Paris

First edition, illustrated with in-text and full-page black-and-white and colour drawings by Albert Robida.
Publisher’s original illustrated cloth binding in full green percaline, signed Engel, smooth spine, featuring a large polychrome illustration heightened with gold and palladium by Souze extending across the spine and boards; the original front cover in colour preserved; all edges gilt.
"Ceci qui va suivre sous un titre ambitieux pris simplement comme une étiquette en chiffres, n'est, bien entendu, pas une histoire, ni un tableau, ni un résumé, c'est une série d'esquisses, de croquis à la plume et à la mine de plomb, de portraits familiers de notre Siècle à différentes époques de sa vie tourmentée. [...] ce Siècle, s'il nous a fait connaître des jours noirs, a eu de bons moments et des rayons de gai soleil. Ce livre est une revue à grandes lignes des périodes sombres ou joyeuses de la pièce à grand spectacle qui s'est jouée sous nos yeux, des évènements importants et des menus faits, des hommes et des choses, des types naissant, prospérant et disparaissant, des modes et des caractères, — un voyage en somme ou plutôt une croisière de cent années sur le fleuve éternel de la vie." (préface)

Some light foxing to the endpapers, otherwise a very fine copy.
Copies in the publisher’s original illustrated bindings are scarce and sought after.

First edition, one of 13 numbered copies on imperial Japan paper, deluxe issue.

Spine and boards very lightly and marginally sun-toned, without significance.

Rare and pleasing copy, with full margins and uncut.

First edition, one of 200 numbered copies on Japanese vellum, the deluxe issue.

Illustrated with 3 engravings and 1 map.

Brown half shagreen morocco binding with corner pieces; spine with five raised bands ruled in black, gilt date at foot; minor rubbing to the spine; marbled paper sides; marbled endpapers and pastedowns; original wrappers and spine preserved; corners slightly bumped; gilt top edge.

A pleasing copy.

First edition of the French translation, one of 159 numbered copies on alfa paper, the entire issue on deluxe paper.

A rare and fine copy of this work warning against the dangers of the rise of Nazism in Germany.

Rare first edition of the French translation by Judith Gautier, printed on japon-style paper.
Slight restoration work to spine and a corner of the lower cover, wrappers slightly and marginally soiled as usual.
Illustrated throughout with full-page colour woodcuts by Yamamoto.

First edition, one of 260 numbered copies on deluxe paper.

Half red morocco shagreen binding with corners; spine with five raised bands, ruled in black and decorated with gilt fleurons, gilt date at the foot; a small abrasion at the foot of the spine; marbled paper boards; marbled endpapers and doublures; original wrappers and spine preserved; gilt top edge; slipcase in full board covered with marbled paper.

A fine, attractively bound copy.

In 1962, the work was adapted for the cinema by Georges Franju, starring Philippe Noiret, Sami Frey, and Emmanuelle Riva.

New edition of the French translation.

Spines slightly sunned, with minor tears at the foot.

Signed in manuscript by Thomas Mann on the endpapers of both volumes.

First edition, one of 200 numbered copies on Holland paper, the only deluxe paper issue.

Shadowed endpapers.

Half chocolate-brown morocco binding with corners, smooth spine decorated with gilt panels enhanced with black morocco onlays, gilt date at foot, marbled paper boards, handmade paper endpapers and doublures, original wrappers and spine preserved, bookplate pasted to an endpaper, top edge gilt on untrimmed leaves, an elegant binding signed Pierre-Lucien Martin at the foot of the spine.

A fine, wide-margined copy beautifully bound by Pierre-Lucien Martin, one of the most gifted bookbinders of the second half of the twentieth century.

First edition, for which no deluxe paper issue is recorded.

Brittle paper to the margins of some leaves, resulting in a few small losses.

Signed autograph inscription by Oscar Venceslas de L. Milosz to the poet Pierre André-May : "à mon ami monsieur Pierre André-May avec ma pensée la plus fraternelle et mes sentiments les meilleurs."

First edition of the French translation prepared by Jacques Schiffrin and André Gide, one of 80 numbered copies on alfa paper, the only deluxe paper issue, with a further 45 copies on pure rag.

A rare and fine copy.

First issue of Albert Dubout’s colour illustrations, printed in 600 named and numbered copies on vélin de Rives.

Bradel-style binding in half chocolate-brown morocco with corners, smooth spine, gilt date at foot, moiré-effect paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, gilt top edge, contemporary signed binding by Bernasconi.

A few light spots of foxing.

A fine, attractively bound copy of the first work illustrated by Albert Dubout.

First edition, one of the numbered copies on laid paper, the only issue after 1 copy on large Arches vellum, 50 on Japan paper, and 10 hors commerce.

The upper cover slightly and marginally toned; a pleasing copy.

Illustrated with wood engravings by Raoul Dufy.

First edition, one of 56 numbered copies on Arches laid paper, after only 11 on China paper and 14 on Japan paper.

Bradel binding in half navy blue morocco, smooth spine slightly faded, gilt date at foot, marbled paper sides, marbled endpapers and pastedowns, bookplate pasted to one pastedown, original wrappers and spine preserved, top edge gilt.

Upper cover illustrated with a wood engraving by Pierre Lissac.

Illustrated first edition, with a frontispiece portrait of Talleyrand.

A few light spots of foxing, mainly affecting the opening leaves.

Contemporary full caramel polished calf, spine with five raised bands ruled in gilt and decorated with double gilt compartments, author’s name in red morocco, title label in dark blue morocco, gilt date at foot, gilt rolls to the headcaps, covers framed with a double gilt fillet, a few small stains and light scuffs at the upper edges of the boards, marbled endpapers and pastedowns, gilt dentelle border to the turn-ins, double gilt fillets to the edges, gilt top edge. An elegant binding of the period.

A fine, attractively bound copy.

First edition, one of 16 numbered copies on pur fil, the deluxe issue following 6 copies on Montval paper.

Half hazelnut morocco binding, spine with four raised bands ruled in gilt and decorated with double gilt panel compartments, date gilt at the foot, sides of cat’s-eye paper, marbled endpapers and pastedowns, bookplate pasted to a pastedown, original wrappers and spine preserved, top edge gilt, untrimmed, contemporary signed binding by Albinhac.

A fine copy attractively bound.

First edition, one of 30 numbered copies on Vélin de Rives, the only deluxe paper issue.

A fine copy.

First edition illustrated with 3 repeated engraved title-frontispieces representing the King's garden, 451 plates drawn by Aubriet (who would later accompany the author on his voyage to the Levant), and 5 text vignettes. Dedication to King Louis XIV.

Contemporary polished marbled beige calf, spines with raised bands decorated with the cipher of Louis XIV in 4 compartments ornamented with fleur-de-lys, stars and plants, red morocco titles and volume labels, volume labels decorated with fleur-de-lys and suns, royal arms stamped on covers (OHR n°2494, 10, still in use at the beginning of the reign of Louis XV), boards thrice framed in gilt, inner dentelle and on edges, speckled edges, skillful restorations to spine-ends, some minor abrasions, worming causing a loss to the gilt arms on the upper cover of vol. III, faded tooling on 4th compartment of vol. II.

A precious gift copy, bearing the royal arms of Louis XIV stamped on the covers and the sovereign's cipher on the spines, framed by fleur-de-lys at the corners. A reference work for plant classification for over a century.

First edition, one of the publisher’s press copies.

Spine slightly creased, minor unobtrusive spotting to the edges.

Signed presentation inscription by Françoise Sagan to Claude Bourdet.

First edition, one of 925 numbered copies on Artois vellum, the only issue including a sheet of butcher’s paper in tribute to General de Gaulle, together with 20 hors commerce copies and 75 on Marais paper.

Illustrated with headpieces and tailpieces.
Attractive copy.

First edition printed in a small number of copies.
Half red morocco binding with corners, smooth spine decorated with a gilt panel and floral tools, enhanced with a grey mosaic morocco onlay, gilt date at foot, gilt fillet framing on the marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, gilt top edge, binding signed Charles Lanoë.
Illustrated with a fine frontispiece drawn and engraved by Félix Bracquemond.
An attractive copy, handsomely bound.

First edition, one of 20 numbered copies on Japan paper, the only deluxe paper issue.

Bound in full burgundy morocco, spine with five raised bands ruled in black, gilt rolls to the headcaps, moiré-effect paper endleaves and doublures, inner boards framed with gilt fillets, dotted tools and corner fleurons, original wrappers and spine preserved, top edge gilt on witnesses, double gilt fillets to the turn-ins, slipcase edged in burgundy morocco with sides covered in moiré-effect paper, contemporary signed binding by Vauthrin-Pezet.

A fine, beautifully executed copy.

First edition on ordinary paper.

Some scattered foxing.
Bradel binding in full combed paper, smooth spine, navy morocco lettering-piece framed with gilt fillets, elegant pastiche binding signed by Thomas Boichot.
Rare and precious autograph inscription signed by Hector Malot: "A Guy de Maupassant, son dévoué confrère."

First edition, one of the press copies.

A pleasing copy.

Fine signed autograph inscription from René Char: "A Georges Hugnet affectueusement. René Char."

First edition on standard paper.

A fine copy, complete with its promotional band.

Signed autograph inscription by Pascal Quignard to a friend named Nicolas: "A Nicolas en t'embrassant, Pascal."

First edition, printed in a limited number, of this extract from the Mémoires de la Société nationale des antiquaires de France, volume XXXIX.

Only two copies recorded in the CCFr (BnF and BULAC). Not listed in Hage Chahine.

This fascicle is illustrated with one in-text figure and two folding plates; our copy is exceptionally enhanced with an additional hand-coloured plan, featuring manuscript annotations in pencil.

Contemporary half-cloth binding in almond percaline, smooth spine with a central gilt ornament and double gilt fillet at the tail, red morocco leather title label, pebbled paper boards, original rear wrapper preserved.

Archaeologist and orientalist, Baron Emmanuel Guillaume-Rey (1837–1916) authored several works on the history of the Near East, particularly on the military architecture of the Crusaders in Syria and Latin rule in the Orient.

Bound in at the end is the author’s "Supplément à l’étude sur la topographie de la ville d’Acre au XIIIe siècle", extracted from the Mémoires de la Société nationale des antiquaires de France, volume XLIX, printed in Paris in 1889 (title, 18 pp.), and illustrated with a large folding plate.

First edition of the French translation (see Palau 246 379–80).

Spine restored, small losses at the corners of the boards.

An Italian-born naturalist and explorer, Antonio Raimondi (1826–1890) landed in Peru in 1850 and thereafter devoted himself to the study of his adopted country: through numerous expeditions, he gathered extensive data on the carbon strata of the Peruvian coastline, analysed and quantified the guano of the Chincha Islands and the potassium nitrate of Tarapacá, travelled through the gold-bearing provinces of Carabaya and Sandia, navigated the Río Marañón, the Ucayali and the Amazon — the principal eastern rivers — and drew plans of the cities of Cajamarca, Chachapoyas and Huancavelica, as well as of major archaeological sites such as Huanuco Pampa and the fortress of Paramonga.

Rare, though in worn condition.

First edition, one of 13 numbered copies on Imperial Japan paper, from the deluxe issue.

A rare and fine copy.

First edition, one of 20 numbered copies on vélin de cuve paper reserved for the “XX” bibliophile group, the tirage de tête.
A good copy complete with its double covers by Albin Michel and the “XX” bibliophile group.
Joints of chemise rubbed, modern slipcase, tiny insignificant worming to endpapers.

Signed by the author on justification page.

First edition, an ordinary paper copy.
Contemporary green half shagreen, marbled paper boards, spine with five raised bands and gilt flowers, speckled edges.
With the autograph signatures of every author of the "Médan group" involved in the writing of this famous collection of short stories: Guy de Maupassant, Emile Zola, Joris-Karl Huysmans, Léon Hennique, Paul Alexis and Henri Céard on the first endpaper.
A very good and rare copy in a strictly contemporary binding.

First edition on ordinary paper.

A few small spots of foxing, and a faint dampstain along the right margin affecting most leaves of the volume.

Black 3/4 morocco binding, spine with five raised bands framed in black, gilt date at foot, marbled paper boards framed in gilt, comb-marbled endpapers and pastedowns, covers preserved and bound on stubs, top edge gilt, slipcase trimmed with black morocco, marbled paper slipcase boards, binding signed P. Goy & C. Vilaine.
Very rare signed and inscribed copy to Madame Charpentier, his publisher’s wife: "... son bien dévoué et respectueux..."

First edition, printed in a limited run of 70 copies numbered on Montval paper and signed by Georges Hugnet.

Illustrated with a frontispiece etching by Stanley William Hayter.

Two poignant autograph inscriptions signed by Georges Hugnet—one to his father and one to his son—in blue and red pencil: "à Georges Hugnet mon père en souvenir des romans noirs dont il enchanta et peupla mon enfance. Georges Hugnet."; "Et maintenant vingt-ans après, à mon très cher fils Nicolas de la part de son grand-père qui l'aurait bien aimé de tout cœur son papa. G."

First edition of the illustrated French translation, with 2 maps (one folding), in-text figures, and 5 steel-engraved plates by Fauchery (see Chadenat 2669. Borba de Moraes does not mention the very brief passage devoted to the Rio stage of the journey (see volume III, p. 381), which is in fact rather insignificant).

Some foxing.

Contemporary romantic bindings in aubergine half sheep, smooth spines faded and decorated with gilt romantic arabesques, light wear to the headcaps, marbled paper boards, marbled endpapers and pastedowns, armorial bookplates pasted to the pastedowns, speckled edges.

The English traveller Richard Lander [1804–1834], originally trained as a printer, accompanied Captain Clapperton in Africa on his final journey. Returning to England in 1828, Lander "y publia le récit du capitaine ainsi que son propre journal (1829). Il s'offrit au gouvernement anglais pour continuer les explorations relatives au cours du Niger. Son offre fut acceptée, et, conjointement avec son frère John, il partit de Plymouth le 9 janvier 1830, sur le brick Alerte, et le 22 février suivant il débarqua à Const-Castle, l'un des principaux établissements anglais en Guinée.

Après un séjour de trois semaines, les voyageurs se dirigèrent sur Badagry, où ils atterrirent le 22 mars. Ils y furent assez mal reçus par le roi Adouly, et, dit Lander, 'si nous eussions trouvé parmi les Badagryotes un seul brave homme, nous aurions pris plaisir à proclamer ce fait ; mais il n'en fut pas ainsi : ils exercèrent sur nous sans scrupules leurs mauvais penchants.

Les Badagryotes, quoique mahométans, font encore des sacrifices humains aux démons'. Les frères Lander se hâtèrent de quitter de si mauvais hôtes, et le 17 juin ils arrivèrent à Boussa, où ils visitèrent l'endroit où Mungo-Park et ses compagnons avaient trouvé la mort, en 1809 ; mais ils ne purent recueillir aucun détail sur la catastrophe qui termina la vie de ce courageux voyageur. Ils s'embarquèrent ensuite sur le Niger (Quorra dans le langage indigène), passèrent devant les villes de Congi, d'Inguazilligie, devant l'île de Pastastrie, et le 18 octobre ils descnedirent à Rabba, capitale du roi des Eaux-Noires, qui les reçut cordialement. Ils visitèrent ensuite Damuggou, Eboe, et le 18 novembre ils entrèrent dans la principale branche de Quorra, appelée la rivière Nun, et montèrent à bord d'un brick anglais, qui les conduisit à Fernando-Po (1er décembre). Le 20 janvier 1831 ils reprirent la mer sur le Caernarvon, mouillèrent à Rio-Janeiro, et le 9 juin jetèrent l'ancre à Portsmouth".

During this journey, the Lander brothers established that the Niger flows into the Bay of Benin through several mouths. Richard Lander died during a second expedition on the Niger in 1833–1834. His brother survived him until 1839. See Hoefer.

First edition, of which there were no grand papier (deluxe) copies, an advance (service de presse) copy.
Spine slightly bowed, with a few tears and lacks to plastic film cover. Slight foxing in the margins of a few pages.
Handsome autograph inscription signed by Michel Foucault, at the time a young teacher, to Jean-Charles Varennes.
A very rare advance copy, which could be said to have taken the place of the grand papier (deluxe) copies.

First edition, one of 30 numbered copies on pur fil paper, this copy one of 10 hors commerce, the only grand papier (deluxe) copies.
A nice copy despite the very slightly sunned spine.
Autograph inscription dated and signed by Marguerite Yourcenar to Maurice Bourdel, director of publishing house Plon, and his wife : "... cette Electre perdue dans "un monde où l'ordre n'est pas"

First edition, one of 95 copies on pur fil, the only deluxe issue after 45 copies on Hollande.
A slight vertical crease on the front cover.
A handsome copy.

First edition of these important memoirs by a close companion and comrade-in-arms of Napoleon Bonaparte.

Contemporary full black boards, finely executed in imitation of full sheep. Smooth spines decorated with blind fillets and tools.

Some scattered foxing; a light marginal water stain to the final leaves of volume 8. A few traces of rubbing. In volume 1, following the title page and preliminary leaves, a pale yellow water stain extending from the upper margin toward the centre of the leaf throughout the volume. In volume 2, a moisture ring gradually intensifying from page 330 to the end. Occasional foxing.

A good set in its original bindings.

First edition, never translated into english, and first issue of the fine steel engravings by Sainson.

The illustrations are distributed as follows:

• for the first volume: 141 plates hors-texte including a frontispiece, and 3 folding maps (Hawaii, Tahiti, and a general map of the voyages).
• for the second volume: 136 plates hors-texte, including a frontispiece, and 4 folding maps (Tonga Islands, Hawaii, Pacific Ocean, general map).
• Bindings in emerald green half polished sheep. Spines with four raised bands, decorated with rocaille tools. Red morocco title labels. Spines uniformly lightened. Minor rubbing.
• The steel-engraved plates, after drawings by M. de Sainson, draughtsman of the Voyage of the Astrolabe, depict various peoples from around the world, means of transport by land and sea, animals and plants, landscapes, etc.
• None of the bibliographies specifies the exact number of engravings. The table at the end of volume II clarifies the matter: the plates appear either as double-page plates (72 and 70 respectively, not counting the portrait frontispieces), or as single-page plates, numbering 144 and 140, as in the present copy.
• Moreover, many copies contain duplicates, which accounts for the considerable discrepancies encountered in collation.
• Some foxing. Title page of volume I with yellowing along the inner margin caused by the presence of restoration adhesives on the verso of the leaf.

First edition, with no edition statement.
Contemporary half chocolate shagreen bindings, spines with raised bands; marbled paper boards, with laid paper endpapers and pastedowns. Spines evenly lightened. Edges rubbed. Wear to headcaps and bands. A few spots of foxing, notably on the fore-edge. A good copy.
Without doubt, just after The Man Who Laughs, Hugo’s greatest novelistic achievement, depicting on the island of Guernsey the struggle of a solitary man against the ocean.

First-issue illustrated edition featuring 15 full-page plates and 100 in-text figures by Gustave Doré. This edition is considerably rarer than the well-known later Doré edition published by Garnier in folio format in 1873; moreover, the Garnier edition reused 98 illustrations from the Bry edition. Printed in two columns.
Twentieth-century half morocco binding with corners, in chocolate brown. Smooth spine decorated with gilt fillets. Brown calf title label. A good, fresh copy, with a few occasional scattered foxing.
"Cet ouvrage populaire est fort recherché aujourd'hui pour les puissantes compositions de Gustave Doré qui s'était fait la main pour son admirable illustration des Contes Drolatiques qui parut l'année suivante." Carteret (Le trésor du bibliophile romantique et moderne).

First edition illustrated with 80 plates hors texte. Each play is accompanied by one steel engraving and one wood engraving. The names appearing on the plates include Geoffroy, Verdeil, Rouargue, and Harvey, though most of the steel engravings — remarkably fine and often marked by a highly imaginative, at times visionary style — are unsigned.
Publisher’s original blue morocco-grain cloth binding, richly gilt, the spine lavishly decorated with a geometric interlace and foliate motifs; the boards with a large romantic blind-stamped frame and two distinct central designs, one depicting Falstaff, the other a composition with a lyre, a medallion, and related emblems. Slight damage at the upper joint. On the lower board, a strip of cloth appears to have been reinforced or filled.

Attractive copy.

First edition, illustrated with a folding map by Kiepert, issued as a separate plate (see Gay 3605).

Contemporary-style half tobacco calf binding, spine with five raised bands ruled in black, sides covered with marbled paper, modern binding.

Occasional foxing.

First edition, illustrated with a map of the Mexican states at the time of the Conquest in 1521, by Malte-Brun (see Sabin 7429, Leclerc 1079, Brasseur de Bourbourg, Bibliothèque Mexico-Guatémalienne, p. 27, Numa Broc, Amérique, pp. 45-47).

Originally engraved by Erhard Schieble, this map is presented here as an early facsimile, likely produced by the publisher to complete his copies.

Bound in half havana shagreen, spines with four raised bands decorated with gilt tooling and gilt panels and fillets, orange shagreen title labels, minor rubbing to spines, marbled paper boards, marbled endpapers and pastedowns, twentieth-century bindings.

Waterstains, mainly affecting volumes III and IV.

This foundational work on the history of Mexico is divided as follows: I: Heroic Times and History of the Toltec Empire. – II: History of Yucatan and Guatemala; with that of Anahuac during the Aztec Middle Ages, up to the establishment of the monarchy in Mexico. – III: History of the States of Michoacan and Oaxaca, and of the Anahuac Empire up to the arrival of the Spanish. Astronomy, religion, sciences, and arts of the Aztecs, etc. – IV: Conquest of the Mexican and Guatemalan States, etc. Establishment of Spanish government and the Catholic Church. Ruin of idolatry, decline and subjugation of the indigenous race.

A former professor at the Quebec Seminary and later Vicar General in Boston, Abbé Étienne Charles Brasseur de Bourbourg (1814–1874) traveled as a missionary to Mexico and Central America. He developed a keen interest in vanished civilizations and was appointed official archaeologist of the French expedition to Mexico in 1864.

"By turns archaeologist, ethnologist, historian, and linguist, Brasseur de Bourbourg, alongside Désiré Charnay, was one of the founders of Americanist studies in France in the mid-nineteenth century" (Numa Broc).

First edition, an advance (service de presse) copy.

Three small wormholes and a clear dampstain to margin of upper cover, one joint cracked at foot.
Retaining its prière d'insérer. 
Very precious and moving autograph inscription signed and dated by Maurice Blanchot to his mother and sister: "Personne ne reçoit tant de Dieu que celui qui est entièrement mort. Saint Grégoire. Pour sa chère maman et sa vieille Marg, en toute affection. Maurice [No one receives God so fully as someone who is entirely dead. Saint Gregory. For his darling mother and old Marg, with all love. Maurice]."

Privately printed first edition, limited to 200 numbered copies.
Illustrated with 6 photographs.
A rare and appealing copy of this work entirely produced by the students of the prestigious École Estienne.

First issue with three half-titles, three frontispieces, one heightened in gold, and richly illustrated with ornamental borders and in-text vignettes, together with fourteen full-page plates by Andrew Best Leloir and Levilly. Edition prepared from the 1704 text, revised and accompanied by a dissertation by Baron Silvestre de Sacy.
Rare publisher’s bindings in red half shagreen. Spines decorated with a large gilt ornamental panel featuring an oriental dancer at its centre, surrounded by multiple motifs inspired by the East. Large dark stain at the foot of volume two, as well as a narrow split to the leather measuring approximately 8 cm. Foxing and browning throughout. From p. 70 of volume one onward, a water stain affecting the lower margin, similarly present throughout volume two. Pages 26 and 27 with a tear without loss. Corners rubbed. 

First edition of the French translation prepared by Alexandre Vialatte, one of the complimentary copies.

A manuscript ex-dono erased in the upper right corner of the half-title page, resulting in a small loss of paper.

Signed autograph inscription by Alexandre Vialatte to Albert Thibaudet.

First edition of the French translation, for which no deluxe paper copies were issued, one of the publisher’s review copies.

Spine and boards very slightly and marginally sunned, without consequence.

Signed autograph inscription by Julio Cortázar to André Wurmser.

First public edition of this text by Jean Guéhenno, written under the pseudonym Cévennes, one of 60 numbered copies on Madagascar paper, from the deluxe issue.

A fine copy.

First edition of this pioneering work in the history of psychiatry (cf. Garrison & Morton 4920; Semelaigne I, pp. 68-73; Waller records only the 1770 German translation; Wellcome III 547; Blake 277).

Contemporary half calf with vellum-tipped corners, smooth spines gilt with decorative rolls, some rubbing and small wormholes to the spines, marbled paper boards, sprinkled edges; bindings from the early nineteenth century.

Ink stains on pp. 72–76 of the first volume, a black ink spot at the head of the lower cover of the second volume, a few minor and unobtrusive foxmarks.

For Lorry, not all melancholic patients are driven by a single fixed idea, and melancholy is a state of mental disorder of physical origin, in which the mind—sharply disturbed by objects either external or produced by the imagination—becomes unable to resist, repel, or reason through the ideas arising from them. He identifies two forms of the condition, according to whether its origin lies in the solid parts or in the humours, which he terms nervous melancholy and humoral melancholy respectively.

"La mélancolie nerveuse peut parfois constituer l'hystérie chez la femme, l'hypochondrie chez l'homme ; ou bien c'est la manie vraie, ou encore, sans le moindre symptôme maniaque, elle consiste uniquement en convulsions. Il semble y avoir peu de différences entre la mélancolie et la manie, mais le mélancolique délire surtout sur ce qui le concerne en particulier, tandis que le délire maniaque s'étend à tous les sujets". Cf. Semelaigne.

Lorry (1726–1783) may also be regarded as the founder of dermatology in France (Tractatus de morbis cutaneis, Paris, G. Cavelier, 1777).

A pleasant copy, with generous margins.

New quarto edition, revised and corrected by the author, with numerous decorated headpieces, initials and tailpieces.

Full polished brown calf, spine in six compartments with five raised bands richly gilt-tooled, red morocco lettering-piece, triple blind fillet border to boards, double gilt fillet to board edges, red edges, marbled pastedowns and endpapers.

Light scratches and scuffing to boards, corners slightly bumped, otherwise a very fine copy.

Paper flaw causing marginal tears on pp. 49, 571 and 595, light scattered foxing affecting a few gatherings towards the end of the volume, minor wormhole to lower corner of pp. 253 onwards, ending in a charming emoji.

First edition describing the 388 items offered in the sale.

A few pencilled hammer prices in the margins, a loss to the upper right corner of the front wrapper and title-page, and small corner losses to the wrappers.

The introduction is by Fröhner, though the expert in charge of the sale was Hoffmann.

Of Baden origin, the numismatist Ludwig Wilhelm Fröhner (1834–1925) settled in Paris in 1859; he became a close friend of Napoleon III and assisted him in the preparation of his Histoire de Jules César (1865–1866), which helped him obtain both French naturalisation (1866) and an important post at the Louvre.

He later devoted himself to the cataloguing of collections, producing works that became major references for Antiquity and early medieval archaeology.

Rare first edition (cf. Tailliart 1697, Playfair 554, Polak 5050).

Spine clumsily restored with small losses, slight marginal tears to the covers, a few scattered foxmarks.

The crew of the "Béarnaise," consisting of about thirty men, seized the citadel of Bone without firing a single shot.

First edition, taken from the Mémoires de la Société royale et centrale d'agriculture, for the year 1824.

Illustrated with a folding plate inserted out of text.

Our copy is preserved in its original state, sewn and issued in a plain blue provisional wrapper.

Scattered light foxing.

A grandson of the founder and first director of the Académie royale de marine, Pierre-Marie-Sébastien Bigot de Morogues (1776-1840) devoted himself principally to agricultural matters.

First edition of the French translation (cf. Sabin, 43416; Smith, Pacific Northwest Americana, 6381; Pilling, Bibl. of the Algonquian Languages, 327; Hoefer, XXXII, 566-567).

Illustrated with a portrait of the author after Sir Thomas Lawrence as frontispiece to the first volume and, at the end of each volume, three engraved maps showing the route from Fort Chipewyan to the Arctic Sea in 1789 and to the Pacific Ocean in 1793, together with the portion of North America lying between the 40th and 70th degrees north latitude and the 45th and 180th degrees west longitude.

Handsome half red shagreen bindings, flat spines ruled in gilt with quintuple fillets, traces of former labels at the head of each spine, minor rubbing to joints, red boards, marbled endpapers and pastedowns; mid-19th-century bindings.

Repair to the half-title of volume I.

A pleasing copy of this major exploration narrative.

First edition, illustrated at the end of the volume with three folding maps (cf. Tailliart 3080; Playfair 4334).

The original colour map, frequently lacking, has here been supplied in photomechanical reproduction, while the two others are later insertions.

Full brick-coloured sheep binding, unlettered spine with five raised bands showing traces of rubbing, comb-marbled endpapers and pastedowns, original wrappers preserved; modern binding.

Minor foxing, pencil annotations on the initial endpapers and in the margins of several passages, with a handwritten note in blue ink "états de service" at the head of the front endpaper, followed by a brief pencilled biography of the author.

Only edition, highly sought after, of this exceptionally well-documented study, addressing a subject that preoccupied the French administration in Algeria (which, by an inaccurate analogy with Catholic religious "orders"—then targeted in mainland France—sought to curb the influence of Muslim brotherhoods).

Louis Rinn (1838–1905) spent almost his entire military career in Algeria, where he lived from 1864 to 1889.

First edition, one of 15 numbered copies on vellum, the only deluxe issue.

Fine and uncommon copy.

Seventh edition, expanded with new annotations and an appendix containing descriptive and historical details on all the monuments recently erected in the capital by J.-L. Belin, avocat.

Bound in contemporary half midnight-blue Russian morocco, flat spines gilt with romantic arabesques, gilt fillet framing the marbled-paper boards, marbled endpapers and pastedowns; one lower corner lightly rubbed, contemporary bindings.

Scattered foxing.

Illustrated with 58 plates (including 11 archaeological plates), together with 5 folding colour plans hors texte.

A handsomely preserved copy in a period romantic binding.

First edition of the French translation prepared by F. Soulès of "An account on the present state of Nova Scotia", originally published in 1786.

Our copy is offered unbound.

Pages 31 to 39 are devoted to fishing practices.

First French edition, translated from the third English edition (Sabin, 30036.).

Each volume features a steel-engraved frontispiece.

Covers soiled, front boards detached, minor losses and tears to board margins, some foxing, cracked spines with losses; our copy in wrappers is housed in a modern brown full-cloth slipcase.

The second volume also includes a section on "Passage to Montreal and Quebec" (pp. 317-342) and "The Character of the Canadians" (pp. 331-332, 339-342).

Manuscript ex-libris signed Delecey de Mécourt on the front covers.

Rare first edition (see Cordier, Japonica 583; Nipponalia I, 2073. Neither of these bibliographies mentions the map. Polak 8448).

Contemporary half cherry-red calf, spine slightly faded, with four raised bands gilt with dotted tools and fillets; light rubbing to the spine, red paper-covered boards, corners slightly bumped, speckled edges.

Occasional light foxing; a pale dampstain affecting the opening leaves and the folding double-page map showing the plan of the Strait of Shimonoseki.

This work relates the Anglo-French naval campaign of 1862–1863, by Alfred Roussin (1839–1919), a naval officer who commanded the frigate Sémiramis.

The text offers detailed descriptions of trade and the political situation in Japan, as well as of the political relations between the French, the British, and the Japanese during the years 1853–1865.