Paris

First edition of which there were no large paper copies.
Iconography.
A good copy.

First edition, one of 100 numbered on "pur-fil" paper rod.
Signed autograph of Claude Farrère Emmanuel Costil.
Back insolated, copy all margins.

LACAN Jacques. Le Séminaire. Livre XI : Les quatre concepts fondamentaux de la psychanalyse [The Seminar of Jacques Lacan: The Four Fundamental Concepts of Psychoanalysis]
Seuil, Paris 1973, 15,5 x 24 cm, original wrappers
First edition of which there were no grand papier (deluxe) copies.
Rare autograph inscription from Jacques Lacan to a close friend.
Spine and lower cover very slightly and insignificantly sunned.

First edition, one of 945 numbered copies on vélin paper, the only large paper copies after 20 on Hollande paper and 30 on Arches paper.
A good copy.

First edition of which there were no large paper copies.
Spine very slightly sunned, not serious, otherwise a good copy.

Edition of wich no leading copies exists.
Signed autograph Roland Cailleux Mary Nimier.
A small head fold trace of the second flat.

New edition in French illustrated by Albert Dubout, one of 1000 numbered copies on alfa paper.
A good copy.

New edition in French with drawings by Federico Garcia Lorca, one of numbered copies.
Spine sunned.

Second edition.
Spine and covers slightly and marginally sunned, a press clipping tipped in.

First edition, one of 30 numbered copies on Rives, the only large paper copies.
A rare and good copy.

First edition, one of 100 numbered copies on alfa paper.
A good copy, small foxing, not serious, affecting the edges.

First edition, one of 458 numbered copies on alfa paper.
Small foxing, not serious, to spine, covers slightly wrinkled to head.

First edition, one of 550 numbered copies on alfa paper.
Iconography.
A good copy.

First edition, one of 300 numbered copies on alfa paper.
Spine sunned, otherwise a good copy.

First edition, one of 145 copies on Japon Impérial paper without the black and white suite of illustrations mentioned in the justification, the tirage de tête after 35 copies on Japan Impérial with a suite in color and a suit in black and white.
With 19 plates hors-texte in colors and heightened in gold, 4 calligraphic initials in colors and figures to text also in colors by the Russian artist Boris Zworkyn.
Vertical crack to spine, but a very good and fresh copy with no spotting.

First edition, one of 1000 numbered copies on vélin paper, the only large paper copies after 30 on Hollande paper.
Spine sunned, internally good.

First edition, one of 662 numbered copies on vélin aravis, the only large paper copies.
A good copy.

First edition, one of 180 numbered copies on alfa paper, the only large paper copies after 60 on pur fil paper.
A spot to foot of spine, otherwise a good copy.

First edition, one of 250 numbered copies on alfa paper, the only large paper copies.
Spine sunned.

First edition, one of 300 numbered copies on alfa paperma reserved for the Lardanchet selections.
A good copy.

First edition, one of 230 numbered copies on alfa paper, the only large paper copies after 65 on pur fil paper.
Spine sunned, internally good.

First edition, one of 100 numbered copies on pur fil paper, the only large paper copies.
Iconography.
A good copy.

First edition, one of 280 numbered copies on alfa paper, the only large paper copies.
A good copy.

First edition, one of 210 numbered copies on Corvol L'Orgueilleux paper, the only large paper copies.
A good copy.

First edition, one of 250 numbered copies on alfa paper.
Slight stains to spine, covers and edges.

First edition, one of 28 numbered copies on pur fil, the only large paper copies along with 10 alfa hors commerce reserved for the author.
A tiny trace of folding to foot of first endpaper.
A very good copy.

First edition on ordinary paper.
Autograph inscription from Lucien Combelle to Paul Ratel.
A good copy.

First edition, one of 25 printed copies numbered on Holland paper justified by the author deluxe edition after 10 Japan.
. Bel autograph signed Leon Deffoux his friend Henri Beraud "Dear Henri Beraud By storing my closet with the books that evening, I found this copy on laid paper; it is not pretty pretty but just a little less ugly that you possess. Let me send you the pleasure to include your name on page 64. to you wholeheartedly. Leon Deffoux. Wednesday, December 13, 1922 (twentieth awarding the Prix Goncourt).
In addition, this copy includes autographs of Leo Deffoux additions to the famous page 64, on which there is a printed list of Goncourt Prize...

Edition of wich no leading copies exists.
autograph dedication of the author autograph signed and dated Germaine Tillion Jean Lacouture: "... great historian of our time live and on four continents, with true friendship G. Tillion."
Nice copy.

first edition on the current paper.
Signed autograph of Rebatet Pierre Gassot and his wife: "... music lovers ..."
A slight hitch minor Length of the first flat, wrinkled back as usually, otherwise nice copy.

First edition, one of 200 numbered copies on Arches paper, one draw after 6 Japan.
Signed autograph Edward Champion Dr. Thézé.
Nice copy.

First edition, an advance (service de presse) copy.
Autograph inscription from Robert Brasillach to the journalist Pierre Audiat.
Covers and spine slightly faded as usual.

First edition collective, one of 1040 numbered copies on Héliona, the only large paper copies after 20 pur fil.
Publisher's paper boards with an original design by Mario Prassinos.
Autograph inscription from Jean Cocteau to Henry Azan enriched by a drawing of a young man's profile.
Spine slightly sunned, not serious, as usual.

Reissue.
Funny autograph signed and dated from Marcel Pagnol to Julien Cain "seducer" of his wife Jacqueline.
Back slightly insolated not serious, otherwise nice copy.

Edition of wich no leading copies exists.
Signed autograph of Robert Badinter to Jean Lacouture and his wife.
Nice copy.

The rare first edition and the first separate edition of Marie, under another title.
Charming contemporary Romantic marbled sheep, spine with gilt arabesques, title-piece and volume labels of red morocco, gilt friezes to head and foot of spine, two joints slightly cracked, small lack to foot of one joint on second volume, gilt roulettes to edges of covers, marbled paper endpapers and pastedowns, marbled edges, one upper corner slightly bumped.
With two frontispiece engravings.
A good and rare copy in an attractive contemporary Romantic binding of the author's third work.

First edition of 49 numbered copies, this one of 44 on Japan paper.
Contemporary Art Deco striped half green morocco over marbled paper boards, the spine with yellow and red mosaic morocco onlays and decorated with black ivy patterns, gilt fillets to covers, marbled endpapers and pastedowns, covers and spine preserved, ex libris to one endpaper, top edge gilt.
Autograph signature of the author to the justification page.
A fine and rare copy .

First edition of this speech in the Chamber of Deputies January 16, 1911.
Binding to bradel half gray calico, smooth back, as part of black shagreen, marbled paper boards, preserved covers, contemporary binding.
Signed autograph Maurice Barres to Madame Alphonse Daudet.
Foxing on the guards.
Provenance: Library Ms. Alphonse Daudet with his stamp printed on a guard as an bookplate.

First edition for which there were only 23 large-paper copies on pur fil paper, an advance (service de presse) copy.
Contemporary half black morocco over Surrealist marbled-paper boards by Duhayon, gilt date to foot of spine, pastedowns and endpapers of black glacé paper, covers and spine preserved, top edge gilt.
Handsome autograph inscription signed by Henri Michaux to J.H. Rosny.
A little light insignificant spotting.

First edition, review copy.
Binding full paper with geometric motifs inspired cubist, smooth back, chocolate brown morocco title piece, wrappers and back preserved and bound in, elegant binding signed P. Goy & C. Vilaine.
Signed autograph of Mr. Romain Gary to Bonnehon.
Nice copy pleasantly established.

First edition, one of 40 numbered copies on alfa mousse, the only large paper copies.
A good copy.

First edition, one of 36 numbered copies on Hollande, tirage de tête.
A very good copy.

First edition, one of 100 numbered copies on Arches paper, the only large paper copies.
Spine very slightly sunned, not serious, otherwise a very good copy.

First edition, one of 350 numbered copies on light Featherweight only leading copies on strong after 25 Featherweight.
Dated and signed autograph tribute to Ernst Moerman.
marginal miss on the boards.
Rare.

A complete set of the Les Nuits series, as published by Flammarion. First editions of some of the 12 works, each one of 750 numbered copies reimposed on vélin de Rives paper.
The works are bound in threes in half navy-blue shagreen by Houades, the spines decorated with stars and crescent moons in palladium, upper covers preserved (some lower also retained), all edges gilt.
All the works are illustrated with etchings, lithographs or woodcuts, each by a different artist from among the following : Alexeieff, Ahü, Dignimont, Baudier, Renefer, Drouart, Mainssieux, Suréda, Fouqueray, Serveau and Dethomas.
A very good and rare complete set of the Les Nuits series, as published by...

Edition printed on laid and few.
Eugene signed autograph tribute to Rozière leading the first board as a present.
Three shortfalls in the top and bottom of the back foot as well as the first board, a small spot on the first flat, pale wetting at the back of the first flat.