Paris

First edition, one of 80 numbered copies on Hollande paper, the deluxe issue.
Fine copy.

Revised and expanded edition by Paul-Louis Jacob and enhanced with an original literary notice by Charles Nodier, one of the rare copies printed on Dutch laid paper.

Half red morocco binding with corners, spine with four fine raised bands set with gilt garlands decorated with gilt compartments adorned in the grotesque style, triple black fillets on marbled paper boards, marbled endpapers and pastedowns, top edge gilt, elegant contemporary binding signed by Lebrun. A trace of a bookplate cleanly removed from one pastedown.

Rare and handsome copy beautifully bound.

Second edition, illustrated with two musical plates (examples of tunes that can be taught to canaries) and one depicting cages.

Contemporary binding in full speckled brown sheep. Ornate spine with raised bands. Red morocco title label. Joints cracked at head and foot. Corners bumped and rubbed. Scuffing. Scattered foxing. Yellow dampstain on the first six leaves.

Treatise and manual on breeding Canary birds in captivity: feeding, nesting, care, prices, varieties... These aviary birds were particularly appreciated for their beauty, colors and song.

First edition, one of 50 numbered copies on Rives paper from the second series (of five in all), the only issue besides 11 copies on Holland paper.
A suite of 8 prints drawn, engraved, printed and hand-coloured by Jean Bruller, each signed and captioned by him.
Jean Bruller’s autograph signature on the limitation page.
Loss at the head of the spine, tears at the foot of the spine and along the margins of the covers, endpapers browned.

First edition, of which there were no large paper copies.

Near contemporary red half morocco over marbled paper boards by P. Ruban, spine in six compartments, raised bands bounded by black fillets, date gilt at foot of spine, marbled endpapers and pastedowns, covers preserved, top edge gilt.

Attractive ex libris engraved by Provost-Blondel on pastedown, representing a helmet with a feather, medallion and a strip with the motto “Tojours en face.” The ex libris belonged to Victor Coué, a 2^nd Lieutenant killed in the First World War.
This copy has two frontispieces: one lithograph heightened by Félicien Rops showing a caricature of Barbey d'Aurevilly...