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Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

Short Stories & TalesShort Stories & Tales
Short Stories & Tales

Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
The Ancient Authors

From Attic classics to apothecary's Latin. come feast at the banquet of the ancients. On the menu at Aesop's tables: Roman let us scroll, Gaelic reads,  Ovid's spoil, Chinese feud.

Foreign LiteratureForeign Literature
Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

Our Great ModernsOur Great Moderns
Our Great Moderns

A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

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Gift ideas between 400 and 500 €
  1. La pécheresseLa pécheresse
    George BARBIER, Henri de RÉGNIER

    La pécheresse

    Editions Mornay|Paris 1924|15 x 20.50 cm|broché
    Edition decorated with original color illustrations by George Barbier, one of 921 numbered copies on Rives.
    A fine copy.


    €400
  2. Eugénie GrandetEugénie Grandet
    Honoré de BALZAC

    Eugénie Grandet

    Charpentier|Paris 1839|11.20 x 18.60 cm|relié
    First duodecimo edition and first separate edition, with a revised version, after the original of 1834, which appeared in volume I of Scènes de la vie de province. Concerning the Charpentier editions, which form a sort of first collected edition, Clouzot states: "A collection of very great interest because for all the texts, it presents a revised version, often profoundly so. Increasingly sought after, they have nevertheless remained (for how much longer?) at a very affordable price." Guide du bibliophile français. XIXe siècle.
    Half vermillion red glazed calf binding. Smooth spine decorated with a large rocaille tool in mirror. 2 black calf title labels. Fillets at head and tail. Light...
    €500
  3. Numéro de La Plume consacré à Alphonse MuchaNuméro de La Plume consacré à Alphonse Mucha
    COLLECTIF, Alfons MUCHA

    Numéro de La Plume consacré à Alphonse Mucha

    La Plume|Paris 1897|17.50 x 24 cm|broché
    First edition of this issue entirely devoted to Alfons Mucha.
    Two tears and a lack to spine, a light dampstain at head of first cover, small stains at head of second.
    Numerous literary contributions including those by Léon Deschamps, Frantz Jourdain, Sarah Bernhardt, Paul Redonnel, Yvanoé Rambosson, Charles Chincholle...
    Issue decorated with 127 illustrations by Alfons Mucha, including the cover, and a portrait of the latter by David Ossipovitch Whidhopff.
    €500
  4. La revue indépendante tome II de Novembre 1884 à Avril 1885La revue indépendante tome II de Novembre 1884 à Avril 1885
    Paul VERLAINE, Stéphane MALLARMÉ

    La revue indépendante tome II de Novembre 1884 à Avril 1885

    La Revue Indépendante|Paris Novembre 1884-Avril 1885|12 x 18.50 cm|relié
    First edition.
    Bradel binding in half grey cloth, smooth spine decorated with gilt floral motif, gilt initials and double fillet at foot, brown shagreen title-label showing traces of rubbing and lacks, bookplate pasted on pastedown, top edge gilt.
    Numerous contributions including those by Paul Verlaine "Le Parnasse contemporain" "Notes jetées en chemin de fer" "La Pendule" "Mon Hameau", Joris-Karl Huysmans "L'Emblème" "Le nouvel album d'Odilon Redon", Stéphane Mallarmé "Prose pour des Esseintes" "Sonnets", André Lefèvre "L'Intelligence" "Le fond des Religions", "Lettres inédites de Jules Vallès à M. Emile Gautier", Jules and Edmond de...
    €500
  5. Sinbad the sailor & other stories from the arabian nightsSinbad the sailor & other stories from the arabian nights
    Edmond DULAC, ANONYME

    Sinbad the sailor & other stories from the arabian nights

    Hodder & Stoughton|London s. d. [1914]|21 x 28.50 cm|reliure de l'éditeur
    First printing of the 23 color plates by Edmond Dulac.
    Publisher's full brick-red cloth binding, smooth spine richly decorated with Arabesque design on a background of blue roses, front board decorated with large gilt Arabesque design on a background of blue roses, small spots of discoloration on the boards, endpapers and pastedowns of brick paper on a background of blue roses.
    Half-title and final endpaper pages spotted, otherwise handsome interior condition.










    €500
  6. Paris - sportif. Anciens et nouveaux sportsParis - sportif. Anciens et nouveaux sports
    CRAFTY

    Paris - sportif. Anciens et nouveaux sports

    Librairie Plon|Paris 1896|17.50 x 24 cm|relié
    First edition. The illustration consists of very numerous in-text drawings and approximately 45 plates. The work has a thoroughly satirical and humorous design characteristic of the author, even though the text contains solid information on the practice of sports in Paris at the end of the 19th century, notably the new sports.
    Publisher's periwinkle blue cloth binding with special decoration for the edition. Smooth spine decorated with a fleuron. Light soiling. Headcaps rubbed with small cuts. Corners slightly turned and rubbed. Paper very fresh except for some rare and pale foxing.
    The sports are classified into 3 groups: natural sports (walking, boxing, racing...), mechanical...
    €500
  7. Le taureau, le veau, le maquereau, le chat, le lapin, la bête à bon dieu, le crapaud, la vache, la pouleLe taureau, le veau, le maquereau, le chat, le lapin, la bête à bon dieu, le crapaud, la vache, la poule
    Sacha GUITRY

    Le taureau, le veau, le maquereau, le chat, le lapin, la bête à bon dieu, le crapaud, la vache, la poule

    Grande Imprimerie de Montrouge|Paris s. d. [1906]|19 x 27 cm|agrafé
    First edition consisting of nine plates of characters caricatured by Sacha Guitry to whom he gave animal names, one of the few copies on johannot montgolfier d'Annonay paper.
    Blind stamp in the lower right margin of the last caricature "La poule" (The hen).
    Rare and fine copy of the author's second work.
    €400
  8. Paroissien romain, d'après les imprimés français du XVe siècleParoissien romain, d'après les imprimés français du XVe siècle
    ANONYME

    Paroissien romain, d'après les imprimés français du XVe siècle

    Gruel & Engelmann|Paris 1858|11.50 x 16 cm|relié

    First edition of this Roman missal. Each text page within an engraved border containing multiple vignettes that change throughout the pages, after French manuscripts of the 15th century. Engraved title and 10 engravings in borders. The 5 chromolithographs may have been added, as they are not part of most copies. A frontispiece is sometimes mentioned, but the presence of a chromolithographic title with Curmer's name suggests they were added.



    Contemporary full chocolate morocco Jansenist binding signed L. Curmer, in gold letters at the top of the first endpaper. Decorative gilt board-edges. All edges gilt. Scarlet silk endpapers with a monogram on the first endpaper. Light...

    €450
  9. Le diable amoureuxLe diable amoureux
    Jean-Emile LABOUREUR, Jacques CAZOTTE

    Le diable amoureux

    Aux dépens de Camille Bloch|Paris 1921|14 x 22.50 cm|broché
    Edition printed in 575 numbered copies on Arches laid paper and illustrated with 6 original engravings as well as 6 original wood-engraved vignettes by Jean-Emile Laboureur
    Spine very lightly faded with two small tears at foot, one stain and black foxing framing the title vignette on the first cover, handsome interior condition.

    €500
  10. Vie des martyrsVie des martyrs
    Georges DUHAMEL

    Vie des martyrs

    René Kieffer|Paris 1924|13 x 25.50 cm|relié
    First edition under this title, one of 500 numbered copies on white laid paper containing a state of the etchings.
    Full old rose morocco binding, spine with four wide false raised bands decorated with fillets and compartments with cherry branch designs stamped in blind, boards decorated with a large plate framed with fillets representing a war helmet abandoned in a landscape of ruins surmounted by a cherry branch, covers and spine preserved, top edge gilt, contemporary binding signed Kieffer.
    Work illustrated with etchings and wood engravings by Paul Baudier.
    Large manuscript signature of Georges Duhamel on the half-title page.
    Handsome copy well...
    €500
  11. Le sphinx et autres contes bizarres - Exemplaire enrichi de deux dessins originaux et d'un envoi autographe en anglais et à pleine page de Maurice SachsLe sphinx et autres contes bizarres - Exemplaire enrichi de deux dessins originaux et d'un envoi autographe en anglais et à pleine page de Maurice Sachs
    Edgar Allan POE, Maurice SACHS

    Le sphinx et autres contes bizarres - Exemplaire enrichi de deux dessins originaux et d'un envoi autographe en anglais et à pleine page de Maurice Sachs

    Gallimard|Paris 1934|12 x 19 cm|broché
    First collected edition of this selection of tales translated into French by Marie Bonaparte, Maurice Sachs and Matila C. Ghyka, a Service de Presse (advance) copy.
    Boards marginally soiled and foxed, light foxing to edges.
    Original preface by Paul Morand.
    Our copy is enhanced with an exceptional autograph inscription, in English, by Maurice Sachs accompanying his two drawings representing a sphinx and a bear: "The Sphinx asked the Bear: who likes honey and trout, and candies and ginger ? We do, said the Big Bear, we bears. So the Sphinx changed into a bear and they lived happy together, 1934" ; Maurice Sachs's inscription continues in the lower left margin...
    €400
  12. Lettre autographe signée à Roger Nimier à propos d'un dessin qu'il lui a envoyé pour illustrer l'un de ses ouvragesLettre autographe signée à Roger Nimier à propos d'un dessin qu'il lui a envoyé pour illustrer l'un de ses ouvrages
    Jean COCTEAU

    Lettre autographe signée à Roger Nimier à propos d'un dessin qu'il lui a envoyé pour illustrer l'un de ses ouvrages

    Saint-Jean-Cap-Ferrat 23 Janvier 1961|21 x 27 cm|une page
    Autograph letter signed by Jean Cocteau, on letterhead from Villa Santo-Sospir in Saint-Jean-Cap-Ferrat which he decorated, 13 lines in blue ink, to Roger Nimier.
    Fold marks inherent to mailing.
    "23 Janv. 1961,
    Très cher Nimier,
    voici pour accompagner le portrait dessin. Si vous le trouvez trop bref demandez chez Grasset un exemplaire de journal d'un inconnu. Dans le chapitre de l'amitié, je raconte un déjeuner entre Simenon, Pagnol et moi.- sans nommer personne. Mais le passage est très significatif de ce que je résume en q.q. lignes. Votre fidèle, Jean. P.S. Dites moi vite si tu as reçu cette note et son P.S." ("23 Jan. 1961, / Very dear Nimier, / here...
    €450
  13. Lettre autographe adressée à l'écrivain et journaliste Olivier Quéant à propos d'un projet d'éditionLettre autographe adressée à l'écrivain et journaliste Olivier Quéant à propos d'un projet d'édition
    Jean COCTEAU

    Lettre autographe adressée à l'écrivain et journaliste Olivier Quéant à propos d'un projet d'édition

    Kietzbühel [Kitzbühel ] 8 Février 1954|13.50 x 21 cm|une page + une enveloppe
    Autograph letter signed by Jean Cocteau addressed from the Grand Hotel Kietzbühel, 16 lines in black ink, to Olivier Quéant.
    Fold marks inherent to mailing, envelope included.
    "Grd Hotel Kietzbühel, 8 Feb. 1954,
    my dear Olivier
    dans le poème "J'ai dans un train" il y a les chevaux noirs et l'homme le lotte du guerre et paix de Picasso (isti guerre) on pourrait prendre le motif séparé du livre qui flambe sous le pied d'un cheval noir. Il ferait une belle image. Si tu ne l'as pas demande le catalogue illustré de Rome [...] Eugenio Réale 3 rue Mangili Rome." (in the poem "J'ai dans un train" there are the black horses and the man the lotte of Picasso's...
    €400
  14. Balzac-DickensBalzac-Dickens
    Stefan ZWEIG

    Balzac-Dickens

    Kra|Paris 1927|12 x 19 cm|broché
    First French edition, one of 200 numbered copies on laid paper, the only deluxe copies after 5 Holland and 10 pur fil.
    Endpapers lightly and marginally shaded without concern.
    A handsome copy.
    €500
  15. Théâtre / RomanThéâtre / Roman
    Louis ARAGON

    Théâtre / Roman

    Gallimard|Paris 1974|15 x 22 cm|broché
    First edition, one of 55 numbered copies on Holland paper, deluxe copy.
    A very handsome copy.
    €500
  16. Paris actuel. Choix de 26 vues et monumentsParis actuel. Choix de 26 vues et monuments
    Claude Hilaire CHAMOUIN, Adolphe ROUARGUE

    Paris actuel. Choix de 26 vues et monuments

    Chamouin|Paris 1865|24.50 x 31 cm|relié
    First edition. One map and 25 views by Rouargue engraved by Chamouin. One can distinguish the Tuileries Palace and the town hall which were destroyed during the Commune. A view of the new Louvre is interesting as well as that of the central markets, the new palace of justice, the recent Gare de l'Est, the new church of Saint Vincent de Paul. All these animated views are set in the contemporary Paris of the Second Empire.
    Publisher's binding in half red shagreen with red percaline boards. Smooth spine decorated with 4 compartments with tools and fillets. On the upper board, decorated with several blind frames, Paris in gilt letters. Rubbing to joints, headcaps and corners. A micro crack...
    €500
  17. Lettre autographe signée adressée à Roger NimierLettre autographe signée adressée à Roger Nimier
    Jean GIONO

    Lettre autographe signée adressée à Roger Nimier

    s. l. [ca 1952]|21 x 27 cm|une feuille
    Autograph letter signed by Jean Giono (9 lines in black ink) addressed to Roger Nimier.
    Fold mark inherent to postal handling.
    "Dear Nimier,
    thank you for your letter; and for letting me hope for your visit. I should point out right away that I will be absent Monday 9th and Tuesday 10th. Apart from those two days your collaborators can come whenever they wish.
    My friendship. Jean Giono."

    Very visual letter bearing the beautiful signature of Jean Giono.


    €400
  18. Michel Foucault - Portrait 4Michel Foucault - Portrait 4
    (Michel FOUCAULT) Bruno de MONES

    Michel Foucault - Portrait 4

    S. n.|s. l. • [Paris] avril 1984|24 x 30.50 cm|une feuille
    Original photograph. Vintage black and white gelatin silver print. Artist's proof signed on verso.
    Portrait of philosopher Michel Foucault at his desk.
    In 1983, Bruno de Monès began a regular collaboration with Le Magazine littéraire which would continue until the mid-1990s.
    €400
  19. "Vous me rappelez, en effet, des temps déjà bien anciens, mais que ce qui a fini n'a pu effacer de ma mémoire""Vous me rappelez, en effet, des temps déjà bien anciens, mais que ce qui a fini n'a pu effacer de ma mémoire"
    Charles-Augustin SAINTE-BEUVE

    "Vous me rappelez, en effet, des temps déjà bien anciens, mais que ce qui a fini n'a pu effacer de ma mémoire"Autograph letter, dated and signed, congratulating his correspondent on the quality of his latest work

    s. l. 15 juillet1860|13.50 x 21 cm|une page et demi sur un double feuillet
    Autograph letter signed by Sainte-Beuve, 1 and a half pages on a double sheet. 25 lines in black ink.
    "J'ai été très sensible, cher monsieur, à votre bon français et à l'envoi du très sage et instructif volume qui en est la cause. Vous me rappelez, en effet, des temps déjà bien anciens, mais que ce qui a fini n'a pu effacer de ma mémoire : car, à vous parler vrai, quoi qu'il y ait bien de l'espace et bien de l'intervalle d'aujourd'hui à ce temps-ci, il me paraît souvent qu'il y a du vide : et le tourbillon de la vie littéraire dont vous me parlez, je ne le ressens guère. Ce qui me frappe, c'est plutôt le contraire du tourbillon, c'est à dire l'isolement, la disparition...
    €450
  20. Clos joli. Etudes de fleurs et fruitsClos joli. Etudes de fleurs et fruits
    Jacques ZOUBALOFF

    Clos joli. Etudes de fleurs et fruits

    Charles Moreau|Paris 1929|32 x 35.50 cm|2 volumes en reliures de l'éditeur sous étui
    First edition printed in 325 copies, ours unnumbered.
    Publisher's binding in half sky blue flexible boards, smooth and unlettered spine in sand-colored cloth, a vignette representing a rose glued to the center of the first board of the first volume, a vignette representing a pear at the center of the first board of the second volume.
    Work illustrated with 100 watercolors hors-texte reproduced by Daniel Jacomet.
    Introduction by Guillaume Janneau.
    Handsome copy.
    €450
  21. Le livre de mariageLe livre de mariage
    Joseph SIMA

    Le livre de mariage

    S. n.|Paris 1922|12 x 20 cm|en feuilles
    First printing of the 31 original woodcuts in black by Joseph Sima, one of 210 numbered copies on Montval laid paper, ours unnumbered.
    Handsome copy complete with its fragile glassine paper covers.













    €450
  22. FatrasFatras
    Jacques PRÉVERT

    Fatras

    Gallimard|Paris 1966|13.50 x 19 cm|broché
    First edition illustrated with 57 images by the author.
    Traces of rubbing to the joints as usual.
    Autograph inscription dated and signed by Jacques Prévert to his friend and neighbor Baudy.
    €500
  23. Un certain sourireUn certain sourire
    Françoise SAGAN

    Un certain sourire

    Julliard|Paris 1956|12 x 19 cm|broché
    First edition, a Service de Presse (advance) copy.
    Two restorations to the joints, one stain to right margin of first board, small lack to lower right margin of first endpaper, paper yellowed as is often the case.
    Signed and inscribed by Françoise Sagan to Max-Pol Fouchet.


    €500
  24. [PHOTOGRAPHIE] Portrait photographique de Louis Pasteur[PHOTOGRAPHIE] Portrait photographique de Louis Pasteur
    (Louis PASTEUR) Pierre PETIT

    [PHOTOGRAPHIE] Portrait photographique de Louis Pasteur

    s. n.|Paris 1910|10.50 x 15.60 cm|une photographie
    Silver gelatin photograph from the original plate by Pierre Petit who took this photograph around 1880. Cabinet card format.
    A photograph. Superb print, with strong contrast, very sharp.
    Several portraits exist from this famous sitting in Pierre Petit's studio, where we always see the scientist up close, in more fashionable attire. He wears the rosette of the Legion of Honor. The sessions at Nadar's appear to be a few years older. In this sitting, Pasteur hints at a smile and wears more elegant clothing. We know of prints from this sitting session but frontal, not in profile. Pierre Petit's framings are quite unusual for the period, tightly focused on the subject.


    €400
  25. Alpes et Pyrénées. Arabesques littéraires composées de nouvelles historiques, anecdotes, chroniques...Alpes et Pyrénées. Arabesques littéraires composées de nouvelles historiques, anecdotes, chroniques...
    COLLECTIF

    Alpes et Pyrénées. Arabesques littéraires composées de nouvelles historiques, anecdotes, chroniques...

    P. C. Lehuby|Paris 1842|14 x 22.50 cm|relié
    First edition composed of 33 short stories (travels, historical anecdotes, descriptions...) by Amable Tastu, Champagnac, Léon Guérin, J. de Mirval, Eugénie Foa... illustrated with 12 lithographs.
    Publisher's binding in full black shagreen signed Boutigny, with his label at the top of the first endpaper. Smooth spine decorated with rococo tools. Boards hot-stamped with a large central decorative ornament and a black frieze on gilt ground forming a border. Edges gilt. Traces of rubbing, particularly at corners. Scattered foxing.
    Very handsome copy in its publisher's binding by Boutigny.

    €500
  26. Book of the poets. Chaucer to Beattie. Modern poetsBook of the poets. Chaucer to Beattie. Modern poets
    COLLECTIF

    Book of the poets. Chaucer to Beattie. Modern poets

    Scott, Webster and Geary|London 1842|13.50 x 21.80 cm|2 volumes reliés
    First edition of this famous anthology reflecting Romantic taste. Printed on tinted vellum illustrated with 90 steel-engraved vignettes as headpieces and tailpieces. 2 title-frontispieces on heavy vellum.
    Publisher's binding in full pale green striped boards. Smooth spine composed of interlaced foliage forming cartouches for the titles. Gilt urn at center of boards, blind-stamped decoration framing the urn. Spines uniformly darkened. Minor traces of rubbing. Micro-cuts to joints at head. Copy with very fresh paper, entirely free of foxing except the two title-frontispieces. Some engravings with ink offset on facing page. In margins of some engravings the tissue guard has been removed...
    €450
  27. Lettre autographe datée et signée à propos d'un règlement qu'il vient de recevoir pour une de ses contributions chez Jean-Jacques PauvertLettre autographe datée et signée à propos d'un règlement qu'il vient de recevoir pour une de ses contributions chez Jean-Jacques Pauvert
    André BRETON

    Lettre autographe datée et signée à propos d'un règlement qu'il vient de recevoir pour une de ses contributions chez Jean-Jacques Pauvert

    S. n.|Paris 12 Mai 1964|21 x 26 cm|une page
    Autograph letter dated and signed by André Breton (11 lines in black ink from his Parisian residence on rue Fontaine) acknowledging receipt of a cheque he received from Jean-Jacques Pauvert's publishing house.
    Crease mark inherent to folding for mailing.
    He apologizes for responding so late to his correspondent, asks him to thank Jean-Jacques Pauvert and to convey his regards.


    €400
  28. La mort dans l'âmeLa mort dans l'âme
    Jean-Paul SARTRE

    La mort dans l'âme

    Gallimard|Paris 1949|14.50 x 21 cm|broché
    First edition, one of 105 numbered copies on pure thread paper, deluxe copies after 8 on antique laid paper.
    Endpapers lightly shadowed, small sunning mark at foot of spine where ink from three letters has run, some foxing to boards.
    €450
  29. Poème autographe inédit signé intitulé "Surprise" Poème autographe inédit signé intitulé "Surprise"
    Camille de SAINTE-CROIX

    Poème autographe inédit signé intitulé "Surprise"

    S. n.|s. l. s. d. [circa 1890]|16 x 26 cm|une feuille
    Unpublished autograph poem signed by Camille de Sainte-Croix entitled "Surprise" and dedicated to his wife whom he nicknamed Lène, mentioned in one stanza. Fold mark inherent to mailing.
    At the top of the poem, 17 lines in black ink on a leaf, Camille de Sainte-Croix added this remark: "Mon cher Alphonse, veux-tu vers pour insérer ? Croix" ["My dear Alphonse, do you want verses to insert? Croix"], with a view to having it published in a review:
    "Sous le sourire grave et fin d'un crépuscule
    Et du fond de l'allée au feuillage rouillé,
    J'ai vu venir un bel Amour tout dépouillé,
    Et je lui fis un geste obscène et ridicule,
    Presque fou...
    €450
  30. "Mes fenêtres s'ouvrent sur une école, et c'est la cloche des élèves qui règle mon lever, mon travail, mes repas. Pendant les récréations, je fume ma pipe, entre les deux coups de cloche. C'est admirable. C'est la vie de couvent, à domicile.""Mes fenêtres s'ouvrent sur une école, et c'est la cloche des élèves qui règle mon lever, mon travail, mes repas. Pendant les récréations, je fume ma pipe, entre les deux coups de cloche. C'est admirable. C'est la vie de couvent, à domicile."
    Roger MARTIN DU GARD

    "Mes fenêtres s'ouvrent sur une école, et c'est la cloche des élèves qui règle mon lever, mon travail, mes repas. Pendant les récréations, je fume ma pipe, entre les deux coups de cloche. C'est admirable. C'est la vie de couvent, à domicile."Signed autograph letter addressed to his friends Carlo and Alice Rim to whom he conveys all the happiness of a regained joie de vivre

    S. n.|Nice 1er Novembre 1934|13.50 x 21 cm|une feuille
    Autograph letter signed by Roger Martin du Gard addressed from Nice to his friends Rim (3 pages, 46 lines in black ink) great suppliers of sweets and other delicacies for the author of Les Thibault who seems to rediscover, under the Provençal sun and tranquility; a soothed sweetness and carefree spirit of living simply, the proximity of a school further facilitating this ideal peace :
    "Nice. 1er novembre 34
    Chers amis, pour si agréable qu'il soit, c'est un rôle bien gênant à tenir que celui du vieux monsieur qu'on gave de sucreries ! Je suis attendri jusqu'aux larmes que vous pensiez ainsi à me régaler à distance, et le coeur me fond dans la poitrine en...
    €450
  31. Lettre autographe signée adressée à Carlo Rim le remerciant d'avoir à sa demande embauché son gendre "... c'est moi qui le pousse vers la production avec le sentiment soucieux de l'avenir d'un beaupère de Labiche, que j'ai endossé avec une jaquette, le jour du mariage... Cher Carlo Rim, si vous avez une fille faites la religieuse, le rôle de beaupère rend con."Lettre autographe signée adressée à Carlo Rim le remerciant d'avoir à sa demande embauché son gendre "... c'est moi qui le pousse vers la production avec le sentiment soucieux de l'avenir d'un beaupère de Labiche, que j'ai endossé avec une jaquette, le jour du mariage... Cher Carlo Rim, si vous avez une fille faites la religieuse, le rôle de beaupère rend con."
    Jean ANOUILH

    Lettre autographe signée adressée à Carlo Rim le remerciant d'avoir à sa demande embauché son gendre "... c'est moi qui le pousse vers la production avec le sentiment soucieux de l'avenir d'un beaupère de Labiche, que j'ai endossé avec une jaquette, le jour du mariage... Cher Carlo Rim, si vous avez une fille faites la religieuse, le rôle de beaupère rend con."

    Chesières-sur-Ollon [Chesières-sur-Ollon] s. d. [circa 1960]|21 x 29.50 cm|une feuille
    Autograph letter signed by Jean Anouilh addressed to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob (37 lines in blue ink) from his chalet in Chesières-sur-Ollon in Switzerland.
    Two letters and one word having smudged: the "C" of dear Carlo Rim, the "L'" of the intermission and, just above the word "avec"
    Jean Anouilh warmly thanks Carlo Rim who intervened in favor of his son-in-law, Alain Tesler, so that he would join the staff of the Marseillais filmmaker. He nevertheless recommends not to spare him, a way for Jean Anouilh to exorcise his thorny role as...
    €400
  32. Vue de la Mission de Saint Fidèle - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied. Vue de la Mission de Saint Fidèle - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied.
    Maximilien de WIED-NEUWIED

    Vue de la Mission de Saint Fidèle - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied.

    Chez Arthus Bertrand|Paris 1822|52 x 36.40 cm|une feuille
    Fine original plate of a Brazilian landscape after Christian Haldenwang by Johann Jacob Wagner in copperplate engraving in folio format. It comes from the atlas of the French first edition of this travel account to Brazil, first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of the first voyage to Brazil by Maximilian, Prince of Wied-Neuwied.
    Some marginal worming.
    €500
  33. Essai sur l'origine de l'écriture, sur son introduction dans la Grèce et son usage jusqu'au temps d'Homère, c'est-à-dire jusqu'à l'an mille avant notre èreEssai sur l'origine de l'écriture, sur son introduction dans la Grèce et son usage jusqu'au temps d'Homère, c'est-à-dire jusqu'à l'an mille avant notre ère
    Agricol-Joseph, marquis de FORTIA D'URBAN

    Essai sur l'origine de l'écriture, sur son introduction dans la Grèce et son usage jusqu'au temps d'Homère, c'est-à-dire jusqu'à l'an mille avant notre ère

    H. Fournier jeune|Paris 1832|13 x 21.50 cm|relié
    Rare first edition.
    Full glazed fawn calf binding, spine with four raised bands decorated with gilt and blind-stamped typographical motifs, title and author labels lacking, gilt friezes at head and foot, one joint cracked at head, gilt roulettes (faded) on headcaps, frame of gilt frieze on boards struck at their centers with a blind-stamped mandorla, some angular rubbing to boards, marbled endpapers and pastedowns, corners slightly bumped, gilt edges at head and foot of leading edges, marbled edges, contemporary romantic binding.
    Foxing.
    Work decorated with one engraving as well as 4 folding plates hors-texte (the first of these with a tear in its left margin), two leaves of...
    €450
  34. Vie et aventures de Nicolas NicklebyVie et aventures de Nicolas Nickleby
    Charles DICKENS

    Vie et aventures de Nicolas Nickleby

    Chez L. Hachette et Cie|Paris 1857 (S.d)|10.50 x 17.50 cm|2 volumes reliés
    First French edition translated by P. Lorrain with the authorization and approval of the author contained in Charles Dickens's bilingual preface, dated January 17, 1857.
    Contemporary half red shagreen binding. Spine with false flat raised bands decorated with gilt and blind fillets. Gilt titles and volume numbers. Boards rubbed. 4 signatures slightly proud in volume 1. Signature 251 with 2 loose pages in the second volume. Corners bumped. Some foxing.
    It was in 1856 that Louis Hachette acquired the rights to Charles Dickens's works, with P. Lorrain as collection director and translator, he would greatly develop the offering of foreign literature in France, and notably English...
    €400
  35. Le livret de l'imagierLe livret de l'imagier
    Remy de GOURMONT, Jean Gabriel DARAGNÈS

    Le livret de l'imagier

    Editions du Sagittaire|Paris 1920|16 x 16.50 cm|en feuilles
    First edition established by André Malraux, one of 50 numbered copies on Japan paper, deluxe printing.
    Preface by Gabriel-Albert Aurier.
    Work illustrated with a frontispiece, 6 headpieces as well as 3 tailpieces engraved on wood by Jean-Gabriel Daragnès.
    Fine full-margined copy complete, as stipulated in the print run justification, with the suite of woodcuts on China paper.
    €450
  36. Affiche originale du film "J'irai cracher sur vos tombes" [Ik zal uw graven schenden !]Affiche originale du film "J'irai cracher sur vos tombes" [Ik zal uw graven schenden !]
    [Boris VIAN as] Vernon SULLIVAN

    Affiche originale du film "J'irai cracher sur vos tombes" [Ik zal uw graven schenden !]

    Edicolor|Bruxelles [Brussels] 1959|36 x 48 cm|un affiche
    Original Belgian poster for J'irai cracher sur vos tombes adapted from the book by Vernon Sullivan alias Boris Vian who died during the first screening of the film.
    Light horizontal folds.
    €400
  37. Les cent et un Robert MacaireLes cent et un Robert Macaire
    Honoré DAUMIER

    Les cent et un Robert Macaire

    Chez Aubert & Cie|Paris 1839|21 x 27.50 cm|2 tomes en un volume relié
    First edition illustrated with 101 lithographs by Daumier and 2 frontispieces by Nanteuil. Each issue contains 3 pages of text and one captioned lithograph. The volumes dated 1840 are reprints. These lithographs were originally published separately from 1836 to 1838, and were reduced in size for this volume.
    Contemporary half calf binding with lavender tint. Smooth spine decorated with mirror rococo tooling. Spine uniformly darkened. Joints cracked. One scratch on the upper cover. Evidence of rubbing. Lithograph 36 has a repaired tear running lengthwise across the entire page. Very light scattered foxing. Small dampstain to lower margin of lithographs 48 to 57. Paper generally somewhat...
    €500
  38. Théâtre de Clara GazulThéâtre de Clara Gazul
    Prosper MÉRIMÉE

    Théâtre de Clara Gazul

    H. Fournier jeune|Paris 1830|13.50 x 21.50 cm|relié

    Second edition with some parts in first edition as expanded with two new pieces: "L'occasion" and "Le carrosse du Saint Sacrement".


    Half red straight-grained morocco binding with corners signed Blanchetière at the top of the first endpaper. Smooth spine decorated with a large mirror tool and roulettes. Separating fillets on the boards. Very fresh copy, uncut, however some brown spots on Le carrosse du saint sacrement.


    Very handsome copy.


    Provenance: from the library of Jacques Crépineau, famous collector of Romantic books, with his bookplate. Theater historian and director of the Michodière theater.


    This is Prosper Mérimée's first work composed...

    €500
  39. Jazz N°9 de la première sérieJazz N°9 de la première série
    Joseph CONRAD, Carlo RIM

    Jazz N°9 de la première série

    Jazz|Paris Septembre 1929|24.50 x 31.50 cm|agrafé
    First edition of this issue.
    Two tears to the spine, some stains to margins of covers.
    The magazine "Jazz" celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
    Contributions by Joseph Conrad "Atterrissages et départs", Henri de Montherlant "Les conduites de taureaux en Camargue", Florent Fels "La route", Titaÿna "Panama", Pierre Lazareff "Vie intime des artistes du music-hall", Paul Chauveau "Jean Cocteau l'imposteur", Urbain Faure "plongeurs de nacre... pêcheurs de perles"...
    Issue illustrated with...
    €400
  40. Humoristique bande dessinée originale au feutre noir mettant en scène son célèbre personnage Monsieur Virgule faisant le pitre devant un miroir pour finalement le traverser et être remplacé par son cubiste refletHumoristique bande dessinée originale au feutre noir mettant en scène son célèbre personnage Monsieur Virgule faisant le pitre devant un miroir pour finalement le traverser et être remplacé par son cubiste reflet
    Carlo RIM

    Humoristique bande dessinée originale au feutre noir mettant en scène son célèbre personnage Monsieur Virgule faisant le pitre devant un miroir pour finalement le traverser et être remplacé par son cubiste reflet

    s. l. s. d. [circa 1945]|50 x 11.50 cm|une feuille
    Humorous original comic strip executed in black felt-tip pen illustrating Monsieur Virgule intrigued before a mirror reflecting back a cubist image of himself, then indulging in capers to finally be replaced in reality by his reflection.
    Central fold.
    Monsieur Virgule is the creation of Carlo Rim for "Les nouvelles littéraires" in the 1930s then for "Les lettres françaises" after 1945.
    Manuscript notes by Carlo Rim in pencil and red pencil on the verso of the strip.
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob...
    €400
  41. Jazz N°11 de la première sérieJazz N°11 de la première série
    TITAŸNA, Carlo RIM

    Jazz N°11 de la première série

    Jazz|Paris Novembre 1929|24.50 x 31.50 cm|agrafé
    First edition of this issue.
    Very light marginal worming to covers, handsome copy.
    The magazine "Jazz," celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
    Contributions by Titaÿna "La vie à bord des grands paquebots," Carlo Rim "Lubaki, peintre nègre," Georges Altman "Vladimlir Iliitch Lénine," Serge "Promenade en avion," André Hunebelle "Images du verre," Legrand-Chabrier "Contorsions," Ivan Goll "Sodome et Berlin," Georges Thiry "Antoine, photographe nègre"...
    Issue illustrated with works by...
    €400
  42. L'estrif de fortune et de vertu - Etude du manuscrit 9510 de la Bibliothèque royale de Belgique provenant de l'ancienne librairie des "Croy" de Chimay par Alphonse BayotL'estrif de fortune et de vertu - Etude du manuscrit 9510 de la Bibliothèque royale de Belgique provenant de l'ancienne librairie des "Croy" de Chimay par Alphonse Bayot
    Martin LE FRANC

    L'estrif de fortune et de vertu - Etude du manuscrit 9510 de la Bibliothèque royale de Belgique provenant de l'ancienne librairie des "Croy" de Chimay par Alphonse Bayot

    Oeuvre nationale pour la reproduction de manuscrits à miniature de Belgique|Bruxelles [Brussels] 1928|21 x 29 cm|en feuilles sous chemise à lacets, chemise et étui
    New edition, one of 42 nominative copies on heavy Arches paper, deluxe issue.
    Work illustrated with 21 plates hors-texte presented in a separate chemise and at the end of the volume.
    Our copy, as stipulated in the justification page, is complete with a suite of 11 color separations of the frontispiece plate.
    Fine and rare copy.


    €400
  43. Les violons parfoisLes violons parfois
    Françoise SAGAN

    Les violons parfois

    Julliard|Paris 1962|12.50 x 20 cm|broché
    First edition, one of 50 numbered copies on Arches laid paper, deluxe copy.
    Fine copy.
    €480
  44. Le Nouveau Testament, avec les actes des apôtres ; traduits en Français par SacyLe Nouveau Testament, avec les actes des apôtres ; traduits en Français par Sacy
    Louis Isaac LE MAISTRE DE SACY

    Le Nouveau Testament, avec les actes des apôtres ; traduits en Français par Sacy

    Prudhomme fils|Paris 1808|12.50 x 20.20 cm|2 volumes reliés
    Second edition, bringing together in 2 volumes the 4 volumes of the New Testament published in 1793 and The Acts of the Apostles which is always missing from this edition, in 1798. It is illustrated with 112 numbered figures by Moreau Le Jeune. The plates are clean and well printed, with good inking. Complete with the binder's notice.
    Empire binding in full black Russia leather. Smooth spine decorated with 2 grotesque compartments with various motifs, roulettes and other tools. Gilt title and volume labels. 2 framing roulettes on boards. Interior border. Gilt edges. Signs of rubbing. Small fragments of leather missing at head of volume 1. Small light dampstain at corner of pages 22 to...
    €500
  45. SalammboSalammbo
    Gustave FLAUBERT

    Salammbo

    Alphonse Lemerre|Paris 1886 (S.d)|9 x 15.80 cm|2 volumes reliés
    New edition, undated, with the characteristics of the 1879 edition: identical collation and printing on tinted laid paper. Copy expanded with the eight etchings drawn and engraved by Pierre Vidal, including a frontispiece, published by Lemerre in 1884; All these plates have been printed on Holland paper. The Lemerre edition of 1879 forms the definitive edition corrected by the author, with 470 variants compared to the 1874 Charpentier edition, removing and modifying passages and words. Original wrappers preserved.
    Contemporary half red shagreen binding. Smooth spine decorated with a mirrored iron tool lengthwise, gilt fillets, traces of staining on the spine. Top edge gilt. Foxing...
    €400
  46. Documents N°1 de la deuxième annéeDocuments N°1 de la deuxième année
    Georges BATAILLE, Jacques BARON

    Documents N°1 de la deuxième année

    Calmann Lévy|Paris 1930|22 x 27.50 cm|broché
    First edition of this issue of this important journal dealing notably with archaeology, fine arts and ethnography and whose principal editors were Georges Bataille and Carl Einstein.
    Fine copy despite a light stain affecting the margins of the leaves which are slightly and partially cockled.
    Contributions by Marcel Griaule: "Légende illustrée de la reine de Saba", Jacques Baron: "Jacques Lipchitz", Georges Bataille "Le bas matérialisme et la gnose", Jiujiro Nakaya: "Figurines néolithiques du Japon", Robert Desnos: "Pygmalion et le Sphynx", Carl Einstein, Michel Leiris, Georges Henri Rivière...
    Issue illustrated with photographs by Jacques-André Boiffard.
    €400
  47. La vie des boulevards Madeleine-BastilleLa vie des boulevards Madeleine-Bastille
    Georges MONTORGUEIL, Pierre VIDAL

    La vie des boulevards Madeleine-Bastille

    1896|18.50 x 28 cm (In-8)|relié

    First edition illustrated with 200 color drawings by Pierre Vidal. Limited to 700 numbered copies, No. 294. Original illustrated covers and spine preserved. Printed on tinted coated vellum.
    Modern chocolate half morocco Bradel binding with corners. Jansenist spine with 4 raised bands. Leaf 49 with censoring in lower margin (a hole with paper rubbing). Spine faded on the first 2 compartments. Good copy.


    €500
  48. Documents N°6 de la deuxième annéeDocuments N°6 de la deuxième année
    Georges BATAILLE, Georges RIBEMONT-DESSAIGNES

    Documents N°6 de la deuxième année

    Calmann Lévy|Paris 1930|22 x 27.50 cm|broché
    First edition of this issue of the important review dealing notably with archaeology, fine arts and ethnography, with Georges Bataille and Carl Einstein as its principal editors.
    Very handsome copy.
    Contributions by Georges Ribemont-Dessaignes: "Giorgio de Chirico", Emile Waldamnn: "The Schmitz Collection", Dr Eckart von Sydow "Janus Masks from Cross River (Cameroon)"...

    €500
  49. Billet autographe signé à son grand ami le metteur en scène Carlo Rim "... tu auras ainsi tous les détails depuis ma naissance et mes différents métiers  avant d'être un artiste (du moins je le crois)..."Billet autographe signé à son grand ami le metteur en scène Carlo Rim "... tu auras ainsi tous les détails depuis ma naissance et mes différents métiers  avant d'être un artiste (du moins je le crois)..."
    FERNANDEL (to Carlo RIM)

    Billet autographe signé à son grand ami le metteur en scène Carlo Rim "... tu auras ainsi tous les détails depuis ma naissance et mes différents métiers  avant d'être un artiste (du moins je le crois)..."

    S. n.|Carry-le-Rouet 18 Septembre 1951|16.50 x 10.50 cm|une feuille
    Autograph signed letter card from Fernandel, on letterhead from his property L'Oustau de la Mar at Carry-le-Rouet, addressed to his great friend the Provençal writer, caricaturist and filmmaker Carlo Rim, who was also his biographer.
    (10 lines in turquoise ink, the ink having smudged on three words).
    "18 Sept 1951
    My dear Carlo,
    I leave tomorrow for Italy, but I haven't forgotten you. You will receive documentation and manuscript pages "My memoirs" published by "Ce soir" in 1938, you will thus have all the details from my birth and my different jobs before being an artist (at least I believe so). Affectionately Fernandel."



    €400
  50. L'Irlande au dix neuvième siècleL'Irlande au dix neuvième siècle
    J. J. PREVOST

    L'Irlande au dix neuvième siècle

    Léon Curmer|Paris 1845|22.50 x 28.50 cm|relié
    First edition illustrated with 62 steel-engraved plates by Bartlett including a frontispiece and engraved title, all on heavy laid paper. Introduction by Baron Taylor. One map.
    Contemporary binding in half black shagreen with corners, spine with four false raised bands elaborately gilt in compartments, paper boards in the manner of cardboard highlighted with double gilt fillets, marbled endpapers and pastedowns. Some rubbing, marginal foxing.
    Provenance: from the library of Henri Gouin, founder with André Malraux of the Royaumont Foundation.
    €400
  51. Carte postale autographe signée adressée à Emile StrausCarte postale autographe signée adressée à Emile Straus
    Auguste BARTHOLDI

    Carte postale autographe signée adressée à Emile Straus

    A. Bartholdi|Paris 1er janvier 1900|13.90 x 8.90 cm|une carte postale
    Autograph postcard signed by sculptor Auguste Bartholdi addressed to Emile Straus: "Avec mes remerciements pour vos bons souhaits." ["With my thanks for your good wishes."] The recto features a reproduction of a black and white drawing showing the citadel of Belfort and its famous lion, as well as the statue of the three sieges.
    A great enthusiast of epistolary art, Emile Straus founded in 1899 La Carte postale illustrée, newsletter of the association he had just launched, the International Poste-Carte Club.
    €480
  52. Lithographed cover by Henri de Toulouse-Lautrec
    Lithographed cover by Henri de Toulouse-Lautrec
    Hors les LoisHors les Lois
    Henri de TOULOUSE-LAUTREC, Louis MARSOLLEAU

    Hors les Lois

    P.V. Stock|Paris 1898|13 x 19 cm|broché
    First edition, with no deluxe paper copies issued.
    Two small spots of foxing on the upper cover.
    A handsome copy, with an ex-libris pasted on the verso of the upper cover.
    Work illustrated on the covers with an original lithograph by Henri de Toulouse-Lautrec.
    €400
  53. Le palais pompéien de l'Avenue MontaigneLe palais pompéien de l'Avenue Montaigne
    Théophile GAUTIER, Arsène HOUSSAYE

    Le palais pompéien de l'Avenue Montaigne

    Au palais pompéien • Librairie Internationale|Paris s. d. [1866]|18.50 x 28 cm|relié
    First edition.
    Bradel binding in red half-cloth, smooth spine decorated with gilt fleuron and double gilt fillet at foot, brown shagreen label, original wrappers preserved, contemporary binding.
    Our copy contains a folding engraving depicting a theatrical rehearsal in the atrium of His Majesty Napoleon III.
    Handsome copy.
    Rare.
    €450
  54. Pourquoi suis-je moi ? Journal 1993-1996Pourquoi suis-je moi ? Journal 1993-1996
    Julien GREEN

    Pourquoi suis-je moi ? Journal 1993-1996

    Fayard|Paris 1996|14 x 22.50 cm|broché
    First edition, one of 80 numbered copies on Ingres Lana laid paper, the only deluxe copies.
    Very handsome copy.

    €450
  55. Ce qui reste de Jour. Journal 1966-1972Ce qui reste de Jour. Journal 1966-1972
    Julien GREEN

    Ce qui reste de Jour. Journal 1966-1972

    Plon|Paris 1972|13.50 x 22 cm|broché
    First edition, one of 28 numbered copies on Madagascar paper, deluxe copy.
    Very handsome full-margined copy.

    €450
  56. Journal 1946-1950Journal 1946-1950
    Julien GREEN

    Journal 1946-1950

    Plon|Paris 1951|13.50 x 22 cm|broché
    First edition, one of 26 numbered copies on Japan paper, deluxe issue.
    Very fine full-margined copy.

    €450
  57. Lettres de Jeunesse avec des Poèmes inéditsLettres de Jeunesse avec des Poèmes inédits
    Paul ÉLUARD

    Lettres de Jeunesse avec des Poèmes inédits

    Seghers|Paris 1962|14.50 x 23 cm|broché
    First edition, one of 32 numbered copies on Hélio neige Libert paper, ours being one of the 12 hors commerce copies, deluxe issue.
    Very handsome copy.

    €500
  58. L'Arc-en-Ciel. Journal 1981-1984L'Arc-en-Ciel. Journal 1981-1984
    Julien GREEN

    L'Arc-en-Ciel. Journal 1981-1984

    Seuil|Paris 1988|15 x 21.50 cm|broché
    First edition, one of 80 numbered copies on Ingres de Lana laid paper, the only deluxe copies.
    Very handsome copy.

    €450
  59. On est sérieux quand on a 19 Ans. Journal 1919-1924On est sérieux quand on a 19 Ans. Journal 1919-1924
    Julien GREEN

    On est sérieux quand on a 19 Ans. Journal 1919-1924

    Fayard|Paris 1993|14 x 23 cm|broché
    First edition, one of 80 numbered copies on Lana Ingres laid paper, the only deluxe copies.
    Very handsome copy.

    €450
  60. La Lumière du Monde. Journal 1978-1981La Lumière du Monde. Journal 1978-1981
    Julien GREEN

    La Lumière du Monde. Journal 1978-1981

    Seuil|Paris 1983|15 x 22.50 cm|broché
    First edition, one of 65 numbered copies on Lana Ingres laid paper, the only deluxe copies.
    A very handsome copy.

    €450
  61. Du miel aux cendresDu miel aux cendres
    Claude LÉVI-STRAUSS

    Du miel aux cendres

    Plon|Paris 1966|15.50 x 24 cm|broché
    The first edition, of which there were no deluxe copies.
    Handsome copy complete with publisher's slip, press cutting included.
    Autograph inscription signed by Claude Lévi-Strauss to Nadine Nimier: "Pour Nadine, en lui souhaitant que cette nouvelle année soit tout miel et rien cendres, amicalement Claude Lévi-Strauss." ["For Nadine, wishing her that this new year be all honey and no ashes, with friendship Claude Lévi-Strauss."]
    €500
  62. RichelieuRichelieu
    Théodore CAHU, Maurice LELOIR

    Richelieu

    Boivin et Cie|Paris 1910|30 x 37 cm|relié
    New edition, illustrated with 40 color illustrations after watercolors by Maurice Leloir, including 29 in-text and 11 full-page, printed in chromotypography. Leaves entirely mounted on guards.
    Publisher's green and gold boards. Smooth spine with gilt title running lengthwise. Large special polychrome and gilt plate on the upper cover depicting Richelieu in armor under his cardinal's habit. Plate signed J. Fau. Binding signed Poensin. Headcap and joints rubbed, edges and corners as well. Corners turned. Paper very fresh, free of foxing. 2 micro tears along the lower joint, caused by rubbing, the fabric is composed of threads. A dark comma mark on the lower cover. Binding slightly loose...
    €450
  63. La Muse aux violettesLa Muse aux violettes
    Renée VIVIEN, Camille LEMERCIER D'ERM

    La Muse aux violettes

    Sansot|Paris 1910|13 x 19 cm|broché
    First edition printed with a small number of copies.
    A poem by Renée Vivien at the top of the work.
    A beautiful and very rare copy.
    In memoriam...
    €480
  64. Montage photographique original autour de Jaime Sabartés et Picasso
    (Pablo PICASSO) (Jaime SABARTÉS)

    Montage photographique original autour de Jaime Sabartés et Picasso

    s. l. s. d. [ca 1973]|39.40 x 29.30 cm|autre
    Original photographic montage of Jaime Sabartés and Picasso
    s.ls.d(ca 1973), 39.4 x 29.3 cm, other
    Unique original photographic montage produced from a large photograph showing Jean-Pascal Lorriaux and Jaime Sabartés, on the right-hand margin an original stamp is glued on which there is a portrait of Sabartés by Pablo Picasso, in the lower margin there are other collages of printed paper forming the title “Sabartés welcoming recevant J-P Lorriaux - 45 années de vie avec Picasso” “Sabartés welcoming receiving J-P Lorriaux - 45 years of life with Picasso”.
    Jean-Pascal Lorriaux was a passionate collector who had the idea of publishing a collection of lithographs presenting the...
    €500
  65. La Belgique monumentale, historique et pittoresqueLa Belgique monumentale, historique et pittoresque
    COLLECTIF

    La Belgique monumentale, historique et pittoresque

    A. Jamar et Ch. Hen|Bruxelles [Brussels] 1844|16.50 x 26.20 cm|2 volumes reliés
    First edition, abundantly illustrated with 68 plates including 7 in colors hand-colored and gum arabic highlights (costumes in picturesque scenes), all on tinted paper.
    Contemporary half light green glazed calf binding. Smooth spine decorated with rocaille tools throughout and panels. Gilt title and volume number in medallions. Small leather loss at head of volume 1, headcap present. Traces of rubbing. One corner bumped, the others slightly turned. Relatively fresh set, with pale scattered foxing mainly in margins. Good copy.
    The descriptions proceed by province (Hainaut, Liège, Brabant...). In addition, current state of literature and sciences in Belgium.

    €450
  66. Carte postale photographique signée de Sarah Bernhardt Carte postale photographique signée de Sarah Bernhardt
    Henriette-Marie-Sarah Bernhardt, dite Sarah BERNHARDT

    Carte postale photographique signée de Sarah Bernhardt

    S. n.|s. l. 1909|9 x 14 cm|une feuille verso
    Photographic postcard depicting the great tragedienne Sarah Bernhardt creating the role of Elizabeth I of England.
    Handsome copy.
    Manuscript signature of Sarah Bernhardt dated 1909 to the right of her portrait.




    €400
  67. Le petit MondeLe petit Monde
    Adolphe LALAUZE

    Le petit Monde

    A. Cadart|Paris 1875|29 x 36 cm|reliure de l'éditeur
    First edition consisting of an album of 10 original etchings by Adolphe Lalauze and a sanguine frontispiece around the theme of childhood.
    Publisher's full red cardboard binding, smooth spine without lettering, some scratches on the headcaps, title and illustrator's name stamped in gold on the first cover, blind-ruled frame on covers, covers slightly faded at foot, marbled endpapers and pastedowns.
    Pleasant interior condition, three of the ten etchings being signed in the plate.
    Presentation by Eugène Montrosier.
    Provenance: from the library of Ludovic Halévy with his bookplate pasted on a pastedown.
    €400
  68. La lanterne magique. Histoire de NapoléonLa lanterne magique. Histoire de Napoléon
    Frédéric SOULIÉ

    La lanterne magique. Histoire de Napoléon

    Alphonse Henriot|Paris 1838|14 x 22.20 cm|relié
    First illustrated edition with 50 vignettes by Charles Jacque. Chronological table at end.
    Half red straight-grained morocco binding, late 19th or early 20th century. Raised-band spine decorated with 4 fleurons and roll-tooling on bands and headcaps. Top edge gilt. Original wrappers preserved. Front wrapper with restorations. Uncut throughout, full-margined, of superb freshness.
    Very handsome copy. Rare in this condition.
    Popular and entertaining history of Napoleon. In narrative form, the narrator tells how as a child, he witnessed the arrival of two soldiers who, by means of a magic lantern, recounted Napoleon's story to him. The vignettes thus correspond to the magic...
    €400
  69. Moeurs des diurnalesMoeurs des diurnales
    [Marcel SCHWOB as] LOYSON-BRIDET

    Moeurs des diurnales

    Mercure de France|Paris 1903|11.50 x 18.50 cm|relié
    First edition published under the pseudonym of Loyson-Bridet, one of the copies from the first printing bearing, on the justification page, Schwob's personal vignette: a goose holding a quill in its beak.
    Half black shagreen binding, smooth spine decorated with gilt floral and typographical motifs, light rubbing to spine, scratches to marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, corners slightly bumped, contemporary binding.
    A small stain at foot of title page and on the facing page.
    Signed autograph inscription from Marcel Schwob, under his pseudonym of Loyson-Bridet: "A Emile Despax, son ami. Loyson Bridet."
    €500
  70. Les trois roses de Marie-AnneLes trois roses de Marie-Anne
    Léon LEBEGUE, Pierre LOUŸS

    Les trois roses de Marie-Anne

    A. Ferroud - F. Ferroud, Successeur|Paris 1909|16 x 23.50 cm|broché
    Illustrated edition with original etchings by Léon Lebègue, one of 30 numbered copies on grand Japan paper, deluxe issue.
    Our copy, as stipulated in the justification page, is complete with the triple state of the engravings.
    Handsome copy.
    €450
  71. "Vous, moi, quelques uns avons aimé Céline quand il avait un grand talent""Vous, moi, quelques uns avons aimé Céline quand il avait un grand talent"
    Lucien DAUDET

    "Vous, moi, quelques uns avons aimé Céline quand il avait un grand talent"Unpublished signed autograph letter addressed to Lucien Descaves

    Paris 29 décembre 1942|13.60 x 17.90 cm|6 pages sur un double feuillet et un feuillet simple
    Autograph letter signed by Lucien Daudet addressed to Lucien Descaves; six pages written in black ink on a double sheet and a single sheet. Creases inherent to the mailing.
    Fine and long unpublished letter addressed to Lucien Descaves, to whom Daudet had not given news for two years. He outlines broadly the tragic events that occurred since: "Since that time, I remained in Paris, I witnessed the days of June 40 [...] I undertook, to forget my life, to write a life of my father [...] Then in August, I understood that I was very ill [...] I was operated on, reoperated on, in November I was dying, I knew nothing anymore, then a phlebitis. [...] A month later I...
    €450
  72. [PHOTOGRAPHIE] Portrait photographique de Marcel Aymé[PHOTOGRAPHIE] Portrait photographique de Marcel Aymé
    Thérèse LE PRAT (Marcel AYMÉ)

    [PHOTOGRAPHIE] Portrait photographique de Marcel Aymé

    Paris s. d. [ca 1950]|22.70 x 30 cm|une photographie
    Black and white photographic portrait of Marcel Aymé by Thérèse Le Prat in a period silver gelatin print on baryta paper. Manuscript signature by Thérèse Le Prat in white ink at the bottom left of the photograph.Photographer's stamp on verso and pencil annotation.
    Fine copy despite a fold to the upper right corner.
    We have been able to locate only one other example of this photograph at the Médiathèque de l'Architecture et du Patrimoine in Charenton-le-Pont.
    €400
  73. Le Sacre de Charles X, OdeLe Sacre de Charles X, Ode
    Victor HUGO

    Le Sacre de Charles X, Ode

    Imprimerie Royale|Paris 1828|20.50 x 27 cm|relié
    Second edition, published the same year as the first, printed by the royal printing house in 500 copies.
    Two leaves browned.
    Bradel binding in full marbled paper, smooth spine decorated with a black morocco label, title lengthwise, binding signed Thomas Boichot.
    €450
  74. « L'insouciance » [PHOTOGRAPHIE] Album photographique amateur. Tennis 1914« L'insouciance » [PHOTOGRAPHIE] Album photographique amateur. Tennis 1914
    ANONYME

    « L'insouciance » [PHOTOGRAPHIE] Album photographique amateur. Tennis 1914

    s. l. s. d. [1914]|26 x 17.50 cm|8 photographies dans un album cousu
    Eight period albumen photographs depicting an amateur tennis team.
    Blue paper album sewn with red cord, title and date in silver ink on the first cover.
    Very fine condition.
    €400
  75. Lettre autographe signée adressée à Adriana SalemLettre autographe signée adressée à Adriana Salem
    Violette LEDUC

    Lettre autographe signée adressée à Adriana Salem

    9, 10 et 16 janvier 1963|16.60 x 21.90 cm|3 pages sur 2 feuillets
    Autograph letter signed by Violette Leduc addressed to Adriana Salem, written in three stages in blue ink on two sheets detached from a schoolchild's notebook.
    The three stages of this letter concern the regretted purchase of a record player that Violette Leduc wishes to exchange for a transistor radio.
    €450
  76. Fragments d'un paradisFragments d'un paradis
    Jean GIONO, Pierre FONTEINAS

    Fragments d'un paradis

    G. Dechalotte|Paris 1948|22.50 x 28.50 cm|relié
    First edition illustrated with 12 original compositions outside the text by Pierre Fonteinas colored by stencil, one of 839 numbered copies on B.F.K. de Rives paper.
    Half blue morocco binding with corners, spine lightly darkened with four raised bands decorated with a red mosaic morocco piece representing a wave emerging from gilt wavelets rising up to gilt stars, gilt fillets on the marbled paper boards, endpapers and pastedowns of another marbled paper, covers and spine preserved, top edge gilt, binding signed P. Nichon.
    The work is also illustrated with 8 initial letters and 1 tailpiece by Pierre Fonteinas.
    Handsome copy.







    €500
  77. Le Titan - Lithographie originale signée sur BFK de Rives d'André MassonLe Titan - Lithographie originale signée sur BFK de Rives d'André Masson
    André MASSON

    Le Titan - Lithographie originale signée sur BFK de Rives d'André Masson

    Aubier|1972|65 x 50 cm|une feuille
    Original lithograph printed on BFK de Rives paper. "Artist's proof" notation written in pencil at lower left. Artist's signature in pencil at lower right of the plate.
    Margins soiled with small creasing marks.
    Mysterious landscape with luxuriant vegetation, fire at center, depicts the titan against a background of hills in green and orange tones.
    €450
  78. La maison à vapeur. Voyage à travers l'Inde SeptentrionaleLa maison à vapeur. Voyage à travers l'Inde Septentrionale
    Jules VERNE

    La maison à vapeur. Voyage à travers l'Inde Septentrionale

    Hetzel|Paris s. d. [1880]|18.50 x 28 cm|relié
    First illustrated edition with 101 drawings by Benett including a frontispiece engraved by Meaulle and 2 full-page maps. Catalogue AI for the year 1881.
    Red publisher's binding with the two elephants, back cover of Lenègre b type, with blind-stamped medallion, conforming to Jauzac's description.
    Volume very slightly warped, a small black mark at the level of the lower cut of the back cover
    Adventure and science fiction novel set in India. The steam house is a sort of train whose locomotive is a steam elephant, the machine runs without rails and can even be amphibious.
    €500
  79. Courir les ruesCourir les rues
    Raymond QUENEAU

    Courir les rues

    Gallimard|Paris 1967|12 x 19 cm|broché
    First edition, a Service de Presse (advance) copy.
    Foxing on covers, a light dampstain on spine.
    Printed bookplate representing the lion of Saint Mark at head of an endpaper.
    Touching and precious signed autograph inscription from Raymond Queneau: "A Serge Reggiani comédien, chanteur et poète. Queneau."
    €450
  80. Seconde patrieSeconde patrie
    Jules VERNE

    Seconde patrie

    Jules Hetzel|Paris 1900-1902|17.50 x 27.50 cm|relié
    First edition large octavo illustrated with 68 drawings by George Roux as well as 2 maps.
    Publisher's Hetzel binding signed Engel known as "au globe doré" type 3, lighthouse spine, second cover type Engel "h" according to Jauzac, all edges gilt. Publisher's BH catalogue at end.
    Volume very slightly warped, spine lightly stained, some small losses of gilt on the plate. Original blue endpapers very marginally lightened as usual. Plate from page 249 detached, some foxing.
    Seconde patrie is a robinsonade. A great admirer of the novel Le Robinson suisse written in 1812 by the Swiss-German pastor Johann David Wyss, Jules Verne imagines a sequel to the adventures of...
    €500
  81. "Voilà La Cigale qui me réclame demain soir..."
    COLETTE

    "Voilà La Cigale qui me réclame demain soir..."Signed autograph letter addressed to Adrien Peytel

    Marseille s. d. [circa 1920]|19.80 x 25.20 cm|une page sur un feuillet
    Autograph letter signed by Colette addressed to her friend, the man of letters and lawyer Adrien Peytel, nine lines written in black ink.
    Some folding marks inherent to the mailing of the letter.
    "And then damn it, enough already. Here La Cigale is calling me for tomorrow evening, and I haven't stolen it, since I accepted, and even asked, to do the café-concert criticism on the same level as the other."
    €500
  82. Le vieux chasseur ou la chasse en actionLe vieux chasseur ou la chasse en action
    DEYEUX, FOREST

    Le vieux chasseur ou la chasse en action[The Old Hunter, or Hunting in Action]

    Houdaille|Paris 1837|9.50 x 15.50 cm|relié
    "Vade mecum" edition illustrated with 55 engravings drawn by Forest.
    Full brown Russia morocco binding, spine with four raised bands set with black garlands decorated with gilt double compartments and gilt typographical motifs, gilt date and place at foot, gilt roulettes on headcaps, quintuple gilt fillet frame with gilt fleurons at corners on boards, marbled endpapers and pastedowns, gilt dentelle frame on pastedowns, all edges gilt, double gilt fillets on edges, two corners slightly bumped, covers and spine preserved, superb binding signed Mercier successor to Cuzin.
    Fine copy perfectly executed in a full morocco binding by Mercier.


    €500
  83. L'orL'or
    Henri HAUSER

    L'or

    Vuibert & Nony|Paris 1906 (S.d)|20.50 x 30.50 cm|relié
    Second edition statement, revised and corrected by the author. Abundant illustrations, notably 93 particularly interesting photographs featuring gold prospectors throughout the world and especially in California and Alaska. Numerous engravings after photographs, maps, graphics, photogravures of art objects...
    Publisher's green and gilt binding with scenes of gold prospectors, a planisphere showing places in the world where gold is found... (plate signed Paul Souze) Spine with various ornaments.
    Superb front cover. Spine very good, with traces of rubbing at headcaps and slightly on joints. Lower corners slightly turned. Back cover perfect.
    Very handsome copy.
    Contents...
    €500
  84. La leçon d'amour dans un parcLa leçon d'amour dans un parc
    Pierre BRISSAUD, René BOYLESVE

    La leçon d'amour dans un parc

    Editions Lapina|Paris 1925|21 x 28 cm|relié sous étui
    Edition illustrated with 45 original watercolors in colors by Pierre Brissaud reproduced by pochoir, one of 403 numbered copies on Holland paper.
    Bradel binding in half navy blue morocco with corners, smooth spine decorated with two compartments of red mosaicked morocco, date and place gilt at foot, marbled paper boards, endpapers and pastedowns of moiré effect paper, covers and spine preserved, top edge gilt, slipcase edged with navy blue morocco, boards covered with two different marbled papers marked by a red morocco division, elegant unsigned binding.
    Handsome copy pleasantly established.
    €400
  85. SaphoSapho
    Felician MYRBACH, Luigi ROSSI

    Sapho

    Marpon & Flammarion|Paris 1887|12.50 x 18.50 cm|relié
    New edition with illustrations by Luigi Rossi and Felician Myrbach, one of 50 copies on Japan paper, deluxe copy.
    Half tawny morocco binding with corners, spine with five raised bands set with gilt dots decorated with double gilt compartments enhanced with gilt typographical motifs, gilt date at foot, gilt fillet on pebbled paper boards, combed paper endpapers and pastedowns, top edge gilt retaining deckled edges, covers and spine preserved, contemporary binding signed Kraft.
    A description label from an English bookseller pasted on an endpaper, light scratches of no consequence to headcaps, occasional worming.
    Provenance: from the Robert Hoe library with his bookplate pasted...
    €500
  86. Les innocentsLes innocents
    André DIGNIMONT, Francis CARCO

    Les innocents

    Emile Hazan|Paris 1930|20.50 x 26.50 cm|relié
    Edition illustrated with 8 original etchings by André Dignimont, one of 25 numbered copies on Holland paper, deluxe issue after 8 different Japan papers.
    Bound in full red morocco shagreen, spine with five raised bands set with gilt fillets decorated with double gilt compartments ornamented at their centers with gilt floral motifs, triple gilt fillet frame on boards, moiré-effect paper endpapers and pastedowns, gilt dentelle frame on pastedowns, covers and spine preserved, top edge gilt on deckled edges, binding signed Barth fils.
    Our copy contains the complete suite in black of the illustrations as stipulated in the justification page.
    Handsome copy attractively bound.
    €500
  87. "L'aïeule" - Lithographie originale sur Japon - L'Estampe Moderne"L'aïeule" - Lithographie originale sur Japon - L'Estampe Moderne
    Jeanne GRANES (Jean KERVADEC)

    "L'aïeule" - Lithographie originale sur Japon - L'Estampe Moderne

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Mars) 1899|25.50 x 34 cm|une feuille et une serpente
    Rare original color lithograph, executed by Jeanne Granès for L'Estampe Moderne, series number 23 published in March 1899.
    One of 50 deluxe proofs printed on Japan paper with wide margins, artist's signature and date in the plate, publisher's dry stamp depicting a child's profile in the lower margin, numbered luxury edition stamp on the reverse; engraving preceded by a tissue guard captioned with the artist's name, title, and text.
    Lithograph inspired by an extract from a work by Jean Kervadec, reproduced on the print's tissue guard.
    Magnificent French monthly publication issued between May 1897 and April 1899, L'Estampe moderne consists of original...
    €400
  88. La Dauphine Marie-AntoinetteLa Dauphine Marie-Antoinette
    Pierre de NOLHAC

    La Dauphine Marie-Antoinette

    Boussod, Valadon & Cie|Paris 1896 (S.d)|23.50 x 31.50 cm|relié
    First edition. Limited to 1000 numbered copies on Velin du Marais paper, no. 89. A hand-watercolored frontispiece with gold highlights, 37 superb engravings, most in mezzotint as plates, but some in text (frames, coats of arms...), under inscribed tissue guards. One double-page engraving and two in sepia printing. The plates, superbly executed, are before letters and printed on strong vellum.
    Contemporary half pink morocco binding with corners. Spine with raised bands decorated with fillets. Gilt titles. Light spotting on the first compartment, on one corner. Some rare worming.
    Very handsome copy.
    Famous monograph by Pierre de Nolhac, admirably illustrated.
    €500
  89. Couverture de L'Estampe Moderne n°24 avril 1899Couverture de L'Estampe Moderne n°24 avril 1899
    Alfons MUCHA

    Couverture de L'Estampe Moderne n°24 avril 1899Cover of L'Estampe Moderne n224 April 1899

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris Avril 1899|41 x 56 cm|une feuille
    Cover of L'Estampe Moderne n°224 April 1899

    L'Estampe Moderne, Imprimerie Champenois pour CH. Masson & H.Piazza, Paris April 1899, 41 x 56 cm, one leaf

    Original large margin print in black and white serving as the cover of the famous monthly publication Estampe Moderne. Entirely printed in black and white, our print is the cover of the rare collection in a large-margin luxury print of the first year of publication. Artist's signature on the board and number of the luxury print added in pencil.
    A magnificent monthly French publication published between May 1897 and April 1899, L'Estampe moderne comprised unpublished chromolithographs which, unlike...
    €450
  90. "L'enfant" - Lithographie originale sur Chine - L'Estampe Moderne"L'enfant" - Lithographie originale sur Chine - L'Estampe Moderne
    Guillaume DUBUFE (Edmond PILON)

    "L'enfant" - Lithographie originale sur Chine - L'Estampe Moderne

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Avril 1899)|20.50 x 31.50 cm|une feuille
    Rare original lithograph, executed by Guillaume Dubufe for L'Estampe Moderne, series number 24 published in April 1899.
    One of 50 deluxe proofs printed on China paper with wide margins, artist's signature in the plate, publisher's dry stamp representing a child's profile in lower margin, mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on verso, some foxing and small corner defect.
    Lithograph inspired by an extract from La maison d'exil by Guillaume Pilon.
    Magnificent French monthly publication edited between May 1897 and April 1899, L'Estampe Moderne consists of original chromolithographs which, unlike other magazines...
    €450
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