Fin-de-Siècle Illustrated Books (1860-1900)

First printing of Tony Johannot's illustrations consisting of 13 hors-texte plates (including the frontispiece) and 100 vignettes engraved on wood.
Bradel binding in blue half-cloth, smooth spine decorated with gilt fleuron, gilt date at foot, marbled paper boards, corners slightly bumped.
A repaired tear in the margin of page 129, the first two engravings (the frontispiece and the following one) have been remounted with adhesive strips, some foxing.
Printed bookplate and a bookseller's description label pasted on an endpaper.

First illustrated edition with 82 drawings by Tiret-Bognet, and a colored map of the Saint Lawrence River course. EX catalogue in fine condition for 1890.
Binding with the 2 elephants of Lenègre type 3. Back cover of Lenègre type e. This binding was only known in red. Some scattered foxing on very white paper. This edition bears an added label on the corrected spine, Une famille sans nom, becoming Famille sans nom with the new label.
Beautiful upper cover, with crisp gilding. Well-pointed and rigid corners. Regular gilt edges. Spine uniformly sunned but with gilding still present. Headcaps slightly turned over. Beautiful back cover, without defect. Shiny cloth. Handsome copy, firm and solid.
Story of a French Canadian family during the Patriots' Rebellion (1837-1838) against British injustice. One of the author's most serious titles, without a happy ending.

Edition illustrated with original compositions by Julien Le Blant and original etchings by Louis Muller, one of 38 numbered copies on China paper.
Half red morocco binding, smooth spine, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, contemporary binding signed by Creuzevault.
Our copy is incomplete of the quadruple suite of etchings as stipulated in the justification.
Handsomely bound copy.

Illustrated edition with a frontispiece and 6 etchings by J. Chauvet as well as letters, fleurons and tailpieces by Léon Lemaire, one of 10 numbered copies on China paper, the most limited deluxe printing with 10 Japan and after 1 vellum.
Our copy contains a triple state of the etchings including 1 in bistre and 1 in black.
Very occasional foxing.
Handsome copy despite tiny lacks to the upper and lower corners of the boards.

first edition on plain paper.
Our copy is enriched with an autograph signed card of Edouard Drumont pasted on the page of false title.
Small tears at the head and foot of the back.

Edition illustrated by Luc Leguey.
Publisher's full polychrome boards, smooth spine, illustrated spine and covers, blue paper endpapers and pastedowns with traces of adhesive tape at head and foot, gilt edges, binding signed by Engel.
A lack at foot of pages 9-10, otherwise handsome interior condition.

First Edition printed, in two parts, on laid to 200 copies numbered and initialed by the author, ours a copy of the second tranche, only draw after 12 Japan.
Binding half morocco old rose corners, back with five nerves, golden tail date, piece of red morocco title, marble paper plates, guards and contreplats of handmade paper, covers (with angular restorations) preserved, corners slightly blunted, gilded head, binding signed Bernasconi.
The work is also embellished with an engraved portrait of Edmond Haraucourt pasted on a guard.
Nice and rare copy.
Precious autograph signed by Edmond Haraucourt: "A Félicien Champsaur in memory of the shaggy that did not gray again."
Our copy is enriched with an anonymous original watercolor (attributed to Georges Villa), on laid paper mounted on a tab, representing a kneeling woman gratifying a man standing a blowjob.

First edition, with mention of second edition at head of first cover.
Work illustrated by Charles Clérice.
Spine sunned with two lacks at head and foot, some foxing.

first edition, one of 200 numbered copies on vergé, only large papers after 50 Japan.
Binding in half morocco blue, smooth back decorated with double golden cartridges, date golden in tail, golden nets on the plates of marbled paper, guards and counterplates of paper with the vat, golden head on witnesses, covered blankets and backs, signed binding of Creuzevault.
Signed autograph signed by Ludovic Halévy to Jules Claretie.
Book with 8 illustrations inset.
Beautiful copy pleasantly established.

First edition, one of the presentation copies printed on vellum, numbered and dedicated by the publisher.
Half red morocco binding with corners, spine with three raised bands decorated with a gilt cartouche adorned with gilt floral motifs enhanced with green mosaic morocco pieces forming the petals, gilt date at foot, frame of gilt fillets on marbled paper boards, marbled endpapers and pastedowns, top edge gilt, covers and spine preserved, binding signed by Capelle.
Work illustrated with 12 original compositions by Paul Léon Jazet engraved by H. Toussaint.
The name of the dedicatee to whom the work was offered has been scratched out.

First edition.
Half green shagreen binding, spine with four raised bands showing slight traces of rubbing, marbled paper boards, marbled endpapers and pastedowns, light scratches to leading edges, speckled edges, contemporary binding.
Work illustrated with a frontispiece as well as numerous in-text figures.
Handsome copy.

First edition.
Bradel binding in half dark green cloth, smooth spine, brown shagreen title-label rubbed, marbled paper boards with discoloration stains to their margins and skinning, corners slightly bumped, contemporary binding.
Work illustrated with an etching as frontispiece as well as numerous in-text figures.
A small lack to head of first endpaper.

Edition illustrated with two drawings by J. Bastien-Lepage etched by M. Champollion, one of 25 numbered copies on China paper, the only deluxe copies announced.
Full brown straight-grained morocco binding, spine with four raised bands decorated with triple gilt compartments, joints rubbed, gilt rolls on headcaps and leading edges, quintuple gilt fillet frame on covers, marbled endpapers and pastedowns, gilt dentelle frame on pastedowns, original wrappers preserved, top edge gilt retaining deckled edges.
Our copy, like all copies on China paper, is expanded with a duplicate suite of the drawings.
Some light foxing affecting mainly the margins of certain leaves.

first edition.
Binder in red morocco with corners, back with five nerves set with golden fillets decorated with double golden boxes, frames of gilded nets on marbled paper plates, guards and counterplates of paper to the vat, wrappers and back preserved and bound in, golden head, Signed by Champs.
Precious signed autograph dedication of the author from Edmond About to George Sand.
Beautiful copy pleasantly established.

First edition.
Work illustrated with a frontispiece, 94 hors-texte plates and numerous black vignettes in the text by Bertall.
Light dampstains at foot, spine lightly sunned with lacks at head and foot, small tears with occasional minor lacks to board margins, tear at foot of spine which also has two lacks at head.
Handsome interior condition.

Edition on ordinary paper.
Rare and nice copy.

Second edition illustrated with 37 figures in the text.

Half red sheep binding, smooth spine decorated with gilt fillets, gilt initials at foot, small stains and rubbing traces on spine, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.

Some minor foxing.

First edition, one of 100 numbered copies on Japan, deluxe edition.
illustrated book of 12 dry points and 20 original typographical ornaments Louis Morin.
Signed autograph of publisher, L. Conquet Pierre Lano.
A small lack head back, bites on the guards.

Edition illustrated with 24 original color lithographs by Alexandre Lunois, one of 500 numbered copies on vélin du Marais.
Half blue shagreen binding, spine with five raised bands, gilt date at foot, marbled paper boards, one scratch to head of front board, marbled endpapers and pastedowns, original wrappers preserved, top edge marbled.
Handsome copy.

Edition with original illustrations by Lucien Métivet.
Bradel binding in half grey cloth, smooth spine decorated with a gilt fleuron, double gilt fillet at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt.
Some foxing.

First edition on ordinary paper.
Bradel binding in half dark green morocco, smooth spine faded, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt.
Work illustrated with a frontispiece by Félicien Rops.

First edition printed on vergé.
Half morocco, spine slightly discolored, covers stained preserved, top edge gilt.
Foxing on the endpapers and in the margins of some leaves.

Edition illustrated with 7 drawings by Charles Delort, one of 200 numbered copies on Holland paper.
Work also illustrated, as frontispiece, with a portrait of Edmond About engraved by A. Mongin after a photograph by Nadar, and with head- and tailpieces at the beginning and end of each chapter.
A small tear at the foot of the spine, otherwise a handsome full-margined copy.

Banner edition of the first type, second edition after the shell binding. General title leaf bearing the date 1873. Catalogue no. 2 at the end.
Binding known as "À la bannière" or "Au ballon bicolore", royal blue on bordeaux. First plate with balloon. Back cover signed at bottom Lenègre in blind (Lenègre b type), with hexagonal medallion in blind. Gilt edges. Green endpapers. Fine first plate with bright colors and gilt. Spine fairly good, but small scratched areas, one black stain at foot (restoration). Traces of rubbing to edges, headcaps, joints and corners. Dark areas on back cover. Pale scattered foxing, often in margins, but overall rather fresh.
Quite handsome copy.
Novel dating from 1870 set aboard the Great Eastern, a gigantic airship carrying several thousand people on the Liverpool-New York route.

Edition illustrated with 260 original compositions in and outside the text by Adrien Moreau, engraved on wood by Brauer, Froment, Hamel, Méaulle, Rousseau and Thomas, one of 35 numbered copies on China paper, deluxe copies.
A minor tear at the foot of one joint of the first volume.
Handsome copy.

First edition.
Half midnight blue sheep binding, spine with four raised bands decorated with gilt fleurons, marbled paper boards with scratches, marbled endpapers and pastedowns, contemporary bindings.
Work illustrated with 70 figures in the text, 14 phototype portraits as well as 2 folding plans and 6 color graphic plates at the end of the volume.
Preface by Alexandre Lacassagne.
Some foxing affecting mainly the edges.
Rare.

first edition printed in small numbers on laid Holland paper.
Signed autograph of Leo Riotor Gustave Coquiot.
Illustrated book, frontispiece, a sketch of Auguste Rodin.
The work and adventures, Rodin designer, characters and projects and comments by Leon Riotor.
A small bright spot in the top of the first flat, small marginal tear on the boards, nice interior state.

First collective and posthumous edition, printed on laid paper.
Work illustrated with 20 headpieces and 20 tailpieces by Théo van Rysselberghe in two shades of green in the Art Nouveau style.
Light worming to spine, two small tears at head of boards.
Spine and boards marginally and partially discolored, handsome interior condition.

First edition with two drawings by André Gill.
Spine sunned, foxing.
Rare.

Illustrated edition with 20 original etchings by Martial and ornaments by Morin, one of 10 numbered copies on China paper, the deluxe issue with 10 on Whatman and followed by 4 on vellum.
The frontispiece is in double state.
About Marie-Roze, Agar, Sarah Bernhardt, Léonide Leblanc, Blanche Pierson, Sarolta, Angelo, Louise Ferraris, Marietta Sacca, Massin, Hilda, Latour, Rosine Bloch, Gabrielle de Cleurcy, Blanche d'Antigny, Odette Reynold, Alice Régnault, Augustine Devéria, Céline Montaland.
Inevitable foxing inherent to China paper, worming to boards.

First edition published anonymously, one of 125 copies on simili-Japon paper.
Work illustrated with a frontispiece by Clairin, an etching by Félicien Rops and a facsimile, on China paper, of a letter by Charles Monselet.
Two lacks at head and foot of spine, handsome interior condition despite small foxing at head of the facsimile on China paper.

VERNE Jules
Le Testament d'un excentrique [The Will of an Eccentric]
Hetzel, Paris 1899, 18,5 x 28 cm, publisher's binding
First edition with 61 illustrations by Georges Roux, of which 20 large color plates and chromotypographic plates, 35 photographic views of the United States (cities and landscapes), a folding map of the USA and one of the Game of the Goose. This work had only one second edition in 1905 (with an à un éléphant binding).
Publisher's binding au globe doré, the design signed by Blancheland and bound by Souze. Dos au phare spine.
Spine uniformly sunned, head- and tail-pieces a little rubbed, one small lack to head of joint of upper cover, joint of lower cover discolored. Spotting.
$ 750

Edition illustrated with 85 illustrations by Léon Benett.
Hetzel publisher's "globe doré" binding in full red percaline signed Engel, first cover polychrome signed Blancheland depicting various gilt navigation instruments in a frame of gilt chains surmounted by green plants, second cover of type "h" as indicated by Jauzac, spine with lighthouse decorated with several illustrations in color and gilt, original blue endpapers, all edges gilt.
Spine uniformly but slightly faded and somewhat rubbed at head and foot, a small tear on the second cover, blue endpapers slightly sunned at margins, as usual.

Edition illustrated by Riou.
Hetzel publisher's binding "au globe doré" in full red percaline signed Engel, front cover polychrome signed Blancheland depicting various gilt navigation instruments in a frame of gilt chains topped with green plants, back cover of type "h" as indicated by Jauzac, spine with lighthouse decorated with several color and gilt illustrations, original blue endpapers, all edges gilt. Gift inscription in ink on the half-title page.
Spine slightly faded and rubbed at headcaps, blue endpapers replaced, corners very slightly bumped, a discreet restoration at the foot of the front cover joint.

New edition, illustrated with 150 drawings by Riou. GK catalogue in fine. Later reissues of this binding will have 6 color engravings, which will be simple colored enlargements of engravings already present in black and white.
Publisher's binding known as "Au portrait collé" with signed Souze plate and bound by Lenègre. Spine with lighthouse. Second board of Lenègre "e" type. Fine upper plate. Light traces of discoloration beneath the author's name cartouche. One leaf very slightly protruding. One gathering detaching from the interior. Corners rubbed and slightly turned. Spine somewhat faded, but gilts and colors quite sharp. Headcaps rubbed and turned. Second board showing some soiling, but fairly good. Occasional light foxing on fresh paper, nevertheless a handsome copy.
Adventure novel relating an expedition to the North Pole.

First printing of the 40 original compositions by Paul Avril etched, one of 50 numbered copies on China paper.
Half sand morocco binding with corners, spine with five raised bands set with gilt stippling decorated with quadruple gilt compartments embellished at angles and centers with mosaic pieces of green and brown morocco, gilt date at foot, frame of gilt fillets on marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved (covers marginally spotted), top edge gilt on deckled edges, elegant contemporary binding signed by Champs.
Our copy is complete with the duplicate state on Japan paper of each of the etchings.
Handsome copy elegantly bound.

Work illustrated with drawings and watercolors by Felician Myrbach and Luigi Rossi engraved by Guillaume brothers.
Handsome copy elegantly bound.

Rare new edition, illustrated with 85 drawings by Georges Roux and 12 chromotypographies. Catalogue FX in fine. First illustrated edition with the 2 elephants in 1890.
Publisher's binding known as "Au portrait collé" signed in the plate Lenègre relieur. Spine with lighthouse signed Lenègre at foot.
Beautiful upper plate with gleaming gilt. Traces of discoloration above the world map and small stains at the top of the author's name. Lower corners showing creases. Headcaps rubbed. Under "Jules Verne" inscribed in ink 134. Spine slightly faded. Fine second cover. Stain in right margin of title page beside the title, several numbers written in pen around the title. Fresh paper, almost free of foxing. Overall, a handsome copy in good condition.
The Cascabel family, fairground artists who made their fortune, decide to return to Normandy, but they are robbed, and the family head decides to return by caravan through the Bering Strait and Siberia.

Edition illustrated with drawings of J. Férat, engraved by Barbant. BR catalog for 1884.
Cardboard with two elephants to the rare pink fuchsia signed tail Lenègre, type 1. spine three decorated boxes. Second flat Wearing a button Cold round, registered cold bottom left Lenegre rel. gray guards.
Beautiful first plate, but two small spots along the black edge. upper joint split in head 2.5cm. Upper corner slightly blunted law. Insolated back evenly. Micro cuts copings. Inkblot down the second course, and on the last pages of the catalog. Fresh copy, free of foxing.

First edition.
Half red shagreen binding with corners, spine with five raised bands decorated with fleurons and gilt fillets, marbled paper boards, marbled endpapers and pastedowns, two tears on leading edges, front cover preserved, top edge gilt.
Work decorated with illustrations in text and full-page, in black and white as well as in blue, green, red, mauve and sepia by Georges Cain, preface by Jules Clarétie, music by Jules Massenet.

First edition, one of 500 numbered copies on vellum, the only printing after 20 on Holland paper.
Half black sheep binding, smooth spine decorated with gilt fleurons and showing traces of rubbing, marbled paper boards, marbled endpapers and pastedowns, corners slightly bumped.
Work illustrated with a frontispiece etching by Armand Rassenfosse, and decorated with illustrations including color plates by Henri Detouche, André des Gachons, Joseph Sattler and Ulm.
Our copy is complete with its publication prospectus.
Binding rubbed, handsome interior condition despite minor foxing without gravity.

First edition, one of 10 numbered copies on Hollande paper, the tirage de tête after 10 Chine and 12 Japon.
Original illustrations by the author.
This copy, as called for by the justification page, retains the double state of the frontispiece.
Rare and nice copy with edges preserved.

First edition, one of the rare copies on China paper.
Full red cloth Bradel binding, smooth spine, rubbed black shagreen title-label, boards slightly soiled, original wrappers preserved (front cover detached), contemporary binding signed by Thivet.
Printed stamp of the Vanier bookstore with the manuscript initials L.V. probably in Vanier's own hand at the foot of the endpaper.
Work illustrated with humorous drawings by Henri de Sta.

First edition of the author's first work.
Half green sheep binding, smooth faded spine decorated with gilt typographic fleurons, marbled paper boards, marbled endpapers and pastedowns, corners slightly bumped, contemporary binding.
Work illustrated with an original color lithograph by Elie Clavel.
Bibliophile's printed stamps at head of first text page and half-title page.

Reprint on laid paper published by Horemans in Lille, using the woodblocks from the edition by Jehan Lecocq in Troyes in 1539.
This work consists of the reproduction of 56 woodcuts after 15th-century xylographs.
Spine faded, front board detached, angular crease mark at head of rear board, handsome interior condition.

Third edition.
Marbled sheep binding, smooth spine decorated with gilt friezes, brown shagreen title-label, marbled endpapers and pastedowns, corners slightly bumped, speckled edges.
Work illustrated with 13 plates hors-texte.
Some minor foxing of no consequence.
Pen gift inscription on one endpaper, printed stamp of a Madrid bookshop on the title page.
Rare.

First edition illustrated with 59 drawings by L. Bennet and P. Phillippoteaux, 35 facsimiles of old engravings, 20 maps or plans. Double volume, catalogue S.
Publisher's binding in lawn green cloth (undoubtedly the rarest of the colors), known as "La sphère ptolémaïque" (one of the most harmonious achievements among Souze bindings). Special plate designed by Souze. Superb front board, very fresh but with two small spots, one on the upper edge, the second next to one of the ships. A small tear on the right edge.
Back board type b, with rosette, corner palmettes. Brown endpapers characteristic of the first edition.
Corners, headcaps and joints skilfully and finely restored. 2 white spots along the lower joint. Small white spots on the back board.
Lower board with a few small white spots. Handsome copy, with very fresh plates. Scattered foxing.
This volume is the first published of the triptych: Les grands voyages et les grands voyageurs; it concerns travel by land.
On the first endpaper (pastedown): Large label with manuscript: Prix offert par le Comte de Pazic décerné à l'élève Bertin Armand. On the second endpaper, a dry stamp: Librairie Devisme, and a stamp, Bertin Postel, vitrier.

New edition printed on laid paper, in facsimile of the 1660 Paris edition.
Work illustrated with numerous plates, folding tables and in-text figures.
Slipcases missing, handsome copy.

Completely revised edition, with some parts in first edition, both for texts and illustrations. Introduction by Jules Janin and texts by Balzac, La bedollière, Charles Nodier, Frédéric Soulié, Petrus Borel... with in-text and full-page illustrations by Grandville, Daubigny, Pauquet, Français, Bertall, Johannot, Daumier, Bayard... Printed in double columns.
Contemporary half brown shagreen bindings. Spine with raised bands decorated with 4 fleurons. Title and volume labels in chocolate morocco. Rubbing to headcaps and raised bands, boards, edges and corners. Spines slightly lightened. Corners slightly bumped. Some foxing, mainly in margins, some signatures browned, but overall paper quite white. Handsome set.

New edition with original illustrations by Albert Robida.
One small tear to foot of spine, otherwise a good copy.

New edition with some parts in first edition.
Half red shagreen binding, spine with five thin raised bands set with black fillets, marbled paper boards with some scuffing, marbled endpapers and pastedowns.
Work illustrated with numerous in-text drawings by Henry Monnier engraved on wood.
Provenance: from Château Laffite with bookplate pasted on pastedown and enhanced with manuscript notes specifying its location in the library.

First illustrated edition with 5 chromolithographs, one color map, all pages within a wide engraved border featuring marine scenes, landscapes, monuments... The effect of these borders is quite extraordinary when one further considers that they are renewed on each page.
Publisher's binding in half red shagreen bound by Engel and richly decorated with two special plates, a repeated ornament at head and foot, scattered stars throughout and thick and thin fillets. Special gilt plate created by Souze, an anchor in the foreground, caravels on the sea and the setting sun in which the American continent appears. The same plate is found on the back without the title. Traces of rubbing at the lower edges on the covers and at the corners, as well as at the outer edges. Nevertheless a very handsome copy, with fine freshness, both external and internal.
The biography of Christopher Columbus (1856) by Count Roselly de Lorgues was significant in its time, elevating the navigator to the rank of Christian and Catholic hero, Léon Bloy would draw from it to write his own version of Columbus: Le révélateur du globe.

First edition, one of 150 numbered copies on Japan paper, deluxe copy.
Bradel binding in half blue morocco with corners, smooth spine faded decorated with gilt floral motif, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, near-contemporary binding signed by Champs.
Work illustrated with 28 original compositions by Oreste Cortazzo engraved as etchings by Abot and Clapès.
Our copy, like all copies of the deluxe issue, is complete with the double state of the etchings.
Handsome copy in charming binding by Champs.

First edition.
Half bottle-green shagreen binding, faded spine with five raised bands decorated with gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, corners slightly bumped, illustrated cover preserved.
Work illustrated with watercolors, drawings and a preface by Léonce Burret.

first edition.
Binding to bradel half red calico, smooth back thinned with a gold floral motif, double net gilded tail, as a piece of blue shagreen, marbled paper plates, wrappers preserved and bound in, contemporary binding.
Bel autograph signed Emile Durandeau: "My dear sir, please please welcome my book, the book of a painter Please also accept my respectful homage.."

New edition printed on laid paper and accompanied by notes, with a preface by Paul Lacroix.
Bindings in half cherry red morocco with corners, spines with five raised bands decorated with double black compartments, marbled paper boards, marbled endpapers and pastedowns, top edges gilt, elegant unsigned contemporary bindings.
Work illustrated with etched plates by Léopold Flameng.
One joint of volume three fragile.

Edition illustrated with 11 original compositions by Stanislaw Rejchan, one of 100 numbered copies on Japan paper, deluxe issue.
Half navy blue morocco binding with corners, spine with five raised bands set with gilt dots decorated with gilt double compartments embellished with gilt typographical motifs, gilt date at foot, gilt fillets framing the marbled paper boards, marbled endpapers and pastedowns, top edge gilt, corners slightly bumped, some tears on the leading edges, contemporary binding signed by A. Knecht. Our copy, as stipulated in the justification page, is indeed complete with the duplicate suite of compositions.
Fine interior condition.
A handsomely established copy in a charming signed contemporary binding which shows some defects of wear.

« Développer à toute leur puissance les dons physiques et intellectuels qu'il tenait du hasard , faire de lui-même le type accompli d'un civilisé de son temps, charmer les femmes et dominer les hommes, se donner toutes les joies de l'esprit , des sens et du pouvoir , dompter tous les sentiments naturels comme des instincts de servage , dédaigner toutes les croyances vulgaires comme des chimères ou des hypocrisies, ne rien aimer, ne rien craindre et ne rien respecter que l'honneur : tels furent, en résumé, les devoirs qu'il se reconnut et les droits qu'il s'arrogea . »

Edition published by Georges d'Heylli and illustrated with original etchings by Guillaumot père et fils, one of 30 numbered copies on China paper, deluxe issue with 30 on Whatman.
Half caramel calf binding, spine with five raised bands set with gilt fillets decorated with double gilt compartments enhanced at angles with gilt typographical motifs, hazelnut brown morocco title-label, marbled paper boards, traces of soiling to board margins, marbled endpapers and pastedowns, top edge gilt, upper corners slightly bumped.
Occasional light foxing.

First edition published in a small number of copies on laid paper and illustrated with an original etching by Gustave Staal as frontispiece.
Bradel binding in half blue morocco with corners, smooth spine, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved.
Handsome copy.

Edition printed in 400 numbered copies on Hollande paper and illustrated with a frontispiece as well as 11 vignettes by Duplessis-Bertaux.
Half green morocco binding, spine with five raised bands decorated with the gilt monogram of the great bibliophile Roger de Cormenin repeated five times, marbled paper boards, marbled endpapers and pastedowns, top edge gilt.
Provenance: from the library of Roger de Cormenin, son of Louis de Cormenin who was the confidant and secretary of Théophile Gautier and also the intimate friend of Gustave Flaubert.

First edition, one of the rare copies on Holland paper of which no mention is made.
Full red morocco binding, spine with five raised bands decorated with black fillets, gilt date at foot, gilt roulettes on headcaps, small black spots in margins of boards, marbled endpapers and pastedowns, gilt dentelle border on pastedowns, double gilt fillets on leading edges, all edges gilt, elegant unsigned binding.
Work illustrated with 12 unpublished drawings by Alphonse de Neuville and L. Sergent.
Occasional foxing.
Fine copy.

First edition.
Half caramel shagreen binding, spine with five raised bands decorated with double compartments at the centers of which the gilt paraph of the great bibliophile Roger de Cormenin is repeated five times, gilt date at foot, turquoise morocco title-label, marbled paper boards, marbled endpapers and pastedowns, speckled edges, elegant near-contemporary unsigned binding.
Work illustrated with a drawing by Georges Rochegrosse printed on China paper.
Provenance: from the library of Roger de Cormenin, son of Louis de Cormenin who was the confidant and secretary of Théophile Gautier and also the intimate friend of Gustave Flaubert.
Handsome copy beautifully bound.

New edition printed in 100 numbered copies on vellum.
Full brown morocco binding, spine with five raised bands set with black fillets, one joint slightly cracked at head, gilt roulettes on headcaps, frame of interlaced triple gilt fillets with decorative corners and gilt floral motifs at angles on full red morocco doublures, marbled endpapers, gilt edges, double gilt fillets on leading edges, superb near-contemporary binding by P.R. Raparlier.
Work illustrated with 6 plates including 1 frontispiece by Lefebvre.
Some foxing mainly at the beginning of the volume.
Copy perfectly executed in a signed doublure binding by P.R. Raparlier.

first edition of this Rabelaisian style pamphlet directed against Gambetta, one of 300 numbered copies on paper of the Netherlands.
Binding to open bradel ivory wove, smooth back, red mesh frame compositions painted boards and boards to centers: a bookplate and a monogram on the first front cover and Léon Gambetta dabbling in a bathtub on the second, fragile parchment wrappers preserved and bound in, contemporary binding signed Dodé.
Nadar handwritten signature under the justification of the draw.
Book adorned the author of illustrations.
Provenance: Library of Frederick Lachèvre, bibliographer, specialist in French poetry, with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume.
Some light and light bites to bookbinding.

first edition of this Rabelaisian style pamphlet directed against Gambetta, one of 300 numbered copies on Holland paper.
Binding to open bradel ivory wove, smooth back, red mesh coaching boards and boards painted in watercolor compositions centers: a bookplate and a monogram on the first front cover and Léon Gambetta embodying Christ crucified, fragile parchment wrappers preserved and bound in, contemporary binding signed Dodé.
Nadar handwritten signature under the justification of the draw.
In addition, this copy is enriched with a handwritten correction Nadar pencil in The Passion, p. 45, to orveitan [sic].
Book adorned the author of illustrations.
Provenance: Library of Frederick Lachèvre, bibliographer, specialist in French poetry, with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume.
Some light and light bites to bookbinding.

New edition printed in 500 copies, this one of 50 numbered copies on Japan paper, deluxe copies containing the Japan paper offprint of the illustrations.
The offprint of the figure adorning the cover is on China paper.
Contemporary full red morocco binding, signed Thibaron-Joly, Jansenist spine with five raised bands, green morocco doublure, interior frame formed of multiple gilt fillets and small fleuron at corners, double marbled paper endpapers, all edges gilt on deckled edges, marbled paper slipcase bordered with red morocco.
Beautiful illustration drawn by Sahib and steel-engraved by Adrien Nargeot, comprising one figure on the cover, 18 head-vignettes and a small tailpiece.
Handsome copy established in a signed full morocco binding, complete with prospectus (4 pp.), in doublure binding by Thibaron-Joly, in perfect condition.

Revised, corrected, and expanded edition, printed on laid paper and illustrated with 10 vignettes as well as 5 out-of-text figures.
Half red morocco binding with corners, lightened spine with five thin raised bands set with black fillets decorated with double black compartments embellished with gilt arabesques, double gilt fillet frame on marbled paper boards, two angular scratches at foot of front board, marbled endpapers and pastedowns, top edge gilt, binding signed by Hering, binder in Strasbourg.
Some foxing mainly at beginning and end of volume.

First edition, one of the rare copies on China paper of which no mention is made.
Half navy blue morocco with corners binding, spine very lightly faded with five raised bands, gilt fillet frame on marbled paper boards, marbled endpapers and pastedowns, top edge gilt.
Work illustrated with 14 wood engravings drawn by Paul Philippoteaux.
Handsome copy almost entirely free from foxing.

Illustrated edition with frontispiece drawing by Georges Antoine Rochegrosse printed on China paper.
Bradel binding in full red paper with floral motif and moiré effect, smooth spine, navy blue shagreen title-label with some scratches, original wrappers preserved, contemporary binding.
Handsome copy attractively bound.

Alfred GRéVIN
Costumes de fantaisie pour un bal travesti
Aux bureaux des modes parisiennes, de la toilette de Paris,
du journal amusant, du petit journal pour rire| Paris [1870] | 23 x 32.5 cm | original wrappers
First edition illustrated with 24 superb, original, color chromolithographs by Alfred Grévin.
The chromolithography explanatory page is loose, a small, light spot on the first cover, wrappers with minor marginal tears, pleasant condition inside.

Complete and definitive edition, one of 20 numbered copies on Japan paper, deluxe copy.
Half navy blue shagreen binding, spine with five raised bands set with gilt dots decorated with gilt double compartments adorned with gilt typographical motifs, one joint slightly cracked at head, gilt fillets on marbled paper boards, marbled endpapers and pastedowns, top edge gilt, second cover with small rubbing traces at head.
Work decorated with original illustrations by Uzès.

Edition illustrated with 3 original etchings by Maurice Leloir, one of the rare copies on China paper justified by the publisher and of which no mention is made.
Bradel binding in half morocco-grained havana shagreen with corners, smooth spine decorated with a gilt cartouche embellished with gilt typographical motifs, date at foot, frame of gilt fillets on marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved.
Our copy is complete with its folding facsimile as well as the duplicate state of the 3 etchings.
Preface by Parisot.
A rare and handsome copy, beautifully bound.

First edition, one of 700 numbered copies on Holland paper.
Half dark green morocco with corners, spine with five raised bands set with gilt dots decorated with gilt fleurons, one band lightly rubbed, gilt date at foot, frame of gilt fillets on marbled paper boards, marbled endpapers and pastedowns, top edge gilt, one corner slightly bumped, fragile parchment wrappers preserved, contemporary binding signed by Lanscelin.
Work illustrated with a frontispiece by Hector Giacomelli etched by Lalauze.
Fine copy established in a charming contemporary binding signed by Lanscelin.

Edition illustrated, frontispiece, an etching of Eugène Carrière engraved by Félix Bracquemond.
Signed autograph Jean Dolent Charles Martel: "... let us learn the words ..."
Pleasant copy fragile parchment flawless coverage.

first edition on the current paper.
Signed autograph from the author to the French journalist Paul Mathieix Action.
Book decorated with illustrations of Lucien Métivet.
A few minor scratches on his back lightly browned, some spots on the flat poremier well as the earliest and latest leaflets.

Illustrated Edition. Sixty-one illustrations by Georges ROUX, including 20 large color plates in chromotypographies, 35 photographic views of the United States of America (cities and landscapes), a fold-out map of the United States of "America and that of the board game . Catalog Hetzel for 1899-1900 of 8p. end of the book. The title will know that one second edition in 1905 (cartonnage an elephant).
Cardboard editor golden globe, or said, to the world map. Signed Blancheland plate, connected by Souze. Back to the lighthouse. Very pale scattered spots. Small discolorations along the lower edge of the first flat. Rubbed upper right corner. On the lower flat, 2 thin lines of discoloration. Dos slightly thinned. Good copy.
This volume of the Extraordinary Voyages is a journey and an adventure across the United States. The novel stimulus after a series of novels devoted to science fiction, adventure and discovery. We note with great interest the series of contemporary photographs of the United States.

First edition.
Half caramel shagreen binding, smooth spine with traces of rubbing, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, corners slightly bumped, top edge gilt, binding cold-stamped by Pierson.
Work illustrated with 1 frontispiece and illustrations by Emile Lévy and Paul Adolphe Kauffmann in text.

New edition with numerous illustrations in and out of text.
Publisher's full ochre and polychrome percaline binding, smooth spine decorated with gilt typographic motifs, front cover ornamented with a large polychrome plate by P. Souze depicting the interior of a cathedral in which the faithful pray and Kings of the Old Testament are enthroned, back cover decorated with a frame of black fillets, blue paper endpapers and pastedowns, all edges gilt.
Light foxing mainly at beginning and end of volume.
Handsome copy presented in publisher's boards in fine fresh condition.

Edition illustrated by Gilbert.
Publisher's full red cloth binding, smooth spine decorated with gilt compartments, dots and fillets, headcaps very lightly rubbed without damage, first cover ornamented with a plate by A. Souze featuring a large polychrome and gilt decoration depicting the eponymous heroine, black typographical frieze frames on the second cover, beveled boards, blue paper endpapers and pastedowns, gilt edges, publisher's binding signed by Engel.
Some foxing mainly at beginning and end of volume, pen gift inscription on an endpaper.
Work illustrated with 65 illustrations as well as 3 plates.

Illustrated edition with numerous plates including a frontispiece.
Publisher's half dark green shagreen binding, spine with four raised bands ornately gilt in triple compartments decorated with central gilt fleurons, headcaps slightly rubbed and minor scratches to spine without significance, covers framed with blind fillets on dark green paper boards, cream watered silk endpapers and pastedowns, corners slightly bumped, all edges gilt.
Occasional foxing.

Illustrated edition with original drawings by Ernest Bieler.
Publisher's full grey cloth binding decorated with pink floral motifs, smooth spine ornamented with a floral bouquet, front cover decorated with a large polychrome floral design, bevelled boards, blue paper endpapers and pastedowns, gilt edges, publisher's binding signed by Engel.
Some minor foxing affecting mainly the endpapers.

First edition illustrated with 20 hand-colored plates showing the main character of each play drawn by MM. Maurice Sand, Allouard and Adrien Marie.
Contemporary half red shagreen binding with corners. Spine with raised bands decorated, fillets on boards. Light rubbing. Fine copy, free from foxing and perfectly fresh.

First edition on ordinary paper.
Handsome illustrated cover and drawings by G. Trilleau.
A small tear, not serious, to head of lower cover.
A rare and good copy.

First edition on ordinary paper.
Bradel binding in half almond percaline, smooth spine decorated with gilt floral motif, double fillet and gilt date at foot, black sheep title-label with central scratch and lack of skin, marbled paper boards, original wrappers preserved, contemporary binding.
Work illustrated by A. Calbet, J. Dédina and A. Boyé.
Handsome copy.

New edition, statement of 6th thousand.
Attractive illustrated cover by Jack Abeille.
Spine slightly split at head.
Rare.

First edition on ordinary paper.
Work illustrated with numerous illustrations by Jean Veber.
Spine lightly faded, illustrated first cover restored and reinforced, corner lacks to boards.

Edition ornate with steel engravings after drawings by Stahl.
Publisher's binding in half red shagreen, spine with five raised bands decorated with rich ornamental gilt double compartments, light scratches on headcaps, sextuple blind fillet frame on red paper boards, cream watered silk endpapers and pastedowns, all edges gilt.
Handsome copy free from foxing.

Edition illustrated with drawings by Montader, Bastet, Vavasseur, Madeline.
Publisher's full red cloth Bradel binding, smooth spine, front cover stamped with the coat of arms of Dauphiné and decorated with the gilt inscription "Dauphiné" on which, and above each letter, rests snow, brown paper endpapers and pastedowns, all edges gilt.
Handsome copy.

Illustrated edition with 7 original etchings by Léopold Flameng, one of 500 copies on Holland paper.
Bound in half havana morocco with corners, smooth spines, gilt dates at foot, marbled paper boards, one epidermure at foot of front board of last volume, marbled endpapers and pastedowns, wrappers preserved, elegant bindings signed by Carayon.
Notes and annotations by Paul Lacroix.
Handsome set beautifully executed by Carayon.

First edition.
Half blue sheep binding, spine sunned with five raised bands showing minor rubbing of no consequence, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Work illustrated with an original etching by Léopold Flameng as frontispiece.
Some minor foxing of no consequence.

First edition.
Full cherry red cloth binding, smooth spine slightly faded, worn black shagreen title-label, illustrated cover with a vignette by Ryckebusch preserved, Alphonse de Witte's bookplate pasted on a pastedown.
Some minor foxing.