Signed books and autograph signatures from great writers, poets, philosophers from 16th to 21st century

First edition printed on ordinary paper
Half chocolate brown shagreen binding with corners, spine slightly faded with four raised bands, marbled paper boards, marbled endpapers and pastedowns, top edge gilt, covers and spine preserved.
Handsome signed autograph inscription from Charles-Henri Hirsch to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably a friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob: "A mon très cher confrère Carlo Rim, hommage affectueux à son talent, d'un aîné qu'il n'a jamais été déçu par les ouvrages de sa plume d'écrivain et de dessinateur - et qui garde un souvenir de gratitude pour le plais

Autograph signed card from Jean Paulhan addressed to Carlo Rim (10 lines written in black ink)
"4.VIII
Cher Carlo Rim une cravate, je vois très bien ce qu'on peut en faire. Mais une plaque ? Je me sens très embarrassé. J'en ferai cadeau à Nîmes, à mon prochain voyage. Merci de votre souvenir, et à vous tout amicalement. Jean Paulhan." ["Dear Carlo Rim, a tie, I can see very well what one can do with it. But a plaque? I feel quite embarrassed. I will give it as a gift in Nîmes, on my next trip. Thank you for thinking of me, and to you most cordially. Jean Paulhan."]
Carlo Rim, author of "Ma belle Marseille", was a Provençal writer, caricaturist and fil

First edition, one of 45 numbered copies on laid Rives paper, deluxe issue after 25 Holland.
A fine copy complete with its publisher's wraparound band.
Fine autograph inscription dated and signed by Charles Le Quintrec to Madame Annette Colin-Simard: " ... ce songe qui voudrait remonter à l'origine des mondes et ce sang pareil à celui de tous les hommes. En bien confraternel hommage et en bien amical souvenir." ["... this dream which would wish to go back to the origin of worlds and this blood like that of all men. In very fraternal homage and in very friendly remembrance."]

First edition, one of 144 numbered copies on laid paper, the only issue after 12 Japan.
Half red morocco binding with corners, spine with four raised bands, marbled paper boards, endpapers and pastedowns, covers and spine preserved, top edge gilt, binding signed Lucie Weill.
A handsomely bound copy.
Foxing affecting mainly the edges.
Frontispiece, work illustrated by Don with a portrait of Tristan Bernard.
Autograph inscription signed by Tristan Bernard to his friend Carlo Rim: "A Carlo Rim je dédie ces purs accents d'une âme poétique." ["To Carlo Rim I dedicate these pure accents of a poetic soul."]
We include an invitation card from Jacques Du

Beautiful and amusing signed manuscript letter from Roger Martin du Gard addressed from Cassis to Alice Rim (38 lines in black ink) in which he displays all his insatiable appetite for sweets.
Fold mark inherent to postal mailing.
"Cassis. February 11th, 34,
Dear Madam,
a certain Carlo, Comma, - whose infernal nerve you know - had the audacity to present himself alone (word underlined) in Cassis! (I must say that he had been conscious of the disappointment he was going to cause, and that he arrived with his arms loaded with sumptuous bags of fondant sweets and stuffed dates, from the most delicate confectioner) If

The first edition, of which there were no deluxe copies.
Handsome copy, pencil reading marks in margins of some leaves.
Autograph inscription signed by Eduardo Manet to Jacques Duchâteau.

The first edition, of which there were no deluxe copies of this children's book presented as a tourist postcard from the Baladar Islands to send to friends.
Publisher's binding in full boards, illustrated covers.
Work illustrated with drawings by André François.
Inevitable traces of rubbing to the spine due to the fact that Jacques Prévert sent by postal mail the autograph inscriptions made on this work: the addresses and names written by Jacques Prévert at the bottom of the first cover and in the middle of the second cover.
Autograph inscription signed by Jacques Prévert to Catherine Drimet: "A Catherine avec plaisir Jacques Prévert Paris Février

The first edition, of which there were no deluxe copies.
Contributions by Roger Nimer with an unpublished "Trois lettres des vingt ans", Jacques Brenner, Jacques Chardonne with unpublished correspondence with Roger Nimier, Marc Dambre, François Nourissier, Pierre de Boisdeffre, Eric Fauquet
Autograph inscription signed by Eric Fauquet to a friend named Marie-Thérèse on verso of front cover: "Chère Marie-Thérèse, cet incunable, provenance Marc Dambre. Les pages 131 sqq 199 sqq sont pour toi, l'auteur, E.F." ["Dear Marie-Thérèse, this incunable, provenance Marc Dambre. Pages 131 ff 199 ff are for you, the author, E.F."]
Marc Dambre having previously gift

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
A snag with tear to the dust jacket, front cover and endpaper.
Autograph inscription signed by Edgar Morin to Jacques Chasanos.

First edition, one of 220 numbered copies on snow vellum, the only deluxe copies.
Handsome copy.
Autograph inscription dated and signed by Jean Daniel.
We include a page and a half of the manuscript of the work extensively corrected by Jean Daniel.

First edition printed on ordinary paper.
A small stain to upper left corner of second cover, handsome copy retaining publisher's wraparound band.
Autograph inscription dated and signed by François-Marie Banier to Jean-François Fourrel enhanced with a drawing depicting a flower caught in a whirlwind.

Printed visiting card of the painter and illustrator Paul Colin to which he added, in red and blue felt-tip pens, for his friend Carlo Rim: "COMPLIMENTS MEILLEURS VOEUX" ["COMPLIMENTS BEST WISHES"]
Handsome copy.
Provenance: from the library of the Provençal writer, filmmaker and caricaturist Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob.

Printed calling card of composer Georges Auric, then administrator of the Réunion des Théâtres Lyriques Nationaux, to which he added, in blue ballpoint pen, for his friend Carlo Rim: "Merci pour tes affectueuses félicitations que je trouve à mon retour à Paris et crois-moi bien fidèlement à toi" ["Thank you for your affectionate congratulations which I find upon my return to Paris and believe me faithfully yours"]
Handsome copy.
Provenance: from the library of the Provençal writer, filmmaker and caricaturist Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob.

First edition, one of 400 numbered copies on alfa paper reserved for the press service.
Copy complete with its promotional band.
Signed autograph inscription from Robert Sabatier to Véronique and Georges Charaire.

The first edition, of which there were no deluxe copies.
Spine and boards marginally and lightly sunned, otherwise handsome copy.
Autograph inscription signed by Louis Aragon to Micaëla Szekely.

First edition, of which there were no deluxe copies.
Rare autograph inscription dated and signed by Tonino Benacquista to Jean David: "... ce contrat passé..."

First edition of the French translation on ordinary paper.
Boards marginally and slightly soiled
Autograph inscription dated and signed by Saul Bellow to his friend Nadine Nimier, wife and widow of Roger Nimier: "For Nadine with apologiers for the sad eyes and much love. Saul."

First edition in French, of which there were no deluxe copies, a Service de Presse (advance) copy.
Spine sunned with a tear at head.
Rare autograph inscription signed by Ilya Ehrenburg to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob.

First edition, a Service de Presse (advance) copy.
With the illustrated dust jacket which has small marginal tears.
Iconography.
Signed autograph inscriptions from Michel Perrin and Roger Gaillard, who directed the "Masques et visages" collection at Calmann Lévy, to the Provençal writer, filmmaker and caricaturist Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol as well as André Salmon and Max Jacob: "A Carlo Rim dont j'aime tant le Fernandel, cette Arletty qui l'aime aussi, en hommage bien symapthique à son talent. Michel Perrin." ["To Carlo Rim whose Fernandel I love so much, this Arlet

First edition, of which there were no deluxe copies.
Handsome copy despite three creases to the lower left corner of the second board.
Manuscript signature by James Ellroy on the half-title page for a man named Denis.

First edition, one of the copies from the first issue.
Small marginal tears to the boards.
Moving autograph inscription signed by Henri de Régnier: "Pour les soldats de France dont l'héroïsme n'est pas une illusion, mais la plus haute des réalités. Henri de Régnier 1917" ["For the soldiers of France whose heroism is not an illusion, but the highest of realities. Henri de Régnier 1917"].

First edition, one of the service de presse copies.
Spine and boards lightly and marginally sunned.
Signed autograph inscription from Roger Gaillard, who directed the "Masques et visages" collection at Calmann Lévy, to the Provençal writer, filmmaker and caricaturist Carlo Rim, who was notably a friend of Fernandel, Raimu and Marcel Pagnol, as well as André Salmon and Max Jacob.

Printed visiting card of the director, theater director and writer René Clair on which he has added for the attention of his friend Carlo Rim: "Merci cher Carlo. Je t'embrasse." ["Thank you dear Carlo. I embrace you."]
Handsome copy.
Provenance: from the library of the Provençal writer, filmmaker and caricaturist Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob.

Autograph letter signed by Max Jacob addressed to his great friend the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol as well as André Salmon and Max Jacob (27 lines in black ink on Chansons d'hier et d'aujourd'hui letterhead).
In this somewhat strange and tender letter, Max Jacob evokes his wandering life and his eternal friendship for Carlo Rim:
"9 rue de Dumas VIIIe
le 22 janv. 35.
Mon cher Carlo,
tu m'as souvent dit que tu voudrais bien m'être agréable et utile. Et tu m'es l'un et l'autre. Voilà ! Je pars en tournée de conférence chariot de Thespis en auto.

First collected edition of which there were no deluxe copies.
Handsome copy.
Autograph inscription dated and signed by Radovan Ivsic to his surrealist colleague and friend Georges Goldfayn and his wife Françoise: "A Georges Gégé à Zeze (en attendant la version française) de tout coeur, Radovan Paris le 15 janvier 1979." ["To Georges Gégé to Zeze (waiting for the French version) with all my heart, Radovan Paris January 15, 1979."]


.

First edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Boards marginally soiled.
Signed and inscribed by René Lalou to the Provençal writer, caricaturist and filmmaker Carlo Rim, who was notably a friend of Fernandel, Raimu and Marcel Pagnol as well as Max Jacob.

Autograph letter signed by Tristan Bernard addressed to his friend, the Provençal writer, caricaturist and filmmaker Carlo Rim, who was notably a friend of Fernandel, Raimu and Marcel Pagnol, but also of André Salmon and Max Jacob (21 lines in black ink on Windsor Hotel letterhead in Cannes).
Tristan Bernard lavishes praise on Carlo Rim's talents as a radio serial writer:
"Wednesday 22nd.
My old Carlo,
I read with great pleasure the sketches you sent me, and I particularly appreciated the one you dedicated to me. You are one of the rare individuals who have perfectly understood 'the dramaturgy of radio'. You have managed, in writing, to give the l

New edition.
Three lacks of pellicle film at head of first cover, otherwise handsome copy.
Autograph inscription dated and signed by André Fraigneau to Viviane Hamy: "... pour ajouter à ses impressions vénitiennes..." ["... to add to her Venetian impressions..."]

First edition.
Handsome copy.
Autograph tribute signed by the director of the Célinian review.

First edition, with no mention of deluxe copies.
Bradel binding in full decorative paper, smooth spine decorated with a black morocco title-label underlined with gilt fillets, covers and spine preserved, binding signed P. Goy & C. Vilaine.
Autograph inscription from Marcel Pagnol to Marius Richard: "A Mr Marius Richard qui le protégea et ne cessa de l'encourager par la plus flatteuse bienveillance, Fortunio confirme son respectueux attachement et le prie d'agréer ce livre, son premier livre, en témoignage de profonde reconnaissance." ["To Mr Marius Richard who protected him and never ceased to encourage him with the most flattering benevolence, Fortunio confirms his respect

First edition, one of the numbered copies on Finland vellum.
Spine sunned and faded.
Signed autograph inscription from Pierre Emmanuel to Charles Westphal: "... en union de pensée..." ["...in unity of thought..."]

First edition on ordinary paper.
Spine lightly sunned with two small tears at head and foot.
Beautiful autograph inscription signed by André Salmon, written from his Provençal property La Hune, to his close friend the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob: "La Hune 1966. Dès 1920, la critique officielle soviétique - en n' les Editions d'Etat - recommande finement de ne mettre mes ouvrages qu'entre les mains de "citoyens tous éprouvés" A toi, cher Carlo Rim. André Salmon" ["From 1920, official Soviet criticism - in the State Editions - subtly recommends putting my works on

Signed autograph letter of three pages by Marcel Pagnol addressed to his great friend the Provençal writer, caricaturist and filmmaker Carlo Rim, pseudonym of Jean Marius Richard, one of his oldest accomplices.
(33 lines in blue ink on Théâtre des Variétés letterhead).
Folding traces inherent to being placed in an envelope, a date inscribed in pencil by Carlo Rim, probably that of the receipt of this letter.
In this very fine letter of indulgent and touching tenderness for his old friend Carlo Rim with whom he is slightly at odds, Marcel Pagnol shows less clemency for the theatrical criticisms of Roger Martin du Gard:
"Mon cher Jean,
Je reçois un mot de toi

Humorous handwritten postcard signed by Tristan Bernard to his friend Carlo Rim then mobilized as a corporal in Fontanès in the Gard.
"3 November,
Dear Carlo,
I am replying somewhat belatedly to your amusing letter of 19 October. Blame only my congenital laziness, further increased by the state of war. We have been since 24 September at Hessel's in Clayes sous Bois (Seine et Oise). We are very well. And we think tenderly of our friends Carlo, Alice and Babou. We embrace you. Tristan Bernard."
During the Occupation, Tristan Bernard takes refuge in Cannes and stays at the Windsor hotel while his friend Carlo Rim proposes in vain that he stay at his house so

Humorous autograph postcard signed by Roger Martin du Gard addressed from Cassis to Alice Rim (21 lines in black ink) describing the Provençal winter.
"Cassis. 13 dec.33,
Dear Madam,
Thank you for these few lively and friendly pages. Don't regret Cassis. It's freezing here. Not that it's as cold as elsewhere, but we don't know how to heat ourselves. The "Réserve" is empty. There we find a drowsy son-in-law, alone, roasting his shins by the big central stove stuffed like a locomotive and smoking just the same. The port is deserted. I believe the Mediterranean (sic) is carrying ice floes. (To be verified...) Congratulations to Carlo Rim for the Marraine

The first edition, of which there were no deluxe copies.
Handsome copy.
Signed autograph inscription from Pierre Gripari to Serge Marion: "... avec le bonjour de Quilp..." ["... with greetings from Quilp..."]

First edition on ordinary paper.
Spine slightly faded with two tears at head and foot.
Signed autograph inscription from René Crevel to mademoiselle Jacob.

First edition, one of 500 numbered copies on Arches paper, ours unnumbered.
Light foxing affecting the covers and margins of some leaves, covers marginally sunned, a small lack at head of spine.
Signed autograph inscription from Francis Jammes to Florent Schmitt and his wife.

First collected edition.
Half red morocco binding with corners, spine with four raised bands, marbled paper boards, endpapers and pastedowns, covers and sunned spine preserved, top edge gilt, binding signed by Lucie Weill.
Handsome copy beautifully executed.
Signed autograph inscription from Tristan Bernard to his friend Carlo Rim and his wife Alice.
Provenance: from the library of the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob.
During the Occupation, Tristan Bernard took refuge in Cannes and resided at the Windsor hotel while his frien

First edition, one of 1100 numbered copies on Lafuma paper, the only issue after 25 Japan and 100 Holland copies.
Work illustrated with 40 black lithographs by Gus Bofa.
Slipcase marginally yellowed and faded.
Handsome copy.
Autograph inscription dated and signed by Gus Bofa to his friend Carlo Rim and his wife Alice.
Provenance: from the library of the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob.

The first edition, of which there were no deluxe copies
Handsome copy.
Autograph inscription signed by Christian Millau to Jean-Pierre Rudin: "... le récit d'une époque épique..." ["... the story of an epic era..."], the latter having offered it to a friend named Pierre for his 91st birthday and bearing a signed autograph inscription.

First edition of this selection of quotations compiled and presented by Bernard Thomas.
Two tears to spine.
Autograph inscription signed by Bernard Thomas to a friend named Jean-Pierre.

First collected edition.
Half red morocco with corners, spine with four raised bands, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, binding signed Lucie Weill.
Handsome copy beautifully bound.
Autograph inscription signed by Tristan Bernard to his friend Carlo Rim: "A mon cher Carlo Rim que j'aime autant que s'il avait mon âge. Tristan Bernard" ["To my dear Carlo Rim whom I love as much as if he were my age. Tristan Bernard"]
Provenance: from the library of the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably a friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max

First edition, one of 230 numbered copies on alfa paper, the only deluxe copies along with 45 on pur fil.
Spine slightly darkened.
Manuscript signature by Blaise Cendrars on the half-title page.

First edition, one of 300 numbered copies bound in full cloth, the only deluxe copies.
Publisher's binding in full brown cloth, smooth spine, with a photographic portrait of Henri Béraud in a medallion on the first cover.
Precious dated and signed autograph inscription from Jean Butin to Germaine Béraud, Henri's widow: "A Germaine Béraud, qui, après les derniers beaux jours, partagea le pain noir de l'épreuve et de l'injustice. En souhaitant que ce livre puisse contribuer à servir la mémoire du grand écrivain. Le 3/8/79." ["To Germaine Béraud, who, after the last beautiful days, shared the dark bread of hardship and injustice. Hoping that this book may help serve the memory

Autograph letter signed by Pierre Mac Orlan addressed to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob (14 lines in black ink).
Pierre Mac Orlan asks Carlo Rim, screenwriter of Justin de Marseille, to find an extra role for one of his friends:
"1bis rue Tardieu (18e) tel : Nord 55-38.
Mon vieux Carlo,
Voici avec cette lettre, un ami Pierre Marienne. C'est un chic type et un homme de valeur. Il vient de Sousse où il était universitaire. En ce moment, il a besoin de vivre. En attendant que l'horozon s'éclaircisse, peux-tu lui trouver

First edition, rare and very sought after according to Clouzot. Precious copy with the title page having the correct date of 1848. This work is the first to be published recounting Nerval's stay in Egypt and will be followed the same year by Femmes du Liban. These two main texts will form the famous Voyage en Orient in 1851.
Copy free from foxing, some leaves have angular fold marks.

Binding in half green shagreen, spine in four compartments enhanced with gilt stipples, decorated with double gilt spine panels and fleurons, black fillets, some signs of

Autograph signed carte de visite from René Clair, at his Parisian address, addressed to the Provençal writer, caricaturist and filmmaker Carlo Rim.
(9 lines in black ink).
Carlo Rim added a date in the lower right margin of the verso of the card.
"Pardonne moi, cher Carlo de répondre si tard à ta gentille lettre que je n'ai lue que d'un oeil (opération de la cataracte) et trouve, ici, je te prie, les voeux retardataires et les amitiés affectueuses pour vous de ton fidèle René." ["Forgive me, dear Carlo, for replying so late to your kind letter which I have read with only one eye (cataract operation) and find, here, please accept my belated wishes and affectionate frien

First collected edition.
Half red morocco binding with corners, spine slightly faded with five raised bands set with black fillets, marbled paper boards, endpapers and pastedowns, covers and spine preserved, top edge gilt, binding signed by Lucie Weill.
Handsome copy beautifully executed.
Signed autograph inscription from Pierre Mac Orlan to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob.

New edition with some parts in first edition for which no deluxe copies are mentioned.
Small black stains to upper left corner of front cover, otherwise handsome copy.
Signed autograph inscription from Pierre Monnier to Vladimir Dimitriev.

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Complete with publisher's (advertising) slip, iconography.
Signed autograph inscription from Hubert Juin to the poet Charles Dobzynski of communist allegiance and close friend of Louis Aragon, the latter having been his witness at his marriage to his wife Elsa Triolet: "Pour Charles Dobzynski ici présent (en ces pages) cet Aragon, avec mon amitié." ["For Charles Dobzynski here present (in these pages) this Aragon, with my friendship."]

First edition.
A light dampstain at head of spine, foxing to spine and boards.
Inscribed by Patrick Modiano to Luc Estang.

Signed autograph letter from Alphonse Daudet, 13 lines in black ink.
Fold marks inherent to postal delivery, small ink stains that have bled below the signature.
"My dear friend
at the Ministry of Agriculture, bad news. The application arrived at the cabinet without any recommendation from Madame Foucade. Would it be possible for Madame l'Epine to write a line immediately (words underlined) to the Minister, so that she flags this application - in short for illegible word, since it's only about admission to an examination - to the attention of Mr. de Boureuille Secretary-General, the Valette of the Thing? Kind regards and apologies. Alphonse Daudet."

First edition, one of 50 numbered copies on vellum, the only deluxe copies.
Some foxing affecting mainly the endpapers.
Preface by Francis Poulenc, iconography.
Autograph inscription dated December 1936 and signed by Marthe de Kerrieu to a couple of friends presenting her wishes and wishing them happy holidays for the end of year, enhanced with the signature of Francis Poulenc.

First edition, one of 196 numbered copies on Arches paper, the only issue after 4 copies on Japan paper.
Handsome copy.
Fine autograph inscription signed by André Billy to a critic named Dailly.

The first edition, of which there were no deluxe copies.
Spine slightly sunned with tears and damage at head and foot.
Autograph inscription signed by Paul Poiret to (Gaston) Rageot.

First edition on ordinary paper.
Handsome copy.
Autograph inscription signed by Jean d'Ormesson to Brigitte Oechslin.

First edition on ordinary paper.
Handsome copy.
Autograph inscription signed by Michel de Saint-Pierre to Michel Lesca: "... ce portrait d'un médecin non-conformiste..." ["...this portrait of a non-conformist doctor..."]

First edition in French, of which there were no deluxe copies.
Handsome copy.
Rare manuscript signature of Ilya Ehrenbourg on the endpaper.

First edition, of which there were no deluxe copies.
Spine slightly sunned, otherwise handsome copy.
Precious signed autograph inscription from Louis Althusser to Jean-Pierre Richard: "Pour Monsieur Richard qui fut et reste mon premier maître, cette longue dissertation... et ma très respectueuse affection." ["For Monsieur Richard who was and remains my first master, this long dissertation... and my most respectful affection."]

The first edition, of which there were no deluxe copies.
Covers marginally shaded.
Fine autograph inscription dated and signed by André Thirion: "A la belle Lou Mollgaard que j'imagine mal chantant les filles de Camaret mais qui n'aurait pas déparé les plus beaux soirs de la Jungle. Avec l'admiration de l'auteur. Thirion" ["To the beautiful Lou Mollgaard whom I can hardly imagine singing the girls of Camaret but who would not have been out of place in the most beautiful evenings at the Jungle. With the author's admiration. Thirion"].

First edition in French, established by Boris Vian, a Service de Presse (advance) copy.
Bradel binding in full blue wood-grain paper, smooth spine with navy blue shagreen title-label set with red, covers and spine preserved.
Name of the dedicatee inscribed in blue ballpoint pen to the right of Boris Vian's autograph inscription.
Inscribed and signed by Boris Vian.

First edition printed on ordinary paper.
Half green morocco-grained shagreen binding, smooth spine decorated with a gilt cartouche adorned with cold arabesque set with dots and gilt fillets, gilt friezes at head and foot, marbled paper boards, combed paper endpapers and pastedowns, top edge gilt on deckled edges, original wrappers preserved, contemporary binding.
Autograph inscription signed by Guy de Maupassant to Monsieur Olivieri.
Provenance: from the library of the Count de Keller with his bookplate bearing the motto "Vaillant et veillant" pasted on the front pastedown.

The first edition, of which there were no deluxe copies.
Spine and boards slightly and marginally yellowed and foxed, front endpaper shaded due to the presence of a newspaper clipping.
Fine autograph inscription signed by André Salmon, paying tribute to Victor Hugo, to his close friend the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob: "A toi Carlo Rim, pour toi Aice, ma chanson des rues et des bois fourrée d'un art d'être grand-père. En embrassant Alice et Carlo. André Salmon La Hune (qui les attend) Mars 1968" ["To you Carlo Rim, for you Aice, my song of streets and woods stuff

First edition printed in 200 copies, ours one of the numbered copies on Arches paper.
Spine and covers marginally and lightly darkened.
Autograph inscription signed by Edouard Champion to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon.
We include a calling card from Edouard Champion on which he specifies to the dedicatee his address in Gstaad at the Winter Palace hotel.

First edition, one of 50 numbered copies on alfa paper, the only deluxe copies.
First cover marginally shaded, small sunning at head and foot of spine.
Autograph inscription signed by Roger Rabiniaux to his friends Gilbert and Geneviève Lafragette: "... ce livre burlesque et lyrique mais qui n'est pas un jeu Gilbert, qui est le témoignage du désarroi d'un homme et d'une société... Mais qui est un cri tragique..." ["... this burlesque and lyrical book which is not a game Gilbert, which is the testimony of the disarray of a man and a society... But which is a tragic cry..."]

First edition printed in 300 numbered copies on pure Lafuma paper.
Handsome copy.
Signed and inscribed by Vincent Muselli to N. Pascault.

First edition in paperback format.
Handsome copy considering the poor quality of this fragile paper, a small good-luck charm from the dedicatee at the head of the endpaper.
Covers illustrated by Brassaï and Jacques Prévert.
Autograph inscription dated summer 1969 in Antibes and signed by Jacques Prévert to Jean Folliet on pages 160-161, enhanced on the title page with a small drawing in black ink representing a puppet theater whose canopy encircles the title of the work and within which two characters can be distinguished.
On the verso of the back cover appears an autograph inscription signed by Brassaï: "Comme co-auteur de la couverture bien amicalement pour Jean

First edition, a Service de Presse (advance) copy.

Iconography at rear.

Precious autograph inscription signed by André Malraux to the diplomat and great resistance fighter, faithful among the faithful of General De Gaulle, Gaston Palewski to whom this work is dedicated below the printed dedication: "C'est pour vous distraire. Vous recevrez vos exemplaires convenables la semaine prochaine" ["This is to entertain you. You will receive your proper copies next week"].
 

Rare first edition.
Spine and boards marginally sunned, boards slightly soiled, one transverse fold on the front board.
Reading marks and pencil annotations by the dedicatee in margins of some leaves.
Autograph inscription signed by Robert Denoël to the Provençal writer, filmmaker and caricaturist Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob.

First edition, one of 200 hors commerce copies numbered on salmon paper and reserved for friends of Martine Carol and Jacques Laurent, deluxe copy.
Spine of chemise sunned, boards of the red felt slipcase partially faded at their margins, press cuttings included.
Autograph inscription signed by Martine Carol who created the role of Caroline chérie to her friend the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu, Marcel Pagnol, but also Max Jacob and André Salmon: "A toi Carlo à qui je dois mon 1er film... avec l'espoir de te retrouver très très bientôt. Je t'embrasse Caroline Martine" ["To you Carlo to

Autograph letter signed by Jean Anouilh addressed to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob (22 lines in blue ink).
"Dear Carlo Rim,
I am leaving Paris without having managed to telephone you. I am going to ask you a small thing that would give me great pleasure. I have an old friend, daughter of an even older friend Odette Talazac whom you knew. Georgette Talazac who is the ex-wife of Jonatte from the Opera is in trouble. She is stout, comical, shrewd (45 years old). I help her get extra work when I can (she can speak but prefers to appear several tim

Amusing autograph letter signed by composer Vincent Scotto, sent from his Parisian home, to his great friend the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob (15 lines in blue ink) about his state of health and the upcoming pleasure of sharing a pastis with him once he is perfectly "vertical".
Folding traces inherent to postal handling.
"Mon cher vieux,
ta lettre m'a fait plaisir. J'ai été horizontal pendant quelques jours par la faute d'une saloperie de congestion mais tu me connais, je ne me suis pas laissé faire. Je suis maintenant un peu en biais et j'e

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Half red morocco with corners, spine with four raised bands slightly faded, marble-covered paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, contemporary binding signed Lucie Weill.
Signed autograph inscription from André Breton to the Provençal writer, caricaturist and filmmaker, Carlo Rim, intimate friend and confidant of numerous artists and authors among the greatest figures of the 20th century: Antonin Artaud, Marcel Pagnol, Fernandel, Raimu, Max Jacob, Edith Piaf, Tristan Bernard...

First edition of the French translation, of which there were no deluxe copies, a Service de Presse (advance) copy.
Spine sunned with two tears and two lacks.
Rare signed autograph inscription from Ilya Ehrenburg to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob, enhanced with the translator's signature.

First edition, one of 300 numbered copies on alfa paper reserved for the service de presse.
Half red morocco binding with corners, spine with four raised bands slightly faded, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, contemporary binding signed Lucie Weill.
Handsome copy.
Autograph inscription signed by Jacques Chardonne to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably a friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob: "A Carlo Rim que j'admire. Jacques Chardonne." ["To Carlo Rim whom I admire. Jacques Chardonne."]

First edition, one of 60 numbered copies on Rives vellum, the deluxe issue after 10 on Japan paper.
Spine sunned, small foxing on some deckled edges.
Full-margined copy.
Autograph inscription signed by Jean Prévost to the Provençal writer, caricaturist and filmmaker Carlo Rim, who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob.

First edition, one of 50 numbered copies on pure thread paper, the only deluxe copies.
Endpapers lightly and partially shaded without severity, spine imperceptibly lightened, handsome copy.
Fine autograph inscription signed by the great seducer Georges Simenon to the wife of the Provençal writer, caricaturist and filmmaker Carlo Rim: "A ma femme N°2 de rechange Alice en dépit du ménage de rechange Carlo-Tigy en toute affection. Georges Simenon. Comme ça il y aura toujours du bonheur possible !" ["To my replacement wife No. 2 Alice despite the replacement household Carlo-Tigy with all affection. Georges Simenon. That way there will always be possible happiness!"]

First collected edition on ordinary paper.
Bradel binding in red half cloth, smooth spine decorated with a gilt floral motif, double gilt fillet at foot, brown blue shagreen title-label, marbled paper boards, covers and spine preserved.
Some light foxing affecting the edges.
Autograph inscription signed by Maurice Barrès to the lawyer and politician Joseph Paul-Boncour.

First edition.
Half marbled sheep binding, spine with five raised bands decorated with gilt friezes and richly decorated gilt compartments, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved.
A handsome copy.
Autograph inscription signed by Léon Blum to the lawyer and politician Joseph Paul-Boncour.

First edition, one of 350 numbered copies on alfa reserved for the service de presse.
Half red morocco binding with corners, spine with four raised bands slightly faded, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, contemporary binding signed Lucie Weill.
Handsome copy.
Signed autograph inscription from Jacques Chardonne to the Provençal writer, caricaturist and filmmaker Carlo Rim, who was notably the friend of Fernandel, Raimu and Marcel Pagnol, as well as André Salmon and Max Jacob.

First edition, an advance copy.
Handsome copy with dust jacket.
Autograph inscription from Eugène Ionesco to Maurice de Gandillac and his wife Geneviève.

New edition.
Spine lightly sunned, otherwise handsome copy.
Autograph inscription signed by Félicien Marceau to Gisèle Halimi.

The first edition, of which there were no deluxe copies.
Repaired tears to joints, occasional light foxing.
Precious and humorous autograph inscription signed by Willy, then married to Colette, to Viscountess Jeanne de Bellune "A mademoiselle la vicomtesse Jeannot de Bellune. avec une profonde révérence. L'ouvreuse..." ["To Miss Viscountess Jeannot de Bellune. with deep reverence. The usherette..."]
Cover illustrated by Rapeno.

First edition, one of the copies from the first issue.
Bound in half bordeaux sheep, smooth spine slightly faded decorated with black fillets, marbled paper boards, contemporary binding.
Signed autograph inscription from Francis Viélé-Griffin to Marius Vallabrègue.
It should be noted that the gilder has stamped "Francis" in gilt for the author's name, and that the binder has slightly trimmed the inscription, cutting off the t and the s of "remerciements".

First edition on ordinary paper.
Bradel binding in half saffron cloth, smooth spine decorated with gilt floral motif, double gilt fillet at foot, chocolate brown shagreen title-label, marbled paper boards, original wrappers preserved, contemporary binding.
Small traces of discoloration at foot of boards.
Work illustrated with medallion portraits of George Sand and Alfred de Musset.
Signed autograph inscription from Charles Maurras to lawyer and politician Joseph Paul-Boncour.

First edition, one of 205 numbered copies on hollande paper, deluxe copy after 73 on japon.
Handsome full-margined copy.
Work illustrated with 6 maps drawn by Paul Chack and 5 engravings.
Manuscript signature by Paul Chack on the half-title page.

First edition on ordinary paper.
Spine slightly sunned, otherwise a handsome copy.
Signed autograph inscription by Radovan Ivsic to his surrealist colleague and friend Georges Goldfayn: "... visible dans la brume de tout coeur..."


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