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Paris (France)
  1. Le Bon Oncle. Costumes d'enfants (pl.2, La Gazette du Bon ton, 1914 n°1)Le Bon Oncle. Costumes d'enfants (pl.2, La Gazette du Bon ton, 1914 n°1)
    Charles-Emile CARLEGLE

    Le Bon Oncle. Costumes d'enfants (pl.2, La Gazette du Bon ton, 1914 n°1)

    Lucien Vogel éditeur|Paris Janvier 1914|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €80
  2. Zut !. Il pleut !!... Petite robe de promenade de Chéruit (pl.6, in La Gazette du Bon ton, 1912-1913 n°6)Zut !. Il pleut !!... Petite robe de promenade de Chéruit (pl.6, in La Gazette du Bon ton, 1912-1913 n°6)
    Pierre BRISSAUD (Louise CHERUIT)

    Zut !. Il pleut !!... Petite robe de promenade de Chéruit (pl.6, in La Gazette du Bon ton, 1912-1913 n°6)

    Lucien Vogel éditeur|Paris Avril 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €70
  3. Les Trois robes neuves (pl.1, La Gazette du Bon ton, 1913 n°8)Les Trois robes neuves (pl.1, La Gazette du Bon ton, 1913 n°8)
    Georges LEPAPE

    Les Trois robes neuves (pl.1, La Gazette du Bon ton, 1913 n°8)

    Lucien Vogel éditeur|Paris Juin1913|36.50 x 24 cm|une feuille
    Double original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €230
  4. Je suis perdue. Robe d'été de Chéruit (pl.4, La Gazette du Bon ton, 1913 n°8)Je suis perdue. Robe d'été de Chéruit (pl.4, La Gazette du Bon ton, 1913 n°8)
    Pierre BRISSAUD (Louise CHERUIT)

    Je suis perdue. Robe d'été de Chéruit (pl.4, La Gazette du Bon ton, 1913 n°8)

    Lucien Vogel éditeur|Paris Juin 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €60
  5. Le Secret joli. Robes de jeunes filles de Doeuillet (pl.4, La Gazette du Bon ton, 1913 n°9)Le Secret joli. Robes de jeunes filles de Doeuillet (pl.4, La Gazette du Bon ton, 1913 n°9)
    André-Edouard MARTY (Georges DOEUILLET)

    Le Secret joli. Robes de jeunes filles de Doeuillet (pl.4, La Gazette du Bon ton, 1913 n°9)

    Lucien Vogel éditeur|Paris Juillet 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €120
  6. La Fidélité récompensée. Robe d'après-midi de Worth (pl.8, La Gazette du Bon ton, 1913 n°10)La Fidélité récompensée. Robe d'après-midi de Worth (pl.8, La Gazette du Bon ton, 1913 n°10)
    Maurice TAQUOY (Charles-Frederick WORTH)

    La Fidélité récompensée. Robe d'après-midi de Worth (pl.8, La Gazette du Bon ton, 1913 n°10)

    Lucien Vogel éditeur|Paris Août 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €90
  7. Bonne chasse ! Petit tailleur de Chéruit (pl.9, La Gazette du Bon ton, 1913 n°10)Bonne chasse ! Petit tailleur de Chéruit (pl.9, La Gazette du Bon ton, 1913 n°10)
    Pierre BRISSAUD (Louise CHERUIT)

    Bonne chasse ! Petit tailleur de Chéruit (pl.9, La Gazette du Bon ton, 1913 n°10)

    Lucien Vogel éditeur|Paris Août 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €80
  8. Quel est ce coeur?Quel est ce coeur?
    Maurice FOMBEURE

    Quel est ce coeur?

    Gallimard|Paris 1963|14 x 20.50 cm|broché
    First edition, one of 25 numbered copies on pur fil paper, the tirage de tête.
    A very good copy.
    €120
  9. La révocation de l'édit de NantesLa révocation de l'édit de Nantes
    Pierre KLOSSOWSKI

    La révocation de l'édit de Nantes

    Les Editions de Minuit|Paris 1959|11.50 x 18.50 cm|broché
    First edition, one of 37 numbered copies on pur fil du Marais, tirage de tête.
    A good copy.
    €600
  10. Ce sont les dieux qu'il nous fautCe sont les dieux qu'il nous faut
    Charles DULLIN

    Ce sont les dieux qu'il nous faut

    Gallimard|Paris 1969|14 x 20.50 cm|broché
    Edition established and annotated by Charles Charras, and of wich no leading copies exists.
    Precious autograph signed Charles Charras Elvira Popescu: "... the greatest actress of comic poetry, Hubert de Malet, one of the few true Paris theater directors, in memory of the little ceremony for the tenth anniversary of the death of Charles Dullin ... "
    Back slightly insolated without gravity, a small scratch in head first board.
    €100
  11. Au delà du rideau. Interviews - portraits - bavardages de théâtreAu delà du rideau. Interviews - portraits - bavardages de théâtre
    Madeleine ANDRAL

    Au delà du rideau. Interviews - portraits - bavardages de théâtre

    Marcel Chapelon|Paris 1936|13 x 20 cm|broché
    First edition, one of 20 numbered copies on Arches paper, only large paper.
    Signed autograph Madeleine Andral George Baugnies "... grandmaster" escholiers ", this small series of portraits, where despite the gaps, he will find some wise friends ...
    Iconography.
    Nice copy wide-margined.
    €100
  12. Trois années de théâtre 1883-1885. Autour de la Comédie-FrançaiseTrois années de théâtre 1883-1885. Autour de la Comédie-Française
    Jean-Jacques WEISS

    Trois années de théâtre 1883-1885. Autour de la Comédie-Française

    Calmann Lévy|Paris 1892|14 x 19.50 cm|broché
    First edition, one of 10 numbered copies on Japan paper, deluxe copy.
    Endpapers uniformly shaded, some very light marginal tears of no significance to the boards.
    Handsome full-margined copy.
    €150
  13. Aspects politiques et militaires de l'intervention américaine au sud Viet-NamAspects politiques et militaires de l'intervention américaine au sud Viet-Nam
    NGUYEN VAN CAN

    Aspects politiques et militaires de l'intervention américaine au sud Viet-Nam

    In Masses Ouvrières|Paris 1969|16 x 20 cm|agrafé
    First edition printed in a small number of copies of this offprint from the January 1969 issue of Masses ouvrières.
    Introduction by Paul Barrau.
    Printed bibliophile stamp serving as bookplate at head of introduction.
    Rare and handsome copy.
    €60
  14. Le cirque de ParisLe cirque de Paris
    Adrien BARRERE, Émile CODEY

    Le cirque de Paris

    S. n.|Paris 1923|25.50 x 33 cm|broché
    First edition illustrated with drawings by Adrien Barrère, pseudonym of Adrien Baneux.
    Text by Emile Codey.
    The work, folded accordion-style, forms a fresco when unfolded.
    Tears to spine with minimal lacks, lacks and tears to board margins, handsome interior condition.
    €400
  15. L'Utile Recommandation. Robe de dîner, de Cheruit (pl.2, La Gazette du Bon ton, 1912-1913 n°1)L'Utile Recommandation. Robe de dîner, de Cheruit (pl.2, La Gazette du Bon ton, 1912-1913 n°1)
    Pierre BRISSAUD (Louise CHERUIT)

    L'Utile Recommandation. Robe de dîner, de Cheruit (pl.2, La Gazette du Bon ton, 1912-1913 n°1)

    Lucien Vogel éditeur|Paris 1912-1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €70
  16. Le Cachemire vert - Robe du soir de Redfern (pl.9, La Gazette du Bon ton, 1912-1913 n°1)Le Cachemire vert - Robe du soir de Redfern (pl.9, La Gazette du Bon ton, 1912-1913 n°1)
    Charles-Emile CARLEGLE (John REDFERN)

    Le Cachemire vert - Robe du soir de Redfern (pl.9, La Gazette du Bon ton, 1912-1913 n°1)

    Lucien Vogel éditeur|Paris 1912-1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €90
  17. La Cage vide. Robe de dîner de Redfern (pl.7, La Gazette du Bon ton, 1912-1913 n°2)La Cage vide. Robe de dîner de Redfern (pl.7, La Gazette du Bon ton, 1912-1913 n°2)
    André-Edouard MARTY (John REDFERN)

    La Cage vide. Robe de dîner de Redfern (pl.7, La Gazette du Bon ton, 1912-1913 n°2)

    Lucien Vogel éditeur|Paris 1912-1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €120
  18. Claude et sa soeur. Pelisse et Douillette (pl.10, La Gazette du Bon ton, 1912-1913 n°2)Claude et sa soeur. Pelisse et Douillette (pl.10, La Gazette du Bon ton, 1912-1913 n°2)
    Maurice BOUTET DE MONVEL

    Claude et sa soeur. Pelisse et Douillette (pl.10, La Gazette du Bon ton, 1912-1913 n°2)

    Lucien Vogel éditeur|Paris 1912-1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €70
  19. Soyez discret ! Robe du soir de Doucet (pl.4, La Gazette du Bon ton, 1912-1913 n°3)Soyez discret ! Robe du soir de Doucet (pl.4, La Gazette du Bon ton, 1912-1913 n°3)
    Jacques DRESA (Jacques DOUCET)

    Soyez discret ! Robe du soir de Doucet (pl.4, La Gazette du Bon ton, 1912-1913 n°3)

    Lucien Vogel éditeur|Paris 1912-1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €70
  20. Ma voiture ! Robe de ville de Chéruit (pl.9, La Gazette du Bon ton, 1912-1913 n°3)Ma voiture ! Robe de ville de Chéruit (pl.9, La Gazette du Bon ton, 1912-1913 n°3)
    Pierre BRISSAUD (Louise CHERUIT)

    Ma voiture ! Robe de ville de Chéruit (pl.9, La Gazette du Bon ton, 1912-1913 n°3)

    Lucien Vogel éditeur|Paris 1912-1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €60
  21. Les Premiers soupçons. Costumes trotteurs de Doeuillet (pl.10, La Gazette du Bon ton, 1912-1913 n°3)Les Premiers soupçons. Costumes trotteurs de Doeuillet (pl.10, La Gazette du Bon ton, 1912-1913 n°3)
    Bernard BOUTET DE MONVEL (Georges DOEUILLET)

    Les Premiers soupçons. Costumes trotteurs de Doeuillet (pl.10, La Gazette du Bon ton, 1912-1913 n°3)

    Lucien Vogel éditeur|Paris 1912-1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €100
  22. "Rentrez vos blancs moutons" Une bergère par Chéruit (pl.8, La Gazette du Bon ton, 1912-1913 n°4)"Rentrez vos blancs moutons" Une bergère par Chéruit (pl.8, La Gazette du Bon ton, 1912-1913 n°4)
    Pierre BRISSAUD (Louise CHERUIT)

    "Rentrez vos blancs moutons" Une bergère par Chéruit (pl.8, La Gazette du Bon ton, 1912-1913 n°4)

    Lucien Vogel éditeur|Paris Février 1913|19 x 24.50 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €80
  23. Le saucissonneur de Saint-GenouLe saucissonneur de Saint-Genou
    André BÉGUIN

    Le saucissonneur de Saint-Genou

    Chez l'auteur|Paris 1994|14.50 x 21 cm|broché
    First edition.
    Autograph inscription from André Béguin to the painter and engravers Jacques (Castex).
    €40
  24. Prose pour une japonaiseProse pour une japonaise
    Stéphane QUONIAM

    Prose pour une japonaise

    Editions littéraires orientalistes|Paris 1995|14.50 x 22.50 cm|broché
    Franco-Japanese Bilingual Edition.
    Signed autograph Stéphane Quoniam the painter and engraver Jacques Castex.
    €40
  25. L'homme trouéL'homme troué
    Alain GHEERBRANT

    L'homme troué

    Sabine Wespieser|Paris 2010|14 x 18.50 cm|broché
    Edition of wich no leading copies exists.
    Signed autograph Alain Gheerbrant on Bristol headed the editor of the book.
    A small flat head in the first spot.
    €50
  26. L'église rebelle d'Amérique latineL'église rebelle d'Amérique latine
    Alain GHEERBRANT

    L'église rebelle d'Amérique latine

    Seuil|Paris 1969|14 x 20.50 cm|broché
    Edition of wich no leading copies exists.
    Signed autograph Alain Gheerbrant the painter and engraver Jacques Castex.
    Two small snags with gaps at the top and walk back.
    €100
  27. La chézonomie ou l'art de ch... poëme didactique en quatre chantsLa chézonomie ou l'art de ch... poëme didactique en quatre chants
    Charles RÉMARD

    La chézonomie ou l'art de ch... poëme didactique en quatre chants

    Merlin|Paris 1806|9.50 x 17 cm|relié
    First edition.
    Half cherry red calf binding, faded spine with five raised bands set with gilt fillets, some minor rubbing, gilt dots at head and foot, marbled paper boards, marbled endpapers and pastedowns.
    Some light foxing, bookseller's label pasted at head of one pastedown.
    €300
  28. L'o de l'oeilL'o de l'oeil
    Fred DEUX

    L'o de l'oeil

    Aux dépens de l'artiste|Paris 2000|9.50 x 19 cm|en feuilles

    First edition, one of 27 numbered copies on vélin paper, signed by Fred Deux on the justification page.
    This example is complete with its 14 hors texte engravings, signed and numbered by Fred Deux.
    A very good and rare copy. 

    €1,000
  29. Bourses de voyageBourses de voyage
    Jules VERNE

    Bourses de voyage

    Hetzel|Paris s. d. [1903-1904]|18.50 x 28 cm|relié
    First edition large octavo illustrated with 74 drawings by Léon Benett, photographic reproductions and a map of the Lesser Antilles.
    Publisher's "golden globe" boards. Plate signed Blancheland, bound by Souze. Spine with lighthouse design. Rear board of Engel "i" type according to Jauzac.
    Spine uniformly faded, headcaps and corners slightly rubbed.
    Pen gift inscription on the first blue endpaper.
    €500
  30. Lettres 1902-1918Lettres 1902-1918
    Paul LÉAUTAUD

    Lettres 1902-1918

    Editions Mornay|Paris 1929|10.50 x 18 cm|broché
    First edition, one of 427 numbered copies on Rives laid paper, the only deluxe copies after 41 Japan.
    A very slight and harmless tear to the head of the spine, handsome copy.
    €80
  31. Le génie du RhinLe génie du Rhin
    Maurice BARRÈS

    Le génie du Rhin

    Plon|Paris 1921|12 x 19 cm|relié
    first edition on the current paper.
    Binding to bradel full percaline almond green, smooth back discolored with a floral motif gold, double gold tail thread, as brown shagreen piece, preserved covers, modest contemporary binding signed Desnaux.
    Signed autograph of Charles Maurice Barres of Peslouan.
    €150
  32. Dialogues posthumes du sieur de La Bruyère sur le quietismeDialogues posthumes du sieur de La Bruyère sur le quietisme
    Jean de LA BRUYÈRE

    Dialogues posthumes du sieur de La Bruyère sur le quietisme

    Chez Charles Osmont|à Paris 1699|8 x 14 cm|relié
    First edition, rare.
    Contemporary full brown sheep binding, spine with raised bands decorated with gilt fleurons. Headcaps eliminated, joints of first cover lightly rubbed. Rear endpaper split, very light worming to a few leaves, without loss.
    All posthumous books by La Bruyère (died in 1696) were completed by his editor Louis Ellies Dupin, who wrote two dialogues for this work. La Bruyère takes part in this book in the theological quarrel between Bossuet and Fénelon, defender of quietism. The author criticizes quietism in an ironic tone modeled on Pascal's provincial letters.
    First edition of a work by the famous author of the Caractères.
    €450
  33. La résurrection du chevalierLa résurrection du chevalier
    Louise WEISS

    La résurrection du chevalier

    Albin Michel|Paris 1974|14 x 22.50 cm|broché
    Edition of wich no leading copies exists.
    Signed autograph of the Louise Weiss Denis sergeant.
    Some bites.
    €80
  34. Le Testament d'un excentriqueLe Testament d'un excentrique
    Jules VERNE

    Le Testament d'un excentriqueThe Will of an Eccentric

    Collection Hetzel|Paris 1899|18.50 x 28 cm|relié
    VERNE Jules
    Le Testament d'un excentrique [The Will of an Eccentric]
    Hetzel, Paris 1899, 18,5 x 28 cm, publisher's binding
    First edition with 61 illustrations by Georges Roux, of which 20 large color plates and chromotypographic plates, 35 photographic views of the United States (cities and landscapes), a folding map of the USA and one of the Game of the Goose. This work had only one second edition in 1905 (with an à un éléphant binding).
    Publisher's binding au globe doré, the design signed by Blancheland and bound by Souze. Dos au phare spine.
    Spine uniformly sunned, head- and tail-pieces a little rubbed, one small lack to head of...
    €600
  35. Les Frères KipLes Frères Kip
    Jules VERNE

    Les Frères Kip

    Hetzel|Paris s. d. [1902-1904]|18.50 x 28 cm|relié
    First edition in-8 illustrated with 59 drawings by George Roux.
    Publisher's binding by Hetzel "au globe doré", the design signed by Blancheland, bound by Engel, "Au phare" spine, lower cover type Engel "h" according to Jauzac.
    Spine a little faded and a corner slightly bumped, otherwise nice cop, with fresh gold.
    €750
  36. Agonie du Général KrivitskiAgonie du Général Krivitski
    André FRÉNAUD, André MASSON

    Agonie du Général Krivitski

    Pierre Jean Oswald|Paris 1960|12 x 19 cm|Russie|broché
    first edition on the current paper.
    illustrated book of five drawings of André Masson.
    Some spots primarily on guards, slight wetness leads the joints of the first flat.
    Signed autograph of André Frénaud to G (eorges) -A (lbert) Astre "In memory of our distant meetings."
    €70
  37. La Maison à VapeurLa Maison à Vapeur
    Jules VERNE

    La Maison à Vapeur

    Chez Hetzel|à Paris s. d. [1905-1914]|17.50 x 27.50 cm|relié
    New edition illustrated with 101 drawings by Benett.
    Hetzel publisher's binding known as "fan" binding with "an elephant", lighthouse spine, first cover polychrome signed Engel, second cover of Engel "i" type.
    Head and tail slightly rubbed, original blue endpapers lightly sunned at margins as usual, two corners bumped.
    La Maison à Vapeur is a historical and adventure novel set in India, shortly after the Sepoy Rebellion whose memory is at the origin of the plot. The novel features a revolutionary means of transport: a gigantic steam elephant pulling two comfortable wagons that travels without needing railway tracks.
    Good fresh copy.
    €600
  38. P'tit BonhommeP'tit Bonhomme
    Jules VERNE

    P'tit Bonhomme

    Hetzel|Paris 1898-1902|18 x 28 cm|cartonnage de l'éditeur
    Edition illustrated with 85 illustrations by Léon Benett.
    Hetzel publisher's "globe doré" binding in full red percaline signed Engel, first cover polychrome signed Blancheland depicting various gilt navigation instruments in a frame of gilt chains surmounted by green plants, second cover of type "h" as indicated by Jauzac, spine with lighthouse decorated with several illustrations in color and gilt, original blue endpapers, all edges gilt.
    Spine uniformly but slightly faded and somewhat rubbed at head and foot, a small tear on the second cover, blue endpapers slightly sunned at margins, as usual.

    €600
  39. Bourses de voyageBourses de voyage
    Jules VERNE

    Bourses de voyage

    Hetzel|Paris s. d. [1903-1904]|18.50 x 28 cm|relié
    First edition large octavo illustrated with 74 drawings by Léon Benett, photographic reproductions and a map of the Lesser Antilles.
    Publisher's "globe doré" binding. Plate signed Blancheland, bound by Souze. Spine with lighthouse. Second cover of Engel "i" type according to Jauzac.
    Spine very slightly faded, a tiny small lack to the polychrome plate and a stain on the second cover, original blue endpapers slightly lightened at margins as usual, otherwise handsome copy.
    €600
  40. Oeuvres complettes, publiées par M. Rigoley de JuvignyOeuvres complettes, publiées par M. Rigoley de Juvigny
    Alexis PIRON

    Oeuvres complettes, publiées par M. Rigoley de Juvigny

    De l'Imprimerie de Lambert|à Paris 1776|12.50 x 20 cm|7 volumes reliés
    The most complete collective edition of the works of Alexis Piron, edited by Rigoley de Juvigny. Portrait of the author at the head of the first volume, engraved on copper by Augustin de Saint-Aubin after Caffieri. As very often, the eighth volume, comprising the Œuvres badines, is not included here. A full-margined copy. Title pages in red and black.
    Contemporary bindings in full blonde mottled calf, smooth spines decorated with gilt fillets, roulettes and fleurons as well as red morocco title and volume labels, black morocco inlay on the volume labels, red and green morocco bands at head and foot, fine gilt roulette framing the boards, gilt roulette on the edges and headcaps...
    €800
  41. Les memoires de Mess. Martin Du Bellay, Seigneur de LangeyLes memoires de Mess. Martin Du Bellay, Seigneur de Langey
    Martin DU BELLAY, Guillaume DU BELLAY

    Les memoires de Mess. Martin Du Bellay, Seigneur de Langey

    P. L'huillier|à Paris 1569|22 x 33 cm|relié

    First edition, rare. Printer's device on title page. Edition prepared by René Du Bellay, author of the epistle. Decorated initials.
    Seventeenth-century binding in full glazed blonde sheep. Decorated spine with raised bands. Tan morocco title label. Head torn away. Upper joint split; lower joint partly split. A library label at head. Traces of dampstaining on the last leaves of text and index, but paper overall fresh. Corners very bumped, with borders partly worn.
    Undoubtedly the most important chronicle of François I's reign by important actors and witnesses of that time; the Du Bellay brothers were indeed in the king's service as soldiers. These memoirs cover the period from...

    €1,200
  42. Quinze jours avec la mortQuinze jours avec la mort
    Henri BÉRAUD

    Quinze jours avec la mort

    Plon|Paris 1951|14.50 x 20 cm|broché
    First edition, one of 35 numbered copies on Hollande, tirage de tête.
    A very good copy, with edges preserved.
    €700
  43. Le capitaine FracasseLe capitaine Fracasse
    Théophile GAUTIER

    Le capitaine Fracasse[[Captain Fracasse]]

    Charpentier|Paris 1863|12 x 18 cm|2 volumes reliés
    Rare and sought-after first edition, noted by Clouzot, particularly desirable in a contemporary binding.
    Half brown shagreen bindings, spines with four raised bands decorated with gilt fillets and double gilt panels, strictly contemporary bindings.
    It seems the binder was not a regular reader of the great writer, as he stamped "T. Gaultier" as the author on the spine.
    A very handsome copy in notably appealing condition.
    €2,800
  44. Oeuvres de LesageOeuvres de Lesage
    Alain-René LESAGE

    Oeuvres de Lesage

    Chez Antoine Augustin Renouard|à Paris 1821|13.50 x 21.50 cm|12 volumes reliés
    New illustrated edition with a portrait of the author as frontispiece.
    Contemporary full camel calf bindings, spines richly decorated with gilt fillets and fleurons, compartments decorated with two frames of triple gilt fillets, black morocco title and volume labels, quadruple gilt fillets and cold-tooled dentelle framing the boards, gilt fillets on the edges and headcaps, triple gilt fillets and gilt pointillé corner ornaments framing the pastedowns, all edges gilt.
    Very handsome copy in a contemporary full calf binding.
    €500
  45. ThéâtreThéâtre
    François Baculard D'ARNAUD

    Théâtre

    Chez Delalain|à Paris 1777|14.30 x 22.20 cm|2 volumes reliés
    A factitious collection composed of the 4 plays by Arnaud: Fayel, Le Comte de Comminge, Merinval, Euphémie. Le comte Comminge is separated from Fayel only by a half-title, just as Euphémie from Mérinval (with no loss in the collation). 3 figures in volume I, one by Eisen, one by Restou, one before letters; one by Eisen and one by Restou in volume II.
    Contemporary full mottled calf bindings. Decorated spines with raised bands, roulettes at foot. Red morocco title label, and green morocco volume label. Triple fillet frame on the boards. Gilt edges. Surface wear on the spine of volume II with a loss in the first compartment, and loss of gilding...
    €280
  46. Les spectacles de Paris, ou calendrier historique & chronologique des théatresLes spectacles de Paris, ou calendrier historique & chronologique des théatres
    ANONYME

    Les spectacles de Paris, ou calendrier historique & chronologique des théatres

    Chez La veuve Duchesne|à Paris 1776|6.20 x 12 cm|relié
    First edition.
    Copy with unidentified arms, a cross accompanied by 4 mallets.
    Contemporary full red morocco binding. Decorated smooth spine. Red morocco title labels. Boards stamped with arms, triple fillet frame with corner tools. Gilt edges. One lack at head. Yellow dampstain on the first 10 leaves. Handsome copy in very desirable condition.
    This almanac had existed for 25 years and catalogued everything of interest in the theatrical and musical entertainment of Paris, not only the venues, but also the actors, musicians, and the repertoire performed. Of note is a review of the opera Iphigénie en Aulide given by Gluck in 1776.
    €400
  47. Les farfelusLes farfelus
    CAMI

    Les farfelus

    Editions Baudinière|Paris 1952|14.50 x 20 cm|broché
    first edition on the current paper.
    Bicolor autograph and signed Cami in Jacques Guéritat enriched with a self-portrait in the smoking cigarette.
    Book illustrated with 30 drawings by the author.
    €150
  48. Au pays de jasmin. I. - Vieil AgenAu pays de jasmin. I. - Vieil Agen
    Auguste-Jean BOYER D'AGEN

    Au pays de jasmin. I. - Vieil Agen

    Alphonse Lemerre|Paris 1924|13 x 20 cm|broché
    first edition for which there is no mention of leading copies.
    Autorgaphe dispatch dated and signed Auguste-Jean Boyer d'Agen: "To my friend the same letters and oil oc, and my compatriot from the same land Gascon, an exile, like him, the cradle where expensive he wants to return ...
    Book illustrated with a frontispiece of A. Calbet and 16 drawings by Jean Torthe.
    spine restored and insolated, nice interior state.
    €80
  49. De l'absurde précédé d'une lettre à Albert CamusDe l'absurde précédé d'une lettre à Albert Camus
    Manuel de DIÉGUEZ

    De l'absurde précédé d'une lettre à Albert Camus

    Editions du Triolet|Paris 1948|12 x 19 cm|broché
    First edition on ordinary paper.
    Two small tears to, not serious, to head and foot of spine.
    €40
  50. Aux portes de l'imaginaireAux portes de l'imaginaire
    Jean COUY, Henri CLASSENS

    Aux portes de l'imaginaire

    La caravelle|Paris 1947|25.50 x 32 cm|en feuilles sous chemise et étui
    First edition, one of 15 named copies on Crèvecoeur du Marais vellum, the only printing with 270 other Crèvecoeur du Marais vellum copies.
    Work illustrated with 17 original etchings by Jean Couy.
    Our copy, as stipulated in the justification of the printing, is indeed complete, like the 15 named copies, with its suite of illustrations on Japanese mulberry paper.
    Handsome copy.
    €400
  51. Parmi tant d'autres feuxParmi tant d'autres feux
    Raymond GUÉRIN

    Parmi tant d'autres feux

    Gallimard|Paris 1949|14 x 21 cm|broché
    First edition, one of 109 numbered copies on "pur-fil" paper, only leading copies.
    Back with discrete restorations.
    €120
  52. Rétif de la Bretonne, sa vie et ses amours ; documents inédits ; ses malheurs, sa vieillesse et sa mort ; ce qui a été écrit sur lui ; ses descendants ; catalogue complet et détaillé de ses ouvrages suivi de quelques extraitsRétif de la Bretonne, sa vie et ses amours ; documents inédits ; ses malheurs, sa vieillesse et sa mort ; ce qui a été écrit sur lui ; ses descendants ; catalogue complet et détaillé de ses ouvrages suivi de quelques extraits
    Charles MONSELET

    Rétif de la Bretonne, sa vie et ses amours ; documents inédits ; ses malheurs, sa vieillesse et sa mort ; ce qui a été écrit sur lui ; ses descendants ; catalogue complet et détaillé de ses ouvrages suivi de quelques extraits

    Alvarès fils|Paris 1854|11.50 x 19.50 cm|relié
    First edition, one of 20 copies on pink paper, deluxe copy.
    Half navy blue calf binding, spine with five raised bands set with gilt dots, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved.
    Work illustrated with a facsimile as well as a portrait of the author as frontispiece, here in double state, which is the characteristic of deluxe copies.
    A bookseller's descriptive label and a bookplate pasted at the head of a pastedown.
    Another bookseller's descriptive label pasted on an endpaper has been torn away.
    Some foxing affecting mainly the margins of certain leaves, a full-margined copy.
    €400
  53. Description de la vessie urinaire de l'homme, et des parties qui en dépendentDescription de la vessie urinaire de l'homme, et des parties qui en dépendent
    James PARSONS

    Description de la vessie urinaire de l'homme, et des parties qui en dépendent

    Chez Durand|à Paris 1743|10 x 16.30 cm|relié
    First French edition, illustrated with a title vignette and headpiece by Fessard and 5 folding plates.
    Contemporary full brown sheep binding. Smooth spine with title lettered lengthwise. Upper joint split with losses. Head torn away. Corners slightly bumped. Some of the plates, poorly folded, protrude from the binding.
    Function and anatomical description of the bladder in men and women with study of some diseases and cases. Following Winslow to whom he refers, Parsons is a pioneer in this field.
    €500
  54. Ganich de Macaye gentilhomme basqueGanich de Macaye gentilhomme basque
    Henry PANNEEL

    Ganich de Macaye gentilhomme basque

    Société internationale d'édition et de publicité|Paris 1946|17 x 26 cm|broché
    First edition, one of 30 numbered copies on pure rag paper Auvergne, ours one of 10 reserved for employees, deluxe edition after 20 pure yarn.
    Signature Autograph Henry Panneel below the justification of the draw.
    Small tears without gravity top and bottom of the back, a few bites at the beginning and end of the volume.
    €200
  55. ZobainZobain
    Raymond GUÉRIN

    Zobain

    Nrf|Paris 1936|12 x 19 cm|broché
    First edition, an advance (service de presse) copy.
    A good copy of the author's first book.
    €60
  56. Le surréalisme contre la révolutionLe surréalisme contre la révolution
    Roger VAILLAND

    Le surréalisme contre la révolution

    Editions sociales|Paris 1947|11.50 x 15.50 cm|broché
    First edition of which there were no large paper copies.
    A small tear, not serious, to foot of spine.
    €70
  57. Un jeune homme seulUn jeune homme seul
    Roger VAILLAND

    Un jeune homme seul

    Corrêa|Paris 1951|12 x 19 cm|broché
    First edition, one of 300 numbered copies on alfa, large paper copies after 100 Johannot.
    A good copy.
    €100
  58. L'apprentiL'apprenti
    Raymond GUÉRIN

    L'apprenti

    Gallimard|Paris 1946|14 x 21 cm|broché
    First edition, a service de presse (advance) copy.
    Paper yellowed as generally, first endpaper with white stains at head, small tears at head and foot of spine.
    Rare.
    €200
  59. Quand vient la finQuand vient la fin
    Raymond GUÉRIN

    Quand vient la fin

    Gallimard|Paris 1941|12 x 19 cm|broché
    First edition of which there were no large paper copies.
    A good and rare copy.
    €60
  60. Mes évasionsMes évasions
    Yves BRAYER, Robert GAILLARD

    Mes évasions

    Société parisienne de librairie et d'éditions|Paris 1944|17 x 26 cm|en feuilles sous chemise et étui
    First edition, one of 12 numbered copies on Mulberry Annam, one of ours 6 copies reserved for the collaborators, deluxe edition after 10 Montval.
    Signed autograph of Robert Gaillard: "To my dear friend Charles E Laroche who held the forceps of the obstetrician to give birth to this child ...." Enriched autograph dedication of the author autograph signed Yves Brayer embellished with an original drawing in blue ink representing seated personages and busy drink consumption in a brewery.
    Illustrated book of 6 original lithographs by Yves Brayer.
    Our copy, as it is stated in the justification of the draw is full of his suite on China lithographs.
    Rare copy and...
    €680
  61. Les cahiers d'un clerc (1936-1949)Les cahiers d'un clerc (1936-1949)
    Julien BENDA

    Les cahiers d'un clerc (1936-1949)

    Emile-Paul frères|Paris 1949|12 x 19 cm|broché
    First edition, one of 50 numbered copies on vélin pur fil, the only large paper copies.
    A good copy.
    €150
  62. La peinture libéréeLa peinture libérée
    André LHOTE

    La peinture libérée

    Grasset|Paris 1956|13 x 20.50 cm|broché
    Edition for which he was not drawn large paper, review copy.
    Signed autograph André Lhote Philippe Mery.
    Iconography.
    €150
  63. La scène primitiveLa scène primitive
    Bernard PINGAUD

    La scène primitive

    Gallimard|Paris 1965|12.50 x 19.50 cm|broché
    First edition, one of 35 numbered copies on vélin pur fil, the only large paper copies.
    A good copy.
    €200
  64. Le dieu JésusLe dieu Jésus
    Édouard DUJARDIN

    Le dieu Jésus

    Albert Messein|Paris 1927|14 x 23 cm|broché
    First edition on ordinary paper.
    Autograph inscription from Edouard Dujardin to Henry Charpentier.
    Spine slightly sunned.
    €100
  65. D'Ubu-Roi au Douanier RousseauD'Ubu-Roi au Douanier Rousseau
    Charles CHASSÉ (Alfred JARRY)

    D'Ubu-Roi au Douanier Rousseau

    Editions de la Nouvelle revue critique|Paris 1947|12 x 19 cm|broché
    First edition, one of 250 numbered copies on Alfa paper and reserved to the author.
    Signed autograph of Charles Chassé to H (enry) Charpentier.
    Book decorated with 10 illustrations and 2 unpublished drawings.
    €60
  66. L'oeuvre de Vincent MuselliL'oeuvre de Vincent Muselli
    Yves-Gérard LE DANTEC

    L'oeuvre de Vincent Muselli

    Jean-Renard|Paris 1944|15 x 20 cm|broché
    First edition, one of 20 numbered copies on Arches laid paper, deluxe issue.
    The work is illustrated with a frontispiece portrait of Vincent Muselli by Gaston Pastré.
    First cover marginally stained, handsome interior condition.
    A full-margined copy.
    €50
  67. Les poésies de Raymond de La TailhèdeLes poésies de Raymond de La Tailhède
    Raymond de LA TAILHÈDE

    Les poésies de Raymond de La Tailhède

    Albin Michel|Paris 1938|14.50 x 20.50 cm|broché
    First collected edition, one of 15 lettered copies on Japan Imperial, deluxe issue.
    Spine slightly sunned with two small losses at head and foot, handsome interior condition.
    A full-margined copy.
    €150
  68. L'ivre oeil suivi de Croiseur noir et de Passage de l'égyptienneL'ivre oeil suivi de Croiseur noir et de Passage de l'égyptienne
    André PIEYRE DE MANDIARGUES

    L'ivre oeil suivi de Croiseur noir et de Passage de l'égyptienne

    Gallimard|Paris 1979|12 x 18.50 cm|broché
    Edition partly original, review copy.
    Signed autograph Andre Pieyre Mandiargues Henri Parisot.
    Two small rips Length of the first flat, slight marginal spots on boards.
    €80
  69. La nuit séculaireLa nuit séculaire
    André PIEYRE DE MANDIARGUES

    La nuit séculaire

    Gallimard|Paris 1979|14 x 20.50 cm|broché
    First edition, review copy.
    Signed autograph Andre Pieyre Mandiargues Henri Parisot.
    marginal bites on the first board.
    €80
  70. La CrèveLa Crève
    François NOURISSIER

    La Crève

    Grasset|Paris 1970|15 x 21.50 cm|broché
    First edition, one of 60 numbered copies on vélin pur fil paper, the only large paper copies after 20 on Madagascar paper.
    A good copy.
    €50
  71. AllemandeAllemande
    François NOURISSIER

    Allemande

    Grasset|Paris 1973|13.50 x 21.50 cm|broché
    First edition, one of 34 numbered copies on vélin pur fil, the only large paper copies.
    A good copy.
    €150
  72. BratislavaBratislava
    François NOURISSIER

    Bratislava

    Grasset|Paris 1990|12.50 x 22 cm|broché
    First edition, one of 27 numbered copies on chiffon de Lana, tirage de tête.
    A good copy.
    €150
  73. Théâtre IVThéâtre IV
    Eugène IONESCO

    Théâtre IV

    Gallimard|Paris 1966|12.50 x 19.50 cm|broché
    New edition, but first for many parts (Le roi se meurt was published 3 years earlier), one of 50 numbered copies on pur fil paper, the only large paper copies.
    A very good copy.
    €200
  74. Présent passé passé présentPrésent passé passé présent
    Eugène IONESCO

    Présent passé passé présent

    Mercure de France|Paris 1968|14.50 x 22.50 cm|broché
    First edition, one of 60 numbered copies on pur fil paper, the only large paper copies.
    Cover illustrated with a photograph, a good copy.
    €250
  75. La peau dureLa peau dure
    Raymond GUÉRIN

    La peau dure

    Editions des artistes|Paris 1948|12.50 x 19 cm|broché
    First edition, one of 100 numbered copies on Madagascar paper, the only large paper copies after 7 on Japan paper and 15 on vélin d'Arches paper.
    A good copy.
    €150
  76. Théâtre III - Exemplaire de Tsilla CheltonThéâtre III - Exemplaire de Tsilla Chelton
    Eugène IONESCO

    Théâtre III - Exemplaire de Tsilla Chelton[Theatre III – Tsilla Chelton’s Copy]

    Gallimard|Paris 1963|11.50 x 18 cm|broché
    New edition, first in part, one advance (service de presse) copy.
    Handsome autograph inscription from Eugène Ionesco to Tsilla Chelton and Jacques Mauclair : "... Pour Tsilla, pour Jacques affectueusement et avec ma sympathie profonde..."
    Spine slightly sunned.
    €800
  77. Loin du paradisLoin du paradis
    Jean FREUSTIÉ

    Loin du paradis

    Grasset|Paris 1975|13 x 20 cm|broché
    First edition on ordinary paper.
    Autograph inscription from Jean Freustié to Guillain de Bénouville.
    €30
  78. Les poulpesLes poulpes
    Raymond GUÉRIN

    Les poulpes

    Gallimard|Paris 1953|14 x 21 cm|broché
    First edition, one of 89 numbered copies on pur fil, the only large paper copies.
    Spine slighlty sunned.
    A good and rare copy.
    €1,200
  79. L'amour vagabondL'amour vagabond
    André FRAIGNEAU

    L'amour vagabond

    Plon|Paris 1956|12 x 19 cm|broché
    first edition on the current paper.
    Signed autograph of Fraigneau Richard Negrou: "... with the hope that love Cynthia as a kind of loving Francoeur ..."
    Back insolated with a clear wetting tail.
    €80
  80. Les destinées sentimentalesLes destinées sentimentales
    Jacques CHARDONNE

    Les destinées sentimentales

    Grasset|Paris 1934|12 x 19 cm|broché
    First edition, one of 350 numbered copies on Alfa paper and reserved to the press service.
    Signed autograph of Jacques Chardonne Paul Rival.
    Nice copy.
    €120
  81. Mauvais genreMauvais genre
    François NOURISSIER

    Mauvais genre

    Quai Voltaire|Paris 1994|14 x 23 cm|broché
    First edition, one of 45 numbered copies on Johannot, the only large paper copies.
    A good copy.
    €150
  82. Le colonel Foster plaidera coupableLe colonel Foster plaidera coupable
    Roger VAILLAND

    Le colonel Foster plaidera coupable

    Les Editeurs Français Réunis|Paris 1951|12 x 19 cm|broché
    Edition of wich no leading copies exists.
    Signed autograph of Roger Vailland to (Mauritius) Rué "... fraternal friendship ..."
    Insolated back with a little lack in foot.
    €40
  83. La fêteLa fête
    Roger VAILLAND

    La fête

    Gallimard|Paris 1960|14.50 x 20.50 cm|broché
    First edition, one of 80 numbered copies on pur fil paper, the only large paper copies after 20 on Hollande paper.
    Final endpaper very slightly and partly faded, not serious.
    A good copy.
    €300
  84. Vues nouvelles sur les passe-portsVues nouvelles sur les passe-ports
    Joseph-Balthazar BONET DE TREICHES

    Vues nouvelles sur les passe-ports

    Imprimerie de la Préfecture du département de la Seine|Paris 1806|12 x 19 cm|broché
    First edition.
    This copy is in its original wrappers and modern facsimile covers.
    A rare and good copy.
    €250
  85. Le papier-monnaie russe, sa dépréciation permanente par les emprunts intérieurs en papier et les droits de douane en or. Influence de la baisse du rouble-papier sur les finances et le commercer de la RussieLe papier-monnaie russe, sa dépréciation permanente par les emprunts intérieurs en papier et les droits de douane en or. Influence de la baisse du rouble-papier sur les finances et le commercer de la Russie
    Albert TOWIM

    Le papier-monnaie russe, sa dépréciation permanente par les emprunts intérieurs en papier et les droits de douane en or. Influence de la baisse du rouble-papier sur les finances et le commercer de la Russie

    A. Parent|Paris 1883|15.50 x 23.50 cm|broché
    First edition.
    marginal tears to spine and covers, a clear spot to head of upper cover, occasional foxing.
    Rare.
    €100
  86. Analyse de mes malheurs et de mes persécutions depuis vingt-six ansAnalyse de mes malheurs et de mes persécutions depuis vingt-six ans
    Louis-Ange PITOU

    Analyse de mes malheurs et de mes persécutions depuis vingt-six ans

    Chez l'auteur • Chez la Duchesse d'Orléans • Pelicier • Delaunya|Paris 1816|15 x 22 cm|broché
    First edition.
    Softcover as issued.
    Occasional small foxing.
    Rare.
    €150
  87. Lettres à sa familleLettres à sa famille
    Roger VAILLAND

    Lettres à sa famille

    Gallimard|Paris 1972|14.50 x 22 cm|broché
    First edition, one of 37 numbered copies on pur fil, the only large paper copies.
    Ex libris pasted onto the first endpaper.
    A very good copy.
    €300
  88. Le regard froidLe regard froid
    Roger VAILLAND

    Le regard froid

    Grasset|Paris 1963|13 x 18.50 cm|broché
    First edition, one of 56 numbered copies on vélin du Montval, tirage de tête.
    A very good copy with good margins.
    €250
  89. Le clavecin de DiderotLe clavecin de Diderot
    René CREVEL

    Le clavecin de Diderot

    Editions Surréalistes|Paris 1932|11.50 x 18.50 cm|relié
    First edition printed in 200 numbered copies on green paper, ours unnumbered.
    Half tan box binding, smooth spine, palladium title, marbled paper boards, blue-grey endpapers and pastedowns, original covers and spine preserved, top edge gilt, binding signed by P. Goy & C. Vilaine.
    Autograph inscription signed by René Crevel in English to Boom: " For Boom, that book writed in Davos, gived in Paris, with my affections in every part. René."
    A handsome copy.
    €750
  90. Les condamnés à mortLes condamnés à mort
    Claude FARRÈRE

    Les condamnés à mort

    Flammarion|Paris 1921|12 x 20.50 cm|broché
    First edition, one of 50 numbered copies on China paper, the tirage de tête.
    A few inevitable spots considering the quality of the paper, a well-margined copy.
    €200
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