First Editions

First edition of which there were no deluxe copies.
Spine and covers marginally faded, paper yellowed, which is more than common given the very poor quality of this paper.
Rare.

First edition, of which there were no deluxe copies.
Autograph inscription signed by Léopold Sédar Senghor with an additional fine inscription by Geneviève Lebaud.
Some reading marks in black ink in the text, photographic cover.

First edition, one of 75 numbered copies on vergé pur fil, the only large paper copies sold.
A rare and good copy of Béraud's masterpiece.

First edition, one of 75 numbered copies on Hollande, the only large paper copies.
Endpapers shaded, otherwise a rare and good copy with edges preserved.

First edition, one of 57 numbered copies on pur fil, the only large paper copies.
Spine slightly sunned, otherwise a good copy.

First edition, one of 14 copies on Hollande, tirage de tête after 6 Japon.
Half navy blue morocco over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments, endpapers and pastedowns of blue paper, covers and spine (faded), top edge gilt, by P. Goy & C. Vilaine.
Covers lined, a little spotting mostly to the edge.
A nicely bound copy.

First edition, of which there were no deluxe copies.
Bradel binding in half vellum-style boards, smooth spine decorated with gilt botanical motifs, gilt friezes at head and foot, marbled paper boards, orange top edge, contemporary binding.
Provenance: from the collection of French-speaking Swiss poets assembled by Albert Natural from the 1920s onwards.

First edition illustrated with 29 plates, 24 headpieces and 89 in-text vignettes, by Gavarni, Huart, Guerin, all wood-engraved.
Contemporary half green shagreen. Spine with raised bands and gilt compartments. Rubbing to head and raised bands. Pale scattered foxing, irregular, sometimes not affecting the white paper at all, other times speckling the margins; overall, fairly little foxing.
Following in the tradition of the famous Diable à Paris, but with less prestigious writers, a satire of foreigners in Paris.
Handsome romantic illustrated work.

First edition, illustrated with 26 English steel engravings (including the second title).
Half wine-red morocco binding. Romantic Boutigny plaque on spine. Very fine marbled paper on boards. Boutigny binder's label on endpaper. Spine uniformly sunned, without gravity, and ultimately aesthetic. Scattered foxing in margins, despite very white paper.
Literary contributions by Chateaubriand, Alexandre Dumas, Paul de Kock, Casimir Delavigne...

First edition, one of 10 numbered copies on Holland paper, from the deluxe edition.
Half burgundy Russian morocco binding with corners, smooth spine decorated with two double gilt compartments richly adorned with gilt decorative motifs, date at foot, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, covers marginally faded and spine preserved, bookplate pasted on an endpaper, elegant pastiche binding signed Semet & Plumelle.
With a frontispiece portrait of the author.
A very fine and rare full-margined copy in perfect condition.
Provenance: from Albert Natural's collection of Swiss Romandy poets, which he assembled from the 1920s onwards.

First edition, one of 5 numbered copies on Japan paper, deluxe copy.
Half mint green morocco with corners, spine with five raised bands set with gilt fillets and decorated with triple gilt compartments, date at foot, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, bookplate pasted on endpaper, top edge gilt, elegant binding signed by Semet & Plumelle.
Rare and very handsome copy in perfect condition.
Provenance: from Albert Natural's collection of French Swiss poets which he assembled from the nineteen twenties.

First edition, of which there were no deluxe copies.
Half rust-colored morocco with corners, spine with five raised bands set with gilt fillets and decorated with triple gilt compartments, date at foot, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, covers and spine with small lacks preserved, bookplate pasted on endpaper, top edge gilt, elegant binding signed by Semet & Plumelle.
Rare and very handsome copy in perfect condition.
Provenance: from Albert Natural's collection of French Swiss poets which he assembled from the nineteen twenties.

First edition of which there were no deluxe copies.
Half violet morocco binding with corners, spine with five raised bands set with gilt fillets and decorated with triple gilt compartments, date at foot, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, bookplate pasted on endpaper, top edge gilt, elegant binding signed by Semet & Plumelle.
Our copy is enriched with the author's autograph poem entitled "Invité de Longfellow" ["Guest of Longfellow"] of two pages which appears in this collection bound at the beginning of the volume, and bound at the end, with two manuscript pages by the author and an original pen portrait representing him.
Rare and very handsome set perfectly established.
Provenance: from the collection of Swiss Romand poets by Albert Natural which he formed from the nineteen twenties.

First edition not put into commerce, of which there were no deluxe copies.
Half mouse-colored morocco binding with corners, spine with five raised bands set with gilt fillets decorated with triple gilt compartments, date at foot, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, bookplate pasted on endpaper, top edge gilt, elegant binding signed by Semet & Plumelle.
Autograph signature of the author.
Rare and very handsome copy perfectly established.
Provenance: from the collection of Swiss Romand poets by Albert Natural which he formed from the nineteen twenties.

First edition, of which there were no deluxe copies.
Half sand morocco binding with corners, spine with five raised bands set with gilt fillets decorated with triple gilt compartments, date at foot, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, bookplate pasted on endpaper, top edge gilt, elegant binding signed Semet & Plumelle.
Rare and very handsome copy perfectly bound.
Provenance: from Albert Natural's collection of Swiss Romand poets which he assembled from the twenties onwards.

First edition, one of 10 numbered copies on Japan paper, deluxe copy.
Half chocolate morocco binding with corners, spine with five raised bands set with gilt fillets decorated with triple gilt compartments, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, elegant binding signed Semet & Plumelle.
Rare and very handsome copy perfectly bound.
Provenance: from Albert Natural's collection of Swiss Romand poets which he assembled from the twenties onwards.

First edition, one of 300 numbered copies on Holland paper, the only deluxe copies along with 1 on vellum and 5 on Holland paper.
Half red morocco binding with corners, spine with five raised bands set with gilt fillets decorated with triple gilt compartments, gilt fillets framing the marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, elegant binding signed by Semet & Plumelle.
Inscribed by Auguste Blondel to Frédéric Meyer.
Rare and very fine copy perfectly established.
Provenance: from the collection of Swiss Romandy poets assembled by Albert Natural starting in the twenties.

First edition, of which there were no deluxe copies.
Half khaki Russia morocco binding with corners, smooth spine slightly faded decorated with gilt romantic ornamental motifs, date at foot, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, bookplate pasted on endpaper, top edge gilt, elegant romantic pastiche binding signed by Semet & Plumelle.
Rare and very handsome copy in perfect condition.
Provenance: from Albert Natural's collection of Swiss Romandy poets which he formed from the twenties onwards.

First edition, of which there were no deluxe copies.
Half burgundy Russia morocco binding with corners, smooth spine decorated with gilt romantic ornamental motifs, date at foot, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, bookplate pasted on endpaper, top edge gilt, elegant romantic pastiche binding signed by Semet & Plumelle.
Rare and very handsome copy in perfect condition.
Provenance: from Albert Natural's collection of Swiss Romandy poets which he formed from the twenties onwards.

Illustrated edition published with the author's authorization.
Bradel binding in half chocolate cloth, smooth spine, marbled paper boards, original wrappers preserved.
Illustrations.
Ink gift inscription at head of front cover, copy free from any foxing.
Provenance: from Albert Natural's collection of French-speaking Swiss poets which he formed from the 1920s onwards.

First edition, one of 30 numbered copies on Holland paper, the only deluxe copies.
Spine sunned, endpapers marginally and partially shadowed, otherwise handsome copy.
Provenance: from Albert Natural's collection of French-Swiss poets, which he assembled from the 1920s onwards.

First collected edition. Title pages in red and black.
Contemporary full calf bindings with scale pattern. Decorated raised band spines. Red morocco title labels. Head caps slightly worn; same for 6 tail caps. Upper joints of volumes II, III, IV, V, VIII, IX and X partly cracked. Many corners bumped. Most half-titles were not bound into the volumes. Despite these defects, a set with good general appearance, decorative.
In addition to the poetic, dramatic, and critical works, and the fables, this edition contains various letters about De La Motte and his famous correspondence with the Duchess of Lambert at the end of his life. It should be noted that he was the author of L'Europe Galante and thereby introduced three innovations to opera: ballet, pastoral, and comedy-ballet. But more than for his fables or tragedies, although they enjoyed considerable success in their time, he should be remembered for his critical writings and the place the author occupied in the literary life of his time, notably in the Quarrel of the Ancients and Moderns, De La Motte having repeatedly defended the party of the Moderns, advocating the use of prose in theater and poetry, questioning any pre-established rule that might constrain creation.

First edition printed on ordinary paper.
Bradel binding in half indigo cloth, smooth spine very slightly faded decorated with a central gilt floral motif, chocolate shagreen title-label with traces of rubbing, marbled paper boards, contemporary binding.
Autograph inscription signed by Georges Ohnet.
Bookplate, some light foxing affecting mainly the edges.

First edition, one of the Service de Presse (advance) copies.
Precious and superb autograph inscription by the author to Moïse Kisling.
Frontispiece portrait of André Breton by Man Ray. Spine and covers slightly faded at margins, light spotting to head of front cover.

First edition, rare.
The second part bears the title: Analysis of some good philosophical works, preceded by Reflections on criticism.
Contemporary full glazed marbled blonde calf binding. Smooth decorated spine. Red morocco title label. Triple fillet frame on boards and large arms struck at centers. Very fine copy. The second part has its own title page, as well as its half-title.
With the arms of the Princess de Ligne, Henriette-Anne-Eugénie de Béthizy de Mézières, wife of Prince Ligne (Claude Lamoral Hyacinthe Ferdinand, Marquis de Moy et de Dormans). Olivier I, pl. 15: two conjoined shields: I, grand quarters of Lorraine; overall: party, 1st or a bend gules (Ligne); 2nd, Lorraine simple; II, azure fretty or of six pieces (Béthizy). It should be noted that feminine arms are usually much rarer than masculine ones.
Freron's literary journal (declared enemy of the philosophers' party and principal target of Voltaire) had enjoyed considerable success since its creation in 1754, it still appeared in sheet form, later to form volumes. LE PREVOST D'EXMES establishes a formal critique of the periodist Freron and of the Literary review. Freron not only vilified the philosophers but the literature of his time. The second part, more philosophical, defends the cause of the philosophers and the work of several authors such as Diderot and Rousseau. Behind the criticism of Freron's enterprise, an ethics of writing and criticism is revealed. The work is composed in the form of letters addressed to a lady in London.
A very useful table of contents makes it possible to find the themes and reflections addressed as well as the authors.

First edition, one of 60 numbered copies on papier "chandelle", this one not justified, tirage de tête with 30 Whatman and two copies hors commerce.
A very good and rare copy.

First edition, of which there were no deluxe copies.
Spine split with loss, some foxing.

First edition, false statement of second edition.
Inscribed by Aurel.
Spine sunned, small tear at foot.

First edition printed in 400 copies on laid paper.
Covers soiled, dampstain at head marginally affecting covers and some leaves.
Inscribed by the author to the illustrator Ciokolwsky.
A press cutting pasted on the half-title page.

First edition, one of 60 numbered copies on pure laid Johannot paper, the only deluxe copies with 5 Renage.
Work illustrated with a frontispiece photograph of B. Cendrars.
Light sunning to the top of the justification page and its verso, handsome copy.

MARINETTI Filippo Tommaso
La Conquête des étoiles
[The Conquest of the Stars]
Sansot, Paris 1909, 13,5 x 17,5 cm, half black morocco
First edition for which there is no mention of grand papier (deluxe) copies, falsely stated the third edition.
Half black morocco over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments with gilt date at foot, marbled endpapers and pastedowns, wrappers and spine preserved, top edge gilt.
Autograph inscription from Filippo Tommaso Marinetti to a lady, adding his address in Milan.
Light foxing, principally to endpapers.
A nicely bound copy.
$ 1 800

First edition on ordinary paper.
Ecstatic autograph inscription signed full-page by the author to Robert Desnos : "Merde / Robert Desnos".
Spine faded repaired, first cover lined with small marginal repairs, lower cover missing.
A precious relic.

First edition, one of the numbered copies on laid paper.
Work illustrated with 4 etchings by J. Boullaire.
Handsome copy.

First edition, illustrated with two frontispieces drawn by Bornet and engraved by Boivinet.
Contemporary full mottled calf binding. Smooth spine decorated with 3 tools and roulettes. Red morocco title label and black morocco volume label (pastille). Headcap of volume 1 worn. Corners slightly bumped. A brown and dark stain from page 325 to the end, in lower margin, not touching text, becoming more pronounced on the final leaves. A trace of dampstains on the first leaves of the first volume.
Story of Podalire, a foundling discovered by the Queen of Thebes, his education and destiny.

NB: This work is available at the bookshop upon request within 48 hours.

First edition.
A collection of short stories.
Tiny lacks to spine, otherwise a good copy.
Rare.

First edition.
Half bordeaux sheep binding, smooth spine faded, decorated with gilt and blind fillets and blind tooling, gilt dentelle at tail.
Foxing.
Rare.

First edition, one of 210 numbered copies on alfa paper, the only deluxe copies along with 7 on Japan and 22 on pur fil.
Pale offsetting from adhesive paper at head and foot of endpapers, otherwise a handsome copy of this work dedicated to Albert Londres.

First edition of which there were no large paper copies.
Contemporary half red shagreen, spine (slightly faded) in five compartments with triple blindruled fillets.
A few spots, but otherwise a very good and rare copy of the first work by Emile Zola in a very satisfactory contemporary binding.
Rare and sought-after.

First edition, one of 110 numbered copies on pur fil, the only deluxe paper with 35 on Holland paper.
Half tan sheep binding, spine with five raised bands, covers and spine preserved, retaining its deckled edges.
Small rubbing marks on the spine.
Manuscript gift inscription on the endpaper

First edition, one of 550 numbered copies on vergé baroque à barbes, the only printing with 15 Whatman and 62 vergé.
A very good copy.

First edition in part printed in 760 numbered copies on vélin blanc paper.
With 60 original woodcuts by André Derain.
A very good copy.

First edition printed in only 30 copies on Hollande paper.

Half morocco, spine very slightly faded, covers preserved, top edge gilt.

Handsome autograph inscription signed by Francis Carco to a relative.

Exceedingly rare.

First edition on ordinary paper.
Autograph inscription from the author to Henri Lavedan.
Spine sunned, one joint reattached at head, minimal corner wear to front board.

First edition, one of 900 numbered copies on vélin blanc paper.
A good copy.

First edition of one of Ponsard's major works, false statement of seventh edition.
Contemporary binding in half aqua green sheep, smooth spine, gilt title.
Handsome copy.

First edition published in a small number of copies of this poem by R. Darzens set to music by Auguste Chapuis.
Fine autograph inscription signed by Rodolphe Darzens.
Work illustrated with 10 original lithographs by Adolphe Willette.
Some light foxing affecting essentially the first and last pages.

First edition, printed on Hollande.
Illustrated covers and engraved frontispieces, borders by Fernand Besnier, Kauffmann...
Rare set, complete and in good condition despite some occasional little foxing.

First edition.
Extracted from the Revue des Deux Mondes.
Rare.
In plain wrappers.

Pre-first edition of this play, published by Calmann-Lévy in September 1891.
Extracted from the Revue des Deux Mondes.
Rare.
In unlettered wrappers.

First edition.
Extracted from the Revue des Deux Mondes.
Rare.
In plain wrappers.

First edition.
Extracted from the Revue des Deux Mondes.
Rare.
In plain wrappers.

First edition.
Extracted from the Revue des Deux Mondes.
Rare.
In plain wrappers.

First edition.
Extracted from the Revue des Deux Mondes.
Rare.
In plain wrappers.

First edition on ordinary paper.
Inscribed by the author.
Spine sunned, minor tears at head and foot of joints.

First edition, one of the numbered copies from the first printing.
Small marginal stains on the first cover, two slight marginal tears at the head of the joints.

First edition, one of 50 numbered copies on Japan paper, the only deluxe copies.
A fine copy.

First edition in French, one of 220 numbered copies on Rives paper, the only deluxe copies.
Worming to covers and endpapers, spine sunned.

First edition on ordinary paper.
Some minor foxing, otherwise a handsome copy.

First edition, one of 250 copies on colored coated paper, the only printing with 5 China paper and 10 Auvergne paper copies.
Our copy is complete with its hors-texte drawing by Tita.
Fine copy.

First edition, one of 10 numbered copies on Chine, the only large paper copies with 10 Japon.
A very good copy.
Rare.

First Edition printed in 200 or 300 copies.
Rare and nice copy.

First edition, one of 80 numbered copies on Arches paper, deluxe issue.
Front cover lightly shaded at head, otherwise a handsome and rare copy.
Our copy includes, as frontispiece, the signed and numbered color etching by Jacques Hérold.
Manuscript signature of Claude Sernet on the justification page.

First edition, one of 900 numbered copies on vélin supérieur, the only printing with 30 beau papier blanc.
A good copy.

First edition printed in 200 hors commerce copies.
Signed by the author, with a manuscript correction by the author regarding his address on the back cover.
Work illustrated with 12 humorous drawings by the author.
A rare and handsome copy.

First edition, printed in 200 numbered de luxe copies printed on pink paper.
Illustrated silver upper cover.
Contributions from A. Breton, G. Goldfayn, R. Benayoun, Man Ray, B. Péret, J. Schuster, F. Valorbe, and others.
This copy is enriched with the signatures of all the contributors.
Retaining its 5 “filmomanies symptomatiques”.
A good and rare copy.

First edition, an advance (service de presse) copy.
Autograph inscription from Joseph Delteil to Pierre de Massot.

First edition.
Half navy calf binding with corners, spine with four raised bands decorated with gilt fillets and double compartments as well as blind typographical motifs, minimal insignificant rubbing traces on headcaps, gilt fillet frame on marbled paper boards, marbled endpapers and pastedowns, marbled edges, contemporary Romantic binding.
Work illustrated with an engraved frontispiece.
Bibliophilic pen notes concerning the work opposite an endpaper, scattered foxing.
Rare.

First edition of 1000 numbered copies on bouffant paper.
Handsome autograph inscription from Jean-Michel Atlan to André Lhote enriched with a drawing of three strange human silhouettes with shades.
Illustrated by the author.
A rare and good copy.

First edition, one of 44 numbered copies on Holland paper, deluxe copy.
Very handsome copy.

Edition first in part, one of 97 numbered copies on Arches, the only large paper copies.
A rare and very attractive copy.

First edition dans le commerce, one of 32 numbered copies on vélin, the tirage de tête with 21 Hollande.
A rare and good copy.

First edition, one of 26 numbered copies on Hollande, tirage de tête.
A nice copy.

First edition published in a small number of copies of this offprint from la Flandre littéraire.
Autograph inscription from Robert Guiette to André Salmon.
Work illustrated with a frontispiece by James Ensor.
Preface by Franz Hellens.
Light marginal worming to the first cover.
Rare.

First edition, one of 10 copies on Hollande paper, the only large paper copies.
Jansenist red morocco binding by Marius Michel, spine in five compartments, date to foot, marbled endpapers and pastedowns, red morocco frame to pastedowns with seven gilt fillets, covers preserved, all edges gilt.
This copy is enriched with two autograph letters by the author of 3 and 2 pages length respectively.
A fine copy in a superb binding by Marius Michel.
Provenance : collection of Marius Michel with his ex libris pasted onto one of the endpapers.

First edition of 300 numbered copies on vergé paper.
Navy blue Jansenist morocco by Marius Michel, spine in five compartments, date to foot, marbled endpapers and pastedowns, navy blue morocco frame with seven gilt fillets to pastedowns, covers and spine preserved, all edges gilt.
Rare autograph inscription signed by Rodolphe Darzens on his first work.
A fine copy in a superb binding by Marius Michel.
Provenance : collection of Marius Michel, with his ex libris on one endpaper.

First French edition, translated by Isabelle de Montolieu. Illustrated with a frontispiece by Le Cerf. The half-title of volume 1 is normally replaced by two catalogue leaves.
Contemporary full speckled calf bindings. Smooth spines decorated with two Grotesque compartments, urn tools and multiple fillets. Red title label and black volume labels. Charming, decorative set. Some surface wear, small lack to one headcap.
Caroline Pichler was born in Vienna in 1769. She was very early classified among child prodigies, and her first novel appeared in 1799, but it was with Agathocles (1808) that she quickly achieved success and was translated throughout Europe. Here is what can be found in Michaud's universal bibliography about her: "This book, which appeared at the time of the publication of Chateaubriand's Martyrs, rests on the same foundation, and is only the development of the same idea in a different form. Nothing is more curious and interesting than comparing these two works composed for the same purpose and at the same time, in such different languages and countries." (see the translator's note which exonerates Madame Pichler from any possible imitation). Caroline Pichler was for a long time the center of Viennese literary life thanks to her salon, she published her last novel in 1840.

First edition, one of 20 numbered copies on pur fil, the only large paper copies.
A very attractive copy with good margins.

First edition of the author's first published work.
Half green sheep binding, smooth spine decorated with double gilt fillets, dark blue sheep title-label, marbled paper boards, one joint cracked along its entire length, rubbed edges, contemporary binding.
Reading library stamps, some foxing.

First edition on ordinary paper, only 13 Marais copies were printed on deluxe paper.
Author's inscription.
Light marginal foxing to covers, handsome interior condition.

First edition of each volume.
Half olive calf binding, smooth spine decorated with gilt and blind fillets, gilt friezes at head and foot, red morocco title label, marbled paper boards, light rubbing to joints, marbled endpapers and pastedowns.
Some foxing.

First edition. One of 350 copies on Alfa-Vergé paper, after 25 deluxe copies. Original wrappers preserved.
Half marbled red calf. Spine with raised bands decorated with fillets on the bands. Rubbing to headcap. The front cover is detached.
Good copy.

NB: This work is available at the bookstore upon request within 48 hours.

First edition, after 10 Japan and 30 Holland copies.
Contemporary half brown calf.
Rubbing.

NB: This work is available at the bookshop on request within 48 hours.

First edition, one of 64 numbered copies on pur fil, the only large paper copies along with 26 Hollande.
A very good copy.

First edition.
Contemporary Bradel binding in full salmon cloth, smooth spine slightly faded decorated with gilt floral motif, chocolate shagreen title label, double gilt fillet at foot, original wrappers preserved, contemporary binding.

First edition, one of the copies of the first issue numbered the press, he was shot in Holland paper 6 leading copies.
Binding half shagreen havana with corners, back with five nerves, framing gilded nets on marbled paper plates, guards and contreplats of handmade paper, preserved covers, gilded head.
Signed autograph of Maurice Beaubourg in Segond-Weber actress who starred in one of his plays.

First edition on ordinary paper.
Half lavender morocco with corners, spine very slightly faded with five raised bands decorated with gilt double compartments, date at foot, minimal traces of rubbing to spine, gilt fillet frame on marbled paper boards, one upper corner slightly bumped, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, contemporary binding.
Rare inscription from Sebastien-Charles Leconte to an actress.
Handsome copy attractively bound in a charming unsigned contemporary binding.

First edition of the French translation established by A.J.B. Defauconpret.
Half sheep binding in fir green, smooth spine decorated with gilt triple compartments and ornaments, gilt and blind fillets, minor rubbing to headcaps and joints without significance, marbled paper boards, corners and edges lightly rubbed, marbled endpapers and pastedowns, contemporary binding.
Provenance: from the library of Adolphe Thiers with his manuscript signature as bookplate at the head of an endpaper.
Some minor foxing.
Rare.

First edition and first printing of the 65 plates drawn by T. Johannot and engraved by Dujardin, Brugnot, Andrew, Best, Leloir...
Bradel binding in half chocolate morocco with corners, smooth spine decorated with two richly decorated double gilt cartouches, date at foot, marbled paper boards, corners slightly bumped, marbled endpapers and pastedowns, original wrappers preserved.
Handsome interior condition, entirely free from foxing.