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Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

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The Ancient AuthorsThe Ancient Authors
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A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

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Paris (France)
  1. Discours sur l'histoire universelle, depuis le commencement du monde jusqu'à l'Empire de CharlemagneDiscours sur l'histoire universelle, depuis le commencement du monde jusqu'à l'Empire de Charlemagne
    Jacques Bénigne BOSSUET

    Discours sur l'histoire universelle, depuis le commencement du monde jusqu'à l'Empire de Charlemagne

    Chez Mame frères|à Paris 1810|8 x 13.50 cm|4 volumes reliés
    Sold
  2. Nouveaux voyages en zigzag à la Grande Chartreuse, autour du Mont Blanc dans les vallées d'Herens, de Zermatt, au Grimsel, à Gênes et à la cornicheNouveaux voyages en zigzag à la Grande Chartreuse, autour du Mont Blanc dans les vallées d'Herens, de Zermatt, au Grimsel, à Gênes et à la corniche
    Rodolphe TÖPFFER

    Nouveaux voyages en zigzag à la Grande Chartreuse, autour du Mont Blanc dans les vallées d'Herens, de Zermatt, au Grimsel, à Gênes et à la corniche

    Chez Victor Lecou|à Paris 1854|17.50 x 27.50 cm|relié
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  3. Histoire d'Angleterre depuis la première invasion des Romains, jusqu'à la paix de 1763Histoire d'Angleterre depuis la première invasion des Romains, jusqu'à la paix de 1763
    Antoine François de BERTRAND-MOLEVILLE

    Histoire d'Angleterre depuis la première invasion des Romains, jusqu'à la paix de 1763

    Chez L.-G. Michaud|à Paris 1815|12 x 21 cm|6 volumes reliés
    Sold
  4. Au fil des joursAu fil des jours
    Georges CLEMENCEAU

    Au fil des jours

    Charpentier|Paris 1900|12 x 19 cm|relié
    first edition on the current paper.
    Binding half
    Signed autograph of Georges Clemenceau to his friend Chaplet.
    Sold
  5. Le Roman comiqueLe Roman comique
    Paul SCARRON

    Le Roman comique

    L'Imprimerie de Didot le jeune • Janet • Hubert|à Paris L'An quatrième [1796]|12.50 x 20.50 cm|3 volumes reliés
    With illustrations drawn by Le Barbier and engraved under his direction. Portrait of the author engraved by Lemire and 12 illustrations engraved by Baquoy, Dambrun, Duclos, Hubert, Petit, Romanet and Simonet.
    Contemporary light-brown marbled calf, spine with gilt latticework decoration, gilt fillets and fleurons, red morocco title-piece and volume labels, gilt fillets and striae to edges of covers, gilt roulette frame to covers, delicate gilt roulette around pastedowns, all edges gilt.
    A little light insignificant rubbing, spines uniformly slightly faded, but otherwise a very good copy.
    Sold
  6. Oeuvres de BoileauOeuvres de Boileau
    Nicolas BOILEAU DESPREAUX

    Oeuvres de Boileau

    De l'imprimerie de la fonderie stéréotypes de Pierre Didot l'Aîné, et de Firmin Didot|à Paris 1800 (An IV)|7.50 x 13.50 cm|2 volumes reliés
    Sold
  7. Essais de MontaigneEssais de Montaigne
    Michel de MONTAIGNE

    Essais de Montaigne

    Chez Lefèvre|à Paris 1826|17 x 26.50 cm|5 volumes reliés
    Sold
  8. Oeuvres de La FontaineOeuvres de La Fontaine
    Jean de LA FONTAINE, ROGER

    Oeuvres de La Fontaine

    Chez Lefèvre|à Paris 1827|14.50 x 23.50 cm|6 volumes reliés
    Sold
  9. GîtesGîtes
    Julio CORTÁZAR

    Gîtes

    Gallimard|Paris 1968|12.50 x 20 cm|broché
    Sold
  10. Un profil perduUn profil perdu
    Françoise SAGAN

    Un profil perdu

    Flammarion|Paris 1974|14 x 20 cm|broché
    Sold
  11. Voyage au bout de la nuitVoyage au bout de la nuit
    Louis-Ferdinand CÉLINE

    Voyage au bout de la nuit

    Denoël & Steele|Paris 1932|12 x 19 cm|broché
    First edition, one of 200 advance (service de presse) copies with the notice "service de presse" printed on the back and without the publisher’s catalogue at end, the first copies issued, preceding even the large paper ones.
    Handsome autograph inscription signed by Louis-Ferdinand Céline to Gonzague Truc.
    Rare and good copy.
    Sold
  12. Américaines (Croquis, La Gazette du Bon ton, 1922 n°2)Américaines (Croquis, La Gazette du Bon ton, 1922 n°2)
    CHASTEL, Gérard BAUËR

    Américaines (Croquis, La Gazette du Bon ton, 1922 n°2)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|en feuilles
    Text signed Gerard Bauer and illustrated with drawings by Chastel.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon...
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  13. Guignol's bandGuignol's band
    Louis-Ferdinand CÉLINE

    Guignol's band

    Denoël|Paris 1944|12 x 19 cm|broché
    First edition on ordinary paper.
    Cover and spine skillfully repaired.
    Autograph inscription signed by Louis-Ferdinand Céline : "A Gonzague Truc qui me déteste...[To Gonzague Truc, who hates me…]"
    Sold
  14. Oeuvres de Boileau DespréauxOeuvres de Boileau Despréaux
    Nicolas BOILEAU DESPREAUX, Augustin de SAINT-AUBIN

    Oeuvres de Boileau Despréaux

    Chez Belin|à Paris 1813|13 x 21.50 cm|relié
    Sold
  15. Le ruban employé dans la mode et la couture ainsi que dans tous les autres arts de l'habillement féminin (Croquis, La Gazette du Bon ton, 1922 n°3)Le ruban employé dans la mode et la couture ainsi que dans tous les autres arts de l'habillement féminin (Croquis, La Gazette du Bon ton, 1922 n°3)
    DAVID, RODIER

    Le ruban employé dans la mode et la couture ainsi que dans tous les autres arts de l'habillement féminin (Croquis, La Gazette du Bon ton, 1922 n°3)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|relié
    Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed Joan Ramon Fernandez. The sketches are signed XIX and XXI David, respectively on the lower right and left boards.
    Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69...
    Sold
  16. Album des dames, leurs modes et frivolités (Croquis, La Gazette du Bon ton, 1922 n°1)Album des dames, leurs modes et frivolités (Croquis, La Gazette du Bon ton, 1922 n°1)
    DAVID

    Album des dames, leurs modes et frivolités (Croquis, La Gazette du Bon ton, 1922 n°1)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|relié
    Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed Joan Ramon Fernandez. The sketches are signed XIX and XXI David, respectively on the lower right and left boards.
    Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69...
    Sold
  17. Croquis de mode : Costumes inspirés d'ordres religieux (Croquis, La Gazette du Bon ton, 1922 n°10). - Les manteaux du soir en fourrure combinée avec des soieries de Bianchini et Férier (Croquis, La Gazette du Bon ton, 1922 n°9). - Costumes inspirés de figures géométriques (Croquis, La Gazette du Bon ton, 1922 n°8)Croquis de mode : Costumes inspirés d'ordres religieux (Croquis, La Gazette du Bon ton, 1922 n°10). - Les manteaux du soir en fourrure combinée avec des soieries de Bianchini et Férier (Croquis, La Gazette du Bon ton, 1922 n°9). - Costumes inspirés de figures géométriques (Croquis, La Gazette du Bon ton, 1922 n°8)
    DAVID, André PERUGIA

    Croquis de mode : Costumes inspirés d'ordres religieux (Croquis, La Gazette du Bon ton, 1922 n°10). - Les manteaux du soir en fourrure combinée avec des soieries de Bianchini et Férier (Croquis, La Gazette du Bon ton, 1922 n°9). - Costumes inspirés de figures géométriques (Croquis, La Gazette du Bon ton, 1922 n°8)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|relié
    Set of eight original prints in color, drawn on laid paper. The boards are introduced by a presentation of the front pages of sketches, followed by a detailed description of the back sketches I and II are signed David in the lower right boards.
    Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to...
    Sold
  18. Où va la mode, vers quelle ligne, quelle époque, quel pays ? Contenant huit croquis de robes modernes inspirées d'époques très différentes (Croquis, La Gazette du Bon ton, 1922 n°6)Où va la mode, vers quelle ligne, quelle époque, quel pays ? Contenant huit croquis de robes modernes inspirées d'époques très différentes (Croquis, La Gazette du Bon ton, 1922 n°6)
    DAVID, ANONYME

    Où va la mode, vers quelle ligne, quelle époque, quel pays ? Contenant huit croquis de robes modernes inspirées d'époques très différentes (Croquis, La Gazette du Bon ton, 1922 n°6)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|relié
    Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed Joan Ramon Fernandez. The sketches XLI, XLIII, XLV and XLVIII are signed David, respectively bottom left and right boards.
    Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor...
    Sold
  19. Le manteau court en peaux et fourrures (Croquis, La Gazette du Bon ton, 1922 n°7)Le manteau court en peaux et fourrures (Croquis, La Gazette du Bon ton, 1922 n°7)
    DAVID, ANONYME

    Le manteau court en peaux et fourrures (Croquis, La Gazette du Bon ton, 1922 n°7)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|relié
    Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed Joan Ramon Fernandez. The sketches are signed XIX and XXI David, respectively on the lower right and left boards.
    Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69...
    Sold
  20. Weil, ses fourrures (Publicité, La Gazette du Bon ton, 1921)Weil, ses fourrures (Publicité, La Gazette du Bon ton, 1921)
    PIGEAT (Weil)

    Weil, ses fourrures (Publicité, La Gazette du Bon ton, 1921)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed upper right of the board. Text on the back.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models...
    Sold
  21. La Citroën et tous les sports. Le tennis (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°6)La Citroën et tous les sports. Le tennis (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°6)
    Pierre MOURGUE

    La Citroën et tous les sports. Le tennis (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°6)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower left of the board. Text on the back announcing the publication by Editions Lucien Vogel of Antony and Cleopatra by W. Shakespeare, translated by André Gide and illustrated by Drésa.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to...
    Sold
  22. La Citroën et les sports. Le Polo (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°7)La Citroën et les sports. Le Polo (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°7)
    Pierre MOURGUE

    La Citroën et les sports. Le Polo (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°7)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board. Text on the back.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models...
    Sold
  23. Croquis de mode par Raoul Dufy. Soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°1) [suivi de] Robes pour l'été 1920. Panorama de Raoul Dufy et soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°4)Croquis de mode par Raoul Dufy. Soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°1) [suivi de] Robes pour l'été 1920. Panorama de Raoul Dufy et soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°4)
    Raoul DUFY, BIANCHINI-FERIER

    Croquis de mode par Raoul Dufy. Soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°1) [suivi de] Robes pour l'été 1920. Panorama de Raoul Dufy et soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°4)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|relié

    [FASHION] DUFY Raoul & BIANCHINI-FERIER. Croquis de mode par Raoul Dufy
    Lucien Vogel éditeur, Paris 1920, 18 x 24 cm, bound
    Set of 12 original lithographs in color, on vergé paper, signed in plate by Dufy.
    Eight original color prints and one large folded leaf presenting 4 plates, signed in plate on lower right hand side by Raoul Dufy. Covers preserved, description of the plates on the back.
    Soieries de Bianchini-Férier (“Croquis”, La Gazette du Bon ton, 1920 n° 1) [suivi de] Robes pour l’été 1920. Panorama de Raoul Dufy et soieries de Bianchini-Férier...
    Sold
  24. Maquettes de costumes dessinées par Fauconnet pour le Conte d'hiver de Shakespeare, représenté au Théâtre du Vieux-Colombier (Croquis, La Gazette du Bon ton, 1920 n°2)Maquettes de costumes dessinées par Fauconnet pour le Conte d'hiver de Shakespeare, représenté au Théâtre du Vieux-Colombier (Croquis, La Gazette du Bon ton, 1920 n°2)
    Guy-Pierre FAUCONNET (William SHAKESPEARE)

    Maquettes de costumes dessinées par Fauconnet pour le Conte d'hiver de Shakespeare, représenté au Théâtre du Vieux-Colombier (Croquis, La Gazette du Bon ton, 1920 n°2)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|relié
    Set of four original lithographs in color, drawn on laid paper, signed lower right and left boards. Text on the back explaining the boards.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color...
    Sold
  25. Intérieurs modernes par MAM (Croquis, La Gazette du Bon ton, 1921 n°1) - Installation moderne d'un jeune ménage, composition par Lucie Renaudot, exécution de P.A. Dumas (Publicité, La Gazette du Bon ton, 1921 n°2) - Intérieurs modernes par MAM (Croquis, La Gazette du Bon ton, 1921 n°1) - Installation moderne d'un jeune ménage, composition par Lucie Renaudot, exécution de P.A. Dumas (Publicité, La Gazette du Bon ton, 1921 n°2) -
    ANONYME (MAM)

    Intérieurs modernes par MAM (Croquis, La Gazette du Bon ton, 1921 n°1) - Installation moderne d'un jeune ménage, composition par Lucie Renaudot, exécution de P.A. Dumas (Publicité, La Gazette du Bon ton, 1921 n°2) -

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|en feuilles
    Set of eight original prints in color, drawn on laid paper, signed lower right and left boards. The boards are introduced by a text signed Jean Cocteau and represent costumes for Shakespeare (two Bergeres Paulina or Time).
    Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She...
    Sold
  26. Le grand vestiaireLe grand vestiaire
    Romain GARY

    Le grand vestiaire

    Gallimard|Paris 1948|12 x 19 cm|broché
    First edition, review copy.
    autograph dedication of the author autograph signed and dated by Romain Gary Peter Loiselet.
    Paper yellowed and brittle, first guard tending to unplug.
    complete copy of his prayer to insert.
    Sold
  27. La grande peur des bien-pensantsLa grande peur des bien-pensants
    Georges BERNANOS

    La grande peur des bien-pensants

    Grasset|Paris 1931|12 x 19 cm|relié
    First edition, one of 300 numbered copies on Alfa paper and reserved to the press service.
    Binding half lemon shagreen, smooth back, paper boards to the tank and moiré, wrappers and back preserved and bound in, gilded head.
    Signed autograph author Dr. Henri Drouin.
    Sold
  28. Le lieu des signesLe lieu des signes
    Bernard NOËL

    Le lieu des signes

    Jean-Jacques Pauvert|Paris 1971|14 x 22 cm|broché
    First edition, one of 100 numbered copies on alfa mousse paper, the only large paper copies.
    Endpapers very slightly faded, not serious, a good copy.
    Sold
  29. La caravane sans chameauxLa caravane sans chameaux
    Roland DORGELÈS

    La caravane sans chameaux

    Albin Michel|Paris 1928|12 x 19 cm|relié
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  30. Deux costumes de sport (Publicité, Volume 1, La Gazette du Bon ton, 1913 n°9, p.287)Deux costumes de sport (Publicité, Volume 1, La Gazette du Bon ton, 1913 n°9, p.287)
    Georges LEPAPE (JAMES & C°)

    Deux costumes de sport (Publicité, Volume 1, La Gazette du Bon ton, 1913 n°9, p.287)

    Lucien Vogel éditeur|Paris 1913|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right. Text describing the boards on the back.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting...
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  31. L'utile précaution (Publicité, Volume 1, La Gazette du Bon ton, 1912 n°8, p.255)L'utile précaution (Publicité, Volume 1, La Gazette du Bon ton, 1912 n°8, p.255)
    André-Edouard MARTY (Sormani)

    L'utile précaution (Publicité, Volume 1, La Gazette du Bon ton, 1912 n°8, p.255)

    Lucien Vogel éditeur|Paris 1912|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower. Text describing the boards on the back.
    Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a young woman falsely frightened!. The...
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  32. Une robe pour Deauville (Publicité, Volume 1, La Gazette du Bon ton, 1913 n°8, p.253)Une robe pour Deauville (Publicité, Volume 1, La Gazette du Bon ton, 1913 n°8, p.253)
    Paul MERAS (Buzenet)

    Une robe pour Deauville (Publicité, Volume 1, La Gazette du Bon ton, 1913 n°8, p.253)

    Lucien Vogel éditeur|Paris 1913|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right. Text on the back.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion...
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  33. La Marseillaise (La Gazette du Bon ton, n°8-9. Été 1915 )La Marseillaise (La Gazette du Bon ton, n°8-9. Été 1915 )
    Etienne DRIAN

    La Marseillaise (La Gazette du Bon ton, n°8-9. Été 1915 )

    Lucien Vogel éditeur|Paris 1915|19 x 24.30 cm|une feuille
    original print in color drawn on laid paper, signed lower left on the board.

    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication...
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  34. Avenue du bois (La Gazette du Bon ton, n°8-9. Été 1915 )Avenue du bois (La Gazette du Bon ton, n°8-9. Été 1915 )
    Etienne DRIAN

    Avenue du bois (La Gazette du Bon ton, n°8-9. Été 1915 )

    Lucien Vogel éditeur|Paris 1915|19 x 24.30 cm|une feuille
    original print in color drawn on laid paper, signed lower left on the board.

    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication...
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  35. Sans sa voiture (La Gazette du Bon ton, n°8-9. Été 1915 )Sans sa voiture (La Gazette du Bon ton, n°8-9. Été 1915 )
    Etienne DRIAN

    Sans sa voiture (La Gazette du Bon ton, n°8-9. Été 1915 )

    Lucien Vogel éditeur|Paris 1915|19 x 24.30 cm|une feuille
    original print in color drawn on laid paper, signed lower left on the board.

    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication...
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  36. Parfum élégant, Essence mystérieuse de Morny (Publicité, Volume 2, La Gazette du Bon ton, 1920 n°8)Parfum élégant, Essence mystérieuse de Morny (Publicité, Volume 2, La Gazette du Bon ton, 1920 n°8)
    Félix LORIOUX (MORNY)

    Parfum élégant, Essence mystérieuse de Morny (Publicité, Volume 2, La Gazette du Bon ton, 1920 n°8)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right.
    Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a young woman falsely frightened!. The Taste bucolic in the...
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  37. Un chapeau de ruban pour l'été (Publicité, Volume 1, La Gazette du Bon ton, n°9 1913)Un chapeau de ruban pour l'été (Publicité, Volume 1, La Gazette du Bon ton, n°9 1913)
    ANONYME (Charlotte HEMARD)

    Un chapeau de ruban pour l'été (Publicité, Volume 1, La Gazette du Bon ton, n°9 1913)

    Lucien Vogel éditeur|Paris 1913|18 x 24 cm|une feuille
    original print in color, printed on laid paper. Text on the reverse signed by Nada.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion...
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  38. A. Janesich, Joaillier (Publicité, Volume 1, La Gazette du Bon ton, 1920 n°4)A. Janesich, Joaillier (Publicité, Volume 1, La Gazette du Bon ton, 1920 n°4)
    Edouard HALOUZE (JANESICH)

    A. Janesich, Joaillier (Publicité, Volume 1, La Gazette du Bon ton, 1920 n°4)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed upper right of the board.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion...
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  39. Van Cleef et Arpels, Joailliers (Publicité, La Gazette du Bon ton, 1920)Van Cleef et Arpels, Joailliers (Publicité, La Gazette du Bon ton, 1920)
    Edouard HALOUZE (VAN CLEEF & ARPELS)

    Van Cleef et Arpels, Joailliers (Publicité, La Gazette du Bon ton, 1920)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed on the top left of the board.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion...
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  40. L'ondulation permanente Eugène (Publicité, La Gazette du Bon ton, 1920)L'ondulation permanente Eugène (Publicité, La Gazette du Bon ton, 1920)
    ANONYME (Eugène PERMA)

    L'ondulation permanente Eugène (Publicité, La Gazette du Bon ton, 1920)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    original print in color, printed on laid paper. Two advertising stickers on the back "The magical Marcel method of permanent hair waving" and "Les Editions du Bon Ton."
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is...
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  41. Le reveil du soldat francois au RoyLe reveil du soldat francois au Roy
    ANONYME

    Le reveil du soldat francois au Roy

    Chez Jean Brunet|à Paris 1614|-|broché
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  42. La Nouvelle HéloïseLa Nouvelle Héloïse
    Jean-Jacques ROUSSEAU

    La Nouvelle Héloïse

    Jouaust, Librairie des Bibliophiles|Paris 1889|11 x 18 cm|6 tomes en 6 volumes reliés
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  43. Mémoires historiques, critiques et anecdotes des reines de France Mémoires historiques, critiques et anecdotes des reines de France
    Jean-François DREUX DU RADIER

    Mémoires historiques, critiques et anecdotes des reines de France

    Mame frères|Paris 1808|12.50 x 20.50 cm|6 volumes reliés
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  44. L'embarras du choix ou Les jolis colliers (Publicité, Volume 1, La Gazette du Bon ton, 1920 n°3) [suivi de] Robes d'après-midi de Jeanne LanvinL'embarras du choix ou Les jolis colliers (Publicité, Volume 1, La Gazette du Bon ton, 1920 n°3) [suivi de] Robes d'après-midi de Jeanne Lanvin
    Jean LE SOYEUX (TECLA)

    L'embarras du choix ou Les jolis colliers (Publicité, Volume 1, La Gazette du Bon ton, 1920 n°3) [suivi de] Robes d'après-midi de Jeanne Lanvin

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a young woman falsely frightened!. The Taste bucolic in...
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  45. Le paradis perdu de Milton, poëme héroïqueLe paradis perdu de Milton, poëme héroïque
    John MILTON

    Le paradis perdu de Milton, poëme héroïque

    Chez Les libraires associés|à Paris 1778|10 x 16.50 cm|3 tomes en 3 volumes reliés
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  46. La Bohême, parfum enivrant (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°2) [suivi de] Mallette de voyage de Mappin & WebLa Bohême, parfum enivrant (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°2) [suivi de] Mallette de voyage de Mappin & Web
    ANONYME (ARLY)

    La Bohême, parfum enivrant (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°2) [suivi de] Mallette de voyage de Mappin & Web

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board. advertising board for Mappin & Webb travel of briefcase on the back.
    Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a...
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  47. La Bohême, parfum enivrant (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°1) [suivi de] Le livre captivant, ameublements de style chez Mercier FrèresLa Bohême, parfum enivrant (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°1) [suivi de] Le livre captivant, ameublements de style chez Mercier Frères
    Edouard HALOUZE (ARLY)

    La Bohême, parfum enivrant (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°1) [suivi de] Le livre captivant, ameublements de style chez Mercier Frères

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower left of the board. advertising board for decorating at Mercier Brothers.
    Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a young woman...
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  48. Contes publiés par D. JouaustContes publiés par D. Jouaust
    Jean de LA FONTAINE

    Contes publiés par D. Jouaust

    Flammarion|Paris 1890|11 x 17.50 cm|2 volumes reliés
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  49. La matinée ensoleillée, ameublements de style chez Mercier Frères (Publicité, La Gazette du Bon ton, 1921)La matinée ensoleillée, ameublements de style chez Mercier Frères (Publicité, La Gazette du Bon ton, 1921)
    Pierre MOURGUE, Georges LEPAPE

    La matinée ensoleillée, ameublements de style chez Mercier Frères (Publicité, La Gazette du Bon ton, 1921)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed on the top left of the board. Three advertising vignettes for Paul Caret, Poussin (both Georges Lepape) and Lucien Editions Vogiel overleaf.
    Regular contributor to the Gazette du Bon tone, Pierre Mourgue adapts his style to the great artistic movements of the early twentieth century: if it adopts a decidedly Art Deco feature in its first achievements, he leaves later gradually gain by the trait of his American colleagues with whom he worked increasingly in the years 1940 to 1950, leaving at the same time the pages of the Gazette to prefer them as publishing the Atlantic Vogue.
    Lepape...
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  50. La consultation du baromètre, ameublements de style chez Mercier Frères (Publicité, La Gazette du Bon ton, 1921)La consultation du baromètre, ameublements de style chez Mercier Frères (Publicité, La Gazette du Bon ton, 1921)
    Pierre MOURGUE (MERCIER Frères)

    La consultation du baromètre, ameublements de style chez Mercier Frères (Publicité, La Gazette du Bon ton, 1921)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board. Text on the back.
    Regular contributor to the Gazette du Bon tone, Pierre Mourgue adapts his style to the great artistic movements of the early twentieth century: if it adopts a decidedly Art Deco feature in its first achievements, he leaves later gradually gain by the trait of his American colleagues with whom he worked increasingly in the years 1940 to 1950, leaving at the same time the pages of the Gazette to prefer them as publishing the Atlantic Vogue.
    Lepape Georges, meanwhile, is formed Humbert workshop alongside Braque, Picabia or Laurencin, and begins to...
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  51. Les Contes drolatiques colligez es abbayes de Touraine et mis en lumière par le sieur de Balzac pour l'esbattement des pantagruelistes et non aultresLes Contes drolatiques colligez es abbayes de Touraine et mis en lumière par le sieur de Balzac pour l'esbattement des pantagruelistes et non aultres
    Gustave DORE, Honoré de BALZAC

    Les Contes drolatiques colligez es abbayes de Touraine et mis en lumière par le sieur de Balzac pour l'esbattement des pantagruelistes et non aultres

    Ez Bureaux de la société générale de Librairie|Paris 1855|12.50 x 20 cm|relié
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  52. La mode masculine, Barclay [suivi de] Cloquella et Organdina. Gilets de Rodier (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°3)La mode masculine, Barclay [suivi de] Cloquella et Organdina. Gilets de Rodier (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°3)
    Bernard BOUTET DE MONVEL (BARCLAY)

    La mode masculine, Barclay [suivi de] Cloquella et Organdina. Gilets de Rodier (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°3)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper and signed at the bottom of the board. advertising board for jackets Rodier overleaf.
    Initiated from the beginning to the etching technique, Bernard Boutet de Monvel is also known in the early years of the twentieth century for his mastery of oil painting. Along with his success as etcher, of Monvel also carries fashion designs that are found in the pages of Femina and the Garden of the new fashions; its many activities the note by the couturier Paul Poiret who collaborates with him from 1908 until his friendship with Lucien Vogel opened the doors of the Daily Bon Ton in 1912 and worked alongside...
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  53. Le boeuf sur le toit (La Gazette du Bon ton, 1920)Le boeuf sur le toit (La Gazette du Bon ton, 1920)
    BENITO (Jean COCTEAU)

    Le boeuf sur le toit (La Gazette du Bon ton, 1920)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    original print in color, printed on paper. Text on the reverse signed John Bonnefon.
    Born in Spain, Eduardo Garcia Benito first became known as a commercial artist including working with printers like Alfred Tolmer in 1913 or in 1916. Another Draeger illustrator Georges Lepape, working at the same time for Draeger, while drawing parallel fashion plates for the Gazette du Bon tone; it is for this same magazine that Benito working hand after producing vignettes where slender female bodies embody the creations of Jeanne Lanvin, Beer or Larsen. The figures, from Cubist inspiration, irresistibly evoke the paintings of Modigliani, in which members drawn alongside similar faces in...
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  54. [MAPPIN & WEBB] Articles de fumeur de grand luxe, Mappin & Webb (La Gazette du Bon ton, 1921 n°1)[MAPPIN & WEBB] Articles de fumeur de grand luxe, Mappin & Webb (La Gazette du Bon ton, 1921 n°1)

    [MAPPIN & WEBB] Articles de fumeur de grand luxe, Mappin & Webb (La Gazette du Bon ton, 1921 n°1)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower left of the board. Text on the back.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of...
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  55. Suite des Remarques Nouvelles sur la Langue FrançoiseSuite des Remarques Nouvelles sur la Langue Françoise
    Dominique BOUHOURS

    Suite des Remarques Nouvelles sur la Langue Françoise

    Chez Georges et Loüis Josse|à Paris 1693|8 x 14 cm|relié
    Sold
  56. Panurge dans l'isle des Lanternes, comédie-lyrique, en trois actes et en prosePanurge dans l'isle des Lanternes, comédie-lyrique, en trois actes et en prose
    Étienne MOREL DE CHÉDEVILLE, André-Ernest-Modeste GRÉTRY

    Panurge dans l'isle des Lanternes, comédie-lyrique, en trois actes et en prose

    De l'imprimerie de Lormel|à Paris 1790|13 x 22 cm|relié
    Sold
  57. Acajou et Zirphile [Ensemble] Réponse du public à l'auteur d'AcajouAcajou et Zirphile [Ensemble] Réponse du public à l'auteur d'Acajou
    Charles Pinot DUCLOS

    Acajou et Zirphile [Ensemble] Réponse du public à l'auteur d'Acajou

    S. n.|A Minutie [Fictional Place] • [Paris] 1776|11 x 18 cm|relié
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  58. Les oeuvres du sieur de Saint-AmantLes oeuvres du sieur de Saint-Amant
    Marc-Antoine Girard SAINT-AMANT

    Les oeuvres du sieur de Saint-Amant

    Chez Guillaume de Luyne|à Paris 1661|8.50 x 15 cm|relié
    Sold
  59. La Porte ouverte sur la campagne. Robe d'après-midi, de Paul Poiret (pl.6, La Gazette du Bon ton, 1923 n°1)La Porte ouverte sur la campagne. Robe d'après-midi, de Paul Poiret (pl.6, La Gazette du Bon ton, 1923 n°1)
    André-Edouard MARTY (Paul POIRET)

    La Porte ouverte sur la campagne. Robe d'après-midi, de Paul Poiret (pl.6, La Gazette du Bon ton, 1923 n°1)

    Lucien Vogel éditeur|Paris 1923|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed upper left of the board.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion...
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  60. L'écume des joursL'écume des jours
    Boris VIAN

    L'écume des jours

    Gallimard|Paris 1947|12 x 19 cm|broché
    First edition of which there were no large paper copies.
    Spine skillfully repaired, a small tear, not serious, to center of upper cover.
    Sold
  61. Nouvelles vieilles et nouvellesNouvelles vieilles et nouvelles
    Charles NODIER, Rodolphe TÖPFFER

    Nouvelles vieilles et nouvelles

    Au comptoir des imprimeurs unis • Heuguet|Paris 1843|11.50 x 19 cm|relié
    Sold
  62. Les contes de Noël. Première série : Le grillon du foyer. - Les ombres de NoëlLes contes de Noël. Première série : Le grillon du foyer. - Les ombres de Noël
    Charles DICKENS

    Les contes de Noël. Première série : Le grillon du foyer. - Les ombres de Noël

    Jules Renouard & Cie|Paris 1847|11.50 x 19 cm|relié
    Sold
  63. Théâtre choisiThéâtre choisi
    Charles-Simon FAVART

    Théâtre choisi

    Léopold Collin|Paris 1809|13.50 x 22 cm|3 volumes reliés
    Sold
  64. Les dessous à la mode. Lingerie féminine de Lemaître (La Gazette du Bon ton)Les dessous à la mode. Lingerie féminine de Lemaître (La Gazette du Bon ton)
    Charles MARTIN (LEMAÎTRE)

    Les dessous à la mode. Lingerie féminine de Lemaître (La Gazette du Bon ton)

    Lucien Vogel éditeur|Paris 1912|18 x 24 cm|une feuille
    original print in color with three vignettes, printed on laid paper, signed lower right of a thumbnail.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting...
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  65. A pied, à cheval, en voitureA pied, à cheval, en voiture
    CRAFTY, Paul GERUZEZ

    A pied, à cheval, en voiture

    Calmann Lévy|Paris 1895|14.50 x 20.50 cm|broché
    New edition, richly illustrated by Crafty.
    Rare foxing, one joint cracked then glued, otherwise a good copy.
    Sold
  66. Esquisses vénitiennesEsquisses vénitiennes
    Maxime DETHOMAS, Henri de RÉGNIER

    Esquisses vénitiennes

    Paris 1906|22.50 x 28.50 cm|broché
    With 10 engravings and numerous drawings within the text by Maxime Dethomas.
    A good copy.
    Sold
  67. Les Français peints par eux-mêmes, Encyclopédie morale du dix-neuvième siècleLes Français peints par eux-mêmes, Encyclopédie morale du dix-neuvième siècle
    COLLECTIF, Honoré de BALZAC

    Les Français peints par eux-mêmes, Encyclopédie morale du dix-neuvième siècle

    chez Léon Curmer|à Paris 1840-1842|18 x 26 cm|9 volumes reliés
    Sold
  68. Guerre du tempsGuerre du temps
    Alejo CARPENTIER

    Guerre du temps

    Gallimard|Paris 1967|12.50 x 19.50 cm|broché
    Sold
  69. La nouvelle EurydiceLa nouvelle Eurydice
    Marguerite YOURCENAR

    La nouvelle Eurydice

    Grasset|Paris 1931|12 x 19 cm|broché
    First edition, one of the advance (service de presse) copies.
    Autograph inscription from Marguerite Yourcenar to a girl.
    Small tears, not serious, to head and to foot of spine.
    Sold
  70. Histoire des révolutions de Florence, sous les MédicisHistoire des révolutions de Florence, sous les Médicis
    Benedetto VARQUI, Jean-Baptiste REQUIER

    Histoire des révolutions de Florence, sous les Médicis

    Chez Musier fils|à Paris 1765|9 x 16.80 cm|3 volumes reliés
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  71. Oeuvres de MolièreOeuvres de Molière
    MOLIÈRE, François BOUCHER

    Oeuvres de Molière

    Imprimerie de P. Prault|Paris 1734|22 x 29 cm|6 volumes reliés
    First printing (with the error « comteese » to line 12 on page 360 of volume VI) of this illustrated edition with a portrait by Coypel engraved by Lepicié, a fleuron on the title repeated for each volume, 33 figures by François Boucher engraved by Laurent Cars, and 198 vignettes and tail-pieces (several repeated) by Boucher, Blondel and Oppenord, engraved by Cars and Joullain.
    Contemporary brown calf, spine in six compartments with red and green morocco title and volume labels, gilt frames and fleurons, triple blindruled fillet frame to covers, double gilt fillets to edges of covers, gilt dentelle frame to pastedowns and marbled endpapers, all edges speckled red.
    Skillful repairs...
    Sold
  72. Socrate chrestien, et autres oeuvres du mesme autheurSocrate chrestien, et autres oeuvres du mesme autheur
    Jean-Louis GUEZ DE BALZAC

    Socrate chrestien, et autres oeuvres du mesme autheur

    Chez Augustin Courbé|à Paris 1661|7.50 x 13.70 cm|relié
    Sold
  73. Oeuvres complètes Oeuvres complètes
    François René de CHATEAUBRIAND

    Oeuvres complètes

    chez Ladvocat|à Paris 1826-1831|12.50 x 21 cm|28 tomes en 31 volumes reliés
    Sold
  74. Le vitriol de luneLe vitriol de lune
    Henri BÉRAUD

    Le vitriol de lune

    Albin Michel|Paris 1921|12 x 19 cm|broché
    first edition on the current paper.
    Signed autograph Henri Beraud Andre Doris.
    Small marginal tear on the back and flat with a few tiny gaps.
    Sold
  75. Les taches de l'orchidéeLes taches de l'orchidée
    Charles COUSIN, Gautier de SOUCY

    Les taches de l'orchidée

    Société d'éditions|Paris s. d. [circa 1920]|15 x 20 cm|broché
    first edition printed 300 numbered copies on paper to form.
    Signed autograph of Charles Cousin Mario Goyon.
    Rare copy and pleasant.
    Sold
  76. La barque des vikings. Souvenirs et impressions de NorvègeLa barque des vikings. Souvenirs et impressions de Norvège
    Suzanne de CALLIAS

    La barque des vikings. Souvenirs et impressions de Norvège

    Maurice Bauche|Paris s. d. [circa 1917]|11.50 x 19 cm|broché
    Edition of wich no leading copies exists.
    autograph dedication of the author autograph signed and dated by Suzanne de Callias Felix Goyon.
    Illustrated book author sketches.
    Two tears stuck back at the head and foot of the back, otherwise nice copy.
    Sold
  77. Oeuvres complètesOeuvres complètes
    MONTESQUIEU

    Oeuvres complètes

    A. Belin|Paris 1817|13 x 20.50 cm|2 volumes reliés
    Sold
  78. Grandeurs et misères d'une victoire Grandeurs et misères d'une victoire
    Georges CLEMENCEAU

    Grandeurs et misères d'une victoire

    Plon|Paris 1930|16 x 24.50 cm|relié
    Edition, a numbered on "pur-fil" paper.
    Binding half blue shagreen with corners, back with five nerves set with gray dotted and decorated with gray florets, boards, guards and contreplats marbled paper, small discolored spots in margins boards, covers and backs preserved, modern binding.
    Our copy is enriched by an autograph letter signed and dated a page of Georges Clemenceau, headed the Chamber of Deputies, stating his correspondent that he can attend an upcoming deliberative session of the replacement in the Room the one he had originally planned, accreditations have already been distributed to other people by Georges Clemenceau.
    A marginal wetting...
    Sold
  79. Oeuvres complètes Oeuvres complètes
    Honoré de BALZAC

    Oeuvres complètes

    chez Furne • Dubochet • Hetzel • Paulin • Houssiaux|à Paris 1842-1855|13 x 21.50 cm|20 volumes reliés
    Sold
  80. Des goûts et des couleursDes goûts et des couleurs
    Sacha GUITRY, André DIGNIMONT

    Des goûts et des couleurs

    Galerie Charpentier|Paris 1943|25.50 x 34 cm|broché
    First edition, one of 980 numbered copies on vellum top, one draw after 39 Arches paper and some trade off.
    Shipments autographs signed by Sacha Guitry and Andrew Dignimont Eliane Charles enriched with an original watercolor of Andre Dignimont representing a face of girl.
    lined blankets and replaced the same with new, title tags and brand retained printer and glued on the front cover.
    Sold
  81. Le spectacle de la natureLe spectacle de la nature
    Abbé Noël Antoine PLUCHE

    Le spectacle de la nature

    Chez La veuve Estienne|à Paris 1741|9.50 x 17.50 cm|9 volumes reliés
    Sold
  82. Gilles et JeanneGilles et Jeanne
    Michel TOURNIER

    Gilles et Jeanne

    Gallimard|Paris 1983|10.50 x 19.50 cm|broché
    First edition on ordinary paper.
    Autograph inscription from Michel Tournier to Robert-Guichard.
    A good copy.
    Sold
  83. Les paysans noirs. Récit soudanais en douze moisLes paysans noirs. Récit soudanais en douze mois
    Robert DELAVIGNETTE

    Les paysans noirs. Récit soudanais en douze mois

    Stock|Paris 1931|12 x 19 cm|broché
    First edition, review copy.
    Precious autograph signed Delavignette Robert Henri Beraud.
    Some small minor foxing.
    Sold
  84. Mon pèreMon père
    Florise LONDRES

    Mon père

    Albin Michel|Paris 1934|12 x 19 cm|broché
    First edition, review copy.
    Binding to bradel half percaline lilac smooth back slightly thinned with a gold floral motif, double net gilded tail, as part of red shagreen, marbled paper plates, covers and backs preserved, the binding characteristic time those that made the library of Henri Beraud.
    Precious autograph signed Florise London: "A Henri Beraud, those pages where he will find a little, I hope his friend, and my deep appreciation and admiration."
    Some little foxing.
    Provenance: the Henri Beraud rétaise library.
    Sold
  85. Le mystère du sourcierLe mystère du sourcier
    Abbé LAMBERT, Joseph GAILLARD

    Le mystère du sourcier

    Gallimard|Paris 1931|12 x 19 cm|broché
    First edition, review copy.
    Precious signed autograph of Father Lambert to Henri Beraud.
    Some small minor foxing.
    Provenance: the Henri Beraud rétaise library.
    Sold
  86. Dieux d'EgypteDieux d'Egypte
    André LEBEY, Maurice DESÈVRE

    Dieux d'Egypte

    A la caravelle|Paris 1925|14 x 19 cm|broché
    Sold
  87. Mémoires d'une européenne. Tome II : 1919-1934Mémoires d'une européenne. Tome II : 1919-1934
    Louise WEISS

    Mémoires d'une européenne. Tome II : 1919-1934

    Payot|Paris 1969|14.50 x 22.50 cm|broché
    Edition of wich no leading copies exists.
    Exceptional autograph signed full-page Louise Weiss: "To my dear Maurice Schumann at the time when Europe was Aristide Briand and Gustav Stresemann, where it was Geneva until Goebbels mounted the rostrum of the Reformation . I hope these pages will interest the prominent spokesperson of France in continental bodies today. I sign my book in Brussels tomorrow to February 6 Martincenter from 17:30 to 20 hours. If he liked you come honor and joy for me would be great. In true friendship. "
    Nice copy.
    Some small minor foxing.
    Provenance: the Henri Beraud rétaise library.
    Sold
  88. A la dériveA la dérive
    Philippe SOUPAULT

    A la dérive

    J. Ferenczi & fils|Paris 1923|12 x 19 cm|broché
    First edition, one copy on Alfa paper.
    Signed autograph Philippe Soupault Felix Gray: "... in memories of our conversations ..."
    Two tear in foot of the back and on the sidelines of the first flat.
    Sold
  89. PrikazPrikaz
    André SALMON

    Prikaz

    Editions de la Sirène|Paris 1919|12.50 x 16.50 cm|broché
    Sold
  90. Le lionLe lion
    Joseph KESSEL

    Le lion

    Gallimard|Paris 1958|12 x 19 cm|broché
    First edition, one of 110 numbered copies on pur fil, the only grand papier (deluxe) copies, besides 45 copies on vélin chamois hors commerce reserved for the author.
    A good and rare copy of Joseph Kessel's masterpiece.
    Sold
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