Love from Brutal to Sacred

First edition which was not printed on deluxe paper (grand papier).
A beautiful copy, illustrations.
Publisher's binding with full black boards, photographic first board.
Sting's handwritten signature accompanied, underneath, with the printed stamp of the “Fondation Forêt Vierge” led by Sting and Jean-Pierre Dutilleux.

Second illustrated edition.
Spine with some rubbing.
Illustrated with drawings by Horacio Cardo.
 
Rare presentation copy erroneously dated 1949 and signed by Jorge Luis Borges to his muse Ema Risso Platero : « à Emita, con afecto innumerable. »

Edition illustrated with 10 original color lithographs hors-texte by Jean-Gabriel Domergue, one of 40 numbered copies on Rives vellum.
Half red morocco binding with bands, smooth spine, date gilt at tail, boards, endpapers and pastedowns of moiré and gilt effect paper, covers and spine preserved, top edge gilt, contemporary binding signed Gauché.
The work is also ornamented with 26 illustrations in the text, in one or two tones, as chapter headpieces, tailpieces in red by Jean-Gabriel Domergue.
Handsome copy containing the full suite of 18 in-text illustrations.
Manuscript annotation in blue ballpoint pen on the title page: unique copy.
Indeed, on two hors-texte

First edition, no deluxe paper copies were issued.
 With a precious signed autograph inscription by Jacques Higelin to Régine Deforges : “To my lady Régine Deforges, the tender greeting of my twenty springs, which I lay today at the doorstep of your heart's secret garden.”
Provenance: the library of Régine Deforges.
 A handsome copy.

First edition printed in 500 numbered copies on Japan paper.
Work illustrated with drawings by Job after pencil sketches.
Handsome copy despite light worming of no consequence to the boards.
Manuscript signatures of Job and Stéphen Liégeard below the justification page.

An album containing 14 gouaches on silk, including 12 erotic paintings. The first painting on each side of the folding shows a bird and on the other side maple leaves, thus masking on each of the first pages the erotic aspect of the collection. Shunga is the generic Japanese term that designates erotic art, it literally means Spring Image, spring being a euphemism and figure of style expressing sexuality. The term Shunga having been reserved for a long time for prints, collections or albums have often been designated by the appellation Pillow Books, or notes for the pillow, etc. (Utamaro: The Song of the Pillow, 1788).
Japanese accordion album covered with damask silk with flowers and

First edition, one of 50 copies printed anonymously on papier japon.
First edition, one of 50 copies printed anonymously on papier japon.
Illustrated with an erotic frontispiece by Félicien Rops on chine.
Custom chemise and slipcase in half morocco and paper boards signed Boichot, some discreet restorations to the spine and covers, some discreet restorations to the top margin of the frontispiece, not affecting the engraving.
“La Présidente”, honorary nickname given to Apollonie Sabatier (alias Aglaëe Savatier, her real name), was one of the most captivating Salon hostesses of the 19th century. She inspired an ethereal love in Baudelaire who

Comme devant une place / Pleine de gens et de bruit / Je reste figé sur place / Arrêté devant ma vie

New edition, with some parts in first edition as expanded with a preface, one of 30 numbered copies on Holland paper, deluxe copies after 6 on Japan paper.

Full chocolate brown morocco binding, spine with five raised bands, gilt roulettes on headcaps, quadruple black fillets framing the boards, black fleurons at corners, marbled endpapers and pastedowns, triple gilt fillets framing the pastedowns, covers and spine preserved, double gilt fillets on leading edges, top edge gilt on deckled edges, contemporary binding signed by Stroobants.

Bookplate pasted at head of one pastedown.

Very fine copy perfectly executed by Stroobants.

First edition, one of 230 numbered copies on Auvergne paper, ours one of 75 not-for-sale copies, the only printing after 10 copies on China and a few hors commerce copies; this copy specially printed for René Daumal.
 
Frontispiece illustrated with an original lithograph by Étienne Cournault.
Very faint, insignificant foxing to the margins of the covers.
A handsome copy complete with its original wraparound band.
 
Exceptional and superb signed autograph inscription dated 27 December 1936 from René Daumal to his future partner Véra Milanova : « à Véra Milanova – à toi Véra, d'abord ces anciens mensonges (que je n'ai pu nourrir qu

First edition, one of 480 numbered copies on laid paper, only grands papiers (deluxe) copies besides 20 Arches and 100 service de presse (advance) copies on laid paper.
Our copy is complete with the rare vignette etching drawn and engraved by Hans Bellmer printed 'en sanguine' present in only around 200 copies.
Preface by Jean Paulhan.
Spine very lightly faded.
A beautiful copy of this masterpiece of erotic literature.