Les mouches d'automne
Signed autograph inscription from Irène Némirovsky to Elie Richard.
Spine very slightly sunned with a repaired tear at head, complete with publisher's slip.
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French first edition, following the English first edition of 1763.
Copy with the arms of Anne-louis-Alexandre de Montmorency, (D'or à la croix de gueules cantonnée de seize alérions d'azur ordonnés 4 et 4) lieutenant-general of the king's armies, captain of the king's guards.
Contemporary full speckled calf binding. Smooth spine decorated with 5 alérions of the Montmorency family. Arms stamped on covers. Red morocco title label. Rubbing. Spine browned. 2 corners slightly bumped. Browning to margins of half-title and title page, small worming in margins. Handsome copy.
Lady Montagu was the wife of the English ambassador to Constantinople. The principal interest of these letters lies in bearing direct witness to the customs of contemporary Turkey. The accounts contained in the correspondence are fascinating; they are undoubtedly the only feminine testimony about Turkey of that time and about the countries she crossed to reach it, notably Greece and Hungary. She addresses Turkish customs but also life in harems, which she was the first European woman to enter and visit, as well as Moorish baths. Her corset was then so tightly laced that the oriental bathers were convinced it was a sort of torture instrument in which her husband had locked her. Lady Montagu not only envied the nudity of these women, a symbol of emancipation and luxury, but was also seduced by the apparent freedom of certain aspects of their lives. She also seems to have been seduced by love and amorous poetry, and she quotes verses from the sultan to his beloved. The success of these letters was such that the author was nicknamed "the Sévigné of England." Voltaire wrote a relatively favorable review of this work in the literary gazette of 1764, praising the author's erudition and culture: "There reigns above all in Lady Montagu's work a spirit of philosophy and liberty that characterizes her nation."
Partly first edition, gathering the most famous speeches by Victor Hugo, including some of his most memorable addresses delivered at the tribune of the Legislative Assembly—most notably the speech on constitutional revision and the powerful plea he gave at the trial of his son, on 11 June 1851, before the Cour d'assises of the Seine, in defense of the inviolability of human life. Spurious mention of “eighth edition.”
Complete with the rare portrait of the author by Masson printed on China paper, as frontispiece.
Scattered occasional foxing.
Precious inscribed copy signed by Victor Hugo to Juliette Drouet : « à mon pauvre doux ange aimé. V. »
A treasured copy belonging to Victor Hugo’s muse and mistress. This moving and remorseful dedication is Hugo’s response to the tragedy Juliette endured that same year, having just discovered he had been unfaithful for seven years with Léonie Biard. In June 1851, Biard sent Juliette the letters Victor had written to her. In July, Hugo swore eternal fidelity to Juliette, and in August inscribed this plea for a more compassionate justice to her.
In the autumn, Juliette demanded that Hugo meet Madame Biard to formally end the affair—a meeting she choreographed in every detail, and to which Hugo complied.
Provenance: libraries of Pierre Duché (1972, no. 75) and Philippe Zoummeroff (2001, no. 71).