
With 9 figures in-texte.
A good and rare copy.

First edition.
Half red shagreen binding, boards stained, spine with four raised bands decorated with gilt motifs, publisher's binding.
Contributions by Champfleury, Charles Blanc, Philippe Burty, Emile Galichon, Albert Jacquemart and Paul Chéron among others; etching by Jean Achard.
Review illustrated with numerous black and white engravings.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years, it was a worldwide reference in art history.

First edition.
Half red shagreen binding, split headcaps, spine with four raised bands decorated with gilt motifs, publisher's binding.
Contributions by Louis Gonse, Ludovic Lalanne, Duranty, Anatole de Montaiglon, Charles Blanc, Champfleury, Charles Yriarte and Paul Chéron among others; etching by Paul Renouard.
Review illustrated with numerous black and white plates.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Full red cloth binding, marbled edges, publisher's binding.
Contributions by Paul Mantz, Alfred Darcel, Louis Gonse, Ludovic Lalanne, Charles Yriarte, Alfred de Lostalot and Paul Chéron among others; original etching by Léon Bonnat.
Review illustrated with numerous black and white plates.
Our copy is incomplete: it lacks the original etching by James Whistler (p367).
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, headcaps torn, spine with four raised bands decorated in blind, minor lacks to boards, publisher's binding.
Contributions by Charles Clément, Georges Duplessis, Paul Mantz, Louis Gonse, Champfleury, Alfred Darcel, Emile Galichon, Alfred Michiels, Duranty and Paul Chéron among others.
Our copy is incomplete, lacking the engraving by Adolphe Appian (p 47).
Journal illustrated with numerous black and white plates.
The Gazette des beaux-arts is a French art journal, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, corners bumped, headcaps damaged, boards worn and stained, minor lacks, spine with four raised bands decorated in gilt, publisher's binding.
Contributions by Alfred Michiels, Philippe Burty, Charles Blanc ("Ingres, sa vie et ses oeuvres"), Albert Jacquemart, Alfred Darcel, Emile Galichon and Paul Chéron among others.
Journal illustrated with numerous black and white plates, as well as one folding plate (see photo).
The Gazette des beaux-arts is a French art journal, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, split headcaps, spine with four raised bands decorated with gilt ornament, publisher's binding.
Contributions by Alfred Darcel, Anatole de Montaiglon, Duranty, Ludovic Lalanne, Paul Lefort, Louis Gonse, Paul Mantz and Paul Chéron among others; original etching by Edwin Edwards notably.
Review illustrated with numerous black and white hors-texte engravings.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a world reference in art history.

First edition.
Half red shagreen binding, split headcaps, spine with four raised bands decorated with gilt motifs, publisher's binding.
Contributions by Anatole de Montaiglon, Paul Mantz, Louis Gonse, Alfred Lostalot, Paul Lefort, Ludovic Lalanne, Duranty and Paul Chéron; etching attributed to Rubens, original etching by Francesco Paolo Michetti.
Review illustrated with numerous black and white hors-texte engravings.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a world reference in art history.

First edition.
Half red shagreen binding, spine with four raised bands decorated with gilt ornament, publisher's binding.
Contributions by Louis Gonse, Sully Prudhomme ("Quelques oeuvres décoratives inédites"), Alfred Darcel, Albert Jacquemart, Champfleury and Paul Chéron among others.
Review illustrated with numerous black and white hors-texte engravings.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a world reference in art history.

First edition.
Half red shagreen binding, headcaps damaged, paper on boards very slightly detached, spine with four raised bands decorated with gilt ornament, publisher's binding.
Contributions by Charles Blanc, Eugène Guillaume, Paul Mantz, Anatole de Montaiglon, Alfred Darcel, Georges Duplessis, Louis Gonse, Charles Yriarte and Paul Chéron among others; etching by Alphonse Legros, heliogravure by Baldus and etching by Delaunay among others.
Review illustrated with numerous black and white hors-texte engravings, as well as a folding engraving after a drawing by Puvis de Chavanne (see photograph).
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a world reference in art history.

First edition.
Half red shagreen binding, corners slightly bumped, covers scratched, headcaps worn, spine with five raised bands gilt and blind-tooled, publisher's binding.
Contributions by Charles Blanc, Albert Jacquemart, René Ménard, Louis Gonse notably, drawings by Gavarni among others.
Review illustrated with numerous full-page black and white engravings.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, corners slightly bumped, covers scratched, headcaps worn, slight crease on upper board, spine with five raised bands gilt and blind-tooled, publisher's binding.
Contributions by Charles Blanc ("Eugène Delacroix"), Albert Jacquemart, Champfleury, Edmond and Jules de Goncourt ("Chardin") and Victor Hugo ("Les Rues et les maisons du vieux Blois") among others; engraving by Héliodore Pisan.
Review illustrated with numerous full-page black and white engravings, as well as several folding plates.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, corners slightly bumped, covers scuffed, headcaps torn, spine gilt and blind, spine with five raised bands, publisher's binding.
Contributions by Paul Mantz, Alfred de Lostalot and Duranty among others.
Journal illustrated with numerous black and white engravings hors-texte, including one folding plate (see photograph).
La Gazette des beaux-arts is a French art journal, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half chocolate shagreen binding, corners slightly bumped, covers scuffed, headcaps torn, spine with five raised bands, publisher's binding.
Contributions by Paul Mantz, Alfred de Lostalot and Duranty among others.
Journal illustrated with numerous black and white engravings hors-texte.
La Gazette des beaux-arts is a French art journal, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half chocolate shagreen binding, corners slightly bumped, covers scratched, headcaps severely damaged, relatively significant lacks to both covers, spine with five raised bands, publisher's binding.
Contributions by Paul Mantz, Alfred de Lostalot and Duranty among others; fine heliogravure by Eugène Sadoux printed separately from the text, as well as several heliographies by Honoré Daumier.
Magazine illustrated with numerous black and white engravings printed separately from the text, including one folding plate (see photograph).
La Gazette des beaux-arts is a French art magazine, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, corners slightly bumped, leading edges scraped, headcaps torn, spine with four raised bands gilt in blind, publisher's binding.
Contributions by Duranty, Paul Mantz, Champfleury, Ludovic Lalanne and Louis Gonse among others; fine etching printed hors-texte by Emile Boilvin.
Review illustrated with numerous black and white engravings hors-texte as well as a facsimile of a watercolor by Ingres in colors.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, corners slightly bumped, headcaps torn, spine with four raised bands gilt in blind, publisher's binding.
Contributions by Charles Blanc, Duranty, Ludovic Lalanne, Paul Mantz, Louis Gons, Champfleury and Paul Chéron among others; original etching by Paul Renouard notably.
Review illustrated with numerous black and white engravings hors-texte, notably an engraving representing Alexandre Dumas (see photo).
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, corners slightly bumped, split headcaps, boards worn and stained, minor lacks, spine with four raised bands stamped in blind, publisher's binding.
Contributions by Charles Blanc ("Ingres, sa vie et ses oeuvres"), Paul Mantz, Edmond and Jules de Goncourt ("Gravelot") among others; several facsimiles by Eugène Delacroix and Goya.
Review illustrated with numerous black and white hors-texte engravings.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, corners slightly bumped, spine with four raised bands stamped in blind, publisher's binding.
Contributions by Charles Yriarte, Charles Blanc, Louis Gonse, Champfleury, Paul Mantz and Paul Chéron among others; etchings by Arthur Evershed among others.
Review illustrated with numerous black and white hors-texte engravings.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, spine with four raised bands stamped in cold gilt, publisher's binding.
Contributions by Henri Delaborde, Georges Duplessis, Charles Yriarte, Paul Mantz, Louis Gonse and Paul Chéron among others; facsimile of an etching by Eugène Delacroix.
Review illustrated with numerous black and white plates.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, headcaps damaged, corners slightly bumped, spine with four raised bands stamped in cold gilt, publisher's binding.
Contributions by Charles Blanc, Paul Mantz, Duranty and Paul Chéron among others; etching by Augustin Feyen-Perrin notably.
Review illustrated with numerous black and white plates, as well as a folding plate (see photograph).
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, headcaps damaged, some minor lacks to boards without consequence, spine with four raised bands gilt in blind, publisher's binding.
Contributions by Emile Galichon, Charles Clément, Philippe Burty, Henri Delaborde, Alfred Michiels, Champfleury, Charles Blanc, Paul Mantz, Georges Duplessis and Paul Chéron among others; fine etching by Bracquemond.
Review illustrated with numerous black and white plates, as well as one folding plate (see photograph).
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, headcaps severely damaged, some minor lacks to boards without consequence, spine with four raised bands gilt in blind and detached, publisher's binding.
Contributions by Paul Mantz, Alfred Michiels, Philippe Burty, Charles Blanc, Emile Galichon, Albert Jacquemart, Charles Clément and Paul Chéron among others; etching by Léonce Chabry among others.
Review illustrated with numerous black and white plates.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, headcaps torn, spine with four raised bands gilt and blind-tooled (with some lacks), publisher's binding.
Contributions by Charles Blanc, Charles Yriarte, Louis Gonse, Anatole de Montaiglon, Champfleury, Duranty, Ludovic Lalanne, Paul Mantz and Paul Chéron among others; original etching by Joseph Israëls among others.
Review illustrated with numerous black and white plates.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, headcaps torn, some minor lacks to boards, spine with four raised bands gilt and blind-tooled, publisher's binding.
Contributions by Paul Mantz, Edmond and Jules de Goncourt ("Eisen"), Charles Blanc, Alfred Michiels, Henri Delaborde, Champfleury, Philippe Burty, Georges Duplessis and Paul Chéron among others, etching by Bracquemond, by Léonce Chabry
Review illustrated with numerous black and white plates.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition printed in a small number of copies of this offprint.
With 17 figures in-texte.
A good and rare copy.

First edition.
Half red shagreen binding, corners slightly bumped, spine with five raised bands, publisher's binding.
La Gazette des beaux-arts is a French art magazine, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, corners slightly bumped, joints scuffed, spine with five raised bands, publisher's binding.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years, it was a worldwide reference in art history.

First edition.
Half red shagreen binding, corners slightly bumped, joints scuffed, spine with five raised bands, publisher's binding.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years, it was a worldwide reference in art history.

First edition.
Illustrations in and outside the text.
Lacks to head of spine and to inner margin of front cover.
Rare.