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n. l.

n. l.

s.l. (sans lieu) est une mention bibliographique utilisée lorsqu’aucun lieu d’édition n’est indiqué dans l’ouvrage. L’abréviation provient du latin sine loco, « sans lieu », et apparaît traditionnellement dans la description des livres anciens lorsque l’imprimeur ou l’éditeur n’a pas précisé la ville d’impression.
Cette absence peut être volontaire — pour des raisons politiques, religieuses, commerciales ou de censure — ou simplement due à une omission typographique. Dans l’histoire du livre, la mention s.l. joue ainsi un rôle important : elle signale une zone d’incertitude et invite bibliographes et historiens à identifier, par comparaison typographique ou contextuelle, l’atelier ou la région d’origine réelle de l’ouvrage.
Utilisée depuis des siècles dans les catalogues et répertoires, s.l. demeure aujourd’hui une référence essentielle dans la description bibliographique des éditions anciennes ou non localisées.
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3506 results
Sans lieu d'édition
  2. Carte postale photographique signée de Lucien Guitry
    Lucien GUITRY

    Carte postale photographique signée de Lucien Guitry

    S. n.|s. l. s. d. [circa 1918]|9.50 x 13.50 cm|une feuille verso
    Photographic postcard depicting Lucien Guitry three-quarter, arms crossed and wearing a bowler hat, taken in the studio A. Bert.
    Nice copy.
    Handwritten signature of Lucien Guitry on the right of his portrait.
    Sold
  4. Carte postale photographique signée de Pierre Bertin
    Pierre BERTIN

    Carte postale photographique signée de Pierre Bertin

    S. n.|s. l. s. d. [circa 1930]|9.50 x 14 cm|une feuille verso
    Photographic postcard representing Pierre Bertin, slightly of three quarter, taken in the studio Gaston and Lucien Manuel brothers (active from 1913 to 1939).
    Nice copy.
    Handwritten signature of Pierre Bertin underneath his portrait.
    Sold
  5. Carte postale photographique signée d'Orane Demazis
    Orane DEMAZIS

    Carte postale photographique signée d'Orane Demazis

    S. n.|s. l. s. d. [circa 1925]|9.50 x 13.50 cm|une feuille verso
    Photographic postcard representing Orane Demazis, slightly in profile.
    Nice copy.
    Signed autograph Orane Demazis, at the foot of his portrait, Micheline Coppio.
    Sold
  6. Carte postale photographique signée d'André Brulé en Arsène Lupin
    André BRULE

    Carte postale photographique signée d'André Brulé en Arsène Lupin

    S. n.|s. l. 1920|9.50 x 13.50 cm|une feuille verso
    Photographic postcard representing André Brulé, front, in the role of Arsène Lupine adapted by Francis de Croisset and Maurice Leblanc at the theater in 1920.
    Nice copy.
    Handwritten signature of André Brulé on the right of his portrait: "Arsène Lupine, memory of André Brulé."
    Sold
  8. Carte postale photographique signée de Sacha Guitry
    Sacha GUITRY

    Carte postale photographique signée de Sacha Guitry

    S. n.|s. l. s. d. [circa 1910]|9.50 x 13.50 cm|une feuille verso
    Photographic postcard, on albumen paper, representing three-quarter Sacha Guitry.
    Handwritten signature of Sacha Guitry to the right of his portrait enriched with the amusing remark: "I have lost weight ever since."
    Sold
  9. Carte postale photographique signée de Sarah Bernhardt
    Henriette-Marie-Sarah Bernhardt, dite Sarah BERNHARDT

    Carte postale photographique signée de Sarah Bernhardt

    S. n.|s. l. s. d. [circa 1900]|9 x 14 cm|une feuille verso
    Photographic postcard depicting the great tragedian Sarah Bernhardt, pensive, her right arm leaning on the armrest of a carved armchair.
    Nice copy.
    Handwritten signature dated Sarah Bernhardt on the left of her portrait.
    Sold
  10. Carte postale photographique signée de Charles Vanel
    Charles VANEL

    Carte postale photographique signée de Charles Vanel

    S. n.|s. l. s. d. [circa 1930]|9 x 14 cm|une feuille verso
    Photographic postcard depicting actor Charles Vanel from the front.
    Nice copy.
    Handwritten signature of Charles Vanel at the foot of his portrait.
    Sold
  13. Carte à jouer érotique à secret - Valet de trèfle
    ANONYME

    Carte à jouer érotique à secret - Valet de trèfleSecret erotic playing cards - Jack of Clubs

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Secret erotic playing cards - Jack of Clubs
    [France] s.d(circa 1860), 5.5 x 8.6 cm, one playing card
    Secret erotic playing card, unknown manufacturer, produced in France around the 1860s. Lithograph coloured by stencil, white verso.
    In the light, the transparent card reveals an erotic scene: a valet, with visible genitalia, screws a lady with her shirt hitched up.
    A curiosity!
    Sold
  15. Der Trompeter von Säckingen
    ANONYME

    Der Trompeter von Säckingen

    S. n.|s. l. s. d. [circa 1900]|10.30 x 14 cm|cousu
    no publisher | no place [ca 1900] | 10.3 x 14 cm | sewed

    First edition of this set of 10 erotic engravings, of which the title refers to Victor Ernst Nesslerb's eponymous opera created in 1884, showing the bawdiness of said trumpet player and a lady. The last engraving picks up a verse from the opera: «Behüt dich Gott, es wär so schön gewesen».
    Blank cover with red and black patterned paper heightened with gold.
    Some minor, marginal tears. Title page rubbed and a little water stained.
    The pamphlet has a minor central fold.
    Of the utmost rarity: no other copies referenced in libraries.
    Sold
  17. Lettre autographe signée de Pierre Loti
    Pierre LOTI

    Lettre autographe signée de Pierre Loti

    s. l. s. d. [circa 1910]|11.30 x 17.60 cm|un feuillet remplié
    Signed autograph letter of Pierre Loti. Six lines on a letterhead with, on the top left, his motto: "My evil I love".
    A trace of central fold inherent in the enveloping of the letter.
    "Thank you, Miss, for your sympathy, expressed so spontaneously and so charming, thank you especially for your good wishes ... Pierre Loti"
    Sold
  18. Expédition antarctique française commandée par le Dr J. Charcot 1903-1905
    Jean-Baptiste CHARCOT

    Expédition antarctique française commandée par le Dr J. Charcot 1903-1905

    S. n.|s. l. s. d. [circa 1906]|28 x 18.50 cm|agrafé
    Rare first edition out of commerce and not on sale, printed in small numbers, and illustrated with most unpublished photographs.
    A pale wetness at the top of the first board and the title page on which the consignment appears.
    Signed autograph of Jean-Baptiste Charcot to Mr. Foutette.
    Sold
  19. Marcel
    Charles PÉGUY

    Marcel

    S. n.|s. l. • [Paris] s. d. [1898]|16.50 x 25 cm|broché
    Sold
  23. Liberté
    Paul ÉLUARD

    Liberté

    Editions des Francs-Tireurs Partisans Français du Lot|s. l. 1944|21 x 27.50 cm|une feuille
    Sold
  25. Signatur. Album d'un amateur
    Claude SIMON

    Signatur. Album d'un amateur

    Verlag Rommerskirchen|s. l. 1988|29 x 30 cm|broché
    First edition, one of the copies justified in red felt at the foot of the first cover.
    Nice copy.
    Texts and photographs by Claude Simon.
    Autograph signed by Claude Simon to his friend Georges Raillard and his wife Alice on the inside flap of the first cover.
    Our copy is enriched with a card on which Claude Simon wrote, for the attention of Georges Raillard, these few words: "Here are the photocopies, I attach a typed version" in clear "of the letter of 24 Ventôse that the camera has not been reproduced so well, our best wishes for recovery to Alice, and very warmly Claude Simon. "
    Sold
  27. La bête noire N°1-8, collection complète
    COLLECTIF, Maurice RAYNAL

    La bête noire N°1-8, collection complète

    S. n.|s. l. • (Paris) 1er avril 1935 - 1er juillet 1936|38 x 28 cm|8 volumes brochés
    First edition of this review directed by Maurice Raynal and Efstrathios Tériade, and illustrated by Georges Braque, Balthus, Roger Vitrac. The collection is complete with eight issues published between April 1935 and February 1936. Joints, three newsletter subscriptions to the magazine accompanied by a humorous text.
    Folds, marginal tears.
    A rare complete collection of The Black Beast, an artistic and literary magazine created by the writers Maurice Raynal and Michel Leiris. It was conceived as an attempt at intellectual counter-attack to the rise of fascism in France, awakened by the Parisian demonstrations of February 1934 . The magazine was baptized by...
    Sold
  28. Les origines ibériques du peuple juif
    Oscar Venceslas de Lubicz MILOSZ

    Les origines ibériques du peuple juif

    Les éditions des vivants|s. l. 1933|15 x 24 cm|agrafé
    First Edition printed in very small numbers and consisting of a reprint of "Cahiers de la démocratie populaire".
    Rare and nice copy.
    Signed autograph of Oscar Wenceslas Lubicz Milosz: "To my dear doctor René Guttmann in faithful and grateful memory".
    Sold
  29. Le désoeuvrement
    Jacques DUPIN, RAQUEL

    Le désoeuvrement

    Orange export Ltd|s. l. 1982|12 x 16 cm|en feuilles
    First Edition printed 130 numbered copies on vellum Arches paper, ours unjustified.
    Nice copy.
    Illustrated book of 4 paintings by Raquel.
    Signed autograph Jacques Dupin to his great friend and biographer Georges (Raillard) and his wife Alice: "... a dam of disgrace, their friend Jacques."
    Sold
  30. Le traité du violon
    Maurice ROCHE, ARMAN

    Le traité du violon

    Editions Abel Rambert|s. l. 1979|14.50 x 22 cm|broché
    First edition.
    Pleasant illustrated copy of 24 reproductions of works by Arman.
    Autograph signed by Maurice Roche Georges Raillard.
    Sold
  32. Approches
    PIZA, Clélia PISA

    Approches

    S. n.|s. l. • (Paris) 1979|11.50 x 15.50 cm|en feuilles sous chemise
    First edition, one of 55 numbered copies on vellum Arches paper, only leading copies.
    Rare and nice copy.
    Handwritten signatures of Clelia Pisa and Piza below the justification of the draw.
    Illustrated book of three original engravings of Piza.
    Signed autograph of Clelia Pisa, enriched by the handwritten signature of Piza, to Alice and Georges Raillard.
    Sold
  34. Tract : "Ne visitez pas l'Exposition Coloniale"
    André BRETON, Paul ÉLUARD

    Tract : "Ne visitez pas l'Exposition Coloniale"Leaflet: "Ne visitez pas l'Exposition Coloniale" "Do not visit the Colonial Exhibition"

    S. n.|s. l. • (Paris) Mai 1931|22 x 27.50 cm|une feuille
    Leaflet: "Ne visitez pas l'Exposition Coloniale” “Do not visit the Colonial Exhibition”

    Rare first edition of this famous leaflet, published by the group of “Surréalistes,” directed against colonialism and, more precisely, the chief of police Jean Chiappe, guilty of having recently deported a Communist Indochinese student.
    Rare and beautiful copy despite signs of frequent folding inherent in this type of document.
    Text by André Breton, Paul Eluard, Benjamin Péret, Georges Sadoul, Pierre Unik, André Thirion, René Crevel, Louis Aragon, René Char, Maxime Alexandre, Yves Tanguy and Georges Malkine.
    This leaflet is an opportunity for the “Surréalistes” to not only...
    Sold
  35. Faire-part de décès de Fernand Léger
    Fernand LÉGER

    Faire-part de décès de Fernand Léger

    S. n.|s. l. 1955|14 x 10.50 cm|une feuille
    Rare announcement of death of Fernand Léger, disappeared on August 17, 1955. nformant persons warned that the funeral and burial will take place Saturday, August 20, 1955 in Gif-sur-Yvette.
    The family of the painter, the French Communist Party, the National Council of the Peace Movement and his friends join the pain of the widow of Fernand Léger to invite the people warned that the funeral and the burial of the painter will take place on Saturday August 20, 1955 in Gif-sur-Yvette.
    Sold
  36. Electrogenèse
    Jean EFFEL

    Electrogenèse

    Sodel|s. l. 1977|21 x 29.50 cm|en feuilles sous chemise cartonnée
    First edition.
    Rare and nice well complete copy of its cardboard packaging postal office shirt.
    Light bites without gravity on the shirt.
    Book consisting of 32 plates inset illustrated with drawings by Jean Effel and who hear humorfully explain the Creation.
    Signed autograph dedication of Jean Effel Louis Flamme enriched with a drawing of an angel head holding in his mouth a flower.
    Sold
  37. Bulletin de souscription au "Cornet à dés" de Max Jacob
    Max JACOB

    Bulletin de souscription au "Cornet à dés" de Max Jacob

    S. n. • [chez l'auteur]|s. l. • (Paris) s. d. [1917]|22 x 14 cm|une feuille remplié
    Rare newsletter of the sixth book of the author he had printed on his account.
    Nice copy despite a trace of vertical bend.
    It should be noted that, in addition to the 30 Holland paper luxury draws, only Japan was planned, while the justification for the draw indicates 14.
    Sold
  38. Le cheval de 4
    Michel TAPIE DE CELEYRAN, Aline GAGNAIRE

    Le cheval de 4

    S. n.|s. l. • (Paris) 1940|25.50 x 37 cm|en feuilles
    Extremely rare first edition printed in 32 numbered copies of the first issue – only three were published – of this journal presented by the group “Les Réverbères.”

    Small marginal tears on the boards as well as the top and bottom of the spine.
    Unique copy complete with the two double-page color supplement (missing and unknown in the already preserved rare copies).
    This journal of exceptional visual and literary quality marks one of the last productions of the French artistic avant-garde before the start of the German oppression.
    Le Cheval de 4 was published during 1940 by a collective of Dada artists, the “Réverbères” club. This club was...
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  39. Dedal-e
    Michel TAPIE DE CELEYRAN, Aline GAGNAIRE

    Dedal-e

    S. n.|s. l. • (Paris) 1940|25.50 x 37 cm|en feuilles
    N. n., n. p. [Paris] 1940, 25,5 x 37 cm, loose leaves
    Extremely rare first edition printed in 31 numbered copies of the second issue – only three issues were published – of this journal presented by the group “Les Réverbères.” Illustrated with wood cuts of painters Aline Gagnaire and Michel Tapié.
    Small marginal tears on the top and bottom of the spine.
    Unique copy complete with the 2 double-page color supplement (missing and unknown in the already preserved rare copies).
    This journal of exceptional visual and literary quality marks one of the last attempts of the French artistic avant-garde before the start of the German oppression.
    Dédal-e...
    Sold
  42. La main sur le mur
    Michel BUTOR, Julius BALTAZAR

    La main sur le mur

    I.S.M.|s. l. • (Paris) s. d. [1981]|21 x 11 cm|en feuilles
    First Edition printed with 60 numbered copies on vellum Arches paper.
    Rare and nice copy.
    Illustrated book, frontispiece, an original dry tip Julius Baltazar he signed on the back .
    Handwritten signatures of Michel Butor and Julius Baltazar at the colophon.
    Signed autograph dedication of Michel Butor to his great friend and biographer Georges Raillard and his wife Alice.
    Sold
  43. La bête mahousse
    Jacques PERRET, Georges BEUVILLE

    La bête mahousse

    Editions de la Toison d'or|s. l. 1954|20.50 x 27.50 cm|broché
    Illustrated edition of 12 original watercolors by Georges Beuville, one of 3000 numbered copies on Alfa paper Djebel.
    Nice copy.
    Signed autograph Jacques Perret to the man Jacques Lasalle and his wife Françoise enriched with a drawing of two faces of actors wearing theater masks framed by a laurel leaf and from which escape notes of music and two hearts. "
    Sold
  44. Laure ou la prosopopée du ciel
    Dominique GILBERT-LAPORTE

    Laure ou la prosopopée du ciel

    Furor|s. l. • [Lausanne] 1982|17.50 x 22.50 cm|broché
    first edition on current paper.
    Back and flat slightly and marginally insolated without gravity.
    Autograph dedication dated and signed by Dominique Gilbert-Laporte to a friend named Fabienne.
    Sold
  48. Photographie originale dédicacée d'Ernest Hemingway à Adolphe Lévèque "Tout le monde travaille"
    (Ernest HEMINGWAY)

    Photographie originale dédicacée d'Ernest Hemingway à Adolphe Lévèque "Tout le monde travaille"

    S. n.|s. l. • [Pérou] [Peru] Mai 1956|15.50 x 10.50 cm|une feuille
    Original photograph, vintage print , representing Ernest Hemingway surrounded by a crew of seven men hoisting an imposing marlin they have just caught.
    Precious autograph written from Peru and dated May 1956 signed Ernest Hemingway Adolphe Lévèque (1902-1975), bartender leader of the liner Ile-de-France : "Everyone works. Ernest Hemingway. Peru May 1956 » .
    This fishing scene offered to a modest bartender synthesizes, in its apparent simplicity, all the passions and the spirit of the most famous American writer of his time.
    The photograph was taken during the shooting of the adaptation of Old Man and the Sea . Hemingway was...
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  49. Photographie originale dédicacée d'Ernest Hemingway : "A mon vieux et cher ami Adolphe Lévèque "
    Ernest HEMINGWAY

    Photographie originale dédicacée d'Ernest Hemingway : "A mon vieux et cher ami Adolphe Lévèque "

    S. n.|s. l. • [Pérou] [Peru] s. d. [Mai 1956]|10 x 15.50 cm|une feuille
    Original photograph, inscribed from Ernest Hemingway to Adolphe Lévêque
    Peru May 1956, 15,5 x 10,5 cm, one photograph
    Original photograph, contemporary print, depicting Ernest Hemingway holding an imposing marlin that he had caught.

    A handsome autograph inscription from Peru May 1956 by Ernest Hemingway to Adolphe Lévêque (1902-1975), head bartender on the liner Île-de-France: “à mon vieux et cher ami Adolphe Lévèque” “To my dear old friend Adolphe Lévèque.”

    This fishing scene, sent to a humble bartender epitomizes, with its apparent simplicity, Hemingway's – the most celebrated American writer of his time – passions and...
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  50. Le carnet des carnets
    Pablo PICASSO, Marcel DUHAMEL

    Le carnet des carnets

    Aux dépens d'un amateur|s. l. 1965|7.50 x 10 cm|reliure de l'éditeur sous enveloppe et étui en plastique souple
    PICASSO Pablo & DUHAMEL Marcel
    Le Carnet des carnets
    Aux dépens d’un amateur, n. p., 1965, 7,5 x 10 cm, publisher’s binding, envelope and flexible plastic slipcover
    Edition consisting in the facsimile, printed by Daniel Jacomet, of a book illustrated of drawing by Pablo Picasso, given to Marcel Duhamel and printed by the latter at 250 numbered copies, plus a few copies that were not for sale but were for the artist and his colleagues.
    Publisher’s binding in full grey canvas, a beautiful copy completed with its illustrated envelope of reproductions of the drawing by Pablo Picasso and with its flexible plastic slipcover, lightly split at the top of the joint.
    Sold
  52. Lettre autographe signée de Pierre Moinot
    Pierre MOINOT

    Lettre autographe signée de Pierre Moinot

    s. l. 30 juin 1951|16.50 x 21.50 cm|un feuillet
    Signed letter signed by Pierre Moinot to friends, Mr. and Mrs. O'Heguerty, dated June 30, 1951, 16 lines in blue ink.
    Written during the writing of Pierre Moinot's first novel, the letter opens with a quote from Albert Camus from Les Noces , which recalls the author's decisive role in launching his younger brother's literary career. The title of the novel, Weapons and Baggage, which will appear the following year, becomes the source of comic anagrams to the address of two friends, the O'Heguerty couple:
    "[...] Weapons and baggage have become
    Bagares and mages
    Mega sabretages
    Sold
  53. Poème autographe inédit "L'arbre"
    Pierre-André BENOIT

    Poème autographe inédit "L'arbre"

    s. l. s. d.|6 x 10.50 cm|un feuillet
    Unpublished autograph poem signed by Pierre-André Benoit entitled « L'arbre », 9 lines in black ink with a drawing of a tree.
    Sold
  54. Lettre autographe signée de Lucien Guitry à Léon Volterra "sans quoi vous pourriez vous traîner à mes genoux, je vous la refuserais"
    Lucien GUITRY

    Lettre autographe signée de Lucien Guitry à Léon Volterra "sans quoi vous pourriez vous traîner à mes genoux, je vous la refuserais"

    s. l. s. d.|13 x 20.50 cm|un feuillet
    Letter autograph signed by Lucien Guitry addressed to Leon Volterra, 23 lines in blue ink, address of the mansion of Lucien Guitry, 18, Avenue Elisée-Reclus, at the head of the sheet. Envelope attached with the name of Leon Volterra.
    Folds inherent to the enveloping.
    Lucien Guitry recommends Nadia Koustine (known as Charlane), one of his favorite actresses, to Leon Volterra, one of the most important directors of nineteenth century turn-of-the-century theaters, in a letter in which the comedian's sarcastic humor : "It is simply because I do not need it immediately that I recommend it to you otherwise you could drag yourself to my knees, I would refuse you (by shedding some...
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  55. Lettre autographe signée d'Alexandre Dumas père à Emile de Girardin
    Alexandre DUMAS

    Lettre autographe signée d'Alexandre Dumas père à Emile de Girardin

    s. l. s. d.|14 x 21.50 cm|un feuillet
    Autograph letter signed by Alexandre Dumas addressed to Emile [de Girardin], 14 lines in black ink from the author's hand on blue paper, 11 lines in black ink in the head probably from the hand of Emile de Girardin.
    Folds inherent to the enveloping.
    The missive presents financial considerations relating to the literary production of Dumas, probably addressed to Emile de Girardin, a journalist who published some of the author's works as a soap opera in La Presse . The letter contains Girardin's answer directly handwritten at the head of the sheet.
    Sold
  56. Fables
    Alexis ROUSSET

    Fables

    S. n.|s. l. • [Lyon] 1856|13.50 x 21.50 cm|4 volumes reliés
    First edition.
    Bindings in half green sheepskin, smooth backs adorned with jewels and gilded friezes, pieces of title and tomaison of green sheepskin, some traces of rubbing on the backs, plates of green embossed cardboard, guards and contreplats of handmade paper, slices speckles, bindings of the time.
    Some foxinges and three marginal tears without affecting the text.
    Illustrated book of 27, 25, 29 and 33 plates engraved hors-texte most of China and due to the chisel of the majority of the painters of Lyon of the time as well as frontispices, engravings of heads of books and many vignettes.
    Rare autograph dedication signed and rhymed Alexis Rousset on the first...
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  57. Carte de visite imprimée enrichie d'une dédicace à Maurice Martin du Gard
    Édouard HERRIOT

    Carte de visite imprimée enrichie d'une dédicace à Maurice Martin du Gard

    S. n.|s. l. s. d. [circa 1926]|8.50 x 6.50 cm|une feuille
    Printed business card of Edouard Herriot, then minister, with these handwritten words addressed to Maurice Martin du Gard: "My dear Martin du Gard thank you for this book Thanks to you I am going to make a beautiful trip in precious company Sincerely Herriot . "
    Sold
  58. Inglan is a bitch
    Linton Kwesi JOHNSON

    Inglan is a bitch

    Race today publication|s. l. 1981|14.50 x 20.50 cm|broché
    Second edition.
    Nice copy.
    Autograph tribute signed by Linton Kwesi Johnson.
    Sold
  59. Clochemerle Les Bains
    Gabriel CHEVALLIER

    Clochemerle Les Bains

    Flammarion|s. l. 1963|14.50 x 20.50 cm|broché
    Edition of the year of the original, mention of 30th thousand.
    Back slightly cracked and thinned.
    Autograph signed by Gabriel Chevallier to Monsieur and Madame Drouère.
    Sold
  60. Rrose Sélavy
    Marcel DUCHAMP

    Rrose Sélavy

    Editions Unes|s. l. 1987|11.50 x 16 cm|broché
    New edition printed to celebrate the centenary of the birth of Marcel Duchamp with 33 numbered copies on paper from Moulin de Larroque, this one one of the hors-commerce copies distributed to friends of éditions unes.
    Rare and beautiful copy.
    Sold
  61. Poèmes de la libellule
    Hosui YAMAMOTO (ill.) Judith GAUTIER

    Poèmes de la libellulePoems of the Dragonfly

    Imprimerie Gillot|s. l. • [Paris] s. d. [1885]|24.50 x 32 cm|relié
    GAUTIER Judith & SAIONJI Kinmochi
    woodcuts by YAMAMOTO Hosui
    Poèmes de la libellule
    [Poems of the Dragonfly]
    Imprimerie Gillot, n. p. [Paris] n. d. [1885], 24,5 x 32 cm, half box binding
    First edition of the French translation by Judith Gautier from the Japanese after the literal version of Saionji Kinmochi, for which no grand papier (deluxe) copies were printed.
    Volume fully illustrated with full-page color wood engravings of Yamamoto.
    Binding in half green box, paper boards with geometrical and floral patterns of Japanese inspiration, green box spine, preserved wrappers with small stains, elegant binding by...
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  62. Hombres (hommes)
    Paul VERLAINE, Arthur RIMBAUD

    Hombres (hommes)

    S. n.|s. l. • (Paris) s. d. [1903]|13 x 19 cm|broché
    Sold
  63. L'Eloge de la folie
    ÉRASME

    L'Eloge de la folieIn Praise of Folly

    S. n.|s. l. • (Paris) 1751|18 x 23.50 cm|relié
    L’éloge de la folie [In Praise of Folly]
    n. n. | [Paris] 1751 | 4to (18 x 23.5 cm) | (8) xxiv ; 222 pp (2)
    | contemporary morocco
    First print of this revised and corrected edition based on the text of the Basel edition, one of the grand papier (deluxe) copies reimposed in 4to format. The work is illustrated with a frontispiece and 13 woodcuts by Eisen and engraved by Aliamet, De La Fosse, Flipart, Le Mire, Martinasie, Pinssio and Tardieu. The 7th plate is not signed, the first is unnumbered.
    Contemporary red morocco binding, spine in five compartments underlined with gilt fillets and adorned with panels, gilt fleurons and dentelles...
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  64. Dachau matricule 77.164
    Jean MIGEAT

    Dachau matricule 77.164

    S. n.|s. l. s. d. [circa 1946]|12 x 15 cm|broché
    First edition.
    Rare and nice copy.
    A moving autograph signed by Jean Migeat: "To my fellow prisoner, Father Hesse, in all sympathy".
    Sold
  65. Un camp, pas comme d'autres
    Germaine Marie D. LEPAGE

    Un camp, pas comme d'autres

    Chez l'auteur|s. l. 1971|16 x 21 cm|broché
    First edition.
    Rare and pleasant copy despite the dumb back and lightly and marginally discolored boards.
    Signed autograph of Germaine Marie D. Lepage: "Prisoners of war, the non-violent of their time as, under the Roman occupation of Judea, the only humility of (unreadable word) suffering".
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  68. Les sept poèmes d'amour en guerre
    [Paul ELUARD as] JEAN DU HAUT

    Les sept poèmes d'amour en guerre

    Bibliothèque française|s. l. • [Saint-Flour] s. d. [1943]|10.50 x 13.50 cm|une feuille rempliée
    ELUARD, Paul, under the pseudonym of Jean Du HAUT
    Les sept poèmes d'amour en guerre
    Bibliothèque française, No publisher (Saint-Flour) n.d. (1943), 10.5 x 13.5 cm, one folded sheet
    The first edition, printed clandestinely, of which there were no large paper copies.
    A good and rare copy.
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  70. Épreuves corrigées "Kiel et Tanger 1895-1905. La république française devant l'Europe"
    Charles MAURRAS

    Épreuves corrigées "Kiel et Tanger 1895-1905. La république française devant l'Europe"

    s. l. 1912|19.50 x 31 cm|relié
    Proofs corrected by Henri Michaux of his text "In the changing water of resonances", published in issue 22 of Cahiers du Chemin , dated October 1974. 7 pages with autograph corrections with ballpoint pen and pencil. Stamp of Floch printing on the first page.
    Michaux writes "In the Changing Water of Resonances" at the end of his life, and completes his reflections on music thus evoked in First Impressions (1949) and A Certain Phenomenon Called Music (1958). In this ode to Sanza , a modest instrument of Congolese origin, he explores the possibilities of a vibrant music, which invests space and offers its "texture" to...
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  71. Bariona
    Jean-Paul SARTRE

    Bariona

    S. n.|s. l. 1962|15 x 20 cm|broché
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  72. Lettre autographe inédite signée d'Alfred de Vigny à Eugène d'Auriac
    Alfred de VIGNY

    Lettre autographe inédite signée d'Alfred de Vigny à Eugène d'Auriac

    s. l. 10 septembre 1850|13.30 x 20.70 cm|1 page sur un feuillet remplié
    Autograph letter signed by Alfred de Vigny.
    An erasure and several underlines of the author's hand.
    Folds caused by the mailing, a stamp of the "archives and collections of JL Debauve".
    Alfred de Vigny sends this letter to order "six meters of this stuff ", which he joins a sample, the "city of Angouleme" , to make a dress for his wife.
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  73. Lettre autographe inédite signée d'Alfred de Vigny à Eugène d'Auriac
    Alfred de VIGNY

    Lettre autographe inédite signée d'Alfred de Vigny à Eugène d'Auriac

    s. l. 15 septembre 1850|13.20 x 20.70 cm|1 page sur un feuillet remplié
    Signed autograph letter from Alfred de Vigny to Eugène d'Auriac.
    Folds caused by the mailing, a stamp of the "archives and collections of JL Debauve".
    Alfred de Vigny thanks his correspondent for an order he made for him. This is an order for fabrics that Alfred de Vigny has made in order to make a dress for his wife. He sends this letter to "find out from Auriac which is the most suitable hotel in Rochefort" for a stay in the city in October. His correspondent, Eugène d'Auriac, is a writer and writer of the nineteenth century who participated in the newspaper Le Siècle.
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  74. Photographie originale dédicacée de Charles De Gaulle à Emilien Amaury
    [Charles DE GAULLE]

    Photographie originale dédicacée de Charles De Gaulle à Emilien AmauryOriginal photograph inscribed by Charles De Gaulle to Emilien Amaury

    S. n.|s. l. 18 Juin 1956|19 x 26 cm|une feuille encadrée
    Original photograph inscribed by Charles De Gaulle to Émilien Amaury

    No publisher | no place | 18 June 1956 | 19 x 26 cm | single framed sheet
    An original photograph showing Charles de Gaulle with, beside him, the patron of the press and founder of Parisien libéré, Émilien Amaury.
    Handsome dated autograph inscription from 18 June 1956 and signed by Charles de Gaulle to Émilien Amaury.
    Émilien Amaury (1909-1977) led from 1941 the «groupe de la rue de Lille», an underground cell hidden in the offices of the Office de publicité générale, which aimed to combat propaganda and the occupation. Amaury, thanks to his good official position, placed...
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  75. Lettre autographe signée de Roland Barthes à René Wintzen
    Roland BARTHES

    Lettre autographe signée de Roland Barthes à René Wintzen

    s. l. n.d. (circa début 1956)|13.60 x 21 cm|2 pages sur un feuillet
    Autograph letter signed by Roland Barthes, written in blue ink.
    Date at the top of the letter and signature at the bottom of the letter.
    Folds caused by mailing.
    Roland Barthes sends this letter to tell his correspondent when he will arrive at Vézelay. He also writes to him that he will be accompanied by Robbe-Grillet. This trip presumably aims for a conference on realism that took place in 1956 because we know that Robbe-Grillet attended this one.

    1956 is the year of the writing of the Mythologies of Barthes which appear at Seuil in 1957.
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  76. Lettre autographe signée de Roland Barthes à René Wintzen
    Roland BARTHES

    Lettre autographe signée de Roland Barthes à René Wintzen

    s. l. 26 décembre 1955|21 x 27 cm|une page sur une feuille
    Autograph letter signed by Roland Barthes, written in blue ink.
    Date at the top of the letter and signature at the bottom of the letter.
    Folds caused by mailing.
    Roland Barthes writes in this letter that he wishes to devote himself to his work for the CNRS because he has difficulties in maintaining his "double or triple life". He announces to the recipient that he will give a lecture next year in Vezelay on the theme of Realism and Literature. This conference took place in 1956 and Robbe-Grillet invited by Barthes.

    1955 is the year in which Barthes begins the writing of Mythologies which appear at Seuil in...
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  79. Carte autographe signée de Lucien Guitry à sa filleule
    Lucien GUITRY

    Carte autographe signée de Lucien Guitry à sa filleule

    s. l. s. d. [circa 1922]|11.60 x 9.10 cm|une carte recto-verso
    Signed autograph card of Lucien Guitry to his godchild, written in French in blue ink, seal envelope attached.
    A correction of the hand of Lucien Guitry.

    The famous actor, father of Sacha Guitry, addresses this letter to his godchild to tell him to take rest. He quotes him a verse: " the hut bloomed by your hands delicious that alone bet consoled to see your arms finish " and makes a reference to the character of M isanthrope Molière Célimène: "Rest from time to time Celimène", he plays elsewhere this piece in 1922. He concluded his letter apologetically for his writing.
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  80. Lettre tapuscrite signée de Roland Dorgelès à un confrère poète : "J'ai lu avec émotion ce poème marqué du souvenir de Péguy"
    Roland DORGELÈS

    Lettre tapuscrite signée de Roland Dorgelès à un confrère poète : "J'ai lu avec émotion ce poème marqué du souvenir de Péguy"

    s. l. s. d. [circa 1939]|21.10 x 27.20 cm|une page sur un feuillet
    Letter signed by Roland Dorgelès to a fellow poet unknown, signature at the bottom of the letter in blue ink.

    Roand Dorgelès informs his addressee of the emotion he felt when reading the poem he addressed to him. He compares his verses with those of Peguy: "I have read with emotion this poem marked by the memory of Peguy, his very breath pulsates in some Alexandrians." He writes his distress at the lack of literary publications in weekly newspapers like Gringoire, for which he is a correspondent during the war. Dorgelès asks his correspondent to wait for the reopening of the literary journals that will publish this kind of content.
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  81. Lettre autographe signée de Rosemonde Gérard
    Rosemonde GÉRARD

    Lettre autographe signée de Rosemonde Gérard

    s. l. s. d. [circa 1900]|13.60 x 21 cm|une page sur un feuillet
    Signed autograph letter of Rosemonde Gérard.

    The poet, author and playwright sends this letter of thanks to an interpreter. She thanked her for the congratulations she sent him.
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  82. Lettre autographe signée (adressée à Gustave Geffroy)
    Romain ROLLAND

    Lettre autographe signée (adressée à Gustave Geffroy)

    s. l. • [Paris] S.d. (circa 1905)|12.50 x 17 cm|une page et deux lignes sur un feuillet remplié
    Letter autograph signed by Romain Rolland, one page and two lines, to Gustave Geffroy (whose name has been added in pencil), 10 lines in purple ink, without date and appropriately written in Paris.

    Traces of folds inherent to a letter slipped into an envelope.

    In this post, Romain Rolland gives appointment to Gustave Geffroy: "We are convened tomorrow evening 9am at the Revue d'Art dramatique" by requesting his presence that he considers important : "It would be necessary for you to be there for us lend your help against a government that is really too enthusiastic about our project. "
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  83. Lettre autographe signée (à Eugène Vallée) "Dites-moi par un mot s'il est dans les usages d'offrir un vol. avec dédicace à Alphonse Lemerre".
    Stanislas de GUAÏTA

    Lettre autographe signée (à Eugène Vallée) "Dites-moi par un mot s'il est dans les usages d'offrir un vol. avec dédicace à Alphonse Lemerre".

    s. l. • [Paris] s. d. [circa 1885]|11.50 x 18 cm|deux pages sur un feuillet
    Letter autograph signed by Stanislas de Guaita, two pages, addressed to Eugene Vallée who was a close friend of the family, of 27 lines in black ink, undated but probably written, from his Parisian home, shortly after the publication of his "Rosa mystica" in 1885 at Alphonse Lemerre.

    Traces of central folds inherent to a letter slipped into an envelope, foxing.

    In this letter with his crown of marquises, Stanislas de Guaita shows his gratitude and gratitude to his correspondent who has always been the benevolent protector of his mother and himself and to whom, as a thank you, he offers one of the very first copies of Rosa Mystica: "I bring you a copy of Rosa...
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  84. A une courtisane
    Tavy NOTTON, Charles BAUDELAIRE

    A une courtisane

    Aux dépens de quelques amateurs|s. l. 1949|17 x 25 cm|en feuilles sous chemise et étui
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  85. Autoportrait. Photographie Originale de l'artiste
    Marc TRIVIER

    Autoportrait. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1981|22 x 22 cm|1|une feuille
    Original black and white photograph created and printed by Marc Trivier.
    Silver gelatin print unsigned, like most of Trivier's works. Unique proof printed by the artist.
    Precious original silver gelatin print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the...
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