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First edition, "very rare and extremely sought-after" (Clouzot), one of 750 copies on laid paper, with title vignettes engraved by Henri Porret after Henry Monnier.
Skilful restoration of a tear at the foot of a page, with slight damage to a letter. A rare copy with no foxing.
Green half calf binding, smooth spines with arabesques stamped in gilt, black title labels and volume labels; marbled paper boards, spine boards and endpapers, speckled edges, later bindings in the Romantic style.
First edition, one of 1050 numbered copies on bouffant alfa paper.
Publisher's binding after the original design by Paul Bonet.
Very handsome copy complete with its flexible cardboard slipcase.
New edition printed in 3,100 numbered copies on châtaignier paper, ours one of 100 hors commerce copies.
Publisher's full cardboard binding made according to Paul Bonet's original design.
Handsome copy.
"The interposition of the poem between painting and music has therefore proven to be an excellent conduit between the arts thanks to the fact that Hahn scrupulously respected the spirit of the poem while preserving his autonomy in his composition. The link between music and painting reveals itself after the other materials unite with each other; it is in this alliance that an astonishing complementarity then operates, desired on the soothing light of Albert Cuyp" (Nicolas Vardon)
First edition printed by "Cercle nouveau du livre" before the deluxe edition by Julliard a few months later, one of the numbered copies, the only printing.
Very handsome copy complete with its rhodoid.
Publisher's binding in full green cloth, smooth spine, title and author's name stamped in gilt on the front cover.
First edition, printed in a small run of numbered copies.
With two photographic portraits: one of Charles Pathé and the other of his brother Émile, and a view of the Kodak-Pathé and Pathé-Cinéma factories.
3/4 beige sheepskin binding, spine with four raised bands decorated with black typographical motifs, date at foot of spine, marbled paper boards, endpapers and flyleaves.
Discrete restorations to spine, some rubbing to upper corners of boards.
Signed by Charles Pathé on his photographic portrait.
