Beautiful illustrated books of the Belle Époque, first edition engravings and lithographs, Art Nouveau and first print books

Sixth edition, with a photograph of three women reading, mounted as frontispiece.

Bradel binding in brown half cloth with corners, signed Carayon, sides in French curl paper, black morocco title label to spine, fleuron, gilt rules, wrapper preserved. Very slight rubbing to the binding, soiled wrapper, light waterstaining to the first leaves, some foxing.

Illustrated edition of Victor Hugo's speeches and political writings.

Wide-margined copy on chine, numbered (6), unopened.

Illustrated wrappers with some soiling, water stains and minor tears to the margins, spine split, occasional foxing to the leaves.

Illustrated edition with 11 drawings by De Neuville and Riou. Catalogue DX bound in at the end of the volume (12pp.), from the Magasin d'éducation et de récréation.
Publisher's pictorial cloth binding "with the two elephants," in the very rare aubergine colourway. Front board stamp signed Souze, with the A.L. et Cie binder's ticket at the foot (1887 variant); rear board of the Lenègre type, with a central blind-stamped medallion on a black ground.
Superb front board. Spine with crisp gilt; tailcap crushed. Rear board fine, with a few darker patches. Rubbing to the headcap and tailcap and to the corners. Edges evenly toned. Corners sharp. Colour retouched at the headcap, tailcap and...

Illustrated edition of Victor Hugo's speeches and political writings.

Wide-margined copy on chine, numbered (32), unopened.

Illustrated wrappers with some soiling, dampstaining and minor marginal tears, cracked spine, occasional foxing to the leaves.

First edition of Mademoiselle Fifi, published in Brussels by Henry Kistemaeckers in 1882. The volume brings together seven stories previously published in Gil Blas between December 1881 and March 1882, then revised by Maupassant for their first appearance in book form. The edition comprised 2,000 copies on laid paper and a further 50 on Japan paper; the present copy is from the regular issue on laid paper. Etched portrait of Maupassant by Just as frontispiece. Untrimmed.

Half raspberry...

Original edition illustrated with 85 drawings by Benett, with a world map at the end of the volume. General publisher's catalogue in fine, DS.
Publisher's tan pictorial cloth binding with the two elephants and fan design, signed Souze and bound by Lenègre. Spine type D, back board type n. A very fine front board with well-struck gilt; a crease to the upper right corner. Minor touch-ups to the colour at the head, tail and corners, with some stiffening of the cloth. Spine sound, with an area of soiling to the right of the title extending onto the front board. Diffuse dark marks on the back board. Scattered foxing to the first two leaves, sparse thereafter except in the catalogue...

Rare first edition of this uncommon atlas, featuring 9 maps printed in colour, either on single sheets, double-page, or folding.

Bound in modern half dark blue calf, smooth spine with gilt rules at head and tail, title in long, boards of handmade paper, marbled endpapers and pastedowns.

Minor foxing to the versos of some maps, three discreet repairs using small adhesive pieces to the margins of three maps and the title page.

Printed note on the verso of the title page: "Institut national de géographie, Bruxelles".

The maps depict: General View of the East Indies, Java and Madura (detached from the volume), Sumatra and the Riouw Archipelago, Banka and Billiton...

No publisher, no place, no date [1885–1890]. Quarto (32.5 × 23 cm), 1 blank leaf and 49 unnumbered leaves. Contemporary half red percaline over corners, smooth spine covered in red shagreen, pebble-grain paper-covered boards, blue paper endpapers.

An exceptional collection of 49 original unsigned watercolours, each measuring approximately 20 × 15 cm within the margins, finely executed in Indian ink and watercolour with gouache highlights, mounted on guards. Several leaves bear the watermark "Latune et Cie Blacons", that of a paper mill in the Drôme region active throughout the final third of the nineteenth century. Rubbing to the spine, a few marginal...

Complete first edition, in eleven bound volumes (ten text volumes and one atlas) of Auguste Pavie’s monumental work on former French Indochina, enriched with an autograph inscription signed by the author and accompanied by the large map of the Mission.

Published in Paris by Ernest Leroux, with the assistance of Augustin Challamel for the Atlas, between 1898 and 1919, the work appeared under the auspices of the Ministries of Foreign Affairs, the Colonies, Public Instruction, and Fine Arts.

The set comprises the section Géographie et voyages, volumes I to VII, published between 1901 and 1919, illustrated with 52 maps and portraits hors texte...

First edition and the inaugural volumes of this significant scientific periodical, whose publication continued until 1954.

Volumes 43, 4, 5, and 6 are illustrated with respectively 332 in-text figures, 392 figures, 138 in-text figures, and 179 in-text figures.

Contemporary half-sheep bindings in brown, smooth spines decorated with gilt fillets and garlands, spines rubbed, red lettering and volume labels with a few minor losses on some volumes, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges, some volumes slightly rubbed at the extremities, the upper corner of the fourth volume lacking, a few snags to the board edges; period bindings.

The first...

First issue of the fifty large hors-texte lithographs drawn from life by Henry John Terry (cf. Vicaire, VII, 1164).

Publisher’s binding in full red cloth, smooth spine decorated with blind-ruled compartments and fillets, light rubbing to the head- and tailcaps, gilt-lettered title on the front board, yellow endpapers, trace of a removed bookplate on one pastedown, one lower corner softened, slight discoloration to the lower left corner of the rear board, occasional marginal foxing, a small loss to the foot of page 119, and minor wormholes at the foot of the last three leaves, not affecting the text.

The fifty striking black lithographs depict the most...

Paris, Arthus Bertrand, undated [1861]. One text volume and an atlas.

Very rare first edition of Voyage dans le Haouran et aux bords de la mer Morte, exécuté pendant les années 1857 et 1858.

The text volume, largely unopened, is illustrated with one plate. The atlas, preserved in a full red cloth box and slipcase, is complete with 27 plates, numbered I to XXVI with an...

Second edition of this monumental work of historiography.

The collation of the text volumes (74 steel-engraved plates) conforms to the list of plates given in volume XX (with the exception of the plate depicting the French before Moscow, which is lacking), but does not match the plate count of the first edition, as certain plates were not reissued. The atlas corresponds to that of the first edition and is complete with its 66 maps.

Some foxing, mainly affecting the edges.

Handsome bindings of red half morocco with corners, the spines with five raised bands and triple blind-ruled compartments, a few minor abrasions without consequence to three spines, marbled paper sides...

First edition of this remarkable album devoted to the Island of Elba, published in Paris by Dusacq & Cie in 1862 and printed by Lemercier. Large folio, loose sheets: 4 pp. of text comprising the Notice historique et archéologique sur l'Ile d'Elbe, 1 lithographed dedication leaf and 18 lithographed plates, including the title-frontispiece. The views were drawn from nature by André Durand and lithographed with the collaboration of Eugène Cicéri. The Bibliothèque nationale de France likewise records the work as comprising 18 numbered plates, including the frontispiece.

Exceptionally rare first edition of this remarkable photographic album, printed in Cairo by Mourès & Cie, the press operated by Antoine Mourès. Produced under the direction of Auguste Mariette, it constitutes the first illustrated photographic catalogue of the Boulaq Museum, the first Egyptian museum devoted to Pharaonic antiquities and the direct predecessor of the present Egyptian Museum in Cairo.

The work comprises forty albumen prints (approximately 24.5 × 18 cm), mounted on heavy card leaves hinged on guards. Each photograph is accompanied by a printed descriptive leaf - with the exception of plates 4 and 11, which are accompanied by two - the photographs being...

Illustrated edition with compositions by Arthur Rackham, 13 in colour tipped in with captioned tissue guards, and 52 black-and-white illustrations in the text, one of 55 copies on japon, signed by Arthur Rackham on the limitation page, deluxe issue.

Publisher’s full vellum binding, flat spine gilt-lettered with gilt-stamped animals, upper cover gilt-stamped with the title and an illustration of animals, top edge gilt, uncut, lower cover silk ties preserved.

A fine copy...

First and only Franco-Chinese edition, illustrated with six etchings reproduced by Frédéric Chevalier.

A single copy recorded in the CCFr (Bulac).

Sole edition of this contemporary curiosity born of the French vogue for all things Oriental: born in 1831, Tin-Tun-Ling (or Ding Dunling) was a Chinese scholar from Shanxi and a political exile in France. Théophile Gautier met him in Paris, grew fond of him, and hired him to teach Chinese to his daughter Judith. Steeped in Far Eastern culture, she delighted in presenting herself as the reincarnation of a Chinese princess. Tin-Tun-Ling then lived in a pavilion built in the Chinese style, set in the garden of the Pré aux Oiseaux –...

Rare first edition comprising a fine series of 40 two-tone lithographs by Yuko Watanabe depicting Japanese types, scenes of traditional life, costumes, and more: Ronin, hara-kiri, samurai, the attack on Shogun Nobunaga, a geisha’s visit, young women paying a call, a game of go...

Not in Colas, nor Hiler & Hiler; lacking from the Bn; not in Nipponalia or Cordier. Wenckstern, I, p. 228 (gives the Yokohama address, undated, and mentions two volumes, the second—of which no trace could be found—containing 25 plates).

Bound in full beige cloth, smooth spine without lettering, lithograph mounted on the upper cover; twentieth-century binding.

Minor tears affecting three...

First edition of this issue of the review consisting of two folded sheets.
Marginal lacks very skillfully filled on the sheets.
On the first, a color woodcut representing Paul Signac by Georges Seurat.
On the following ones, text by Félix Fénéon in first edition entitled "Signac".
Very rare issue.

First octavo edition illustrated with 92 engravings by Benett, including one folding map in colour: this marks the very first use of polychromy in an illustration for a Jules Verne novel.
Publisher’s Hetzel binding "aux deux éléphants" in full red cloth, signed by Lenègre, type 3, upper cover signed by Souze, lower cover Lenègre type “e” as described by Jauzac, original blue endpapers, all edges gilt, publisher’s EL catalogue at rear.
Spine slightly faded as usual, small black marks along the hinges, spine-ends softened as often, a pleasant copy almost free of any foxing.
“Deux ans de vacances” is a Robinson Crusoe-like novel featuring fourteen schoolboys from New Zealand.
...

First edition of this album of caricatures by Frédéric-Auguste Bartholdi which he numbered and initialed (copy no. 36). Printed “in small numbers” (Bartholdi Museum), with only six located in institutions (Colmar Museum, BnF, Harvard, UPenn, NYPL, Rutgers University).

Publisher’s blue cloth binding, flat spine gilt-lettered lengthwise, upper board numerously framed in black, anchors and stars stamped in black at the corners, title and date gilt-stamped; lower board numerously framed in black, black stars at the corners and a central anchor, red edges. Slight rubbing to joints, faint...

New "À la bannière" edition with bevelled boards, violet on a red background, illustrated with 154 drawings by Férat engraved by Barbant.

Publisher’s decorative cloth binding "à la bannière" of type 6 signed by Lenègre, upper cover plate signed by Souze, lower cover of type e1 with central medallion on a black ground, framed with geometric motifs.
Attractive upper cover, with glossy percaline and sharp gilt, small black spots on the spine, head- and tailcaps collapsed as usual, some occasional foxing, small dark and light stains on the lower cover.
L’Île mystérieuse is linked, though not a sequel, to two other novels by Jules Verne, Vingt mille lieues sous les...

First edition, large octavo, illustrated with 78 engravings together with 12 chromotypographic plates by George Roux and 2 coloured maps.
Publisher’s binding by Hetzel in full red cloth signed A. Lenègre, with the "portrait collé" design: the upper cover signed Souze, polychrome, depicting various means of transport (balloon, locomotive, ships), with a sepia-toned portrait of the author mounted at the centre, and various navigational instruments highlighted in gilt in the foreground; lower cover of type "e" as recorded by Jauzac; spine decorated with several gilt and coloured illustrations; original blue endpapers; one upper corner slightly crimped; all edges gilt. HF catalogue at the...

First edition, printed in 500 numbered copies, of this splendid archaeological album featuring 78 in-text illustrations and 13 full-page plates with tissue guards (including 7 double-page or folding plates).

Text by Henri Lechat.

Publisher’s Bradel binding in full forest green cloth, smooth spine, headcaps slightly crushed, one joint split at head, spine and boards ruled in ochre, corners slightly rubbed, bookplate affixed to the front pastedown.

Copy from the library of industrialist Anatole Descamps (1833–1907), with engraved ex-libris by Devambez mounted on the pastedown.

A handsome copy.

New edition from the rare Ottoman presses in 1888. Printed in the calligraphy of Mustafa Nazif Efendi. 77 engravings, including 4 full-page, with numerous half-page ornaments and headpieces.

Contemporary Ottoman binding (buffalo or gazelle) in full leather with reddish-brown flap. Flat spine, renewed in the 20th century. Boards elaborately decorated with large framing panels of scrolls and flowers. Central medallion. Part of the upper board restored. Flap with small losses at headcaps and rubbing. Flap uniformly darkened to brown. Endpapers renewed. Paper in perfect condition.

Illustrated edition by Grandville, engraved by Geoffroy, comprising 29 hand-coloured plates hors-texte in the first volume, and in the second, 23 hand-coloured plates hors-texte along with 2 black botanical plates illustrating the physiology of plants, "Horticulture des dames" and "Culture des fleurs." For this edition, the plates were re-coloured by Maubert, with fresher and more vivid tones, considered superior to the first edition. Accompanied by 3 pages of sheet music for the romance Le myosotis. 
Contemporary half blue shagreen bindings. Spines with raised bands decorated with three gilt panels. Some scattered foxing, title-page of volume 2 with spotting. A few leaves slightly...

First edition of this important series of plates, published in Lyon by Louis Perrin in 1858 following Antoine-Marie Chenavard's journey through Greece and the Levant in 1843-1844.

Folio. 81 steel-engraved plates by various artists, including Dubouchet, after drawings by Antoine-Marie Chenavard and Étienne Rey: a route map, a plan of Athens dated 1843, and 79 plates numbered I-LXXV. The series includes plates LVIbis and LVIIbis, called for in the plate list, together with XXVIIIbis and XLVIIIbis, neither of which appears in the list and both of which occur only in certain copies. The present copy therefore...

New edition printed on laid paper.
Some light foxing affecting mainly the endpapers.
Full marbled sheep binding, spine with five raised bands set with gilt garlands decorated with double compartments adorned with gilt typographical motifs, traces of rubbing on spine, gilt rolls on headcaps almost completely faded, triple gilt fillets framing the boards, some scratches on boards, marbled endpapers and pastedowns, gilt edges on leading edges which show some rubbing.
The work consists of 12 parts each comprising 6 engraved plates plus three engraved plates: the half-title page, the title page with a portrait of Gille Marie Oppenort and, finally, a plate with the letter "B"...

First edition and first issue of the suite of 24 color lithographs.

Publisher’s original soft illustrated folder, flat red cloth spine without lettering (expertly restored), red cloth framing on the boards, showing some soiling; original cloth ties intact and present.

Some occasional foxing.

Very rare first edition, printed in only 80 copies (According to CCFr, copies are held only at the BnF and in Lille).

This edition was printed on August 27, 1867, in the presence of Emperor Napoleon III, during his visit to northern France with Empress Eugénie from August 26 to 30, 1867.

Publisher’s binding in full green grained cloth, flat spine decorated with blind fillets, panels framed with blind fillets, slightly bumped corners, pink edges.

Minor foxing mainly affecting the endpapers; a handsome copy.

On a blank endpaper, an autograph inscription signed by Léonard-Jean-Baptiste Danel (1818–1905), nephew and successor of Louis Danel since 1843...

First edition, illustrated in the text and with 7 plates out of text, including two heliogravure views, one black-and-white map, and 4 folding maps in colour.

Contemporary half green morocco binding, spine with five raised bands decorated with gilt fleurons, marbled paper boards ("cat's eye" pattern), marbled endpapers and pastedowns, speckled edges. A fine period binding.

A few minor spots, mostly on the endpapers; a handsome copy.

First edition of this rare album, published in Lyon in 1861 by the press of Louis Perrin, illustrated with 15 line-engraved plates under captioned tissue guards. At the front appears a facsimile of the portrait of Chenavard drawn by Ingres in Rome in 1818; the remaining plates, engraved by Dubouchet, Séon and Thomassin, reproduce a selection of drawings made during his formative journey through Italy, Sicily and Istria.

Contemporary half green calf with corners, spine with four raised bands...

First edition, illustrated with 22 full-page plates under tissue guards depicting 75 pieces.

Contemporary burgundy half shagreen binding, spine slightly sunned with five raised bands framed by black fillets, showing minor rubbing, marbled paper-covered boards, a scuff along the right edge of the rear board, marbled endpapers and pastedowns, lower corners bumped.

Pleasantly fresh internal condition.

First illustrated edition, featuring 82 drawings by Tiret-Bognet and a color map of the Saint Lawrence River. Publisher's 1890 EX catalogue bound in at rear.
Binding with the two elephants, Lenègre type 3. Rear cover Lenègre type e.
Spine lightly faded, internally clean and well preserved.
In Famille sans nom, Verne recounts the story of a French-Canadian family during the Patriote Rebellion (1837–1838) against British injustice.

First edition, one of 35 copies printed on Japan paper, the deluxe issue, complete with the four states of the etchings (pure etching with remarque, with remarque, before letters, final state), see Vicaire, VII, 534.

(Vicaire mentions a blank leaf and a dedication leaf which appear to be missing here, although the copy is otherwise perfectly complete.)

Contemporary binding in half Empire green morocco, spine with five raised bands framed by black fillets, minor rubbing to the spine, spine and boards slightly faded, black fillet border on marbled paper boards, comb-marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt on witnesses, binding...

First edition in book form, illustrated with 5 color plans of Kyoto, Osaka, Yedo, Asaksa, Imato, and Yokohama, a map of Japan, two plates depicting examples of Japanese syllabaries (Katakana and Hiragana), and 476 wood-engraved illustrations within the text (see Cordier, Japonica, 670; Wenckstern I, 5; Nipponalia I, 2036).

Contemporary red half shagreen bindings, spines with five raised bands decorated with blind-ruled fillets and gilt compartments; joints slightly split then discreetly restored at head and tail; boards covered in grained cloth with blind-stamped borders; endpapers and pastedowns of white moiré silk with minor, marginal spotting; all edges gilt.

A handsome...

First edition, illustrated with four plates bound at the end of the volume, as well as figures and tables within the text.

Bound in contemporary half bottle-green shagreen, spine with five raised bands framed by gilt fillets, gilt library stamp at foot of spine, some rubbing to spine, marbled paper-covered boards, marbled endpapers and pastedowns, upper corners slightly bumped.

Charles Edouard Guillaume [1861–1938], Swiss physicist, was the inventor of “invar”, a metal notable for its negligible thermal expansion; developed with Benoit and Carpentier.

A very good copy.

First edition of the French translation, illustrated with a frontispiece engraved by Lechard after Gibert [Constantine], and a folding map bound at the end (cf. Tailliart 58. Palau 328 502).

A few minor spots of foxing.

Publisher’s binding in full red cloth, spine with black and gilt oriental-inspired decorations, blind-stamped frames on covers, red endpapers slightly faded at the margins, all edges gilt.

Only French edition, highly regarded, of this epistolary account of a journey undertaken in 1878 by the Russian geologist and naturalist Tchihatcheff (1808–1890), whose main interest lay in the natural sciences but who also addressed economic matters, a field dear to...

Rare first edition of this predominantly folkloric and literary work: the Forest of Bréchéliant, also known as the Forest of Paimpont, is traditionally identified in Breton folklore with the mythical Forest of Brocéliande from Arthurian legend.

Illustrated with 14 full-page plates in the first volume and 21 in the second.

Our copy was uniquely extra-illustrated at the time with 59 postcards and 2 original photographs mounted on thin cardboard and bound into the volumes.

Contemporary half black shagreen bindings, flat spines with gilt compartments and decorative gilt typographic motifs, marbled paper-covered boards, comb-marbled endpapers and pastedowns...

First edition, profusely illustrated with in-text figures.

Contemporary red half shagreen binding, spine with five raised bands decorated with gilt fillets and triple gilt compartments, gilt initials at the foot of the spine, some rubbing to the bands, boards framed with blind-stamped fillets, marbled endpapers and pastedowns. A binding of the period.

A rare and appealing copy.

Album of 50 full-page plates signed by Lange, each with captioned tissue guards (cf. Polak 6415).

Publisher's binding in red half shagreen, spine with five raised bands decorated with gilt dotted rolls and black fillets, gilt naval anchors, gilt title and naval anchor on the upper cover in red cloth, marbled endpapers and pastedowns.

Some minor foxing, a few faded spots along the edges of the covers, a well-preserved copy overall.

A fine visual survey of the French navy at the end of the 19th century, featuring 44 warships and 6 merchant vessels (from the Compagnie Générale Transatlantique, Messageries Maritimes, Chargeurs Réunis, Albert Méniér, and...

Paris, Auguste Eudes, 1880. Four stout octavo volumes.

A handsome bibliophile edition of the Heptaméron, reproducing the critical text established from the manuscripts by Le Roux de Lincy for the Société des Bibliophiles françois in 1853-1854, revised and augmented for the present edition by Anatole de Montaiglon.

The deluxe issue was limited to 395 copies on special papers. This copy, no. 301, is one of 40 on Whatman paper with the engravings in three states: one in black on Japan paper, one in bistre and one in sanguine on Whatman. This was among the most desirable issues of...

First edition, illustrated with 59 drawings by L. Bennet and P. Philippoteaux, 35 facsimiles of antique engravings, and 20 maps or plans. Double volume, AB catalogue for 1880.
Publisher's brick-red cloth binding known as "à La sphère ptolémaïque" (one of the most harmonious designs among Souze's publisher's bindings), bound by Engel. Specially designed cover plaque by Souze. Striking front board with bright gilt. Minor splits at headcaps and rubbed spine ends. Spine in very good condition, with well-preserved gilt lettering.
Rear board of type b, with a central rosette and darkened corner palmettes. Brown endpapers characteristic of the first edition. Foxing on the title page due to...

First edition, exceptionally rare, of this magnificent album of views of Guadeloupe, illustrated with twelve lithographs executed by Émile Vernier after drawings by Armand Budan: an engraved title-frontispiece and eleven plates, including a large folding panoramic view of Pointe-à-Pitre.

Large folio (39.6 × 54 cm). Collation: 3 unnumbered leaves comprising the title, preface and half-title Karukera, pp. [3]-44, one blank leaf, the lithographic title-frontispiece and eleven lithographic plates.

Rare first edition, complete with its 17 plates, including 2 maps, 2 colored facsimiles of Japanese view and plan (view of Yedo, plan of Nagasaki), and 13 colored facsimiles of natural history drawings. (See Cordier, Japonica, 549 and Sinica, 2128. Numa Broc, Asie, 89-90.)

Some minor foxing, a faint dampstain on the final leaves, small restorations to the verso of the facsimiles.

Contemporary half green shagreen, spine slightly faded, with raised bands framed by gilt fillets, double gilt compartments with decorative tools, boards framed with a blind-stamped fillet, marbled paper boards slightly soiled, combed endpapers and pastedowns, painted edges.

A career diplomat...

Rare work illustrated with 199 in-text full-page costume plates, as stated in the table (not recorded by Colas. Hilaire p. 14).

Contemporary binding in red half shagreen, spine with four raised bands, triple panels ruled in blind and decorated with gilt central floral tools, some rubbing to the spine, marbled paper boards, marbled endpapers, a few small tears to the edges; period binding.

Two leaves have been restored (pages 51 and 147), one marginal tear, otherwise clean and fresh throughout.

A sweeping illustrated survey of the peoples of the world, featuring a substantial section on Oceania.

Among others, it depicts Russians from the Tver region, inhabitants of...

Rare first French edition of the travel impressions of Prince Soltykoff, more an adaptation than a strict translation (cf. Vicaire, VII, 575. Schwab, 544. Only two copies listed in the CCF).

Illustrated with a two-tone lithographed frontispiece and 20 tinted lithographic plates by Trayer and Émile Beau after drawings by the author.

Contemporary green half-shagreen binding, flat spine decorated with double gilt fillets and broad blind-stamped fillets, dark green paper-covered boards, minor restorations and rubbing to head and foot of joints, marbled endpapers and pastedowns, period binding.

Some superficial wear and very faint foxing, otherwise a pleasant copy in...

First edition. (See Perret 2404. Not listed in Sabin.)

A handsome copy.

Contemporary midnight blue half shagreen bindings, spines with four raised bands adorned with gilt dotted rules and triple gilt panels with decorative tools, minor rubbing to the tail of the spine of the first volume, blind-stamped borders on the boards covered in midnight blue paper, marbled endpapers and pastedowns, two corners slightly bumped, the others very lightly worn, all edges gilt.

The first volume includes 28 plates out of text (2 in colour), 1 leaf of legend, 4 double-page coloured maps; the second volume contains 14 plates out of text (1 in colour) and 4 double-page coloured maps.

First edition of José Vicente Barbosa du Bocage's Ornithologie d'Angola, published in Lisbon by the Imprimerie Nationale under the auspices of the Ministry of Marine and Colonies, in two successive parts, in 1877 and 1881. The title-page to the first part has been retained in this copy and bound before the second title-page, dated 1881 and bearing the final date of publication.

Illustrated with ten coloured plates by John Gerrard Keulemans, lithographed, hand-coloured and finished with gum arabic, and printed in London by Mintern Bros. "Pas dans Gay. Nissen, Illustrierten Vogelbücher, 74. Anker, Bird books...

First complete edition of this major work in Africanist literature (cf. Bibliography of Côte d'Ivoire, 286. Not listed in Bruel, Bibliography of French Equatorial Africa. Lorentz, XIV, 215.)

This book contains an overall map, numerous detailed sketches, and one hundred and seventy-six wood engravings based on the drawings of Riou. Bindings in half cherry morocco with corners, spine with five raised bands decorated with cold-tooling, a small tear at the top of one joint, paper-covered boards, some light rubbing to the boards, endpapers and pastedowns made of marbled paper, corners slightly bumped, gilt edges, period bindings.

This exploration mission ordered by Faidherbe left...

First edition, first issue, illustrated with 21 original etchings by Jules Lalauze. Printed in a limited edition following 220 copies on deluxe paper. One of 20 copies on Wattman paper, no. 40. Title pages printed in red and black. A fine impression. An exceptional copy with the engravings in four states (sometimes bound further within the volume), whereas even the copies on Japan paper contain only three states, two of which are proofs on Japan paper. Volume IV is unfortunately lacking in this set. Original wrappers and spines preserved.
Contemporary half orange morocco binding, signed by Canaps on the upper flyleaf. Spine with raised bands, tooled with four crosses composed of four...

New edition, illustrated with drawings by de Neuville and Benett.
Publisher’s gilt-pictorial cloth binding known as “à un éléphant, titre dans l’éventail”, with Engel’s signature at the foot of the front cover plaque, spine featuring a lighthouse, rear cover of type “i” as defined by Jauzac, all edges gilt.
Headcaps very slightly compressed, faint trace of a removed label to the verso of the front board.
A handsome copy.
Le Tour du monde en quatre-vingts jours is an adventure novel. It tells the story of an English gentleman, Phileas Fogg, who wagers he can travel around the world_

Exceptional illuminated manuscript of 35 poems by Stéphane Mallarmé, probably copied by Joris-Karl Huysmans on watermarked Hollande laid paper, after pre-first editions of the poems published in journals. Most of the poems are preceded by a separate title-page noting the source from which it is taken.

The manuscript includes a fine charcoal portrait of Mallarmé as a frontispiece by Charles Tichon, after a photographic portrait by Van Bosch. The portrait was published in the Mallarmé issue of Empreintes...

Edition illustrated by Julien Le Blant with 7 hors-texte etchings and a portrait of the author as frontispiece. Small print run on vellum. Fine engravings engraved by Champollion. Ornaments (initials, headpieces...) by Giacomelli.

Copy with the monogram G. A., unidentified. Interlaced English initials.

Contemporary full tender green morocco binding signed at bottom of front pastedown Bonleu. Smooth spine decorated with a fleuron at head and a special tool, the whole within elegant frames. Triple fillet frame on boards. Monogram at center of upper board. Wide inner decorative border. Top edge gilt. Light traces of rubbing. Spine having turned uniformly to light brown...

First illustrated edition with fifty-one engravings drawn by Édouard Riou and Henri de Montaut, and engraved by Hildibrand, Dumont, Fournier, Delaville, Pannemaker and Coste. "Bibliothèque d'éducation et de récréation" collection, a thirty-two page publisher's catalogue at the end of the volume.

Binding in brown half-shagreen, boards in red-brown percaline cloth, blind-stamped, spine with four raised bands, gilt compartments and fillets, gilt author and title, pastedowns of moiré-effect paper, gilt edges. Binding very slightly rubbed, a small tear to the vertical edge of the lower board, a few traces of mould to the pastedowns, some foxing to the leaves.

First edition.

Copy in loose leaves as issued, complete with its illustrated wrappers, its engraved title-page adorned with a colour vignette, its black-and-white vignette at the head of the text, and its twelve colour plates by Barbier. Spine very slightly sunned.

A superb copy of this almanac illustrated with 12 pochoir plates by George Barbier, who also designed the wrappers, depicting an Art Deco Venus emerging on a shell borne by two tritons highlighted in silver.

First edition, illustrated with 59 drawings by Léon Bennet and Paul Philippoteaux, 35 facsimiles of early engravings, and 20 maps or plans.

Catalogue S bound in at the end.
Publisher’s brick-red cloth binding in the so-called “Ptolemaic Sphere” design, one of Souze’s most harmonious binding compositions, bound by Engel; upper cover decorated with a special plaque designed by Souze, lower cover of type b with central rosette and darkened corner palmettes; brown endpapers characteristic of the first edition; all edges gilt. 

Scattered foxing. One lower corner bumped, minor rubbing to the upper cover along the joint, lower cover darkened and with a few small...

New illustrated edition with 43 drawings by Jules Férat, engraved by Charles Brabant for Les Indes noires; and by Edouard Riou and Jules Férat for the two other titles.

Catalogue CR at end.
Publisher's full polychrome cartonnage by Lenègre, type 3, known as the “Deux Éléphants” binding, on a red ground; headcaps slightly softened, as almost always; upper cover decorated with a plate by A. Souze featuring a fan-shaped design, with the title printed on two lines and no mention of Martin Paz; lower cover of Lenègre type “e”, with central medallion on a black ground; gilt lettering at foot of spine: Hetzel éditeur and A. Lenègre relieur (partly rubbed away).

Some...

Red-medallion Steamer binding edition (single volume), illustrated with 48 drawings by Léon Benett (40 for the first title and 5 for the second). 

Catalogue FX at end.
Publisher’s full polychrome pictorial boards signed Charles Magnier, headcaps slightly sagging as almost always, upper-cover plaque signed Paul Souze, a few small foxing spots.

A pleasing copy, the binding retaining fine freshness.
Two heirs, one French and one German, divide 500 million francs between them. Each builds a city in keeping with his dreams: the Frenchman an hygienist city, the German a city of steel.

Revised and expanded edition, corrected throughout and supplemented with previously unpublished documents, preceded by a biographical notice of the author and followed by notes by Edmond Biré.

Contemporary half red shagreen binding, smooth spine richly decorated with gilt Romantic arabesques, marbled paper boards framed with a gilt fillet, marbled endpapers, top edge gilt, signed binding by Flammarion.

Illustrated with 59 etchings engraved by Adolphe Lalauze after the watercolours of Eugène Lami.

A pleasing copy, attractively bound.

This illustrated volume with 58 engraved plates numbered 1-57 (including a plate 15bis) serves as the atlas to the two text volumes of the Manual of Navigation to the West Coast of Africa, issued in 1851.

Not in Polak, although that bibliography carefully records all the author’s other works, as well as the extracts derived from the Manual.

Some foxing, a light marginal waterstain to the right margin of all leaves.

Contemporary half navy blue cloth, smooth spine ruled in blind, paper losses and abrasions to the marbled paper boards, a small label pasted at the head of the upper cover, a few nicks to the edges, corners rubbed.

A lieutenant in the French Navy...

Paris, G. Masson, 1872. Quarto, 3 unnumbered leaves, ix and 196 pages, with 51 lithographed plates.

First edition of this important and very rare work, issued in a small number of copies. Catalogue Petit, 656; Bibliotheca piscatoria, p. 75; Nissen, ZBI, 1018.

Complete with all 51 plates, numbered I-L with an additional plate XXXV bis. They form two distinct series: 36 plates devoted to nets, fish-farming apparatus and fishing implements used in China, followed by 15 plates depicting fishes collected by the author, including several species then new to European science...

First issue of the 250 wood-engraved compositions by Edmond Morin, one of 150 numbered copies on Holland paper.

The work is further illustrated with a frontispiece portrait of the author by Léopold Flameng.

Bound in half orange morocco over marbled boards with corners, spine with five raised bands ruled in gilt and richly tooled with double gilt compartments, covers framed with double gilt fillets, marbled endpapers, original wrappers preserved, top edge gilt, an elegant binding signed A. Bertrand.

A fine copy, impeccably presented.

Two parts in one volume, printed on hōsho paper and folded in the Japanese style

Two colour-illustrated covers, and 28 superb Japanese colour prints by Kano Motonobu, Kadjita Hanko. All text pages are illustrated with drawings in black.

A very fine artistic publication printed on pure Japanese rag paper with special Japanese folding. The Tokyo publisher is Kané-Mitsou Masao, the printer Shueisha, under the direction of Yamamoto Yeijiro.

Original publisher's binding in half black embossed leather with japanese motifs, illustrated boards depicting figures and animals in colours, long-grain red morocco lettering-piece on the upper board...