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Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

Short Stories & TalesShort Stories & Tales
Short Stories & Tales

Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
The Ancient Authors

From Attic classics to apothecary's Latin. come feast at the banquet of the ancients. On the menu at Aesop's tables: Roman let us scroll, Gaelic reads,  Ovid's spoil, Chinese feud.

Foreign LiteratureForeign Literature
Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

Our Great ModernsOur Great Moderns
Our Great Moderns

A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

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Paris (France)
  1. Les jardins, ou l'art d'embellir les paysagesLes jardins, ou l'art d'embellir les paysages
    Jacques DELILLE

    Les jardins, ou l'art d'embellir les paysages

    De l'imprimerie de Philippe-Denys Pierres|à Paris 1782|14.50 x 22 cm|relié
    Sold
  2. Ab excessu Ludovici XIII, de rebus gallicis historiarum Libri XIIAb excessu Ludovici XIII, de rebus gallicis historiarum Libri XII
    Benjamin PRIOLO

    Ab excessu Ludovici XIII, de rebus gallicis historiarum Libri XII

    Apud Fredericum Leonard|à Paris 1665|In-4|relié
    Sold
  3. Biographie de Alfred de MussetBiographie de Alfred de Musset
    Paul de MUSSET

    Biographie de Alfred de Musset

    Alphonse Lemerre|Paris 1877|9.50 x 16.50 cm|relié
    Sold
  4. L'espace et la flûteL'espace et la flûte
    Jean TARDIEU

    L'espace et la flûte

    Gallimard|Paris 1958|14 x 21.50 cm|broché
    First edition, one of the numbered copies on vellum, one draw after 56 Holland paper.
    Signed autograph by Jean Tardieu her friend Monique Grall.
    Book illustrated with 12 drawings by Pablo Picasso.
    Insolated back and dive, small spots in margins flat.
    Sold
  5. Physiologie du fumeurPhysiologie du fumeur
    Théodose BURETTE, Alcide LORENTZ

    Physiologie du fumeur

    Ernest Bourdin|Paris s. d. [circa 1840]|9 x 14 cm|relié
    first edition.
    Bound in red half shagreen, back with five nerves decorated with gilded finials, marbled paper plates, guards and contreplats of handmade paper, preserved cover, bookplate pasted on a contreplat.
    Our copy is enriched with a handwritten personal letter of a page of Theospineius Burette in which he expressed his exasperation to a delay which it considers should not be dependent and who does prove unfriendly to its corresponding ... "
    Book decorated with Alcide Lorentz illustrations.
    A handwritten note from a previous bibliophile head of a guard and on the peculiarity of this book.
    Some small minor foxing.
    Sold
  6. Oeuvres complètes. Roman [suivi de] Drame [suivi de] Poésie [suivi de] Le Rhin [suivi de] Littérature et philosophieOeuvres complètes. Roman [suivi de] Drame [suivi de] Poésie [suivi de] Le Rhin [suivi de] Littérature et philosophie
    Victor HUGO

    Oeuvres complètes. Roman [suivi de] Drame [suivi de] Poésie [suivi de] Le Rhin [suivi de] Littérature et philosophie

    Alexandre Houssiaux|Paris 1869|14 x 23 cm|20 volumes reliés
    Sold
  7. StendhalStendhal
    [Henri BÉRAUD] Albert THIBAUDET

    Stendhal

    Hachette|Paris 1931|12 x 19 cm|broché
    first edition on the current paper.
    Our copy is enriched with handwritten annotations Henri Beraud very critical of Albert Thibaudet, in pencil in the margins of the first eight pages of text.
    They begin like this: "This good teacher should learn to write as well as a policeman ..."
    It seems that reading this volume is too exasperated Henri Beraud to accept to write more.
    Sold
  8. Souvenirs de jeunesse suivis de Mademoiselle de Marsan et La neuvaine de la ChandeleurSouvenirs de jeunesse suivis de Mademoiselle de Marsan et La neuvaine de la Chandeleur
    Charles NODIER

    Souvenirs de jeunesse suivis de Mademoiselle de Marsan et La neuvaine de la Chandeleur

    Charpentier|Paris 1850|12 x 19 cm|broché
    Fifth edition.
    A small tear, glued down, to foot of spine, ex-dono in ink to head of upper cover, faint dampstain to head of final leaves.
    Sold
  9. Lettres inédites de Voltaire à mademoiselle Quinault, à M. d'Argental, au président Hénault, à M. Damilaville, à madame d'Epinay, et autres personnages remarquablesLettres inédites de Voltaire à mademoiselle Quinault, à M. d'Argental, au président Hénault, à M. Damilaville, à madame d'Epinay, et autres personnages remarquables
    VOLTAIRE

    Lettres inédites de Voltaire à mademoiselle Quinault, à M. d'Argental, au président Hénault, à M. Damilaville, à madame d'Epinay, et autres personnages remarquables

    Antoine-Augustin Renouard|Paris 1822|13.50 x 22 cm|relié
    Sold
  10. Traité des maladies des enfansTraité des maladies des enfans
    Michael UNDERWOOD

    Traité des maladies des enfans

    Chez Théophile Barrois|à Paris 1786|13 x 19.70 cm|relié
    Sold
  11. Histoire de Saladin, Sulthan d'Egypte et de SyrieHistoire de Saladin, Sulthan d'Egypte et de Syrie
    François-Louis-Claude MARIN

    Histoire de Saladin, Sulthan d'Egypte et de Syrie

    Chez Tilliard|à Paris 1758|9.50 x 16.20 cm|2 volumes reliés
    Sold
  12. Et je m'en fouts. Liberté, libertas, foutre !Et je m'en fouts. Liberté, libertas, foutre !
    Jean BART

    Et je m'en fouts. Liberté, libertas, foutre !

    De l'imprimerie de Jean Bart|s. l. • [Paris] 1790|12.50 x 19.50 cm|broché
    Sold
  13. Défense de la faculté de médecine de Paris [...] au sujet de la place de médecin de l'hôpital généralDéfense de la faculté de médecine de Paris [...] au sujet de la place de médecin de l'hôpital général
    ANONYME

    Défense de la faculté de médecine de Paris [...] au sujet de la place de médecin de l'hôpital général

    Chez la veuve Quilleau|à Paris 1762|10 x 16.50 cm|relié
    Sold
  14. Nouvelles : Emmeline. - Les deux maîtresses. - Frédéric et Bernerette. - Le fils du Titien.- MargotNouvelles : Emmeline. - Les deux maîtresses. - Frédéric et Bernerette. - Le fils du Titien.- Margot
    Alfred de MUSSET

    Nouvelles : Emmeline. - Les deux maîtresses. - Frédéric et Bernerette. - Le fils du Titien.- Margot

    Alphonse Lemerre|Paris 1876|9.50 x 16 cm|relié
    Sold
  15. Oeuvres : Jean-des-Figues. - Le tor d'Entrays. -  Le clos des âmes. - La mort de Pan. - Le canot des six amazonesOeuvres : Jean-des-Figues. - Le tor d'Entrays. -  Le clos des âmes. - La mort de Pan. - Le canot des six amazones
    Paul ARÈNE

    Oeuvres : Jean-des-Figues. - Le tor d'Entrays. - Le clos des âmes. - La mort de Pan. - Le canot des six amazones

    Alphonse Lemerre|Paris s. d. [circa 1880]|9.50 x 16 cm|relié
    Sold
  16. De la censure que l'on vient d'établir en vertu de l'article 4 de la loi du 17 Mars 1822. - Les amis de la liberté de la presse. Marche et effets de la censure. - De la restauration et de la monarchie élective ou réponse à quelques journaux sur mon refus de servir le nouveau gouvernement. - Mémoire sur la captivité de Madame la duchesse de Berry. - Réquisitoire de M. Persil, procureur-général, dans l'affaire de M. de Chateaubriand. - La liste civile de la branche aînée dévoilée, réponse à monsieur le préfet de Police.De la censure que l'on vient d'établir en vertu de l'article 4 de la loi du 17 Mars 1822. - Les amis de la liberté de la presse. Marche et effets de la censure. - De la restauration et de la monarchie élective ou réponse à quelques journaux sur mon refus de servir le nouveau gouvernement. - Mémoire sur la captivité de Madame la duchesse de Berry. - Réquisitoire de M. Persil, procureur-général, dans l'affaire de M. de Chateaubriand. - La liste civile de la branche aînée dévoilée, réponse à monsieur le préfet de Police.
    François René de CHATEAUBRIAND, PERSIL

    De la censure que l'on vient d'établir en vertu de l'article 4 de la loi du 17 Mars 1822. - Les amis de la liberté de la presse. Marche et effets de la censure. - De la restauration et de la monarchie élective ou réponse à quelques journaux sur mon refus de servir le nouveau gouvernement. - Mémoire sur la captivité de Madame la duchesse de Berry. - Réquisitoire de M. Persil, procureur-général, dans l'affaire de M. de Chateaubriand. - La liste civile de la branche aînée dévoilée, réponse à monsieur le préfet de Police.

    Le Normant père et fils • A. Pihan de La Forest • Au bureau de la France • E. Dentu|Paris 1824-1837|14 x 22 cm|5 volumes reliés en 1
    Sold
  17. Oeuvres choisies précédées d'un essai sur sa vie et ses écrits par M. CampenonOeuvres choisies précédées d'un essai sur sa vie et ses écrits par M. Campenon
    Jean-Baptiste-Louis GRESSET

    Oeuvres choisies précédées d'un essai sur sa vie et ses écrits par M. Campenon

    Janet & Cotelle|Paris 1823|13.50 x 22 cm|relié
    Sold
  18. Notre avant-guerreNotre avant-guerre
    Robert BRASILLACH

    Notre avant-guerre

    Plon|Paris 1941|11.50 x 18.50 cm|relié
    first edition.
    Binding half marbled sheepskin, back with four nerves crimped golden dotted, marbled paper plates, guards and contreplats of handmade paper, modest contemporary binding.
    Signed autograph of Robert Brassillach to Roger Alméras "... beyond all boundaries, in memory of an already distant time ..."
    Sold
  19. L'alphabet des aveuxL'alphabet des aveux
    Louise de VILMORIN, Jean HUGO

    L'alphabet des aveux

    Nrf|Paris 1954|13.50 x 20 cm|broché
    First edition, review copy, false entry of second edition on the title page.
    Signed autograph of Louise de Vilmorin to Mr. Vanderschueren accompanied by his famous four-leaf clover.
    complete copy of his prayer to insert.
    Sold
  20. Gilles de Raiz   Gilles de Raiz
    Vicente HUIDOBRO

    Gilles de Raiz

    Editions Totem • José Corti|Paris 1932|17.50 x 22.50 cm|broché
    First edition for which there is no mention of large paper copies.
    Very rare autograph inscription from Vincente Huidobro to his fortuneteller Marian Lanus : "... Gilles de Rais lui-même avec ses mages blancs et ses mages noirs. Très amicalement..."
    With a portrait of the author by Pablo Picasso and two drawings by Joseph Sima.
    Covers lined, with discreet repairs, spine skillfully repaired, internally good.
    Sold
  21. Histoire générale des voyagesHistoire générale des voyages
    ABBÉ PREVOST

    Histoire générale des voyagesou Nouvelle collection de toutes les relations de voyages par mer et par terre, qui ont été publiées jusqu'à présent dans les différentes langues de toutes les nations connues[A New General Collection of Voyages and Travels]

    chez Didot • chez Rozet|à Paris 1749-1768|10 x 16.50 cm|72 volumes reliés

    First 12mo edition translated from the English by Abbé Prévost, following the original French edition published in 1746 (20 volumes in quarto). The original English-language version, written by John Green (16..?-1757), was published in 1745.
    The 72 volumes are illustrated with 324 engravings and a portrait of the author drawn by Charles-Nicolas Cochin fils, as well as 230 maps and plans by Bellin. Title pages printed in red and black.
    Uniformly bound in full brown calf. Spines with five raised bands, richly gilt with floral tools, roll-stamped borders, and gilt fillets; red morocco title and volume labels. Boards framed with double or triple gilt fillets depending on the volume...

    Sold
  22. Figures pour l'Almanach du Bon jardinier représentant, en 43 planches contenant près de 400 objets, les ustensiles le plus généralement employés dans la culture des jardins, différentes manières de marcotter et de greffer, de disposer et former les arbres fruitiers : enfin, tout ce qui est nécessaire pour la parfaite intelligence des termes de botanique ou de jardinage employés dans cet ouvrage, relatifs aux formes et directions des racines, tiges, feuilles, fleurs, etc... , etc... le tout accompagné en regard de notes explicatives. Ouvrage utile à toutes les personnes qui, possédant le Bon jardinier, veulent cultiver par elles-mêmes ou gouverner leur jardin, marcotter, greffer, palisser, etc... et se familiariser, sans trop grande application, avec la science de la botaniqueFigures pour l'Almanach du Bon jardinier représentant, en 43 planches contenant près de 400 objets, les ustensiles le plus généralement employés dans la culture des jardins, différentes manières de marcotter et de greffer, de disposer et former les arbres fruitiers : enfin, tout ce qui est nécessaire pour la parfaite intelligence des termes de botanique ou de jardinage employés dans cet ouvrage, relatifs aux formes et directions des racines, tiges, feuilles, fleurs, etc... , etc... le tout accompagné en regard de notes explicatives. Ouvrage utile à toutes les personnes qui, possédant le Bon jardinier, veulent cultiver par elles-mêmes ou gouverner leur jardin, marcotter, greffer, palisser, etc... et se familiariser, sans trop grande application, avec la science de la botanique
    ANONYME

    Figures pour l'Almanach du Bon jardinier représentant, en 43 planches contenant près de 400 objets, les ustensiles le plus généralement employés dans la culture des jardins, différentes manières de marcotter et de greffer, de disposer et former les arbres fruitiers : enfin, tout ce qui est nécessaire pour la parfaite intelligence des termes de botanique ou de jardinage employés dans cet ouvrage, relatifs aux formes et directions des racines, tiges, feuilles, fleurs, etc... , etc... le tout accompagné en regard de notes explicatives. Ouvrage utile à toutes les personnes qui, possédant le Bon jardinier, veulent cultiver par elles-mêmes ou gouverner leur jardin, marcotter, greffer, palisser, etc... et se familiariser, sans trop grande application, avec la science de la botanique

    Audot|Paris s. d. [circa 1825]|12 x 18 cm|broché
    Sold
  23. L'eau dormanteL'eau dormante
    Blanche LEGRAND

    L'eau dormante

    Paris s. d. [circa 1900]|10.50 x 19.50 cm|relié
    Sold
  24. L'Europe buissonnièreL'Europe buissonnière
    Antoine BLONDIN

    L'Europe buissonnière

    Editions Jean Froissart|Paris 1949|14 x 22.50 cm|broché
    First edition, review copy.
    Signed autograph of Antoine Blondin Peter Loiselet on the half-title page, which tends to unplug.
    spine and second insolated flat spots on the boards, very yellowed paper, fragile and brittle (first flyleaf, small and marginal gaps ahead of some slips).
    In the state but with a shipment!
    Sold
  25. Les pèlerinages de Suisse. Einsiedeln, Sachslen, Maria-SteinLes pèlerinages de Suisse. Einsiedeln, Sachslen, Maria-Stein
    Louis VEUILLOT

    Les pèlerinages de Suisse. Einsiedeln, Sachslen, Maria-Stein

    A. Canuet • Rousset|Paris 1839|12.50 x 19 cm|2 volumes reliés
    Sold
  26. Le jardin des plantes. Description et moeurs des mammifères de la ménagerie et du Muséum d'histoire naturelleLe jardin des plantes. Description et moeurs des mammifères de la ménagerie et du Muséum d'histoire naturelle
    Pierre BOITARD

    Le jardin des plantes. Description et moeurs des mammifères de la ménagerie et du Muséum d'histoire naturelle

    J.J. Dubochet & Cie|Paris 1845|18 x 26.50 cm|reliure de l'éditeur
    Sold
  27. ReliquiaeReliquiae
    Maurice de GUÉRIN, Guillaume-Stanislas TRÉBUTIEN

    Reliquiae

    chez Didier & Cie|à Paris 1861|11 x 14.50 cm|2 volumes reliés
    Sold
  28. PoésiesPoésies
    Jacques TAHUREAU

    Poésies

    chez Librairie des Bibliophiles|à Paris 1870|10.50 x 17 cm|2 volumes reliés
    Sold
  29. Choix de poésiesChoix de poésies
    Théophile GAUTIER

    Choix de poésies

    Charpentier|Paris 1922|15 x 21.50 cm|broché
    Sold
  30. Mathilde ou le temps perduMathilde ou le temps perdu
    Maurice BÉJART

    Mathilde ou le temps perdu

    Julliard|Paris 1963|12 x 20 cm|broché
    First edition, review copy.
    Signed autograph Maurice Béjart Ghislaine Juramie.
    A small bright spot in foot of the back, otherwise pleasant complete copy of his prayer to insert.
    Sold
  31. Du soleil plein la têteDu soleil plein la tête
    Yves MONTAND

    Du soleil plein la tête

    Les Editeurs Français Réunis|Paris 1955|11.50 x 18 cm|broché
    Edition for which he was not drawn large paper, review copy.
    Signed autograph Yves Montand Ghislaine Juramie.
    Iconography.
    Light minor snags on the back.
    Sold
  32. ArlettyArletty
    Pierre MONNIER

    Arletty

    Stock|Paris 1984|15.50 x 24 cm|broché
    Edition of wich no leading copies exists.
    Signed autograph Pierre Monnier Frederic Valmain: "... that is for signs of talent and friendship ..." enriched this autograph signed Arletty: "A Frederick who knows the model from. wholeheartedly. Arletty. "
    Iconography.
    Nice copy.
    Sold
  33. Les marchands de sommeil Les marchands de sommeil
    ALAIN

    Les marchands de sommeil

    Camille Bloch|Paris 1919|11 x 14.50 cm|relié
    First edition, one of 500 numbered copies on vellum, only large paper after 35 Holland paper.
    Bound in red half shagreen with corners, smooth back, gilded tail date traces of rubbing on the joint, marbled paper plates, guards and contreplats of handmade paper, wrappers and back preserved and bound in, marbled head, then binding signed Thiebaut
    Our copy is enriched with a fragment of a manuscript page on the rise tab "About a Norman" Alain he signed.
    Sold
  34. Lettre à M. Moreau, sociétaire serrurier, à propos de son livre intitulé "De la réforme des abus du compagnonnage"Lettre à M. Moreau, sociétaire serrurier, à propos de son livre intitulé "De la réforme des abus du compagnonnage"
    Agricol PERDIGUIER

    Lettre à M. Moreau, sociétaire serrurier, à propos de son livre intitulé "De la réforme des abus du compagnonnage"

    Chez l'auteur|Paris 1843|9.50 x 14 cm|broché
    first edition.
    Rare autograph signed Agricola Perdiguier to Mr. Chapert.
    Ex-dono top of the title page, a few tears and marginal gaps on the back and flat, few foxing.
    Sold
  35. Cours élémentaire de fortification à l'usage de MM. les élèves de l'Ecole spéciale militaireCours élémentaire de fortification à l'usage de MM. les élèves de l'Ecole spéciale militaire
    Nicolas-Pierre-Antoine SAVART

    Cours élémentaire de fortification à l'usage de MM. les élèves de l'Ecole spéciale militaire

    Anselin|Paris 1828|12 x 20.50 cm|relié
    Sold
  36. Les ruines, ou méditation sur les révolutions des empiresLes ruines, ou méditation sur les révolutions des empires
    Constantin-François de Chasseboeuf, Comte de VOLNEY

    Les ruines, ou méditation sur les révolutions des empires

    Paris 1817|13 x 21 cm|relié
    Sold
  37. Méry, sa vie intime anecdotique et littéraireMéry, sa vie intime anecdotique et littéraire
    Gustave CLAUDIN, Gustave STAAL

    Méry, sa vie intime anecdotique et littéraire

    Librairie Bachelin-Deflorenne|Paris 1868|10 x 15.50 cm|relié
    Edition printed on vellum.
    "Bradel" binding covered with paper moiré effect, smooth back, gilded tail date guards and contreplats of handmade paper, covers and spine slightly faded preserved, mottled head bookplate pasted on a contreplat, bookbinding signed Thiebaut.
    Our copy is enriched by an autograph letter signed an Mery page addressed to Charles Reybaud and mounted on tab next to page 62 about a paid advertising on one of his works recently published in the "Constitutional" .
    illustrated book, frontispiece, a portrait of Mery by Gustave Staal.
    Some little foxing, evenly shaded guards and insolated.
    Sold
  38. Miroir des grâces dédié aux dames ou dictionnaire de parure et de toilette, par C. Mazeret et A.M. Perrot, contenant le nom et la définition de tous les objets qui servent à l'habillement, la parure et la toilette des dames, étoffes, fourrures, bijoux, pierres fines, cosmétiques, etc... indiquant les pays, manufactures et fabriques d'où sortent les meilleurs et les plus beaux produits, avec la manière de les reconnaître, et les adresses des marchands les mieux assortis de Paris, etc, etc...Miroir des grâces dédié aux dames ou dictionnaire de parure et de toilette, par C. Mazeret et A.M. Perrot, contenant le nom et la définition de tous les objets qui servent à l'habillement, la parure et la toilette des dames, étoffes, fourrures, bijoux, pierres fines, cosmétiques, etc... indiquant les pays, manufactures et fabriques d'où sortent les meilleurs et les plus beaux produits, avec la manière de les reconnaître, et les adresses des marchands les mieux assortis de Paris, etc, etc...
    C. MAZERET, A.M. PERROT

    Miroir des grâces dédié aux dames ou dictionnaire de parure et de toilette, par C. Mazeret et A.M. Perrot, contenant le nom et la définition de tous les objets qui servent à l'habillement, la parure et la toilette des dames, étoffes, fourrures, bijoux, pierres fines, cosmétiques, etc... indiquant les pays, manufactures et fabriques d'où sortent les meilleurs et les plus beaux produits, avec la manière de les reconnaître, et les adresses des marchands les mieux assortis de Paris, etc, etc...

    V. Lefuel|Paris s. d. [circa 1820]|7.50 x 12.50 cm|relié
    First edition.
    Elegant contemporary navy blue long-grained morocco, spine in five compartments with gilt dots and fleurons, gilt roulettes to headpieces (scratched), covers with dentelle and double gilt fillet frame (slight scratches), gilt stamps to head and foot of edges of covers, corners rubbed, marbled endpapers and pastedowns, double gilt fillet frame to pastedowns, all edges gilt. 
    A little spotting.
    A very rare work with 14 lithographs superbly heightened in watercolors and some finely highlighted in palladium in an elegant contemporary binding.
    Sold
  39. De l'essence de la véritéDe l'essence de la vérité
    Martin HEIDEGGER

    De l'essence de la vérité

    E. Nauwelaerts • J. Vrin|Louvain [Louvain] • & Paris 1948|12 x 19 cm|broché
    First edition of the French translation of which there were no large paper copies.
    With an autograph inscription from Martin Heidegger.
    Light scuffing on the spine.
    Sold
  40. Romans. Une tête de chien. - Au bon beurre. - Doucin. - Les horreurs de l'amour. - 2024. - MascareigneRomans. Une tête de chien. - Au bon beurre. - Doucin. - Les horreurs de l'amour. - 2024. - Mascareigne
    Jean DUTOURD

    Romans. Une tête de chien. - Au bon beurre. - Doucin. - Les horreurs de l'amour. - 2024. - Mascareigne

    Plon|Paris 1999|13 x 20 cm|broché
    First collected edition.
    Autograph inscription from Jean Dutourd to a couple of his acquaintance.
    A good copy.
    Sold
  41. Impéria. Robe et manteau du soir, de Worth (pl.35, La Gazette du Bon ton, 1924-1925 n°5)Impéria. Robe et manteau du soir, de Worth (pl.35, La Gazette du Bon ton, 1924-1925 n°5)
    George BARBIER (Charles-Frederick WORTH)

    Impéria. Robe et manteau du soir, de Worth (pl.35, La Gazette du Bon ton, 1924-1925 n°5)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  42. Sur la terrasse (pl.36, La Gazette du Bon ton, 1924-1925 n°5)Sur la terrasse (pl.36, La Gazette du Bon ton, 1924-1925 n°5)
    Roger CHASTEL

    Sur la terrasse (pl.36, La Gazette du Bon ton, 1924-1925 n°5)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  43. Le Cady improvisé. Robe de golf et robe de fillette de Jeanne Lanvin (pl.37, La Gazette du Bon ton, 1924-1925 n°5)Le Cady improvisé. Robe de golf et robe de fillette de Jeanne Lanvin (pl.37, La Gazette du Bon ton, 1924-1925 n°5)
    Georges LEPAPE (Jeanne LANVIN)

    Le Cady improvisé. Robe de golf et robe de fillette de Jeanne Lanvin (pl.37, La Gazette du Bon ton, 1924-1925 n°5)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  44. La Patinoire. Costume et manteau, pour les sports d'hiver, de Madeleine Vionnet (pl.38, La Gazette du Bon ton, 1924-1925 n°5)La Patinoire. Costume et manteau, pour les sports d'hiver, de Madeleine Vionnet (pl.38, La Gazette du Bon ton, 1924-1925 n°5)
    Madeleine RUEG (Madeleine VIONNET)

    La Patinoire. Costume et manteau, pour les sports d'hiver, de Madeleine Vionnet (pl.38, La Gazette du Bon ton, 1924-1925 n°5)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  45. Marchand de yaourt (pl.40, La Gazette du Bon ton, 1924-1925 n°5)Marchand de yaourt (pl.40, La Gazette du Bon ton, 1924-1925 n°5)
    Lado GOUDIACHVILI

    Marchand de yaourt (pl.40, La Gazette du Bon ton, 1924-1925 n°5)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right...
    Sold
  46. Chanteurs ambulants (pl.41, La Gazette du Bon ton, 1924-1925 n°5)Chanteurs ambulants (pl.41, La Gazette du Bon ton, 1924-1925 n°5)
    Lado GOUDIACHVILI

    Chanteurs ambulants (pl.41, La Gazette du Bon ton, 1924-1925 n°5)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  47. Le Petit Port (pl.42, La Gazette du Bon ton, 1924-1925 n°5)Le Petit Port (pl.42, La Gazette du Bon ton, 1924-1925 n°5)
    Jacques DEMACHY

    Le Petit Port (pl.42, La Gazette du Bon ton, 1924-1925 n°5)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right...
    Sold
  48. Rêverie. Robes, de Jeanne Lanvin (pl.44, La Gazette du Bon ton, 1924-1925 n°6)Rêverie. Robes, de Jeanne Lanvin (pl.44, La Gazette du Bon ton, 1924-1925 n°6)
    Georges LEPAPE (Jeanne LANVIN)

    Rêverie. Robes, de Jeanne Lanvin (pl.44, La Gazette du Bon ton, 1924-1925 n°6)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  49. Sur la digue. Chapeau, de Marthe Collot (pl.45, La Gazette du Bon ton, 1924-1925 n°6)Sur la digue. Chapeau, de Marthe Collot (pl.45, La Gazette du Bon ton, 1924-1925 n°6)
    André-Edouard MARTY (Marthe COLLOT)

    Sur la digue. Chapeau, de Marthe Collot (pl.45, La Gazette du Bon ton, 1924-1925 n°6)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  50. ContesContes
    Paul-Emile BECAT, Jean de LA FONTAINE

    Contes

    Georges Briffault|Paris 1928|16 x 24.50 cm|2 volumes reliés
    Sold
  51. Consultation. Chaussures de Pérugia (pl.46, La Gazette du Bon ton, 1924-1925 n°6)Consultation. Chaussures de Pérugia (pl.46, La Gazette du Bon ton, 1924-1925 n°6)
    Pierre MOURGUE (André PERUGIA)

    Consultation. Chaussures de Pérugia (pl.46, La Gazette du Bon ton, 1924-1925 n°6)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  52. Le Matin et le Soir. Robes, de mousseline cirée, de Worth (pl.47, La Gazette du Bon ton, 1924-1925 n°6)Le Matin et le Soir. Robes, de mousseline cirée, de Worth (pl.47, La Gazette du Bon ton, 1924-1925 n°6)
    George BARBIER (Charles-Frederick WORTH)

    Le Matin et le Soir. Robes, de mousseline cirée, de Worth (pl.47, La Gazette du Bon ton, 1924-1925 n°6)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
    Sold
  53. Au bois. Tailleur, de Madeleine Vionnet (pl.48, La Gazette du Bon ton, 1924-1925 n°6)Au bois. Tailleur, de Madeleine Vionnet (pl.48, La Gazette du Bon ton, 1924-1925 n°6)
    Madeleine RUEG (Madeleine VIONNET)

    Au bois. Tailleur, de Madeleine Vionnet (pl.48, La Gazette du Bon ton, 1924-1925 n°6)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
    Sold
  54. Bérénice. Diadème et collier, de Cartier (pl.49, La Gazette du Bon ton, 1924-1925 n°7)Bérénice. Diadème et collier, de Cartier (pl.49, La Gazette du Bon ton, 1924-1925 n°7)
    ANONYME (CARTIER)

    Bérénice. Diadème et collier, de Cartier (pl.49, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
    Sold
  55. PoésiesPoésies
    Louise ACKERMANN

    Poésies

    Paris 1877|11.50 x 18.50 cm|relié
    Sold
  56. Nuit de Riviera. Robe du soir, de Jenny (pl.52, La Gazette du Bon ton, 1924-1925 n°7)Nuit de Riviera. Robe du soir, de Jenny (pl.52, La Gazette du Bon ton, 1924-1925 n°7)
    André-Edouard MARTY (JENNY)

    Nuit de Riviera. Robe du soir, de Jenny (pl.52, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  57. Grille en fer forgé pour le Pavillon de l'élégance par Baguès (pl.53, La Gazette du Bon ton, 1924-1925 n°7)Grille en fer forgé pour le Pavillon de l'élégance par Baguès (pl.53, La Gazette du Bon ton, 1924-1925 n°7)
    ANONYME (BAGUES)

    Grille en fer forgé pour le Pavillon de l'élégance par Baguès (pl.53, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
    Sold
  58. Longhi. Robe du soir, de Jeanne Lanvin (pl.54, La Gazette du Bon ton, 1924-1925 n°7)Longhi. Robe du soir, de Jeanne Lanvin (pl.54, La Gazette du Bon ton, 1924-1925 n°7)
    Georges LEPAPE (Jeanne LANVIN)

    Longhi. Robe du soir, de Jeanne Lanvin (pl.54, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  59. Le Jeu interrompu. Etui de golf, d'Hermès (pl.57, La Gazette du Bon ton, 1924-1925 n°7)Le Jeu interrompu. Etui de golf, d'Hermès (pl.57, La Gazette du Bon ton, 1924-1925 n°7)
    Pierre MOURGUE (HERMES)

    Le Jeu interrompu. Etui de golf, d'Hermès (pl.57, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  60. La Nuit enchantée. Robe et manteau, de Madeleine Vionnet (pl.58, La Gazette du Bon ton, 1924-1925 n°7)La Nuit enchantée. Robe et manteau, de Madeleine Vionnet (pl.58, La Gazette du Bon ton, 1924-1925 n°7)
    Madeleine RUEG (Madeleine VIONNET)

    La Nuit enchantée. Robe et manteau, de Madeleine Vionnet (pl.58, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  61. Sur la pelouse. Robe, de Paul Poiret (pl.59, La Gazette du Bon ton, 1924-1925 n°7)Sur la pelouse. Robe, de Paul Poiret (pl.59, La Gazette du Bon ton, 1924-1925 n°7)
    André-Edouard MARTY (Paul POIRET)

    Sur la pelouse. Robe, de Paul Poiret (pl.59, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  62. Le Jugement de Pâris. Travestis de Jeanne Lanvin pour le Bal de la parure (pl.60, La Gazette du Bon ton, 1924-1925 n°8)Le Jugement de Pâris. Travestis de Jeanne Lanvin pour le Bal de la parure (pl.60, La Gazette du Bon ton, 1924-1925 n°8)
    Georges LEPAPE (Jeanne LANVIN)

    Le Jugement de Pâris. Travestis de Jeanne Lanvin pour le Bal de la parure (pl.60, La Gazette du Bon ton, 1924-1925 n°8)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
    Sold
  63. La Danseuse aux jets d'eau. Robe de danse, de Worth (pl.61, La Gazette du Bon ton, 1924-1925 n°8)La Danseuse aux jets d'eau. Robe de danse, de Worth (pl.61, La Gazette du Bon ton, 1924-1925 n°8)
    George BARBIER (Charles-Frederick WORTH)

    La Danseuse aux jets d'eau. Robe de danse, de Worth (pl.61, La Gazette du Bon ton, 1924-1925 n°8)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
    Sold
  64. Une russe catholique : Madame SwetchineUne russe catholique : Madame Swetchine
    M.J. ROUET DE JOURNEL

    Une russe catholique : Madame Swetchine

    Maison de La Bonne Presse|Paris 1930|13.50 x 20.50 cm|relié
    First edition, one of the 20 copys numbered on "pur-fil" paper only leading copies.
    "Bradel" binding covered with handmade paper, smooth spine part and labels showing the bookplate of the Count of Blois glued on the back, covers (soiled) maintained, contemporary binding.
    Signed autograph of Rouet Journel the Count of Blois.
    Our copy is enriched with three autograph letters addressed to the author even two in the header of the Slavic library in Paris.

    Nice together.
    Sold
  65. Amour, délices et orgues. Robe et manteau du soir, de Paul Poiret (pl.62, La Gazette du Bon ton, 1924-1925 n°8)Amour, délices et orgues. Robe et manteau du soir, de Paul Poiret (pl.62, La Gazette du Bon ton, 1924-1925 n°8)
    André-Edouard MARTY (Paul POIRET)

    Amour, délices et orgues. Robe et manteau du soir, de Paul Poiret (pl.62, La Gazette du Bon ton, 1924-1925 n°8)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  66. Le Bel écrin. Modèle de Pérugia (pl.63, La Gazette du Bon ton, 1924-1925 n°8)Le Bel écrin. Modèle de Pérugia (pl.63, La Gazette du Bon ton, 1924-1925 n°8)
    Pierre MOURGUE (André PERUGIA)

    Le Bel écrin. Modèle de Pérugia (pl.63, La Gazette du Bon ton, 1924-1925 n°8)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  67. Le Chapeau de velours. Chapeau, de Marthe Collot (pl.65, La Gazette du Bon ton, 1924-1925 n°8)Le Chapeau de velours. Chapeau, de Marthe Collot (pl.65, La Gazette du Bon ton, 1924-1925 n°8)
    José ZINOVIEW (Marthe COLLOT)

    Le Chapeau de velours. Chapeau, de Marthe Collot (pl.65, La Gazette du Bon ton, 1924-1925 n°8)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  68. Rendez-vous Villa Gori. Robe et manteau de Worth (pl.66, La Gazette du Bon ton, 1924-1925 n°9)Rendez-vous Villa Gori. Robe et manteau de Worth (pl.66, La Gazette du Bon ton, 1924-1925 n°9)
    George BARBIER (Charles-Frederick WORTH)

    Rendez-vous Villa Gori. Robe et manteau de Worth (pl.66, La Gazette du Bon ton, 1924-1925 n°9)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  69. L'Adieu à la plage. Manteau de voyage, de Madeleine Vionnet (pl.67, La Gazette du Bon ton, 1924-1925 n°9)L'Adieu à la plage. Manteau de voyage, de Madeleine Vionnet (pl.67, La Gazette du Bon ton, 1924-1925 n°9)
    Madeleine RUEG (Madeleine VIONNET)

    L'Adieu à la plage. Manteau de voyage, de Madeleine Vionnet (pl.67, La Gazette du Bon ton, 1924-1925 n°9)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  70. Le Rouleau de musique. Robe d'après-midi et robe de fillette, de Jeanne Lanvin (pl.68, La Gazette du Bon ton, 1924-1925 n°9)Le Rouleau de musique. Robe d'après-midi et robe de fillette, de Jeanne Lanvin (pl.68, La Gazette du Bon ton, 1924-1925 n°9)
    Georges LEPAPE (Jeanne LANVIN)

    Le Rouleau de musique. Robe d'après-midi et robe de fillette, de Jeanne Lanvin (pl.68, La Gazette du Bon ton, 1924-1925 n°9)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
    Sold
  71. Histoire de la vie et de la mort de M. de Talleyrand-Périgord Histoire de la vie et de la mort de M. de Talleyrand-Périgord
    Sosthène DUFOUR de la THUILERIE

    Histoire de la vie et de la mort de M. de Talleyrand-Périgord

    Librairie de la société de Saint-Nicolas|Paris s. d. [1838]|13.50 x 22 cm|relié
    Sold
  72. L'infanteL'infante
    Louis BERTRAND

    L'infante

    Arthème Fayard|Paris 1920|11.50 x 18 cm|relié
    first edition on the current paper.
    "Bradel" binding covered with handmade paper, smooth back slightly browned, title of piece glued on the back, contemporary binding.
    Signed autograph of his friend Louis Bertrand Avesnes
    Sold
  73. DonatienneDonatienne
    René BAZIN

    Donatienne

    Calmann Lévy|Paris 1903|11.50 x 18 cm|relié
    first edition on the current paper.
    "Bradel" binding covered with handmade paper, flat spine slightly faded, as part pasted on the back, contemporary binding.
    Signed autograph René Bazin to Count Louis of Blois.
    An autograph card of the author and accompanying press clipping.
    Sold
  74. MagnificatMagnificat
    René BAZIN

    Magnificat

    Calmann Lévy|Paris 1931|11.50 x 18 cm|relié
    first edition on the current paper.
    "Bradel" binding covered with handmade paper, flat spine slightly faded, as Exhibit and reproductions of the bookplate of the Count of Blois glued on the back, preserved covers, contemporary binding.
    autograph dedication of the author autograph signed and dated by René Bazin to Count Louis of Blois.
    Sold
  75. Les Aphrodites ou fragments thali-priapiques pour servir à l'histoire du plaisir (volumes I et II sur III)Les Aphrodites ou fragments thali-priapiques pour servir à l'histoire du plaisir (volumes I et II sur III)
    Andréa de NERCIAT

    Les Aphrodites ou fragments thali-priapiques pour servir à l'histoire du plaisir (volumes I et II sur III)

    S. n.|Lampsaque [Lapseki] • (Paris) 1793 (1909)|13.50 x 19.50 cm|2 volumes reliés
    Sold
  76. Pisciceptologie, ou l'art de la pêche à la ligne; discours sur les poissons, la manière de les prendre et de les accomoder; la pêche aux filets et autres instrumens; suivi d'un traité des étangs, viviers, fossés, réservoirs, et les moyens d'en tirer avantage; avec un grand nombre de figures en taille-douce, ou description des pièges propres à ces différentes pêches; et terminé par un précis des lois et réglemens sur la pêchePisciceptologie, ou l'art de la pêche à la ligne; discours sur les poissons, la manière de les prendre et de les accomoder; la pêche aux filets et autres instrumens; suivi d'un traité des étangs, viviers, fossés, réservoirs, et les moyens d'en tirer avantage; avec un grand nombre de figures en taille-douce, ou description des pièges propres à ces différentes pêches; et terminé par un précis des lois et réglemens sur la pêche
    ANONYME

    Pisciceptologie, ou l'art de la pêche à la ligne; discours sur les poissons, la manière de les prendre et de les accomoder; la pêche aux filets et autres instrumens; suivi d'un traité des étangs, viviers, fossés, réservoirs, et les moyens d'en tirer avantage; avec un grand nombre de figures en taille-douce, ou description des pièges propres à ces différentes pêches; et terminé par un précis des lois et réglemens sur la pêche

    Corbet|Paris 1823|10.50 x 17 cm|relié
    Sold
  77. Feu de joieFeu de joie
    Louis ARAGON, Pablo PICASSO

    Feu de joieFeu de joie

    Au sans pareil|Paris 1920|14 x 19 cm|relié
    Feu de joie
    First edition of the author's first work, a numbered copy on vergé bouffant paper.
    Autograph inscription signed by Louis Aragon to Colette Grünbaum.
    Illustrated with a drawing by Pablo Picasso.
    Small lack to head of lower cover, small lacks to some leaves due to the fragility of the paper at the margins.
    Dedicatee's ex-libris to endpaper.
    Sold
  78. Le Plutarque Français, vie des hommes et des femmes illustres de la FranceLe Plutarque Français, vie des hommes et des femmes illustres de la France
    Édouard MENNECHET

    Le Plutarque Français, vie des hommes et des femmes illustres de la France

    chez Langlois • et Leclercq|à Paris 1844-1847|18 x 27 cm|6 volumes reliés
    Sold
  79. Compagnons de route (essais littéraires)Compagnons de route (essais littéraires)
    Romain ROLLAND

    Compagnons de route (essais littéraires)

    Editions du Sablier|Paris 1936|12 x 19 cm|broché
    Sold
  80. Du côté de chez SwannDu côté de chez Swann
    Marcel PROUST

    Du côté de chez Swann

    Grasset|Paris 1913|12 x 19 cm|relié

    First edition on ordinary paper with the correct date of printing of 8 November 1913; Nrf covers, second impression title page with the typographic error to Grasset corrected, Gallimard sales label from 1917.
    Half blue morocco over marbled paper boards by Thomas Boichot, spine in six compartments, gilt date to foot, blue paper pastedowns and endpapers, covers preserved, top edge gilt.
    A few small wormholes mostly affecting covers, ink ex dono to head of upper cover.
    A nicely bound copy. 

    Sold
  81. L'épée de l'amitiéL'épée de l'amitié
    Maurice SCHUMANN, Joseph KESSEL

    L'épée de l'amitié

    Plon|Paris 1967|18 x 23 cm|broché
    First edition, one of 588 copies hors commerce on Hollande paper, this copy specially printed for Maurice Garnier.
    A good copy.
    Sold
  82. Souvenirs et correspondance tirés des papiers de madame RécamierSouvenirs et correspondance tirés des papiers de madame Récamier
    Julie RÉCAMIER

    Souvenirs et correspondance tirés des papiers de madame Récamier

    Michel Lévy frères|Paris 1859|13 x 22 cm|2 volumes reliés
    Sold
  83. Paris inconnuParis inconnu
    Alexandre PRIVAT D'ANGLEMONT

    Paris inconnu

    Adolphe Delahays|Paris 1875|12.50 x 17 cm|relié
    Second edition in the partly original.
    "Bradel" binding vellum way back smooth burnished blue shagreen as Exhibit marine shabby, black date tail, half red shagreen, decorative letters on flat calligraphy in the medieval manner, preserved covers, signed binding Paul Vié.
    Our copy has acquired two signed autographs lettrres Alexander Privat Anglemont mounted on tabs at the top of volume and page 264, in which he promises his first party tickets for one of his plays that are currently playing and provides, in the second, his support in the legal problems that it encounters, enclosed envelope to the first letter.
    About the author's life by Alfred Delvau.
    A...
    Sold
  84. Paul Eluard livre d'identitéPaul Eluard livre d'identité
    Robert D. VALETTE

    Paul Eluard livre d'identité

    Tchou|Paris 1967|16.50 x 25.50 cm|reliure de l'éditeur
    Sold
  85. L'Amazone bleue (pl.5, La Gazette du Bon ton, 1924-1925 n°1)L'Amazone bleue (pl.5, La Gazette du Bon ton, 1924-1925 n°1)
    Charles LOUPOT

    L'Amazone bleue (pl.5, La Gazette du Bon ton, 1924-1925 n°1)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  86. Manteau de fourrure. Manteau de fourrure, de M-A. Leroy (pl.7, La Gazette du Bon ton, 1924-1925 n°1)Manteau de fourrure. Manteau de fourrure, de M-A. Leroy (pl.7, La Gazette du Bon ton, 1924-1925 n°1)
    Charles LOUPOT (MAX-LEROY)

    Manteau de fourrure. Manteau de fourrure, de M-A. Leroy (pl.7, La Gazette du Bon ton, 1924-1925 n°1)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  87. Les Graces et Vénus en cheveux courts. Manteau et robes pour le soir, de Paul Poiret (pl.9, La Gazette du Bon ton, 1924-1925 n°2)Les Graces et Vénus en cheveux courts. Manteau et robes pour le soir, de Paul Poiret (pl.9, La Gazette du Bon ton, 1924-1925 n°2)
    André-Edouard MARTY (Paul POIRET)

    Les Graces et Vénus en cheveux courts. Manteau et robes pour le soir, de Paul Poiret (pl.9, La Gazette du Bon ton, 1924-1925 n°2)

    Lucien Vogel éditeur|Paris 1924-1925|36 x 24 cm|une feuille
    Double original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  88. Cortège. Robes du soir, de Worth (pl.10, La Gazette du Bon ton, 1924-1925 n°2)Cortège. Robes du soir, de Worth (pl.10, La Gazette du Bon ton, 1924-1925 n°2)
    George BARBIER (Charles-Frederick WORTH)

    Cortège. Robes du soir, de Worth (pl.10, La Gazette du Bon ton, 1924-1925 n°2)

    Lucien Vogel éditeur|Paris 1924-1925|36 x 24 cm|une feuille
    Double original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches...
    Sold
  89. Les Belles Dames du paravent. Robes et manteaux, de Doucet (pl.12, La Gazette du Bon ton, 1924-1925 n°2)Les Belles Dames du paravent. Robes et manteaux, de Doucet (pl.12, La Gazette du Bon ton, 1924-1925 n°2)
    ANONYME (Jacques DOUCET)

    Les Belles Dames du paravent. Robes et manteaux, de Doucet (pl.12, La Gazette du Bon ton, 1924-1925 n°2)

    Lucien Vogel éditeur|Paris 1924-1925|36 x 24 cm|une feuille
    Double original color print heightened with gold, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models...
    Sold
  90. Le Mignon petit soulier. Modèles de Perugia (pl. 13, La Gazette du Bon ton, 1924-1925 n°2)Le Mignon petit soulier. Modèles de Perugia (pl. 13, La Gazette du Bon ton, 1924-1925 n°2)
    Jean GRANGIER (André PERUGIA)

    Le Mignon petit soulier. Modèles de Perugia (pl. 13, La Gazette du Bon ton, 1924-1925 n°2)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
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