Browse
All Collections
Services
Tailored GuidanceSell to us
What's New
MediaCatalogues
Stay Informed
Set an alert
About us
About UsWhere To Find UsContact
Change Language
Flag en
Logo Édition Originale
Flag en
Icone panier
n. l.

n. l.

s.l. (sans lieu) est une mention bibliographique utilisée lorsqu’aucun lieu d’édition n’est indiqué dans l’ouvrage. L’abréviation provient du latin sine loco, « sans lieu », et apparaît traditionnellement dans la description des livres anciens lorsque l’imprimeur ou l’éditeur n’a pas précisé la ville d’impression.
Cette absence peut être volontaire — pour des raisons politiques, religieuses, commerciales ou de censure — ou simplement due à une omission typographique. Dans l’histoire du livre, la mention s.l. joue ainsi un rôle important : elle signale une zone d’incertitude et invite bibliographes et historiens à identifier, par comparaison typographique ou contextuelle, l’atelier ou la région d’origine réelle de l’ouvrage.
Utilisée depuis des siècles dans les catalogues et répertoires, s.l. demeure aujourd’hui une référence essentielle dans la description bibliographique des éditions anciennes ou non localisées.
Name Variants
  • s. l.

Do you have information to share about this place of publication?

3477 results
  3. Oeuvres complètes
    VOLTAIRE

    Oeuvres complètes

    Imprimerie de la Société Littéraire-Typographique|s. l. • [Kehl] 1784-1789|14.50 x 21.50 cm|relié
    Sold
  4. Erinnerungen an Emile Verhaeren
    Stefan ZWEIG

    Erinnerungen an Emile Verhaeren

    Privatdruct|s. l. 1917|16.50 x 23 cm|broché
    Print edition by Stefan Zweig care 100 copies hand-numbered and distributed to friends.
    Signing autograph of Stefan Zweig who also registered recipient's name from the book: Ami Kalmmerer.
    Marginal tiny tears on the dishes, three small spots on the second dish.
    Rare and nice copy.
    Sold
  5. Téhéran
    Jules-Joseph-Augustin LAURENS

    Téhéran

    S. n.|s. l. 1848|43 x 57 cm|Aquarelle|une feuille sous marie-louise et cadre de bois ancien
    Sold
  8. Marine
    Paul DOUGHERTY

    Marine

    S. n.|s. l. (circa 1900)|36.50 x 29 cm|une feuille contrecollée sur carton sous marie-louise
    Sold
  10. Dessin au crayon
    Henri-Edmond CROSS

    Dessin au crayon

    S. n.|s. l. [Circa 1900]|17.50 x 10.50 cm|une feuille
    Sold
  16. Album de 14 photographies de guerre constitué par un soldat allemand de la Première Guerre mondiale
    ANONYME

    Album de 14 photographies de guerre constitué par un soldat allemand de la Première Guerre mondialeAlbum of 14 war photographs gathered by a first world war german soldier.

    S. n.|s. l. s. d. [1917]|19 x 13 cm|cousu
    Album of 14 war photographs gathered by a first world war german soldier.

    Album containing 14 photographs, with hand-written captions in german, under protective papers, depicting trench scenes, hangings, crashed planes, destroyed villages, cadavers and skeletons.
    Album made of embroidered and printed cloth, sealed with a string and two wooden beads.
    4 additional postcards and a photograph of a plane.
    Sold
  24. Le bonheur de conter. Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT (Marcel AYMÉ)

    Le bonheur de conter. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1944]|13.50 x 21.50 cm|2 1/2 pages in-8
    Autograph manuscript of the author of 2 ½ pages 4to published in the issue dated March 2, 1944 of the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions. Literary Chronicle published on the occasion of the publication of The Wyvern Marcel Ayme full typescript is attached.
    "The books of Marcel Ayme have this happiness to make coarse the most subtle criticism explanations," says Blanchot in the introduction. Yet this column tribute to the poetic and light literature of the storyteller, none the less an analysis of "magical realism" own writing by Marcel Ayme.
    Between April 1941 and August 1944, Maurice Blanch
    Sold
  31. Le livre. Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT

    Le livre. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] 1943|13.50 x 21.50 cm|5 pages in-8
    Autograph manuscript of the author of 5 pages 8vo published in the issue dated 20 January 1943 of the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions. Full typescript is attached.
    This article is regularly cited as a result of the incipit against the burning "fire libraries remains the misfortune that announces the end of the mind. Burning a book, write, are two acts between which culture entered its oscillations contrary. "It is indeed a position against a strong identifiers of Nazism, which clearly marks the failover Blanchot.
    But beyond these historical considerations, this chronic "free" is also a gr
    Sold
  32. Sur un monde en ruines. Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT

    Sur un monde en ruines. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1943]|13.50 x 21.50 cm|2 1/2 pages in-8
    Autograph manuscript of the author of 2 ½ pages 8vo published in the issue dated 30 December 1943 of the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions.
    Typescript is complete seal.
    Blanchot finds the gap between the ruined world "which is the truth of the world" that literature is forced to confront and personality of writers who do not seem to live this tragedy. "Feeling too obvious that the author [...] is happy to write, it is fortunate for him," contrast with characters who "through the desolation of events [...] hit some something deeper that they can no l
    Sold
  33. Mystère de la critique. Manuscrit autographe et tapuscrit complets.
    Maurice BLANCHOT (Jean PAULHAN)

    Mystère de la critique. Manuscrit autographe et tapuscrit complets.

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1944]|13.50 x 21.50 cm|2 1/2 pages in-8
    Autograph manuscript of the author of 2 and a half pages in-8 published in the issue dated 6 January 1944 the Journal of Debates.
    Complete manuscript writing very dense, with many erasures, corrections and additions.
    Complete typescript with a few deletions and additions autograph of the author is attached.
    Inspired by the flowers of Tarbes Jean Paulhan, this short article is for Blanchot, the opportunity to reflect on the position and work of criticism. Well beyond literary analysis of a work, this column is probably a key to the theoretical work of Blanchot and wider confrontation with his creation.
    The conclus
    Sold
  34. Le premier roman de Joyce. Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT (James JOYCE)

    Le premier roman de Joyce. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1944]|21 x 13.40 cm

    (JOYCE James) BLANCHOT Maurice. Le premier roman de Joyce. Complete autograph manuscript and complete typescript
    N. n. [Journal des débats], n. p. [Paris] n. d. [1944], 1 leave in-8 (21 x 13,4 cm)
    and ½ leave in-8 (10,4 x 13,4 cm) and 2 leaves in-4 (26,8 x 20,9 cm) numbered
    Author’s autograph manuscript, two and a half pages, 8vo, published in the Journal des Débats on 18 May 1944.
    Full manuscript, written both sides, densely spaced, with a number of erasures, corrections and additions.
    With the complete typescript.
    A review on the occasion of the republication of Joyce’s Portrait of the Artist as a Y
    Sold
  36. Roman et récit de guerre. Manuscrit autographe et tapuscrit complets.
    Maurice BLANCHOT (Alexandre VIALATTE)

    Roman et récit de guerre. Manuscrit autographe et tapuscrit complets.

    S. n. • [ Journal des débats]|s. l. • [Paris] 1943|13.50 x 21.50 cm|5 pages in-8
    Autograph manuscript of the author of 5 pages 8vo published in the issue dated 27 January 1943 of the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions. Chronic literary published on the occasion of the publication by Gallimard of the book "The faithful shepherd" Alexander Vialatte and also referring to the works of Antoine de Saint-Exupéry. Typescript is complete seal.
    At the heart of the Occupation Blanchot focuses on two accounts of the French debacle of 1940 and the absurdity of the world it reveals. But the madness in which immerses the autobiographical character Vialatte is not for Blanchot, equivalent to that of war: /
    Sold
  37. La religion de Rabelais. Manuscrit autographe et tapuscrit complets.
    Maurice BLANCHOT

    La religion de Rabelais. Manuscrit autographe et tapuscrit complets.

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1943]|13.50 x 21.50 cm|4 1/2 pages in-8
    Autograph manuscript of the author of four and a half pages 8vo published in the issue dated August 4, 1943 of the Journal of Debates.
    Complete manuscript writing very dense, with many erasures, corrections and additions.
    Typescript is complete seal.
    In this critical review of the problem of unbelief in the sixteenth century, the religion of Rabelais by Lucien Febvre, Blanchot takes us on an amazing journey of the humanist Renaissance. lacking the anachronistic interpretation of historians "who in modern rethinking what can be understood only by abandoning our habits of thought," the Renaissance appears as an enigmatic universe where atheistic p
    Sold
  38. Poésie et langage. Manuscrit autographe et tapuscrit complets.
    Maurice BLANCHOT (Raymond QUENEAU)

    Poésie et langage. Manuscrit autographe et tapuscrit complets.

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1943]|13.50 x 21.50 cm|4 1/2 pages in-8
    Autograph manuscript of the author of four and a half pages in-8 published in the issue dated 1 September 1943 the Journal of Debates and resumed the same year in Faux-Pas. Complete manuscript writing very dense, with many erasures, corrections and additions. Literary review published on the occasion of the releases of "High Evil" by Michel Leiris and "The ziaux Raymond Queneau. Complete typescript is attached.
    In this fundamental test of poetic theory (integrated corpus Faux appeared immediately after) Blanchot makes a deconstruction of traditional hermeneutic categories poetry Leiris renders inoperative:
    "The role of images in the poetic universe is not always assume
    Sold
  41. L'art de la nouvelle. Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT

    L'art de la nouvelle. Manuscrit autographe et tapuscrit complets

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1943]|13.50 x 21.50 cm|4 1/2 pages in-8
    Autograph manuscript of the author of four and a half pages 8vo published in the issue dated 21 July 1943 of the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions. Chronic literary published on the occasion of the publication, among other collections of Marcel Ayme (Le Passe-wall) and Colette (The cap). Typescript is complete seal.
    Through the analysis of new Colette, Marcel Ayme, Marcel Arland and Richard Marius, Blanchot focuses on the need for unity between the news of a book "to give the impression of a real world" .
    Between April 1941 and August 1944, Maurice Blanchot published in the "Chronicle of in
    Sold
  46. Ensemble de huit lettres autographes signées adressées à Denise Rollin
    Georges BATAILLE

    Ensemble de huit lettres autographes signées adressées à Denise RollinA collection of eight autograph letters signed to Denise Rollin.

    S. n.|s. l. s. d. [1940-1943]|21 x 27 cm|8 lettres sur 13 pages

    BATAILLE Georges: A collection of eight autograph letters signed to Denise Rollin.

    An exceptional set of eight signed manuscript letters from George Bataille to Denise Rollin, his lover from the autumn of 1939 to the autumn of 1943.

    “The details of Bataille's literary life in these years are well known, but those of his private life are all the more obscure. And it's hardly the smallest paradox in this, the most revealing of all his works, that it barely comments at all on his private life, and generally the worst of it at that.” (M. Surya, G. Bataille, la mort à l'oeuvre)

    When Georges Bataille met Denise Roll

    Sold
  53. Lucifer
    SAINT-RENAN

    Lucifer

    Editions de l'Asne d'or|s. l. s. d. [circa 1930]|14.50 x 21 cm|broché
    Sold
  59. Algol
    Noël ARNAUD

    Algol

    Temps mêlés|s. l. 1968|15 x 18 cm|broché
    First edition, one of 700 numbered copies.
    Illustrations by Carelman, preface by François le Lyonnais.
    A good copy.
    Sold
  60. Corps interdits
    Maurice PÉRISSET, Jean BOULLET

    Corps interdits

    La salamandre|s. l. 1954|14 x 19.50 cm|broché
    Sold
  69. Knoll in the office
    (Hans KNOLL) COLLECTIF

    Knoll in the office

    S. n.|s. l. 1981|21 x 30 cm|broché
    First edition of this 5 languages catalogue.
    Iconography.
    A very good copy.
    Sold
  70. Barreaux
    Robert BRASILLACH

    Barreaux

    Edition de minuit et demi|s. l. 1945|14 x 21.50 cm|en feuilles
    Sold
  71. Les Ecrevisses, fantaisie en vers dite par Mr. C. Coquelin de la Comédie française. Manuscrit autographe enrichi d'aquarelles originales
    Jacques NORMAND, Auguste GUILLAUMOT FILS

    Les Ecrevisses, fantaisie en vers dite par Mr. C. Coquelin de la Comédie française. Manuscrit autographe enrichi d'aquarelles originales

    S. n.|s. l. s. d. [1917]|13 x 21 cm|relié
    Autograph manuscript with original watercolors. . A unique manuscript of 28 pages written in ink on rectos, on strong paper, with an ink and watercolor drawing of Coquelin (laid down as a frontispiece), a full-page watercolor and twelve other smaller watercolors at the start of the various chapters. The original watercolors are by Guillaumot Fils after those by Santiago Arcos.
    Autograph inscription signed by Jacques Normand to title, dated 1917.
    Half morocco-effect red shagreen over marbled paper boards, a little scratched.
    A friend of Alexandre Dumas fils and Maupassant, Jacques Normand collaborated with the latter on the creation of a number of smaller works
    Sold
  75. Paul Bocquet 1868-1947
    COLLECTIF, René DRUART

    Paul Bocquet 1868-1947

    S. n.|s. l. 1950|20.50 x 26.50 cm|broché
    First edition of 1000 numbered copies.
    With 4 plates hors texte in color.
    A good copy.
    Sold
  84. Moi Ben je signe
    BEN

    Moi Ben je signe

    S. n.|s. l. s. d. [circa 1980]|16.50 x 21.50 cm|agrafé
    New edition.
    A good copy.
    Sold
Results per page