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n. l.

n. l.

s.l. (sans lieu) est une mention bibliographique utilisée lorsqu’aucun lieu d’édition n’est indiqué dans l’ouvrage. L’abréviation provient du latin sine loco, « sans lieu », et apparaît traditionnellement dans la description des livres anciens lorsque l’imprimeur ou l’éditeur n’a pas précisé la ville d’impression.
Cette absence peut être volontaire — pour des raisons politiques, religieuses, commerciales ou de censure — ou simplement due à une omission typographique. Dans l’histoire du livre, la mention s.l. joue ainsi un rôle important : elle signale une zone d’incertitude et invite bibliographes et historiens à identifier, par comparaison typographique ou contextuelle, l’atelier ou la région d’origine réelle de l’ouvrage.
Utilisée depuis des siècles dans les catalogues et répertoires, s.l. demeure aujourd’hui une référence essentielle dans la description bibliographique des éditions anciennes ou non localisées.
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3490 results
Sans lieu d'édition
  2. Photographie dédicacée par Natalie Clifford-Barney
    CAROLUS-DURAN, Natalie Clifford BARNEY

    Photographie dédicacée par Natalie Clifford-BarneyInscribed photograph signed by Natalie Clifford Barney

    S. n.|s. l. s. d. [ca 1966]|8 x 10.90 cm|une photographie
    Inscribed photograph signed by Natalie Clifford Barney
    [ca 1900] | 8 x 10,9 cm | one photograph
    Original photograph in albumen print from the early 20th century, showing the black and white childhood portrait of Natalie Clifford Barney, painted by Carolus-Duran in 1887.

    On the back in blue ink, a later (ca 1960) handwritten inscription by Natalie Clifford Barney: “Triste et doux petit page, – moi-même de jadis... peint par Carolus Duran” ("Sad and sweet little page, myself of yesteryear...painted by Carolus-Duran.")
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  3. Lettres
    Victor HUGO, Victor SCHOELCHER

    Lettres

    Flohic éditions|s. l. 1998|15 x 22.50 cm|broché
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  6. Petites misères de la vie conjugale
    Honoré de BALZAC

    Petites misères de la vie conjugale

    Chez Chlendowski|s. l. • [Paris] 1845 (S.d.)|16.50 x 25 cm|relié
    First and only edition of this wonderful romantic illustrated book. It is profusely illustrated with woodcuts after Bertall, 50 hors-texte, including the frontispiece, and 310 vignettes.
    Modern cloth boards inspired by romantic bindings, signed at the top of the title page by A. Lavaux. Romantic-style gilt spine. Title label in orange shagreen. Top edge gilt. Very rare illustrated covers and the spine preserved, restored to the corners, spine with missing parts has been strenghtened. Spine slightly lightened. One leaf at the beginning and one at the end (half-title page and p. 332) have a slight restoration to the spine in the margin. Perfectly white, immaculate paper. Uncut copy, with...
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  8. Ménagerie énigmatique
    Jean GIONO, ASSIA [Prince Henri de HESSE]

    Ménagerie énigmatique

    Aux dépens d'un amateur|s. l. 1961|28.50 x 38.50 cm|en feuilles sous chemise-boîte toilée
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  11. Aquarelle originale signée réalisée pour l'illustration de Lorenzaccio
    Georges LEPAPE (Alfred de MUSSET)

    Aquarelle originale signée réalisée pour l'illustration de Lorenzaccio

    s. l. s. d. [ca 1937]|18.60 x 24.20 cm|une feuille
    Original signed watercolour produced for the illustration of Lorenzacio
    s.ls.d(ca 1937), 18.6 x 24.2 cm, one leaf
    Original watercolour by Georges Lepape, signed in the bottom right and produced on wove paper.
    This original drawing was produced as part of the edition of the Oeuvres complètes by Alfred de Musset (Le Vasseur et Cie, Paris 1937) and specifically illustrated Lorenzaccio.
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  15. Composition féérique. Photomontage original dédicacé au dos par Christian Boltanski
    Christian BOLTANSKI

    Composition féérique. Photomontage original dédicacé au dos par Christian BoltanskiComposition feerique. Original photomontage inscribed on the back by Christian Boltanski

    S. n.|s. l. s. d. [1979]|67.50 x 53 cm|une photographie sous cadre
    Composition féérique. Original photomontage inscribed on the back by Christian Boltanski
    [1979] | 67,5 x 53 cm | one photograph in a frame
    Original contemporary silver print framed under glass and a light frame by the artist.

    Handwritten inscription signed by Christian Boltanski on the back of the frame.

    Referenced in the annotated catalogue raisonné of the artist.
    Rare photomontage signed by the artist who, after a working for a long time on pure photography, makes a radical transformation towards an aesthetic of shadow and fantasy.
    Through double exposure and lighting, the photograph...
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  27. Portrait photographique de Patrick Modiano de profil
    Jacques SASSIER (Patrick MODIANO)

    Portrait photographique de Patrick Modiano de profilPhotographic profile portrait of Patrick Modiano

    s. l. s. d. [ca 1968]|12.60 x 18.10 cm|une photographie
    Photographic profile portrait of Patrick Modiano
    s.ls.d(ca 1968), 12.6 x 18.1 cm, one photograph
    Black and white photographic portrait, contemporary silver print on gloss paper, of writer Patrick Modiano at the start of his career.
    Stamp of the photographer Jacques Sassier on the back of the photograph, as well as some handwritten annotations in felt pen, in ballpoint pen and in pencil.
    Early photographs of the Nobel Prize for Literature are rare and sought after. We have not found any other copy of this portrait in public collections.
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  28. Portrait photographique dédicacé de René Maran à son bureau
    Robert DAVID, René MARAN

    Portrait photographique dédicacé de René Maran à son bureauPhotographic portrait of Rene Maran in his office

    s. l. • (Paris) s. d. [ca 1940]|16.80 x 12.10 cm|une photographie contrecollée dans une carte pochette à deux volets
    Photographic portrait of René Maran in his office
    s.l(Paris) s.d(ca 1940), 16.8 x 12.1 cm, one photograph pasted in a two-sided card wallet.

    Black and white photographic portrait of René Maran, contemporary silver print on gloss paper. Signature of the photographer Robert Davis (Paris) printed on the bottom right of the photograph.
    The photograph is fixed with two dots of glue in a two-sided card wallet and recovered in glassine protection paper.
    It is enriched with a signed handwritten presentation: “A M. Henri Devaux. Bien cordialement. René Maran.” “To Mr Henri Devaux. Best regards. René Maran.”
    Photographs of the very discreet Goncourt Prize are rare and...

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  29. L'Automne
    Éphraïm MIKHAËL

    L'Automne

    S. n.|s. l. • [Paris] 1886|16.50 x 25.50 cm|relié
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  51. Poèmes de la libellule
    Judith GAUTIER, Kinmochi SAIONJI

    Poèmes de la libellulePoems of the Dragonfly

    Imprimerie Gillot|s. l. • [Paris] s. d. [1885]|24.50 x 32 cm|relié
    Poèmes de la libellule
    [Poems of the Dragonfly]
    Imprimerie Gillot | [Paris 1885] | 24.5 x 32 cm | original wrappers
    First edition of the French translation established by Judith Gautier and , for which there were no grand papier (deluxe copies).
    Work entirely illustrated with full-page, colour wood engravings by Yamamoto.
    Spine skillfully repaired.
    Rare.
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  60. Oeuvres complètes
    VOLTAIRE, MOREAU LE JEUNE

    Oeuvres complètes

    Imprimerie de la Société Littéraire-Typographique|s. l. • [Kehl] 1784-1789|14.50 x 22.50 cm|relié
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