Full Morocco Bindings

New edition of Mably’s Entretiens de Phocion, printed by Didot le jeune in Year III [1795] on vellum paper in large quarto format. It is illustrated with two hors-texte plates after Jean-Michel Moreau le Jeune, etched by Giraud and finished respectively by Dambrun and Dupréel. The text is followed by Mably’s Remarques and accompanied by Plutarch’s Life of Phocion in Amyot’s translation.

Copy bearing the crowned monogram of Louis-Philippe. Later binding executed under the July Monarchy in full red straight-grain morocco, attributable to the Simier workshop. Smooth spine decorated with two large rocaille tools arranged vertically, black morocco...

First illustrated edition by Robida, with 90 original illustrations. Limited edition of 300 numbered copies, this one unnumbered on vellum specially offered by the publisher to Mr E. Gruter with manuscript inscription and enhanced with a suite of all the engravings in black on China paper, and a duplicate state in blue.
Full brown morocco binding, spine with five raised bands decorated with gilt compartments, quadruple gilt fillets framing the covers, double gilt fillet on the leading edges, brown and blue morocco doublure with gilt fillets and corner fleurons, top edge gilt, original wrappers preserved. Light rubbing traces on some raised bands. P. 295, lower portion yellowed. Uncut...

First edition, illustrated with 32 color illustrations by Sureda and engraved by Aubert (full-page, headpieces and fine lettering), many of which are enhanced in gold or silver ink.

Limited edition of 400 copies. This one, marked H. C. V, is one of the rare first paper copies on the finest Japon (only 15 copies), containing every engraving in double state on Vieux Japon and Japon Impérial of all the woodcuts, covers and spine.

 
Signed and inscribed on the title page from the authors: "What a pleasure it is for you, O reader, if you enjoy La Fête arabe !" Jérôme and Jean Tharaud. December 1928."

Illustrated edition with twelve original etchings by Édouard Chimot, issued in a limited edition of 576 numbered copies. The present copy, no. 111, is one of 100 printed on tinted Van Gelder Holland wove paper, accompanied by the usual double suite of the etchings in colour and in black.

It is further enriched with an original signed drawing by Édouard Chimot and an exceptional quadruple suite, on Japan paper, of eight of the etchings illustrating the work: the unreduced line engraving, the...

First edition, one of 41 numbered copies on Holland paper, the deluxe issue.
Bound in full jansenist dark green morocco, smooth spine very lightly sunned, grey suede endpapers and pastedowns, original wrappers and spine preserved, all edges gilt, housed in a slipcase trimmed with dark green morocco, paper-covered boards with a wood-grain effect, grey paper lining; a superb full morocco binding signed by A. Bourdet.
A pleasant copy, finely bound and preserved.
Provenance: from the library of the distinguished bibliophile François Ragazzoni, with his bookplate mounted on an endpaper.

Rare first edition decorated with ornamental headpieces, letterheads and culs-de-lampe.

Posterior binding in full red morocco, Jansenist spine, gilt date at the foot, marbled endpapers, frame of gilt roll-tooling on the pastedown endpapers, all edges gilt.
A very beautiful copy of one of the most famous plays in the French repertoire. It was played for the first time on 13 December 1669 at the Hôtel de Bourgogne and received a mixed reception. At the head of this edition is a preface by the playwright responding to his critics:

“Of all the works that I have given to the public, there is none
that attracted more applause and nor...

First edition printed in 130 copies, all nominative and numbered, on Rives vellum.
Full chocolate-brown morocco binding, spine with four double raised bands framed by black fillets extending onto the covers, gilt date at foot, gilt rolls on the caps, endpapers and pastedowns of hand-made paper, quintuple gilt fillet borders on the pastedowns, double gilt fillets on the board edges, original wrappers and spine preserved, top edge gilt.
Illustrated with a frontispiece, 15 plates and 6 vignettes by Georges Leroux engraved on copper by Raoul Serres.
This copy is supplemented, at the end of the volume, with a suite of the 22 illustrations together with the printed menu for the dinner...

First edition illustrated with 15 original copperplate engravings, including 10 in color, by Maurice de Vlaminck, one of 250 numbered copies on Arches laid paper.

The work is also illustrated with 2 portraits by Amedeo Modigliani depicting Maurice de Vlaminck and his wife.

Full Empire green morocco binding, spine with two prominent raised bands extending as triangles in blind on the covers, spine decorated with three gilt lozenges with gilt title and separated by a transverse gilt bar, marbled paper endpapers and pastedowns, triple gilt fillets framing the pastedowns, covers and spine preserved, top edge gilt, Empire green morocco-edged slipcase, marbled paper...

First edition illustrated with 11 original black woodcut engravings by Paul-Emile Colin and 15 original engravings and typographical ornaments printed in bistre by Pierre-Eugène Vibert, one of 25 numbered copies on Japan paper containing a collection of artist's proofs by both painter-engravers on China paper.
Full mauve morocco binding, faded spine with five raised bands, gilt date at foot, some rubbing to bands and joints, watered silk endpapers in mauve, brown morocco doublure decorated with vegetal and floral frieze executed with brown and violet mosaic morocco pieces, covers and spine preserved, all edges gilt, slipcase with mauve morocco entry, faded, marbled paper boards...

First edition illustrated with 38 hors-texte engravings (10 in color) after Fragonard, Eisen, Boucher, Moreau le jeune, Huet, Schall, one of 275 numbered copies on Holland paper, the only issue after 25 Japan.
Full midnight blue morocco binding, spine with five raised bands set with gilt dots decorated with double gilt compartments enhanced with gilt typographic motifs enriched with red, place, and blue mosaic morocco pieces, publisher and date gilt at foot, gilt roulettes on headcaps, three small nicks on joints and bands, triple gilt fillet frame on boards, marbled paper endpapers and pastedowns, gilt dentelle frame on pastedowns, covers and spine preserved, top edge gilt...

Antwerp, Ex officina Plantiniana, apud Ioannem Moretum, 1602. Small duodecimo, 8.2 x 12.6 cm. Three works bound in one volume.

A collection of three portable editions issued by the Plantin Press under the imprint of Jan Moretus: Cl. Claudianus, Theod. Pulmanni Craneburgii diligentia, & fide summa, è vetustis codicibus restitutus. Unà cum Del-Rio notis, 351 pages and 1 unnumbered leaf; Aviani Aesopicarum fabularum liber. A Theod. Pulmanno Craneburgio ex membranis in lucem editus, 29 pages and 3 unnumbered leaves; and Ad Cl. Claudiani V. C. Opera Martini Antonii Del-Rio notae, 90 pages and 3 unnumbered leaves...

New edition after the first published in 1768. Printed on strong laid paper. One frontispiece, one engraved title and 76 head-piece vignettes engraved by Corbould and Dent.

Contemporary English full dark green morocco binding with straight grain. Spine with false flat bands very richly decorated with 3 complex decorative compositions and various fillets, roulette at tail and head. Gilt titles. Red morocco onlay at tail bearing a library number. Wide blind and gilt border frame on covers, series of blind and gilt fillets. All edges gilt. Traces of rubbing. A slight tear at headcap. Several scratches on covers. Pale foxing on frontispiece and title otherwise the rest...

A uniformly bound contemporary set of twenty-two small octavo volumes comprising eight titles from the stereotype series of Pierre Didot l’aîné and Firmin Didot, published between Year VII [1798-1799] and 1806.

Each title is preceded by an advertisement leaf giving the booksellers’ addresses - including Pierre Didot l’aîné, printer at the galleries of the Louvre, and Firmin Didot, bookseller in the rue de Thionville - together with the price in sheets according to four qualities of paper: ordinary, fine, vellum and large vellum. Every volume in the present set is printed on vellum or large vellum paper.

First edition, one of 450 numbered copies on Holland paper.
Work illustrated with 35 original woodcuts by Fernand Siméon.
Full brown morocco binding, smooth spine decorated with a vertical band of black mosaic morocco, black roulettes on the headcaps, slight rubbing to the upper headcap, gilt title struck to the center of the first cover, covers decorated with a large diamond and a wide horizontal band of black mosaic morocco, endpapers and pastedowns of paper with gilt floral motifs and moiré effect, frame of vertical and horizontal bands of black mosaic morocco on the pastedowns, covers and spine preserved, top edge gilt, double black fillets on the leading edges, slipcase...

First edition illustrated with text illustrations and plates by Hermann Vogel and ornaments by Adolphe Giraldon, one of 60 numbered copies on China paper, the only deluxe copies after 20 on Japan.
Full blue morocco binding, spine very slightly faded with five raised bands, date and place gilt at foot, gilt borders on the headcaps, gilt fillet border on the pastedowns in full purple morocco, purple watered silk endpapers, following endpapers of combed paper, covers preserved, all edges gilt, double gilt fillets on the edges, slipcase edged with blue morocco, marbled paper boards, superb full morocco binding with doublure signed Blanchetière Bretault.
Each plate appears in triple...

First edition of one of the most beautiful books of the 18^th century, of which the text and the music are entirely engraved. It is illustrated with an engraved title, 3 frontispieces by Le Bouteux and Le Barbier, a dedication page with the Dauphine arms, and 100 figures by Moreau le Jeune, Le Barbier, Le Bouteux and Saint-Quentin, finely engraved in copperplate by Masquelier and Née. The portrait of Laborde, which can be found on some copies, is not part of this edition and was printed in 1774, separately.

Magnificent copy bound in 4 volumes, very rare condition. There are usually only copies with 2 volumes for understandable cost issues. It is...

First Elzevirian edition. with title-frontispiece. Epistle to Cardinal Mazarin. Brunet (Manuel du libraire): "The first edition of this esteemed history is that of Paris, Edme Martin, 1661, but it is not sought after, while this one [...]". There exists a counterfeit of this Elzevier edition, it is less well printed and contains only 514pp.

Full red morocco binding 19th century (ca 1860) signed Belz-Niedrée. Spine with raised bands richly decorated with ornate compartments framed by triple fillets, roll-tooled at foot. Covers with interlace decoration in frame and complex geometric figures. Rich inner border. Gilt edges. Very fresh copy, with a slight yellow dampstain to...

New edition, with some parts in first edition as expanded with a preface, one of 30 numbered copies on Holland paper, deluxe copies after 6 on Japan paper.

Full chocolate brown morocco binding, spine with five raised bands, gilt roulettes on headcaps, quadruple black fillets framing the boards, black fleurons at corners, marbled endpapers and pastedowns, triple gilt fillets framing the pastedowns, covers and spine preserved, double gilt fillets on leading edges, top edge gilt on deckled edges, contemporary binding signed by Stroobants.

Bookplate pasted at head of one pastedown.

Very fine copy perfectly executed by Stroobants.

New edition revised by the author, illustrated with 4 copper-engraved plates by Morel after drawings by Chaudet (Cohen, col. 927). A sumptuous publication from the press of Pierre Didot l'aîné, the foremost printer of his day. This edition is distinguished from all previous ones by its entirely renewed illustration in a neoclassical spirit, in keeping with the aesthetic of the Directoire period. It is the first to have been revised by the author himself.
Contemporary binding in full red morocco, spine with five raised bands richly decorated with gilt dentelles, fillets and fleurons, boards framed with a double gilt dentelle, gilt roll on the turn-ins and headbands...

First edition of this revised and illustrated version of François de Ligny’s Histoire de la vie de Jésus-Christ, published in Paris in 1804 under the supervision of the Abbé de Sambucy. The work is illustrated with 75 plates - 40 in volume I, including the frontispiece, and 35 in volume II, likewise including the frontispiece - engraved under the direction of L. Petit after paintings from the Italian, French and Flemish schools, together with a folding map of Palestine. Entirely printed on laid paper watermarked “Vie de J.C.”

L'Histoire du Chevalier des Grieux et de Manon Lescaut, by the Abbé Prévost. First edition with these illustrations, comprising 15 watercolours by René Lelong, engraved on copper in wash and stipple by Jean-Antonin Delzers in the manner of the 18th century, and printed in colour by register.

One of 100 deluxe copies on blue-tinted Arches vellum, no. 122, for which the justification calls for an additional suite printed in a single colour; this suite is not present in the present copy.

First edition, published in London by Seeley, Jackson & Halliday in 1883. The work is illustrated with twelve large plates on Arches wove paper, comprising eleven etchings and one plate in wash manner by Alfred-Louis Brunet-Debaines and his pupil Henri Toussaint, together with thirty-three engraved illustrations in the text, including plans, architectural details and views. Text printed in double columns.

Contemporary full navy blue morocco. Spine with raised bands and gilt shell tools, title gilt; broad...

Fourth collective edition for the first part and third for the second and third parts, published by Corneille himself. Our copy is adorned with the frontispiece of the first two editions (dated 1645), and the portrait of Corneille by Michel Lasne, dated 1644.

Later bindings in full blue morocco, Jansenist spines with five raised bands, endpapers and pastedowns framed with gilt dentelles of marbled paper, all edges gilt, marbled paper slipcases bordered with morocco, bindings signed by Alix.

Rare and beautiful copy elegantly bound.