The Hague

First edition of this paean to intoxication, adorned with a charming engraved frontispiece depicting Bacchus seated on a barrel, holding a wine cup in one hand and a bunch of grapes in the other.

Cf. Vicaire 326. Bitting 415. Barbier II, 75 d. Oberlé, Une bibliothèque bachique, 523 (for the 1798 ed.).

Bound in contemporary fawn half-calf with corners, spine with five raised bands decorated with gilt fillets, marbled paper boards, corners slightly worn, edges speckled red.

This work abounds with anecdotes and quotations drawn from the history of many lands. It asserts "that wine gives wit," offers "a catalogue of some illustrious drinkers," and claims "that...

Very rare first French edition of this translation, illustrated with a folding plate.

Full mottled tan calf binding, spine with five raised bands decorated with gilt fleurons and typographic motifs, red morocco title label, gilt rolls at the head and tail, gilt fillet along the edges, lightly rubbed corners, marbled edges, contemporary binding.

A pleasant copy.

The only French translation of the Libellus, quo demonstratur : Colchici autumnalis radicem non solum tuto posse exhiberi hominibus, sed et ejus usu interno curari quandoque morbos difficillimos, qui aliis remediis non cedunt (Vienna, Trattner, 1763), which was also issued in an English version.

An...

First edition, cf Conlon 17:710. Quérard VII, 455 ("Cette Dissertation est très-estimée").

Full marbled blond calf, spine with five raised bands richly gilt in compartments decorated with gilt bees, red morocco lettering-piece, marbled endpapers and pastedowns, gilt fillet on board edges, mottled edges, contemporary binding.

Lower corner rubbed, endpapers partially browned.

Notable treatise on the two great English political parties, their history, development, and respective positions.

First edition of the French translation by Jean-Baptiste Dupuy-Demportes of the work originally published in 1689 under the title "La Morale dei principi osservata nell'istoria di tutti gl'imperadori, che regnarono in Roma" (cf. Quérard II, 260. Barbier III, 353b. Conlon VII, 54-572. Hoefer XI, 314).

Contemporary full red morocco bindings, spines with five raised bands decorated with gilt fillets and double gilt panels with gilt floral tools, boards framed by gilt roll-tooled floral and bird motifs, gilt fillets on the board edges, marbled endpapers and pastedowns, all edges gilt over marbling.

Some gatherings bound out of sequence in volumes 1 and 3; headcap of...

First edition of the French translation by David Durand, illustrated with 5 plates (4 folding), including a genealogical chart (cf. Brunet IV, 1203. Hage Chahine, 3949).

Contemporary full stiff vellum, spine with five raised bands, lower joint split, black morocco lettering-piece, bumped corners.

Some inevitable soiling due to the binding, light foxing to initial and final leaves, ff. 107–108 and 109–110 restored and trimmed short.

The De Religione Mohammedica was first published in 1705, and reissued in 1717 in an expanded edition.

The Dutch orientalist Adriaan Reland (1676–1718) pursued a broad range of scholarly interests, but this presentation of the...

Charming edition illustrated with a frontispiece, a framed title and 9 half-page illustrations, reproducing vignettes by Fokke after De Sève - with the final illustration for L'Adroite Princesse, newly added. 

Complete with the Épître dédicatoire by P. Darmancour [Charles Perrault] to 'La Grande Mademoiselle', Anne-Marie d'Orléans, cousin of Louis XIV.

Half-sheep binding, smooth spine ruled in gilt, and a diagonally stamped gilt title. Beige paper boards, speckled edges. Small paper defect in the margin of page 75, scattered foxing, a small brown stain affecting the illustration of Cinderella. A name written in ink in the lower margin of page 21.
 
This...

Rare new edition based on the first French translation, produced in 1699 by William Popple and published by the Widow of J. van Dyck. A major work by Martin Clifford, originally published anonymously in 1674 under the title A Treatise of Humane Reason, which provoked immediate controversy within the Anglican Church; in the tradition of Spinoza and anticipating Locke, the author assigns a prominent role to reason in the practice of Christian faith. Clifford's more radical positions are thought to have been moderated in the French translation.

First edition of a work by an Illuminist author, also a barrister at the Parlement, known for his licentious and libertine writings, including L'Histoire de Dom Bougre, portier des Chartreux. This work was also at one time attributed to Pierre Lambert de Saumery, who published under the pseudonym "de Mirone."

Midnight blue half morocco with corners, spine with five gilt raised bands decorated with compartments richly gilt with arabesques, fillets and small stars, marbled paper boards framed with gilt...

First edition (cf. Barbier, IV, 232. Palau, 260438.)

Contemporary full tawny calf binding, spine in five compartments ruled with gilt garlands and richly decorated with gilt tools, gilt rolls to the caps, a small loss at the foot of the spine, red morocco lettering-piece, marbled endpapers and pastedowns, gilt fillets to the edges, lower corners bumped, speckled edges, binding of the period.

Some light foxing.

New edition of the translation by Alain-René Le Sage, revised by Pons-Auguste Alletz, some forty years after its initial publication. Two frontispieces decorate each volume. As we learn from the Avertissement, this classic, which flowed from the pen of the author nicknamed the "Divine Spaniard" by his compatriots, was then, in the 1770s, unknown to a large part of the French youth.

Contemporary binding in full brown tree calf, smooth gilt spine with four compartments separated by traditional and dotted...

A rare 1750 reimpression of two works first published together in 1669, brought together by the fabulist from that first date.

Contemporary full brown sheep, spine with five raised bands highlighted with a gilt fillet and decorated with five compartments tooled with dandelion-shaped gilt fleurons, red morocco lettering piece, blind-ruled fillet framing the boards, gilt fillet on board edges, red edges, shell pattern marbled pastedowns and endpapers.

Head and tail caps slightly split, discreet loss of...

First edition.
Contemporary full brown sheep binding. Smooth spine richly decorated with ornamental tools and roulettes. Red morocco title and volume labels. The title label reads "Memoire de Torcy" while the title page is anonymous, so the author of these anonymous memoirs must have been well known at the time. Light rubbing. The half-titles of volumes II and III are not present, as in all copies we have consulted, so it is possible that they are not actually missing, and that there was only one half-title for the entire work. Very handsome copy, very fresh.
Armorial bookplate engraved in the 18th century of Louis Francois (1713-1791), Marquis de Monteynard (Languedoc), First...

New edition. Portrait frontispiece. Title pages in red and black.

Contemporary full glazed brown calf binding. Decorated smooth spine. Brown calf title-label, black calf volume label. Light rubbing. Fine copy, very fresh.
The first two volumes are devoted to the poetic works, the third to the comedies. These works contain the Odes, Cantatas, Epistles, Allegories, Epigrams, and the comedies (Le flatteur, Le capricieux, Le caffé, La ceinture magique). Jean-Baptiste Rousseau was considered the greatest lyric poet of his time; he is especially credited with writing the first French cantatas, this secular genre that was set to music by the most brilliant composers...

First edition.

Half brown shagreen binding ca 1860. Jansenist spine with raised bands. Gilt title. Rubbing to corners. Good copy.
Treatise on animal magnetism by a disciple of Mesmer. Demonstrations and proofs. The work concludes with considerations on the movement by the Marquis de Chastellux.

The rare first edition, illustrated with a handsome frontispiece by Van der Laan and engraved by Bernart. Title pages printed in red and black. Attribution to Bruys is sometimes contested by bibliographers. Two letters defending the work against criticism can be found in volumes I and III.

Contemporary mottled sheep binding. Richly decorated raised spine. Red morocco title labels, brown morocco volume labels. Head of volume I partly lacking, volumes III and IV torn away, same at tail of volume IV. Worming to boards, quite present on the boards of volume IV. Joints of volume IV cracked. Despite the defects, spines in good appearance.
The work became a constantly...

Second edition, a reprint of the first folio edition published in 1756 by the same publisher. A rare edition, illustrated with 40 plates including 4 folding and 16 double-page (arms, costumes, plans, manoeuvres...). Large vignette with coat of arms on the title-page, and 41 ornaments (headpieces, tailpieces). Title-page printed in red and black. At the end, Supplement aux Reveries, with its own title-page; this short addition, spanning only a few pages, contains the corrections made to the original. A two-volume quarto edition appeared in Paris in 1757.
Bound in later full marbled brown calf; a skilful early 20th-century pastiche signed Saingy at foot. Spine with raised bands richly...

Second Elzevir edition of Milton's first text, which was originally published in 1651 in Amsterdam. First edition of Milton's Second and Third Defences.
Full polished tobacco calf bindings, ca. 1820. Spines with raised bands, decorated with four floral tools, fillets and rolls. Chocolate morocco title and volume labels. Cold-stamped border on the boards with small corner fleurons. Inner roll-tooled border. All edges gilt. A handsome copy.


NB: This volume is available at the bookshop on request within 48 hours.

New édition. The 8 parts each have a title page. Title pages of the first part and the fifth in red and black. Novel first published between 1734 and 1736, the last three parts are apocryphal and appear here at Scheurleer in first edition.

Contemporary full brown calf bindings. Raised band spines ornate with fleurons and stars. Red morocco title labels, and brown morocco volume labels. Restorations to joints and headcaps. Scattered browning. Good copy.

Like La vie de Marianne, Le Paysan parvenu is based on memoirs, and the rise of a handsome young man of great wit, but poor and of peasant extraction. His qualities which will make him appealing in...

New edition, illustrated with two frontispieces and 12 figures before letters, unsigned. A title vignette repeated on both volumes. Title pages in red and black.
Contemporary full glazed blonde calf bindings. Spines with raised bands decorated with small repeated fleurons in compartments. Red morocco title and volume labels. Decorative gilt board-edges and on leading edges. Edges gilt. The figures are slightly shorter at the outer margin. Joints partially restored. Fine copy, in good binding.
Son of the illustrious actor Montfleury, and like him attached to the Hôtel de Bourgogne, his first plays were farces around 1660, then producing about one play per year, he evolved toward...

New edition (third?) and first in 6 volumes. The first edition dates from 1746. Les Songes philosophiques are in first edition.
Contemporary full speckled brown calf bindings. Smooth spines decorated. Red morocco title and volume labels. Triple gilt fillet and star cornerpieces on boards. All edges red. Three head caps and three tail caps worn. A few corners very slightly bumped.
The Lettres chinoises, inaugurated by the same author as the Lettres juives have this typical Enlightenment design of comparing the customs and habits of several civilizations; the work takes up the scheme, always humorous, of the first work of this type: L'espion de la...

Brunet and Graesse have the first edition appearing in 1756; we have not found any trace of this edition.
With 56 folding plates. A scarce work. Not in the Bibliotheque Nationale de France and numerous other great libraries.
Contemporary marbled sheep, spine in 6 decorated compartments. The work consists of a commentary on the notes and propositions left by Marechal de Saxe. These are various, and include the reasons for having a school of instruction for officers, to the use of the bayonet; there is also a curious note on the Tatars and Chinese. 

This is the penultimate edition of the most famous historical dictionary, an inexhaustible source that remains highly sought after for both history and genealogy. This edition was refined by Platel and considerably expanded. The first edition was the only one published during the author's lifetime, in 1664, in one folio volume.
Bindings in full dark brown glazed mottled calf, spine with raised bands decorated with animal tools, red morocco title labels. Unidentified arms on the boards (possibly of a town or the Oormsgard family, but non-French arms) with a lion facing forward (and not in profile as usual) holding a castle.
Copy complete with the frontispiece.
Volume I has the...

Reprint, by the same publisher, of the 1700 edition, 'the most sought-after' according to Brunet III, 1458 who adds: "It is difficult to find well-preserved copies with good margins and whose leaves do not have a russet tint."

Contemporary full brown sheep bindings. Spine with raised bands, decorated. A tear with loss at the junction of the upper joint and headcap of volume II.

Rubbing to corners and joints.

Complete edition, which even contains the translations made by Marot.
Bookplate Biblilothèque Tramar de Lamarque.