Love from Brutal to Sacred

First edition, one of 80 numbered copies on vélin pur chiffon de Lana, the only grand papier (deluxe) copies.
A very nice copy.

Erotic manuscript consisting of two beveled wooden boards with two paintings and 10 leaves with a painting on the recto and a handwritten Tibetan text on the recto. The text is the same on the 10 leaves, it is a mantra. On two of the leaves it is almost completely erased. On the recto of the two wooden boards there are also two different handwritten mantras. The paintings are executed directly on the wood and the leaves. The dimensions of the paintings vary somewhat, from 5.5 cm, 6 cm to 12, 14 cm in width.
This form, 2 pieces of wood with leaves in the middle, is traditional. The whole was often attached by a string, or by holes in the wood through which a string was passed. Very good...

Autograph letter signed by Charles Baudelaire, written in pencil and addressed to his mother. Dry-stamped stationery of the Grand Hôtel Voltaire, Faubourg Saint-Germain. Address to Madame Aupick in Honfleur (Calvados) in the author's hand, together with several postal markings dated 13 and 14 July 1858. Several underlinings, deletions and corrections by Baudelaire. Trace of a wax seal bearing Charles Baudelaire's initials in pencil, probably in the author's hand. A small portion of the second leaf has been excised, with no loss of text.
This letter was first published in the Revue de Paris on 15 September 1917.
From the former collection of...

First edition.

Black half morocco binding, spine with four raised bands adorned with gilt dotted fillets and double gilt compartments decorated at the corners, gilt date and the inscription "Ex. de J. Drouet" at the tail, marbled paper boards and endpapers, preserved covers and spine, top edge gilt, binding signed by René Aussourd.
Some minor foxing, mainly at the beginning and end of the volume.

Precious signed and inscribed copy by Victor Hugo to Juliette Drouet, the great love of his life: ‘To you, my lady. Humble homage. V.'

This copy comes from the library of Pierre Duché, who acquired Juliette Drouet's entire...

Rare and highly sought-after first edition (...) of which only a portion of the copies contains a preface (cf. Clouzot). The important account of the lawsuit concerning The Lily of the Valley that precedes the novel was not retained in subsequent editions and is often lacking in a number of the copies published by Werdet.

Copy complete with both the preface and the account of the lawsuit that opposed Balzac to the publisher François Buloz. Contemporary half green sheepskin bindings, smooth spines decorated with gilt romantic typographical motifs, gilt fillets at heads and tails, marbled paper boards, paste paper endpapers and pastedowns, marbled edges...

First edition, one of 150 numbered copies on Hollande, the only deluxe issue copies after 5 on Japon.
A very fine copy, as issued, with an important manuscript document by Elme-Marie Caro, 1 page in ink on a double leaf, undated [1887 ?].
Maupassant's last novel Notre Coeur is also one of his most autobiographical. The writer was strongly influenced in this piece by famous literary and artistic "Salons" held by high society women, which he frequently attended. The novel confronts a man of letters with one of these strong-headed women of late 19th-century Paris. He describes the main character Michèle de Burne as "a woman of refinement, of indeterminate...

Partly first edition, gathering the most famous speeches by Victor Hugo, including some of his most memorable addresses delivered at the tribune of the Legislative Assembly—most notably the speech on constitutional revision and the powerful plea he gave at the trial of his son, on 11 June 1851, before the Cour d'assises of the Seine, in defense of the inviolability of human life. Spurious mention of “eighth edition.”
Complete with the rare portrait of the author by Masson printed on China paper, as frontispiece.
Scattered occasional foxing.
Precious inscribed copy signed by Victor Hugo to Juliette Drouet : « à mon pauvre...

First edition, an advance (service de presse) copy.

Three small wormholes and a clear dampstain to margin of upper cover, one joint cracked at foot.
Retaining its prière d'insérer. 
Very precious and moving autograph inscription signed and dated by Maurice Blanchot to his mother and sister: "Personne ne reçoit tant de Dieu que celui qui est entièrement mort. Saint Grégoire. Pour sa chère maman et sa vieille Marg, en toute affection. Maurice [No one receives God so fully as someone who is entirely dead. Saint Gregory. For his darling mother and old Marg, with all love. Maurice]."

First edition, one of 90 copies on Holland paper, ours being one of a few lettered hors commerce copies.
Bradel binding in half brown box, smooth spine, decorated paper boards, brown endpapers and pastedowns, original covers preserved, top edge gilt, binding signed by Goy & Vilaine.
Precious autograph inscription signed by Paul Valéry: « A Victoria Ocampo, - a sus piès de Vd - ce petit rien qu'elle a bien voulu désirer. »
A superb dedication that marks the beginning of the enduring friendship between the two writers, beyond all differences.
At Valéry's death in 1945, Victoria Ocampo would recall their first meeting in December 1928 during a writers’ dinner to...

New edition prepared by Lenglet Du Fresnoy, with his notes and a glossary. A handsome title vignette. The last early edition.

19th-century binding in red half morocco with corners, signed Bauzonnet. Spine with five raised bands richly decorated in the grotesque style. Double gilt fillet on the boards. Top edge gilt on deckled edges. Spine somewhat faded. Some marginal worming, otherwise a handsome copy.

Ex-libris of the L. Pasquier library pasted on the first endpaper.