Literature illustrated with engravings, lithographs, photographs, first edition drawings, beautiful illustrated books and artists' books

Edition illustrated with 96 original compositions by Maurice Leloir engraved as etchings.
Full red morocco-grained shagreen bindings, spines with five fine raised bands set with gilt friezes and decorated with richly decorated gilt compartments, gilt floral friezes at foot, gilt roulettes on headcaps, triple gilt fillet frames on covers, floral bouquets in cover corners, marbled endpapers and pastedowns, gilt floral motifs in pastedown corners, gilt edges on leading edges, covers stitched and spine preserved.
One scratch at head of second volume joint.
Preface by Jules Clarétie.
Handsome copy beautifully executed.

First edition on current paper.
Nice copy.
Afterword by Judith Petit.
Illustrated book of drawings by Pierre Alechinsky.
Signed autograph dedication of Pierre Alechinsky to his friend Georges Raillard: "If you have time to spend Nov. 9, it would be amazing dear George (illegible word)."

First edition, one of the 1000 numbered copies on vellum cloth, ours one of the hors commerce.
Nice copy.
Illustrated book of 4 reproductions of works of Claude Garache.
Autograph signed by Claude Garache Georges Raillard in pencil.

Illustrated edition with 73 drawings by George Roux: 1 frontispiece engraved by Froment, 1 title vignette engraved by Pannemaker, 2 large black engravings without captions, 48 black in-text engravings, 1 full-page black map of the Orinoco course, 20 polychrome hors-texte engravings, or printed in sepia or blue-grey.
Publisher's Hetzel binding signed Engel known as "au globe" type 3, spine with lighthouse, second cover type Engel "h" according to Jauzac, all edges gilt.
Original blue endpapers very marginally lightened as usual, some rubbing to spine and gilt on first cover, copy slightly warped. Some signatures slightly protruding.
Le Superbe Orénoque is an...

First Edition, one of the review copies service, second edition mention on the fake title page.
Binding in full brown paper, smooth back, title piece of morocco chocolate brown, blankets and back preserved, gilded head, binding signed Dreneau.
Ex libris manuscript of Emile Henriot at the head of a guard.
Autograph signed by Henri de Montherlant Emile Henriot.

First large octavo edition illustrated by George Roux.
Hetzel publisher's binding signed Engel known as "au globe" type 4, spine with lighthouse, second board type Engel "i" according to Jauzac, all edges gilt.
Original blue endpapers marginally lightened as usual. A small mark at the top of the first board.
Sequel to Robur the Conqueror, Master of the World tells of Robur's return to civilization aboard an amphibious vehicle.
A Drama in Livonia is a detective novel featuring an innocent man accused of a murder he did not commit in Livonia.
Handsome copy.

Rare first and only illustrated edition with 37 drawings by Georges Roux including 6 polychrome plates and 11 black and white plates outside the text.
Publisher's binding known as "aux feuilles d'acanthe" with red title medallion. The first editions were subsequently issued with a gilt medallion.
Good first issue, quite crisp, but with several scratched or rubbed areas. Corners somewhat rubbed and slightly turned in. Half-title and title with pale foxing otherwise very fresh throughout. Spine very lightly faded with dulled gilt. Rear board in good condition with slight water stain beneath the rosette. Lower joint at head restored. Two signatures slightly protruding.
Science...

First edition, of which there were no deluxe copies.
Work illustrated with drawings by the author.
Beautiful illustrated cover by the same.
Spine lightly sunned as usual, otherwise handsome copy.

Edition illustrated with original woodcuts by Carlègle, one of 49 numbered copies on Japan paper, deluxe copies after 1 Japan à la forme.
Our copy, like the 50 Japan copies, is complete with its duplicate suite on China paper of the woodcuts.
A small tear reglued at head of spine.

Illustrated octavo edition decorated with illustrations by L. Benett and two large maps.
Publisher's Hetzel binding "à l'éventail et à l'éléphant" in full red cloth signed A. Lenègre, polychrome first cover signed Engel presenting the title in a black and gilt fan, several black and gilt frames, a gilt elephant head in the upper left, three small illustrations as well as various gilt navigation and exploration instruments, all framed within green foliage, second cover of type "i" as indicated by Jauzac, lighthouse spine, original blue endpapers, all edges gilt.
Mistress Branican begins in the United States to take the reader to deepest Australia, that of the desert...

First edition large octavo illustrated with 64 drawings by Roux including 12 polychrome out-of-text engravings with blank verso.
Publisher's Hetzel binding signed Engel called "à l'éventail et à un éléphant avec titre dans l'éventail", lighthouse spine, first cover with gilt scientific instruments in the foreground, three gilt illustrations and green foliage, second cover of Engel "i" type according to Jauzac, all edges gilt.
Original blue endpapers marginally lightened as usual, first hinge very slightly cracked.
Posthumous novel, Le Volcan d'or takes place during the gold rush period and features two Franco-Canadian cousins inheriting a concession on the banks of...

Henri MICHAUX
Meidosems
Éditions du point du jour | Paris 1948 | 20 x 26 cm | original wrappers with laced chemise
First edition, one of 276 numbered copies on pur fil Johannot paper, only grand papier (deluxe) copies after one copy on China paper and 20 on pur fil d'Arches.
Handsome copy with very lightly sunned
endpapers and a little foxing, editor's chemise with ties, a clear dampstain to the spine.
Illustrated with 13 original lithographs by Henri Michaux, including one on a
double page, and another in green as cover.
Autograph inscription signed by Henri Michaux to Jean Sainjon.

First separate edition, one of 35 numbered copies on Ingres Guarro paper, deluxe copy.
Spine very lightly sunned without consequence, otherwise handsome copy.
Work illustrated with a frontispiece in color as well as headpieces on tinted background by Maurice Brianchon.

First edition, one of the numbered copies on Montgolfier laid paper.
Spine and covers marginally sunned and faded as generally.
Work illustrated with 6 etchings by Pierre Falké.

First illustrated edition of 3 original watercolors by Julius Baltazar on Japan and printed 50 copies numbered on vellum Arches paper.
Nice and rare copy.
Handwritten signatures of Luis Mizon and Julius Baltazar to the colophon.

First edition illustrated with 1 black and 2 original dry tips by Albert Woda and printed with 22 numbered copies on paper Hahnemühle, ours one of the 2 out of trade.
Beautiful and rare copy.
Handwritten signatures of Luis Mizon and Albert Woda at the colophon.

First edition illustrated with 8 original watercolors by Caroline François-Rubino and Anne Slacik and printed 12 copies numbered on vellum.
Beautiful and rare copy.
Handwritten signatures of Caroline François-Rubino and Anne Slacik at the colophon.

First edition handwritten and printed 15 copies numbered on vellum and illustrated with 3 vignettes and images of Jean-Jacques Ceccarelli.
Nice copy.
Signatures of Josée Lapeyrère and Jean-Jacques Ceccarelli at the colophon.

First edition, one of 15 numbered copies on pur fil, from the deluxe issue after 1 unique Japon and 5 Japon copies.
Covers slightly and marginally sunned without consequence, handsome copy.
Work illustrated with 12 full-page compositions, ornaments in head- and tailpieces original wood engravings by Jean Chièze.
Our copy, as stipulated in the justification page, is complete with its suite of woodcuts on Japon.

Illustrated edition with 67 original compositions by Enrique Atalaya, one of 500 numbered copies on white laid paper.
Full red shagreen binding, spine with four raised bands set with gilt garlands decorated with gilt typographical motifs, gilt roulettes on headcaps, triple gilt fillet border on boards ornamented with a scatter of floral motifs connected by floral friezes stamped in blind, marbled paper endpapers and pastedowns, blind fillet border and floral corner motifs, gilt edges on leading edges, original wrappers preserved.
Foxing.

First edition.
Iconography.
Back insolated, complete copy of its soft case that has a hitch in foot.
Signed autograph of Jean-François Lyotard Georges Raillard on the first volume.

Edition illustrated with 12 original compositions by Emile Bayard engraved as etchings by J. Massard, one of 150 numbered copies on Japan paper with the etchings in double state, deluxe copy.
Bradel bindings in half saffron cloth with corners, smooth spines decorated with gilt floral motif, dates and double gilt fillets at foot, olive green shagreen title-labels, marbled paper boards, contemporary bindings.
Some foxing affecting mainly the white endpapers of the binding.

Illustrated edition of 41 original etchings by Adolphe Lalauze, one of 50 copies on vellum vat, in 1 volume, and with etchings in duplicate.
Binding in half navy blue percaline with corners, smooth back decorated with a gilded floral pattern, date and double gilded nets tail, pieces of brown chocolate maroquinated shagreen, boards of marbled paper, preserved cover, binding of l 'time.
Our copy is exceptionally enriched with an original watercolor by Adolphe Lalauze, which he signed at the foot of the fake title page.

Edition printed on laid Arches and illustrated with a frontispiece, 7 inset plates in chiaroscuro and in-text vignettes by George Barbier.
Binding in half chocolate brown morocco, spine in five compartments with some scratches, marbled paper boards, wrappers and spine preserved, top edge gilt.

First edition of the French translation by André Pieyre of Mandiargues, one of 50 copies numbered on "pur-fil" paper Arches paper, only leading copies, ours one of the 20 copies enriched with a color suite of engravings signed and numbered by Juan Soriano.
Nice copy.
Illustrated book of two original engravings by Juan Soriano that he has numbered and signed .
Handwritten signature of André Pieyre of Mandiargues to the colophon.
Our copy is enriched with a business card of Juan Soriano on which it was split of an autograph shipment dated and signed for Alice and Georges (Raillard), envelope attached.

Illustrated edition with 24 original compositions by Adolphe Lalauze, one of 200 numbered copies on Japan paper or grand Arches vellum, ours on Japan paper from the deluxe issue.
Full floral fabric binding, smooth spine, sand morocco title-label, covers and spine preserved, contemporary binding signed by Champs.
Preface by Léo Claretie.
Handsome copy despite some light foxing.
Our copy contains two states of the etchings by Adolphe Lalauze.

First Edition printed with 85 numbered copies on vellum Arches paper.
Nice copy.
Illustrated book of 7 original dry tips of Brigitte Simon.
Handwritten signatures of Claude Esteban and Brigitte Simon below the justification of the draw.

First edition printed in a very small number on laid paper and attributed sometimes to Louis Lemercier de Neuville, sometimes to Charles Monselet.
Bradel binding in half blue percaline with corners, smooth spine decorated with a gilt floral motif, double gilt fillets at head and foot, marbled paper boards, fragile parchment wrappers preserved, contemporary binding.
Handsome copy of this parody of Edmond de Goncourt's novel.
Work illustrated with 2 etchings by an unknown artist.

Illustrated edition of 10 original Adrien Marie compositions etched by Wallet, one of 50 numbered copies on Japan featuring etchings in double condition;
Binding in half gray percaline with corners, smooth back adorned with a floral golden pattern, golden date and double fillet in tail, title piece of navy shagreen, boards of marbled paper, Contemporary binding.
Edition enriched with an unpublished preface by Jules Clarétie.
Some foxinges mainly affecting the white guards of the binding.
Our copy is exceptionally embellished with an original watercolor in color signed Frédéric Bourdin on the page preceding the title page.

Edition illustrated with original etchings and woodcuts by Fernand Siméon, one of 35 numbered copies on Holland paper, ours being one of 24 hors commerce copies, the most limited deluxe paper printing after a unique copy on old Japan paper.
Handsome copy despite a small light dampstain at foot of front cover and on its rear flap verso.
Our copy is complete, as stipulated in the justification page, with its suite of woodcuts on Japan paper and the proof before letters of the etchings.

Illustrated edition with headpieces, initial letters in black and gold as well as 8 tipped-in colour plates by Georges-Marie Rochegrosse, one of 1000 numbered copies on laid paper.
Handsome copy despite a small light dampstain at foot of front cover and to its verso, spine lightened and discolored as usual.

First edition of the French translation established by Auguste Ollivier and annotated by Jean Martin Charcot.
Half red shagreen binding, spine with five raised bands set with gilt dotted lines and decorated with gilt fleurons, some traces of rubbing to spine, marbled paper boards, one scratch and small paper loss to front board, covers and spine preserved, marbled endpapers and pastedowns, wrappers preserved.
Scattered foxing, light dampstain affecting the foot of the first 400 pages, bibliophile's stamp at head of half-title page.
Work illustrated with 26 figures in the text and 8 plates hors-texte of which 4 in colors.

Illustrated edition with 12 hors-texte watercolors as well as 225 vignettes and ornaments by Maurice Leloir.
Half blue morocco binding with corners, spine with five raised bands showing minor rubbing, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, binding signed by Champs.
Some foxing.
Preface by Guy de Maupassant.

First edition printed in 150 numbered copies on vélin chiffon de Mandeure, this one not included in the justification but signed by Antoni Tapies to colophon.
Poem by Joan Brossa.
Illustrated with an original lithograph in colors by Antoni Tapies over 28 pages.
A nice copy.

Illustrated with 21 original compositions by Paul Avril, one of 100 numbered copies on Japan paper with a state of the etchings hors-texte with remarques.
Bradel binding in half blue cloth with corners, smooth spine decorated with a gilt floral motif, gilt date and double fillet at foot, tan shagreen title-label, marbled paper boards, covers and spine preserved, contemporary binding.
A small stain without consequence at head of first board.
Preface by Anatole France.
Handsome copy.

Edition illustrated with 21 original compositions by Paul Avril, one of 100 numbered copies on Japan containing a state of the hors-texte etchings with remarques.
Bradel binding in half brown cloth with corners, smooth spine decorated with gilt floral motif, gilt date and double fillet at foot, red shagreen title-label, marbled paper boards, covers and spine preserved, contemporary binding.
Preface by Anatole France.
Fine copy.

Edition illustrated with 30 original compositions by Charles Delort engraved with burin and etching by L. Boisson, one of 400 numbered copies on vélin du Marais, the only issue after 200 Japan and grand vélin du Marais.
Bradel binding in half blue cloth with corners, smooth spine decorated with gilt floral motif, gilt date and double fillet at foot, chocolate brown shagreen title-label, marbled paper boards, contemporary binding.
Preface by Robert Vallery-Radot.
Handsome copy despite some light foxing affecting mainly the edges.

Illustrated edition with 110 original compositions by Edouard Toudouze, one of 75 numbered copies on Japan paper containing an additional state of the illustrations, the only deluxe copies after 25 on China paper.
Half turquoise cloth binding with corners, smooth spine decorated with gilt floral motif, gilt date and double fillet at foot, chocolate brown morocco title label, marbled paper boards, covers and spine preserved, contemporary binding.
Some minor foxing of no consequence.
Handsome copy.

Edition not put into commerce and printed in 160 nominative copies, ours for L.J. Baptiste Bourdery.
This publication is illustrated with 13 etchings engraved by Manesse after drawings by Eugène Courboin, including 7 headpieces and 6 tailpieces as well as 9 Art Nouveau style decorative border frames, in one tone repeated on each page, by Eugène Courboin.
Bradel binding in half pink cloth with corners, smooth spine faded and lightened decorated with a gilt floral motif, gilt date and double fillet at foot, navy blue shagreen title label, marbled paper boards, illustrated covers and spine preserved, contemporary binding.
Some light foxing affecting mainly the plain endpapers of...

Illustrated edition with 17 original compositions by Adolphe Lalauze, one of the numbered copies on Japan paper, deluxe copies with the copies on grand vélin d'Arches.
Bradel binding in half pink cloth with corners, smooth spine faded and discolored decorated with a gilt floral motif, date and double gilt fillet at foot, burgundy shagreen title-label, marbled paper boards, covers and spine preserved, contemporary binding.
Our copy is enhanced with a double state of the compositions.
Handsome copy despite small foxing affecting mainly the white endpapers of the binding.

First edition, one of 100 numbered copies justified by Louis Conquet on Japan paper, deluxe issue.
Bradel binding in half blue-grey cloth with corners, smooth spine decorated with a gilt floral motif, gilt date and double fillet at foot, navy blue shagreen title label, marbled paper boards, marbled endpapers and pastedowns, covers preserved, contemporary binding.
Light foxing on endpapers, otherwise a handsome copy.
Work illustrated with 4 original etchings by Edmond Rudaux and 8 headpieces and tailpieces by Hector Giacomelli.

Second printing of the first illustrated edition. 83 drawings by Benett, 12 colored plates hors-texte, 2 colored maps. Catalogue FX in fine.
Publisher's binding known as "Au portrait imprimé", this being its first appearance. At the bottom of the upper plate "Collection hetzel" appears on a black background; copies with a red background constitute the very first illustrated edition, while this represents the definitive version of the binding, published however in the same year. Second plate of Lenègre type e, with the medallion on black background.
Handsome first plate, with beautiful red gilt. Spine sunned, with faded colors. Headcaps rubbed and depressed. Second plate good with...

First edition presented in the form of 10 fascicles abundantly illustrated by Toulouse-Lautrec, Zyg Brunner, Dignimont, Charles Léandre, Mich, Lucien Boucher...
Some minor foxing without consequence, handsome copy.

New edition of the French translation illustrated by Albert Dubout, one of 1000 numbered copies on alfa paper.
Handsome copy despite a shadow on the first endpaper.

First edition bilingual Italian-French of this catalog of the works of Jean Gaudaire Thor, one of 300 copies including an original artist proof of Jean Gaudaire Thor that he justified and signed. .
Nice copy.
Rich iconography.
Autograph dedication of Jean Gaudaire Thor to Mr. and Mrs. François Sutel.

Edition illustrated with 30 etchings and original initials by Maurice de Becque, one of 10 numbered copies on Imperial Japan paper containing a duplicate suite signed by Maurice de Becque.
Two slight tears at head and foot of spine, otherwise handsome copy.

Edition illustrated with numerous original compositions by Joseph Hémard colored by pochoir, one of 600 numbered copies on pure rag Lafuma paper.
Spine and boards marginally and lightly faded as generally found.

New edition of the French translation illustrated with 30 original etchings by Maurice de Becque, one of 250 numbered copies on handmade Rives laid paper
Handsome copy.

First edition on current paper.
Illustrated book reproductions of works by Alexandre Bonnier.
Signed autograph of Alexandre Bonnier to Huguette and Marcf Le Bot embellished with an original drawing, on a flyer and folded, representing a face.

First edition, one of 55 numbered and justified copies on vellum, only leading copies.
Autograph dedication signed by Christian Tarting Marc Le Bot.
Our copy is full of the original engraving of Hélène Gava she signed and justified.

First edition illusyrée of 6 original screenprints by Patrick Meunier and printed 113 copies numbered on vellum Arches paper.
Nice copy.
Handwritten signatures of Patrick Cosson and Patrick Meunier at the colophon.

First edition illustrated with 3 original paintings by Patrick Meunier, one of 60 numbered copies on vellum Arches paper, only leading copies.
Nice copy.
Handwritten signatures of Patrick Cosson and Patrick Meunier at the colophon.

First edition illustrated with an electrolytic stamping of Jean-Luc Brisson that he numbered and signed, one of 120 numbered copies on vellum of Rives only leading copies.
Nice copy.
Handwritten signature of Laurent Debut to the colophon.
Autograph dedication dated and signed by Laurent Debut Marc Le Bot: "... in the sad light of summer, books to come ..."

First edition illustrated with 120 erotic Chinese ink drawings by Christian Degaine, one of 102 numbered copies on Centaure ivory paper, the only deluxe copies.
Handsome copy.
Our copy unfortunately lacks the original drawing under glass that accompanies all copies of the deluxe edition.

First edition, one of 20 numbered copies on laid Arches paper Ingres, only leading copies, ours one of the few off-trade.
Nice copy.
Our copy is complete, frontispiece, the original drawing of Françoise Dumayet enhanced with oil and ink.
Signature of Françoise and Pierre Dumayet below the justification of the draw.

First edition, one of 45 numbered copies on laid Arches paper, head print.
Rare.
Beautiful complete copy of his shirt and his case in full brown canvas.
Our copy is complete, as it is stipulated in the justification of the draw, the 3 original screenprints, presented under a separate shirt, Ado he signed.
Signed autograph dedication of Jean Tortel, on the page of fake title, to Huguette and Marc Le Bot: "... in memory of a first meeting over a garden ..."

First edition, one of 120 numbered copies on laid numbered and signed by Laurent Debut and Patrick Meunier , head print.
Screenprinted work by Patrick Meunier.
Nice copy.

New edition illustrated with 27 engravings by various artists including Henri Felix Emmanuel Philippoteaux and Héliodore Pisan.
Half red sheep bindings, spines with four raised bands decorated with fleurons and double gilt fillets, gilt dots on the bands, red cloth boards decorated with blind fillets, marbled endpapers and pastedowns.
Boards slightly soiled, leading edges slightly soiled, sometimes significant foxing on pages containing the engravings, dampstain on the last pages of the volume not affecting the text, rear board slightly detached.

First edition, one of 70 copies on Hollande Van Gelder initialed by the author and artist and containing two states of the etchings.
Work illustrated with twelve original color etchings by the artist and twenty-three pencil drawings printed typographically by Edouard Chimot.
Full red and dark brown morocco binding, smooth spine depicting an infernal landscape inlaid with light brown, grey and dark blue morocco, boards illustrated with bronze flame motifs intertwining in inlay, bronze and gilt fillets emphasizing the separation between the red and brown morocco, gilt zigzag fillet at foot of first board, pastedowns framed with red and dark brown morocco, gilt and...

New illustrated edition 300 numbered copies printed, ours on marble Vellum paper. The book is embellished with 50 drawings in color by Pablo Roig and decorated with a frame in the Art Nouveau style by Riom.

Full brown shagreen, the spine sunned in five compartments completely blindtooled from half circle embellished with golden carnations, fillets by cold soldering outline the raised band, date and place of publication to foot, covers are completely framed with a grid pattern of blindtooled fillets forming decorative compartments in their center a golden hoop, the large plate achieved by Saint-André in the center of the first chiseled cover in a sunken Andalusian pattern...

First edition containing 16 illustrations, one of one hundred and fifty copies on laid paper signed by the author.
Retaining its deckled edges.
Spine lightly sunned, boards marginally faded, marginal tears and stains.
Handsome copy as issued.

First edition one of the ten copies off-trade signed to the justification by Tristan Tzara and Jacques Villon.
Autograph dedication signed by Tzara on the fake title page: "to Georges Leblanc with the great sympathy of Tristan Tzara on December 30, 1955".

First edition, one of 1000 numbered copies on laid Rives paper.
Work illustrated with a portrait of Valéry Larbaud as frontispiece by Lucien Madrassi as well as illustrations in black and in color by Joseph Hémard.
Minor traces of rubbing without significance to the slipcase, spine slightly sunned as usual, otherwise a handsome copy.

First edition on ordinary paper.
Former owner's name in pen at the head of the half-title page.
Handsome copy.
Illustrated work with a frontispiece portrait of Paul Verlaine by Louis Hayet on Japan paper.

Edition illustrated with a half-title, frontispiece, 27 plates, 28 chapter heads, decorated initials and tailpieces engraved on wood by Louis Jou, one of 245 copies on laid paper.
Full chocolate morocco binding, spine with five raised bands, boards ornamented with interlaced chocolate brown and dark brown morocco fillets, aubergine watered silk endpapers and pastedowns, dark brown morocco fillet border on pastedowns, covers and spine preserved, all edges gilt, slipcase with chocolate brown morocco entry, brown paper boards, brown felt lining, elegant binding signed by M.T. Aigner.
Handsome copy beautifully executed.

Illustrated first edition of drawings by Charles Leander.
Preface by Pierre Veber.
Binding in half brown percaline, smooth back decorated with gilded floral motifs, marbled paper plates, preserved covers, blunt corners, Contemporary binding signed by Pierson.
Three small marginal gaps of paper on the guards.
Autograph dedication dated and signed by Charles Léandre at Lévy-Bruhl.

Illustrated edition with 12 original hors-texte by Jean Traynier, one of 400 numbered copies on Lana laid paper.
Full turquoise morocco binding, spine slightly faded with four raised bands decorated with gilt floral motifs, covers ruled in gilt with central gilt floral decorations, grey suede doublures, blue paper endpapers, original wrappers and spine preserved, top edge gilt, slipcase with morocco borders, marbled paper boards, turquoise felt lining, handsome amateur binding signed A.G at foot of spine.
Handsome copy beautifully executed.

Illustrated edition of initials, colored vignettes and 8 plates inset by Georges Lepape, one of 36 numbered copies on Holland paper, head print.
Binding half turquoise shagreen corners, back with four nerves slightly discolored, paper plates with moiré effect, guards and contreplats of handmade paper, cover and back preserved, gilded head.
Nice copy.
Our copy, as it is stipulated in the justification of the draw, is full of the original etching of Georges Lepape that he signed.

WHITE Lilian (pseud. for BETTENCOURT Pierre)
illustration by SAVIGNAC Raymond
Midi à 14h [Here for Ever]
Gallimard [Pierre Bettencourt], Paris [Saint-Maurice d'Etelan] 1945, 16 x 25,5 cm, original wrappers
First edition of 200 copies printed on Arches paper.
The book is illustrated with 3 original compositions in color by Savignac.
A deception by Pierre Bettencourt, the work is supposedly illustrated by Jean Hugo and translated by Jean-Paul Sartre, the statement of publisher, author, translator, illustrator and printing is false.
The spine and cover lightly and marginally sunned, a little stain on the foot of the first...

COWPER William
illustration by LABOUREUR Jean-émile
The Diverting History of John Gilpin
Ronald Davis, Paris 1931, 13,5 x 20 cm, brown half morocco
Illustrated edition of 35 original color lithographs by Jean-Emile Laboureur, one of 55 numbered copies on China paper, the only print after the 3 on old Japan paper.
Brown half morocco binding, spine in five compartments, gilt date at base, marbled paper boards, marbled endpapers, wrappers and spine preserved, top edge gilt, binding signed by Alix.
Very fine copy, perfectly presented.
$ 3 750

First published edition.
Handsome copy despite tiny marginal wormholes at the foot of the second cover.
Work illustrated with 2 illustrations by Hans Arp as frontispiece.

New edition, illustrated with a frontispiece, an engraved title and 18 plates, all on steel, and very numerous wood engravings (headpieces, tailpieces, vignettes) after Turner, Birket Foster & John Gilbert. Several facsimiles. Edition with notes, additions and remarks by J. G. Lockhart. Fine careful printing in 2 columns. Each work contains a half-title, an appendix. Clear and well-structured edition, perfectly illustrated with Scottish landscapes and historical scenes.
Publisher's binding in full beveled ultramarine gilt cloth. Smooth spine decorated with a large ornamental composition evoking medieval illuminated books. Large decorative blue and gold plate, very rich, with central...

First edition, one of the numbered copies, only draw after 10 Holland paper.
Illustrated book of drawings by André Masson.
Insolated back, nice interior state.
Autograph signed by Alain Bosquet: "To the poet Dobzynski."

Edition translated by Maurice Condreau and illustrated with 11 original copper engravings by Denyse de Bravura, one of 400 numbered copies on Rives paper.
Some rubbing to the chemise and slipcase, the spine and edges of which are lightly faded and discolored.
Handsome copy.

Edition illustrated with 44 original drypoints by Maurice Leroy, one of 50 numbered copies containing a proof state of the drypoints with remarques.
Slipcase spine sunned.
Handsome copy.

First edition, one of 100 numbered copies containing, as frontispiece, an exclusive numbered engraving by Jean-Emile Laboureur "Pêcheurs au carrelet".
Work illustrated with reproductions of works by Jean-Emile Laboureur.
Fine copy.

First edition, one of 500 copies on ivory laid, ours unjustified.
Illustrated book of drawings by Camille Bryen.
Autograph dedication dated and signed by Jean Frémon to Aline and Jean-François Prat.

New edition, illustrated with 150 vignettes by Riou.
Publisher's binding known as "A la bannière" in bright blue on burgundy, type 1. Second board of Lenègre type b, with the octagonal blind-stamped medallion. Plate signed Souze. Lenègre binder. On verso of title page Imp. Gauthier-Villars.
Fine first plate with minute defects, a whitish spot in the outer border, a scratch on a spot at the lower border; upper right corner having suffered a fold. Spine good, headcaps rubbed, the head one slightly folded over. Minute split at the lower joint at head for a few millimeters, with a slight tear to the cloth. Spine with dark soiling and a dampstain in the medallion. 2 leaves slightly...

First edition of the French translation by Alexandre Sosson.
Publisher's binding, smooth navy blue shagreen spine decorated with gilt and decorated cartouches, sky blue watered silk boards marginally discolored and decorated at corners with romantic arabesques stamped in blind, discoloration stains on front board, yellow paper endpapers and pastedowns, edges gilt.
Work illustrated with its 73 views after drawings by Thomas Allom.
Some light foxing.

.

First edition illustrated with 80 drawings by Benett and 12 hors-texte in colors. Catalogue D for 1895 attesting to the first edition.
Publisher's binding known as "Au portrait collé". Signed Paul Souze plate on the cannonball. Lenègre et cie at foot of spine and on the anchor. Very fine first plate. Corners very slightly turned. Spine good, with a white stain on the title-label and a scratched area on the lighthouse vignette. Headcaps sunken. It should be noted that the lighthouse vignette is no longer sky blue but midnight blue. Second cover good, but with darker areas and a whitish spot. Warped copy, one leaf protruding.
Remarkably fresh paper, completely free of foxing, very...

New edition, one of 100 numbered copies on Japan paper, the only deluxe copies.
Work illustrated with original woodcuts by Mary Morin.
Handsome copy.

First edition of the first book published by Vincent Muselli.
Small gaps filled on the back that also include light restorations, a clear wetness at the head of the first board.
Autograph dedication signed by Vincent Muselli to Mrs. Lichnérowicz.
Our copy is exceptionally of a three-page manuscript poem, entitled "Three lieds", signed by Vincent Muselli.

First edition, one of 300 numbered copies on laid Arches paper, single draw after 10 Japan.
Illustrated book of 5 original etchings by Mariette Lydis.
Some small foxing margins slightly insolated boards and some leaflets.
Bookplate pasted next to the fake title page where the autograph is sent.
Beautiful autograph signed by Joseph Delteil: "To Mr. Paul Lallemand, I offer my first book to my oldest friend Delteil editor".

First edition illustrated with in-text and full-page illustrations by Vogel and ornaments by Giraldon (typographic etching). Printed on large glazed vellum. Title page in red and black.
Publisher's binding in full chocolate shagreen. Spine with false raised bands decorated with interlaced figures 30 and 40. Boards decorated with a pattern of figures 30 and 40, with a border frieze. This pattern is repeated on the green endpapers. Spine uniformly faded to tawny. Light rubbing to corners. One nick at head.
Very fine copy, perfectly fresh.
Art critic and political journalist, his comic and satirical novels earned him great renown, notably Le roi des montagnes. Le Trente et...

First edition of this deluxe keepsake composed of Finden engravings and 12 texts on tinted vellum in prose and verse by Barrett, Mitford, John Hughes. A frontispiece and 12 large steel compositions in an octagon surrounded by vignettes engraved in line and printed on strong vellum. Drawings or paintings by James Brown, engraved by Finden and other English engravers in his circle.
Publisher's binding in full blue shagreen. Smooth spine decorated with a rich ornamental composition of foliage, vases... Boards decorated with a large central ornament of interlaced scrollwork, similar in the corners. Edges gilt. Yellow endpapers. Hard slipcase of blue and red marbled paper (rubbing). Small...

New illustrated edition with numerous drawings by J. Ferat, as with other editions, and 8 polychrome plates. The first "Au portrait collé" publisher's boards from 1892 do not contain these chromotypographies. Catalogue D in fine.
Publisher's boards known as "Au portrait collé" signed Lenègre relieur. Second board of Lenègre type e. The particularity of this binding is that it is actually the portrait binding for L'île à helice whose red title cartouches on the first board and spine have been masked by new labels, as can be noticed by running one's finger over the cartouches where one feels a thickness. This type of alteration has been observed on other titles. The depletion of...

First edition illustrated with 80 drawings by Benett and 12 color plates. Catalogue D for 1895 attesting to the first edition.
Publisher's binding known as "Au portrait collé". Plaque signed Lenègre on the anchor. Lenègre et cie at foot of spine. Second cover of Lenègre e type.
Beautiful upper plaque, with sharp and brilliant gilding. Note that the lighthouse vignette is no longer sky blue but midnight blue.
Very handsome copy, despite minor flaws. Tiny black spots on the lower red border, one on the outer border. Small dark areas in the portrait. Corners slightly bent. Spine somewhat faded, rather well preserved, with the gilding slightly tarnished. 2 cm split at foot on...

New edition. 74 illustrations by Benett, including 13 photographs (Barbados, Saint Lucia...), and 12 polychrome plates and a map of the West Indies.
Publisher's binding known as "Au globe doré" type 4, with the upper plate signed Blancheland, bound by Engel. Second cover type i, with straight red letters on striped background.
Fine first plate with brilliant gilt with discreet soiling in the cartouche and in the sky. Corners turned in. Spine sunned, the gilt still quite brilliant. Soiling in the lighthouse vignette. Headcaps rubbed, the top one slightly depressed. Second cover with some fine scratches. A few leaves slightly proud. Rare scattered foxing, either in margins or on...

First edition. 68 illustrations, including 14 plates after drawings by Benett and Meyer. Catalogue AQ in fine for the year 1882 (a later issue of the printing contains a catalogue from 1889). This is the same printing that served for the publisher's different formats: in wrappers, half-shagreen, or clothbound.
Special publisher's binding, with the first type theater curtain. Red cloth. Jauzac attributes it to Lenègre. Spine with ornate compartments. Brown endpapers.
First cover good, but upper right corner worn at bottom. Spine fairly good with discreet stains. Headcaps somewhat rubbed and softened. Corners rubbed, the 2 on the second cover slightly bent. Second cover with a darker...

First collected illustrated edition, with 38 drawings by Georges Roux, 12 large color engravings. One map.
Publisher's binding known as "Au globe doré" type 3; second cover type Engel h. Spine with lighthouse.
Fine first plate, with brilliant gilt. Small soiling in the sky. Lower corner creased, 2 others slightly turned in. Spine sunned. Second cover good, but traces of white glue along the Greek key border. Text block slightly separated from binding. 2 signatures slightly proud. Pale scattered foxing.
Adventure novel set in central Africa, in which Verne cites Darwin's theory several times; the protagonists discovering a people living in trees, a sort of tailless ape-men. The...