Signed Books, Presentation Copies

First edition, one of the numbered copies on bouffant paper, the only issue with 20 on Arches.
Author's inscription.
Minor foxing to spine, front cover and first endpaper, otherwise a handsome copy.

First French edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Inscribed by one of the translators.
Spine very lightly sunned, otherwise a handsome copy.

First edition, of which there were no deluxe copies.
Autograph inscription from the author enhanced with a manuscript correction in his hand regarding his already published works.

First edition, of which there were no deluxe copies.
Autograph inscription from the author.

First edition of which no deluxe copies were printed.
Full-page autograph inscription from the author.

First edition, one of the service de presse copies.
Inscribed by the author.
Two small stains at the foot of the spine, complete with publisher's slip.

First edition for which there were no large paper copies.
Affectionate autograph inscription from Claire Goll to a couple of his acquaintance.

First edition.
Contemporary half chocolate shagreen binding, spine with four raised bands showing minor rubbing, decorated with gilt dots and fleurons, gilt initials at foot, marbled paper boards, marbled endpapers and pastedowns.
Precious autograph inscription from the author to (Jules) Barbey d'Aurevilly.
Minor scattered foxing affecting mainly the first leaves.

First edition on ordinary paper.
Bradel binding in half lemon yellow shagreen with corners, smooth spine decorated with a mosaic decorative element in green, red, orange and brown morocco representing a cluster of fruit and leaves, date at foot, marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, contemporary binding signed in blind by Brisson.
Rare autograph inscription signed by Pierre Louys.
Handsome copy attractively bound.

First edition, of which there were no deluxe copies.
Autograph inscription signed by Léopold Sédar Senghor with an additional fine inscription by Geneviève Lebaud.
Some reading marks in black ink in the text, photographic cover.

First edition of which there were no deluxe copies.
Half violet morocco binding with corners, spine with five raised bands set with gilt fillets and decorated with triple gilt compartments, date at foot, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, bookplate pasted on endpaper, top edge gilt, elegant binding signed by Semet & Plumelle.
Our copy is enriched with the author's autograph poem entitled "Invité de Longfellow" ["Guest of Longfellow"] of two pages which appears in this collection bound at the beginning of the volume, and bound at the end, with two manuscript pages by the author and an original pen portrait representing him.
Rare and very handsome set perfectly established.
Provenance: from the collection of Swiss Romand poets by Albert Natural which he formed from the nineteen twenties.

First edition not put into commerce, of which there were no deluxe copies.
Half mouse-colored morocco binding with corners, spine with five raised bands set with gilt fillets decorated with triple gilt compartments, date at foot, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, bookplate pasted on endpaper, top edge gilt, elegant binding signed by Semet & Plumelle.
Autograph signature of the author.
Rare and very handsome copy perfectly established.
Provenance: from the collection of Swiss Romand poets by Albert Natural which he formed from the nineteen twenties.

First edition, one of 300 numbered copies on Holland paper, the only deluxe copies along with 1 on vellum and 5 on Holland paper.
Half red morocco binding with corners, spine with five raised bands set with gilt fillets decorated with triple gilt compartments, gilt fillets framing the marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, elegant binding signed by Semet & Plumelle.
Inscribed by Auguste Blondel to Frédéric Meyer.
Rare and very fine copy perfectly established.
Provenance: from the collection of Swiss Romandy poets assembled by Albert Natural starting in the twenties.

First edition printed on ordinary paper.
Bradel binding in half indigo cloth, smooth spine very slightly faded decorated with a central gilt floral motif, chocolate shagreen title-label with traces of rubbing, marbled paper boards, contemporary binding.
Autograph inscription signed by Georges Ohnet.
Bookplate, some light foxing affecting mainly the edges.

First edition, one of the Service de Presse (advance) copies.
Precious and superb autograph inscription by the author to Moïse Kisling.
Frontispiece portrait of André Breton by Man Ray. Spine and covers slightly faded at margins, light spotting to head of front cover.

First edition, false statement of second edition.
Inscribed by Aurel.
Spine sunned, small tear at foot.

First edition printed in 400 copies on laid paper.
Covers soiled, dampstain at head marginally affecting covers and some leaves.
Inscribed by the author to the illustrator Ciokolwsky.
A press cutting pasted on the half-title page.

MARINETTI Filippo Tommaso
La Conquête des étoiles
[The Conquest of the Stars]
Sansot, Paris 1909, 13,5 x 17,5 cm, half black morocco
First edition for which there is no mention of grand papier (deluxe) copies, falsely stated the third edition.
Half black morocco over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments with gilt date at foot, marbled endpapers and pastedowns, wrappers and spine preserved, top edge gilt.
Autograph inscription from Filippo Tommaso Marinetti to a lady, adding his address in Milan.
Light foxing, principally to endpapers.
A nicely bound copy.
$ 1 800

First edition on ordinary paper.
Ecstatic autograph inscription signed full-page by the author to Robert Desnos : "Merde / Robert Desnos".
Spine faded repaired, first cover lined with small marginal repairs, lower cover missing.
A precious relic.

First edition printed in only 30 copies on Hollande paper.

Half morocco, spine very slightly faded, covers preserved, top edge gilt.

Handsome autograph inscription signed by Francis Carco to a relative.

Exceedingly rare.

First edition on ordinary paper.
Autograph inscription from the author to Henri Lavedan.
Spine sunned, one joint reattached at head, minimal corner wear to front board.

First edition published in a small number of copies of this poem by R. Darzens set to music by Auguste Chapuis.
Fine autograph inscription signed by Rodolphe Darzens.
Work illustrated with 10 original lithographs by Adolphe Willette.
Some light foxing affecting essentially the first and last pages.

First edition on ordinary paper.
Inscribed by the author.
Spine sunned, minor tears at head and foot of joints.

Extremely rare copy of the very first printing, without title page, containing a "typographical rarity" whose origin is related by the author in a two-page autograph letter addressed to Miguet, inserted on the endpaper: in order to save about fifty pages on the printing of Henry Bataille's complete Theatre, the publisher Flammarion composed the text of the two plays in volume II by having the names of the characters, placed at the head of each line, immediately followed by the text of the dialogue. Only two or three copies (including ours) composed in this way, from the final proofs, were printed.
Half chocolate morocco binding with corners, spine with raised bands, one minute scratch in a compartment, cold fillet framing the marbled paper boards, top edge gilt on deckled edges, binding signed Canape.
Signed autograph inscription from Henry Bataille on his visiting card, pasted onto an endpaper.

First edition, one of 80 numbered copies on Arches paper, deluxe issue.
Front cover lightly shaded at head, otherwise a handsome and rare copy.
Our copy includes, as frontispiece, the signed and numbered color etching by Jacques Hérold.
Manuscript signature of Claude Sernet on the justification page.

First edition, printed in 200 numbered de luxe copies printed on pink paper.
Illustrated silver upper cover.
Contributions from A. Breton, G. Goldfayn, R. Benayoun, Man Ray, B. Péret, J. Schuster, F. Valorbe, and others.
This copy is enriched with the signatures of all the contributors.
Retaining its 5 “filmomanies symptomatiques”.
A good and rare copy.

First edition, an advance (service de presse) copy.
Autograph inscription from Joseph Delteil to Pierre de Massot.

First edition of 1000 numbered copies on bouffant paper.
Handsome autograph inscription from Jean-Michel Atlan to André Lhote enriched with a drawing of three strange human silhouettes with shades.
Illustrated by the author.
A rare and good copy.

First edition published in a small number of copies of this offprint from la Flandre littéraire.
Autograph inscription from Robert Guiette to André Salmon.
Work illustrated with a frontispiece by James Ensor.
Preface by Franz Hellens.
Light marginal worming to the first cover.
Rare.

First edition, one of 10 copies on Hollande paper, the only large paper copies.
Jansenist red morocco binding by Marius Michel, spine in five compartments, date to foot, marbled endpapers and pastedowns, red morocco frame to pastedowns with seven gilt fillets, covers preserved, all edges gilt.
This copy is enriched with two autograph letters by the author of 3 and 2 pages length respectively.
A fine copy in a superb binding by Marius Michel.
Provenance : collection of Marius Michel with his ex libris pasted onto one of the endpapers.

First edition of 300 numbered copies on vergé paper.
Navy blue Jansenist morocco by Marius Michel, spine in five compartments, date to foot, marbled endpapers and pastedowns, navy blue morocco frame with seven gilt fillets to pastedowns, covers and spine preserved, all edges gilt.
Rare autograph inscription signed by Rodolphe Darzens on his first work.
A fine copy in a superb binding by Marius Michel.
Provenance : collection of Marius Michel, with his ex libris on one endpaper.

First edition on ordinary paper, only 13 Marais copies were printed on deluxe paper.
Author's inscription.
Light marginal foxing to covers, handsome interior condition.

First edition, one of the copies of the first issue numbered the press, he was shot in Holland paper 6 leading copies.
Binding half shagreen havana with corners, back with five nerves, framing gilded nets on marbled paper plates, guards and contreplats of handmade paper, preserved covers, gilded head.
Signed autograph of Maurice Beaubourg in Segond-Weber actress who starred in one of his plays.

First edition on ordinary paper.
Half lavender morocco with corners, spine very slightly faded with five raised bands decorated with gilt double compartments, date at foot, minimal traces of rubbing to spine, gilt fillet frame on marbled paper boards, one upper corner slightly bumped, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, contemporary binding.
Rare inscription from Sebastien-Charles Leconte to an actress.
Handsome copy attractively bound in a charming unsigned contemporary binding.

First edition, one advance (service de presse) copy.
Handsome autograph inscription signed by the author to Robert Desnos.
Light and rare foxings on the upper cover, a good copy.

First edition pour each volume, there was no mention of large paper copies.
Rare autograph inscription from Jules Barbey D'Aurevilly, in pencil, to a close friend : "à Hervé/ Inoubliable - inoublié" in the first volume.
Spine of first volume cracked, a joint fragile, ex-dono in ink to head of upper cover of the second volume, a few small spots.

First edition on ordinary paper.
Bradel binding in mauve half-cloth, smooth spine faded, dark green sheep title-label, double gilt fillet at foot, marbled paper boards, upper corners slightly bumped, top edge gilt, contemporary binding.
Autograph inscription signed by Fernand Vanderem to Marcel Prévost.

First edition, one of 200 copies on deluxe paper, ours unnumbered and unsigned by the author.
Light marginal tears without loss to covers.
Rare inscription from Raymond Duncan to Jean Prévost's wife, three manuscript talismans by the author in the text.

First collected edition.
With a frontispiece portrait of the author by Louis Chevalier engraved by Lalauze.
Bradel binding in full marbled paper, smooth spine, brown morocco title-label, original wrappers preserved, binding signed by P. Goy & C. Vilaine.
Precious autograph inscription signed by Charles Monselet to Jules Clarétie.
.

First collected edition, one of the numbered copies on vellum, the only issue with 25 on pur fil.
Autograph inscription from the author.
Half-title page marginally shadowed due to a piece of envelope preserved, addressed to the dedicatee by the author.

First edition printed in 500 numbered copies on alfa paper.
Autograph inscription from the author.
Handsome copy.

First edition on ordinary paper, only 12 copies printed on Holland paper in deluxe format.
Inscribed by the author, the dedicatee's name has been erased.

first edition of which he was not drawn large papers.
Signed autograph L. Fournier Henri Lérey.
spine and marginally past and quilted boards.
Rare.

First edition on ordinary paper, only 60 copies were printed on deluxe paper.
Pleasant autograph inscription by the author.

Second edition, first in parts, printed in 539 copies, this one of 500 copies on paper from the Périgord works.
Handsome autograph inscription signed by Joris-Karl Huysmans to (Edouard) Dujardin.
With a frontispiece portrait of the author. One small tear without lack to head of one joint, upper cover partially faded, one small marginal lack not touching text to page 23, otherwise internally good.

First edition, one of 145 numbered in the press copies, the only printing along with 5 Arches.
Autograph inscription from Paul Desmeth to his friends Lucien and Jérome Becker.
A good and rare copy of the author's first book.

First edition, a Service de Presse (advance) copy.
Inscribed by the author.

Second edition printed immediately after the first one, one of 200 copies on vélin, the only printing with 2 Japon and 6 Hollande paper.
Rare autograph inscription signed by Max Elskamp to Paul Redonnel.
Spine repaired, angular filled-in lacks on the covers, internally good.

First edition on ordinary paper, no mention is made of deluxe copies.
Work illustrated with ornaments by L. Pissarro, L. Anquetin and F. Vallotton.
Our copy bears an autograph inscription from Marie-Blanche Arnac presenting this volume to Albert Morgan.
Lacks at head and foot of spine, a pale marginal dampstain at foot of first leaves, some minor foxing.

First edition on ordinary paper, with only 6 deluxe copies printed on Holland paper.
Autograph inscription from Nicolette Hennique to Michel Corday.
Spine slightly sunned with light cracking, occasional light foxing.

First edition on ordinary paper of the only novel by Hippolyte Taine published during his lifetime.
Half chocolate shagreen binding, spine with five raised bands slightly faded decorated with gilt floral motifs, marbled paper boards, two small nicks on edges, marbled endpapers and pastedowns, corners slightly bumped, original wrappers preserved.
Rare inscription by Hippolyte Taine "offert par l'exécuteur H. Taine" ["offered by the executor H. Taine"] on the first cover.
Some light foxing of no great consequence.

First edition on ordinary paper.
Half sheep, small repairs to head and to foot of joints, covers preserved, contemporary binding.
Autograph inscription signed by Joris-Karl Huysmans.

First edition with no mention of deluxe copies.
Half bordeaux shagreen binding, spine with five raised bands showing light rubbing, gilt initials at foot, one upper corner slightly bumped, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Double autograph inscription by Jules Lemaître to the same dedicatee on the first endpaper and the half-title page.
Light worming to edges.

MARINETTI Filippo Tommaso
Le Roi Bombance [The Feasting King]
Mercure de France, Paris 1905, 11,5 x 18,5 cm, half black shagreen
First edition on ordinary paper.
Half black shagreen, marbled boards, pastedowns and endpapers, wrappers preserved.
Handsome autograph inscription from Filippo-Tommaso Marinetti to Pierre Mortier, with in front, his address in Milan.
$ 1 250

First edition printed on ordinary paper.
Bradel binding in half indigo cloth, smooth spine decorated with gilt floral motif, double gilt fillet at foot, navy blue shagreen title-label, marbled paper boards, original wrappers preserved, contemporary binding.
Signed autograph inscription from José Maria de Hérédia to Eugène Pailleron.

First French edition, the first having appeared the year before in Brussels, published by Lebègue.
Half navy blue shagreen over marbled paper boards, spine (very slightly faded) in six compartments a little rubbed (but not significantly), marbled endpapers and pastedowns.
A very rare autograph inscription signed by Henry Murger to his friend Michel Carré on half-title.
A tiny lack at the center of one pastedowns, a little light insignificant foxing, marginal trace of a label to half-title.

First edition, an advance (service de presse) copy.
Half navy blue Bradel binding over marbled paper boards by T. Boichot, date to foot of spine, covers and spine preserved (wormholes to edges), top edge gilt.
Handsome autograph inscription signed by Georges Ribemont-Dessaignes to Aldous Huxley.
With a frontispiece portrait of the author.

Second edition (the first one was only of 10 copies), with 23 original drawings by E. Tanguy. Affectionate autograph inscription from J.K. Huysmans.
A small tear glued to head of a joint, otherwise a good copy.

New edition
Handsome and rare autograph inscription from Ernst Jünger to Marie-Louise Bousquet, the wife of Joë Bousquet.
Publisher's cream-colored paper boards, spine very slightly warped.

First edition, of which there were no deluxe copies.
Inscription from the author.
Spine very slightly warped, otherwise handsome copy.

First edition on ordinary paper, with no mention of deluxe copies.
Precious autograph inscription from the author to explorer Jean Charcot.
Light worming to first cover, otherwise a handsome copy.

First edition with no mention of deluxe copies.
Half turquoise sheep binding, spine sunned with four raised bands, marbled paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved.
Fine autograph inscription from Emile Faisant.
Rare work dedicated to the memory of Leconte de Lisle.

First edition of which there is no mention of leading copies.
Some small foxing affecting essentially the very first and last pages.
Binding half cardboard vellum style, past smooth back, title label of cherry shagreen with small traces of friction without gravity, marble paper plates, preserved cover, Contemporary binding.
Precious autograph signed by Oscar Méténier to Georges Feydeau.

First edition, of which no deluxe copies were printed, one of the advance copies.
Two light fold marks of no consequence to the covers, otherwise handsome copy.
Very beautiful signed autograph inscription from Georges Ribemont-Dessaignes to the architect Jean-Charles Moreux.

First edition, of which there were no deluxe copies.
Signed autograph inscription from Arden Quin, creator of the MADI artistic movement, to Josée Lapeyrère, a close collaborator.
A fine copy.

First edition in French, an advance (service de presse) copy.
Autograph inscription from Alejo Carpentier to l'Immortel Jean Bernard.

First edition on ordinary paper, with only 25 copies on Japan paper in deluxe format printed.
Half fir-green sheep binding, spine with five raised bands decorated with gilt floral motifs, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Autograph inscription by René Maizeroy.
Some occasional light foxing mainly affecting the edges.

First edition on ordinary paper, only 25 copies were printed on laid paper as deluxe copies.
Half chocolate shagreen binding, spine with five raised bands decorated with gilt floral motifs, marbled paper boards, marbled endpapers and pastedowns.
Rare inscription from Mirar-Yver.

First edition.
Bradel binding in full burgundy boards, smooth spine decorated with a gilt floral motif, hazel shagreen title-label with three small lacks, covers and spine preserved and mounted on guards as one piece at the beginning of the volume, modest contemporary binding.
Inscription from Jacques Bonhomme to Georges Berger, deputy of the Seine department.
Covers and illustrations by Maurice Graind'Orge, friend of the author.

First editions of the text and the preface by Charles Baudelaire.
Half red shagreen over marbled paper boards, spine in five compartments with double gilt decorated compartments, blindruled fillets to covers, marbled endpapers and pastedowns, top edge gilt.
Autograph inscription signed by Pierre Dupont to his friend the painter Jean Gigoux at head of first chanson of first volume.
With steel engravings by T. Johannot, C. Nanteuil, Gavarni, Andrieux.
Inkspot affecting 'Les louis d'or' (pages 37 to 41 of volume one), occasional light foxing.

First edition, one of a few copies on Hollande, the only large paper copies with 5 Chine.
With an autograph inscription from Albert Glatigny to Mr. Raynard, actor at the Châtelet theater and husband of the actress to whom is dedicated this book.
Rare and slight foxings.

First edition, one of 50 numbered copies on Japan paper, ours being one of 10 hors commerce, the only deluxe copies.
Autograph inscription from Philippe Dumaine to André Schuck.
Additionally, our copy is enhanced with a page from the manuscript of the work extensively corrected by the author.
Envelope addressed to the dedicatee and invitation card to the book signing session included.
A handsome and fine ensemble.

First edition, hors commerce, printed in a small number of copies and of which there were no large paper copies.
Autograph inscription signed by Auguste Comte de Villiers de l'Isle-Adam.
Imitation spine skillfully remade to match covers, small angular tears and marginal restored lacks to covers, the occasional internal wormhole.

New edition, one of 100 hors commerce copies on pur fil from a total print run of 1300. No. 1247. A wood-engraved portrait by Belot.
Autograph inscription by Han Ryner: 'A Monsieur André Lacoste, en toute artistité. Han Ryner.' ["To Monsieur André Lacoste, in all artistry. Han Ryner."]
In original wrappers. Covers with turned-in edges. The spine has faded from blue to green.

NB: This book is available at the bookstore upon request within 48 hours.

First edition on ordinary paper.
Pleasant inscription by the author.
Handsome copy.

First edition of ordinary paper. Handwritten signed inscription of the author. Beautiful copy.

First edition.
Half electric blue cloth Bradel binding with corners, smooth spine decorated with gilt floral motif, chocolate shagreen title-label with slight lack, double gilt fillet at foot, original wrappers preserved, contemporary binding.
Precious inscription from Jules Lemaître to Galipaux who created the role of Leplucheux in this play.
Numerous press cuttings regarding the cast of this play pasted to endpapers with manuscript annotations by a previous owner of the work.

First edition, one of 20 hors commerce copies printed on rag paper.
Signed autograph inscription by Claude Esteban.
Work illustrated with 5 drawings by Arpad Szenes.
Handsome copy.

New edition on ordinary paper.
Inscription from Gaston Chérau to Charles-Henri Hirsch.

First edition, a Service de Presse (advance) copy.
Precious autograph inscription from Francis Carco to his friend the Montmartre painter J.G. Daragnès, with the latter's bookplate pasted to the verso of the front cover.
Work illustrated with reproductions of medieval woodcuts.
A fragile tear at the head of the half-title page where the inscription appears.

First edition, one of 20 numbered copies on alfa paper, the most restricted deluxe edition and the only deluxe copies along with 34 on pur fil.
Moving autograph inscription signed by Charles-Henri Hirsch to his children.

First edition, one of 500 numbered copies on vellum, the only printing along with 12 Japan and 77 vellum copies.
Handsome copy despite small stains to the lower right margin of the first cover.
Autograph inscription signed by Eugène Jolas to Monsieur R. Harlong.

First edition on ordinary paper, false statement of fourth edition that the publisher used for advance copies.
Fine inscription from Charles-Henri Hirsch.
A slight tear without loss to the spine, otherwise a handsome copy.

First edition, one of 50 copies numbered and initialed by the author on Madagascar paper, the only deluxe copies.
Marginal foxing affecting the endpaper as well as the half-title and title pages, a tiny marginal perforation at the head of the front cover, slight marginal discoloration at the head of the back cover.
Rare deluxe copy of this novel inspired by the theories developed by Sigmund Freud on sexuality.

First edition.
Half bottle-green shagreen binding, spine in four compartments with double blind-tooled panels showing minor scuffs.
Autograph inscription signed by Gustave Nadaud.
Occasional light foxing.

First edition on ordinary paper, only 20 Rives deluxe copies were printed.
Half tan sheep binding with corners, spine with five raised bands, red shagreen title-label, traces of scuffs at head and foot of one joint and on corners, original wrappers preserved.
Autograph inscription from André Savignon.
Our copy is enhanced with 2 autograph notes and a visiting card from the author addressed to the same recipient.

First edition, one of 500 numbered copies on vélin du marais paper, the only printing with 6 on Japan paper and 12 on Hollande paper.
Autograph inscription from the author, a very good copy.

First edition for which there were no large paper copies.
Autograph inscription from the author.

First edition on ordinary paper.
Autograph inscription from the author.

First edition, "remise en vente" wrappers for the Jeune parque, there was no large paper copies.
Autograph inscription from the author.