Paris (France)

New edition, illustrated with 14 plates, most folding.
Contemporary full brown marbled calf binding. Decorated spine with raised bands. Red morocco title label, and black wax volume label. 2 corners slightly bumped. Rubbing. Good copy.
Notable articles in each of the mentioned sections include: Experiments to determine if the strength of ropes exceeds the sum of the strengths of the threads composing these same ropes, by M. de Réaumur. Observations on the vegetation of truffles, by M. Geoffroy. Observations on fecal matter, by M. Homberg. Remarks on certain colors, by M. de La Hire. Rules and remarks for the construction of equalities, by M. Rolle. On different ways in which several species of sea animals attach themselves to sand, by M. de Réaumur. New experiments on the dilation of air, by M. Maraldi. Description of a new purple dye, by M. de Réaumur. Observations on the structure & use of the principal parts of flowers, by M. Geoffroy. Description of the flowers and seeds of various succulents, by M. de Réaumur. Various astronomical observations.

First edition, an ordinary paper copy.
Contemporary green half shagreen, marbled paper boards, spine with five raised bands and gilt flowers, speckled edges.
With the autograph signatures of every author of the "Médan group" involved in the writing of this famous collection of short stories: Guy de Maupassant, Emile Zola, Joris-Karl Huysmans, Léon Hennique, Paul Alexis and Henri Céard on the first endpaper.
A very good and rare copy in a strictly contemporary binding.

First collected edition, one of 15 numbered copies on pur fil paper, the only large paper copies.
A very good copy.
Rare.

First edition. Dorbon no. 4403: "rare, full of singular documents." Caillet [III, 9922] 
Contemporary full brown calf binding. Spine gilt-tooled in compartments. Brown morocco title-piece. Loss at head of spine. Corners worn and somewhat clumsily restored. A filled loss on lower cover. Scattered foxing. A waterstain at one corner of the final leaves. Several gatherings protruding. 

New edition. Printer's device on title page. Colophon: Excudebat Robertus STephanus Parisiis, Ann. M. D. XXXIII. octavo cal. sept.
Full brown marbled sheep binding ca 1920, pastiche of a Renaissance binding, signed L. P. Thébaut. Spine with raised bands decorated with 5 small fleurons. Central roundel on covers, and thick gilt frame. Tear with loss at foot. Black stain at head and foot. Corners rubbed. Some foxing. Joints slightly cracked. Good copy.
Collection of three texts by Roman writers: The illustrated lives by Pliny the Younger, which are short biographies of famous men (Pompey, Hannibal, Scipio...); Suetonius's book on grammarians and rhetoricians is the last part of Lives of Illustrious Men (not completely transmitted to us), and finally, the famous book of prodigies by Julius Obsequens which relates the auguries and strange and marvelous events that occurred in Rome between 249 BC and 12 AD. This fragmentary work was often published following other ancient texts.
Several editions bringing together these texts can be found, with certain variants, notably for Pliny's works; the two other works by Suetonius and Obsequens being often coupled with Pliny's correspondence.

The rare first edition, illustrated with a title-frontispiece and 22 plates after paintings by Eustache Le Sueur and engraved by François Chauveau. Captions of the engravings in two columns, one verse in Latin, with its translation alongside. Brunet III, 1020.
Half chocolate-brown glazed shagreen binding circa 1860 with corners, signed L. Fixon at the bottom of the last leaf. Jansenist spine with raised bands. Engraved title, as well as the initials S. D. Tears with lacks to the lower board. Cut to one corner of the lower board and corner slightly bumped. Some rubbing. Fine copy, very fresh.
Le Sueur painted between 1645 and 1648 the cycle of the life of Saint Bruno, a set of 22 canvases commissioned to adorn the cloister of the Charterhouse of Paris. Le Sueur asserted his own style inherited from Poussin's classicism and his master Simon Vouet. These canvases were later purchased by Louis XVI in 1776. They are now in the Louvre. François Chauveau is one of the most illustrious French engravers of the 17th century, and one of the 4 engravers cited by Charles Perrault in his Hommes illustres, and one of the principal representatives of the etching technique. In his Voyage pittoresque de Paris, Dezallier D'Argenville thus describes the cloister of the Charterhouse: "Le petit cloître mérite une attention particulière. Le Raphaël français Eustache Le Sueur y a représenté en vingt-deux tableaux peints sur bois les principales circonstances de la vie de S. Bruno [...] Ce cloître a été gravé par François Chauveau d'une manière qui rend assez bien le caractère de Le Sueur." ["The small cloister deserves particular attention. The French Raphael Eustache Le Sueur has represented there in twenty-two paintings on wood the principal circumstances of the life of St. Bruno [...] This cloister has been engraved by François Chauveau in a manner that renders quite well the character of Le Sueur."]