First editions, fine papers and deluxe printings of French and foreign literature, 16th to 21st century

The first edition, of which there were no deluxe copies.

Bradel binding in full wood-effect paper, smooth spine, author's name and title lettered in orange and vertically, in the center of the front board, inlaid, a photographic portrait, covers and spine preserved, slipcase bordered with the same wood-effect paper, brown paper boards, original contemporary binding signed Leroux.

Handsome copy pleasantly executed by one of the last great masters of French twentieth-century bookbinding.


 

First edition illustrated with 19 original lithographs by Alexandre Lunois, one of 140 numbered copies on Japan paper, the only printing with 60 other Japan copies containing separate proofs of the illustrations.
Two light halos on the first cover, small worming on the second cover.
Handsome copy.

First edition, one of 796 numbered copies on pur fil paper, the only grands papiers (deluxe copies) after 109 reimposed.
Full green board Bradel binding, title piece in glazed yellow calf, covers and spine preserved, contemporary binding.
Presentation copy inscribed by André Breton: “à Edmond Jaloux, hommage très dévoué. André Breton” “To Edmond Jaloux, a very devoted tribute. André Breton”.
Edmond Jaloux, who was one of the earliest promoters of surrealism, wrote at the release of this atypical novel and misunderstood by most of his contemporaries, the most laudatory article of the time, concluding with this admiring admission of the impotence of...

First edition of Albert Camus's theatrical adaptation, one of 65 numbered copies on pur fil paper, constituting the deluxe issue.
Bradel-style binding in bronze-coloured half box calf, boards covered with abstract-patterned paper, smooth spine, original wrappers and spine preserved, binding signed by Thomas Boichot.