Travel books in Europe, illustrated accounts, antique guides, regional studies and European countries maps, "Grand Tour"

First edition, one of 25 numbered copies on Japon, tirage de tête.
Repaired tears to the spine, otherwise a good copy.

First edition, illustrated with an engraved title and 15 steel engravings hors-texte on heavy paper.
Contemporary full navy blue shagreen binding signed Westley & Clark (London). Spine with false raised bands richly decorated. Boards very decorative with several successive frames. Edges gilt. Rubbing to headcaps, joints, bands and corners. 2 corners slightly turned. One signature sprung. Scattered foxing, particularly at the tissue guards.
Handsome copy nonetheless, in a rich English Romantic binding.
Collection of texts by various authors on Ghent, Antwerp, Bruges, Mechelen, the University of Louvain... Preface by Bibliophile Jacob.

First edition, one of 75 numbered copies on B.F.K. de Rives paper reserved for the A.B.L., deluxe copies after 50 Arches.
Light foxing affecting some deckled edges, bookplate pasted to one endpaper.
A full-margined copy.

First edition printed on ordinary paper.
Precious autograph inscription signed by Mathieu Varille to Henri Béraud: "... qui a vu l'Espagne sous d'autres jours..." ["...who has seen Spain in other days..."]
Work decorated with illustrations by Madame Favrot-Houllevigue.
Handsome copy.
Provenance: from the Île de Ré library of Henri Béraud.

First edition printed on ordinary paper.
Precious autograph inscription signed by Henri Duquaire to Henri Béraud: "... à mon grand confrère qui a été assez bon pour s'intéresser aux modestes efforts d'un lyonnais d'outre-mer et les juger avec indulgence..." ["...to my great colleague who has been kind enough to take interest in the modest efforts of a Lyonnais from overseas and judge them with indulgence..."]
Work illustrated with 5 reproductions.
Some minor marginal foxing of no consequence on the covers.
Provenance: from the Île de Ré library of Henri Béraud.

First edition, illustrated with two folding maps of Italy.
Spine with raised bands decorated with 4 compartmentalized fleurons. Red morocco title and volume labels. Triple fillet frame on boards. Roulette on edges. Head caps of volumes I and IV partly torn; those of volumes V and VI worn. Tail caps of volumes I and IV worn. Upper joint of volume I partly cracked, of volume III at tail and of volume VI over the last three compartments at tail. Inverted leaves at end of table in volume IV. Despite this, satisfactory set with good general appearance.
The author does not merely provide an account of his personal journey to Italy, but aims to achieve a complete and most accurate...

First edition.
Half red calf binding, faded spine with four raised bands set with gilt dots decorated with gilt fillets, black shagreen title and volume labels, marbled paper boards, marbled endpapers and pastedowns, speckled edges, contemporary binding.
Some minor foxing.
.

Second edition statement; reprint of the original published in 1876. It is illustrated with 7 etchings (on china paper laid down on strong wove paper) by Léopold Flammeng and 124 wood engravings in the text. Printed on fine white wove paper.
Contemporary full brown morocco binding signed H. Brenkens. Raised bands spine richly decorated, roulette at foot. Gilt title and date. Boards decorated à la Du Seuil, with fleurons in the corners. Rich inner dentelle. Overall very fresh, with clean white paper, with rare small foxing spots concentrated here and there, often where tissue guards have been removed. Top edge gilt. The original wrappers have been preserved. Slipcase protecting the...

New edition.
Half black shagreen bindings, spines with four raised bands set with gilt dots and decorated with double gilt compartments, lower headcaps of the first volume slightly rubbed, black paper boards, white paper endpapers and pastedowns with some soiling, some corners slightly bumped, contemporary bindings.
Some light foxing.
Rare.

First edition of the French translation by J.-Y. Périès.
Contemporary half midnight blue shagreen binding, spine with four false raised bands decorated with cold fillets and compartments, double fillets and gilt fleurons.
Fine copy.

New edition of the French translation established by Sébastien Albin.
Half black shagreen binding, spine with four raised bands decorated with black fillets, marbled paper boards, one joint fragile, marbled endpapers and pastedowns, speckled edges, contemporary binding.

First edition, rare, with a unique printing on heavy vellum of 150 hors-commerce copies. It is illustrated with 11 maps and plans (10 of which are folding) with some color highlights, and 8 lithographed views of which 6 are folding.
Late 19th-century half wine-red shagreen binding with small corners signed Wiener at the tail of the first volume. Smooth spine decorated with compartments. Title and volume numbering gilt. Spines uniformly lightened. Fillet on boards. Minor traces of rubbing. Occasional pale foxing, notably around the engravings. Uncut copy with wide margins. Handsome copy.
Extremely careful privately published edition, the particularity of which is to provide precious...

First edition.
Half forest green shagreen binding, spine with five raised bands decorated with the gilt monogram of the great bibliophile Roger de Cormenin repeated five times, marbled paper boards, marbled endpapers and pastedowns, speckled edges, near-contemporary binding.
Provenance: from the library of Roger de Cormenin, son of Louis de Cormenin who was the confidant and secretary of Théophile Gautier and also the intimate friend of Gustave Flaubert.
Handsome copy beautifully bound.

New edition, after the 1696 first edition.
Contemporary binding in full speckled brown calf. Spine with five raised bands decorated with gilt compartments and fleurons and a red morocco title label. Boards stamped with armorial device. Edges and headcaps decorated with gilt roulettes. All edges gilt. Worming to spine, tail headcap largely damaged (with loss), three wormholes on lower board, one corner bumped.
Some manuscript brackets in margins and a contemporary pen gift inscription at end of volume. Two library stamps on title page and first endpaper.
This gallant and playful travel narrative immortalized the two companions, as multiple editions were published over two...

First edition illustrated with 159 etched figures depicting views of Rome, plus the engraved title, totaling 160. The engravings bear different signatures: Parboni, Franzetti, Olivieri, or bear none at all, and sometimes the dates 1824, 1827 and 1829. Printed on strong laid paper. Copies found in several libraries, notably that of Quebec, contain only 60 plates, but it is known that a collection of Parboni plates was published later in 1830 containing plates from 1824, with 100 figures, another with 50 plates in 1834; our copy could have been grangerized with plates from these editions. Some plates are numbered, but do not appear to have been bound in order. The plates have relatively...

First edition, rare. Published with initials only, masking the identity of Chevalier Ange Goudar.
Manuscript ex libris ‘Daumas’ to ffep.
Contemporary sheep, spine in six compartments with gilt fleurons as well as a red titlepiece (partly faded). Significant repairs to joints, speckled edges.
This plan for peace in Europe by the economist and philosopher Ange Goudar lays out the origins and impact of conflicts on European nations, putting the emphasis on their economic consequences. The author then proposes a European entente and a supranational army that would punish any country that engaged in warfare, making the point that the blessings of peace first and foremost result...

First edition.
Half red shagreen binding, spine with five raised bands, gilt date at foot, one scrape at head of spine, marbled paper boards, marbled endpapers and pastedowns.
Work illustrated from sketches by Baron Constant-Rebecque and the author.
Copy complete with its folding map at rear.
Printed bibliophile's stamp at foot of title page, some foxing.

First edition.
Half navy sheep binding, faded spine with five raised bands showing scratches, gilt date at foot, cherry red shagreen title-label with two corner tears, marbled paper boards showing traces of discoloration at foot, marbled endpapers and pastedowns, contemporary binding.
Work illustrated with 28 phototypes and complete with its folding map at the end.

Second edition illustrated with a frontispiece, a double-page map as well as 5 out-of-text engravings by Rouargue.
Half black shagreen binding, spine with four fine raised bands decorated with fillets and triple black compartments, black paper boards, one lower corner slightly bumped, marbled endpapers and pastedowns, all edges gilt.
Copy almost entirely free from foxing, minor harmless spots on boards.

Illustrated edition with 31 steel engravings hors-texte and 1 map.
Half brown shagreen binding, spine with four thin raised bands set with gilt dotted lines decorated with double gilt compartments richly ornamented, frame of blind fillets on the hazelnut boards which show traces of marginal discoloration, cream watered silk endpapers and pastedowns, corners slightly bumped, gilt edges.
Contributions by Lullin de Châteauvieux, Le Prés, Monnard, Zschokke, Dubochet, Busoni, Meyer de Knonau, Tscharner, Francini, Ruttimann, Schnell jeune, de Forestier, Strohmeier...
A light dampstain affecting marginally the very first leaves of the first volume, two stains on an endpaper of the...

Second edition.
Publisher's half red shagreen binding, spine with five fine raised bands decorated with gilt double compartments richly embellished, frames of blind fillets on the red paper boards, first cover struck at its center with the gilt arms of the city of Paris surmounted by the trinitarian motto of France, small harmless stains at head of first cover, marbled endpapers and pastedowns, edges gilt, publisher's binding executed by J. Taupin.
Work illustrated with 51 hors-texte engravings.
Pen gift inscription on an endpaper.

Illustrated with 32 wood-engraved plates.
Publisher's full red cloth binding decorated with black and gilt ornamental motifs, smooth spine decorated with gilt arabesques, frame of gilt and black fillets embellished with gilt and red roundels on the first cover struck at its center with a stylized mandorla, frame of black fillets on the second cover bearing the publisher's name in black at its center, yellow paper endpapers and pastedowns, all edges gilt.
Some foxing, one endpaper with a fold mark.

Edition illustrated with 10 out-of-text engravings and a map.
Half red shagreen binding, spine with five raised bands, gilt date at foot, minor scratches on spine, marbled paper boards, marbled endpapers and pastedowns.
Work illustrated with 10 engravings and complete with its folding map at rear.
Foxing.

Illustrated edition with 2 maps and 168 wood engravings.
Half cherry red shagreen binding, spine with four raised bands decorated with triple gilt compartments adorned with gilt typographical motifs, blind-ruled frame on cherry red boards, white watered silk endpapers and pastedowns, library classification label pasted on one endpaper, all edges gilt.
Foxing affecting mainly the first and last leaves.

Third edition.
Half red shagreen binding, spine with four raised bands decorated with sextuple gilt and blind compartments, slight scratches on joints, blind-ruled frame on red boards, white watered silk endpapers and pastedowns, all edges gilt, contemporary binding.
Work illustrated by Karl Girardet.
Some minor foxing affecting mainly the very first and very last leaves.

First edition, abundantly illustrated with wood engravings in text and on full pages on strong paper. Printed on tinted laid paper.
Publisher's half black glazed sheep with corners. Spine with false raised bands richly decorated. Red morocco title label. Rolled border on boards and corners. Rubbing and surface abrasions along joints. Some occasional foxing, notably on verso of full-page plates. Handsome copy.
History, physical and human geography, art, of all the remarkable places (cities, monuments, men...) of Great Britain. Excellent publication, very well documented and illustrated covering all of Great Britain (Ireland, Scotland, etc.); it is said to have been printed in only...

New edition, rare. A frontispiece depicting the King of England
Armorial copy of Jacques Nicolas Colbert, Archbishop of Rouen.
Full glazed blonde calf binding. Spine with raised bands decorated with crowned cipher. Arms stamped on covers with triple gilt fillet frame. Headcaps worn. Joints cracked and split. Corners slightly bumped.
Chamberlayne's book first appeared in 1668 in London and was updated many times; it forms a sort of royal almanac and tourist guide to England, but infinitely more detailed; it became the reference manual on England in Europe as it indeed contains an incredible quantity of very diverse information, moreover established with the...

Original engraving. Optical view heightened in watercolor, depicting a view of the Royal Palace of Brussels.
Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were salon entertainments. The process was first developed in Paris, then London and...

Original engraving. Optical view heightened in watercolor, depicting a view of the Trinity Bridge in Florence.
Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were salon entertainments. The process was first developed in Paris, then London and...

Original engraving. Optical view heightened in watercolour, depicting an interior view of St. Peter's Basilica in Rome.
Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlour entertainments. The process was first developed in Paris, then London and...

Original engraving. Optical view heightened in watercolour, depicting a view of the Theatre of Marcellus in Rome.
Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlour entertainments. The process was first developed in Paris, then London and...

Original engraving. Optical view heightened in watercolor, depicting an interior view of Dorth Cathedral.
Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very popular between the late 18th and early 19th centuries. They were intended to be observed through a set of multiple mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the forerunners of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlor entertainments. The process was first developed in Paris, then London and...

Original engraving. Optical view heightened in watercolor, depicting a view of St Giles Church in Edinburgh.
Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very popular between the late 18th and early 19th centuries. They were intended to be observed through a set of multiple mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the forerunners of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlor entertainments. The process was first developed in Paris, then London and...

Original engraving. Hand-colored aquatint optical view, depicting a view of St Paul's chapel, taken from York Place in Edinburgh.
Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were parlour entertainments. The process was first developed in Paris...

Original engraving. Hand-colored aquatint optical view, depicting a view of the high street and St Mary's church in London.
Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were parlour entertainments. The process was first developed in Paris, then...

Original engraving. Optical view heightened in watercolor, depicting a view of the procession of Florence on the feast day of Corpus Christi.
Optical views, also called views, perspectives or "mondo nuovo," are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a system of multiple mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onward. Optical views appear to have emerged in the 1740s and were drawing room entertainments. The...

Original engraving. Optical view heightened in watercolor, depicting a view of the hot springs fountain and the square of Aix-la-Chapelle.
Optical views, also called views, perspectives or "mondo nuovo," are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a system of multiple mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onward. Optical views appear to have emerged in the 1740s and were drawing room entertainments. The process...

Original engraving. Optical view heightened in watercolor, depicting a view of the horse market in Frankfurt am Main.
Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the end of the 18th and beginning of the 19th century. They were intended to be observed through a set of multiple mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were drawing room entertainments. The process was first...

Original engraving. Optical view heightened in watercolor, depicting a view of the bridge of Vienna.
Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the end of the 18th and beginning of the 19th century. They were intended to be observed through a set of multiple mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were drawing room entertainments. The process was first developed in Paris...

Original engraving. Optical view enhanced with watercolor, depicting a view of the ambassadors' hotel in Vienna, taken from the garden side.
Optical views, also called views, perspectives or "mondo nuovo", are engravings very much in vogue between the end of the 18th and the beginning of the 19th century. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and are salon entertainments. The process was...

First edition, one of 30 numbered copies on Arches vellum, the only deluxe copies.
Siena, Livorno, Lucca, Florence...
Spine very lightly sunned without consequence, endpapers uniformly and lightly shaded, a full-margined copy.

First edition, illustrated with 24 steel engravings by the Rouargue brothers, including 2 hand-colored woodcuts.
Contemporary half navy blue shagreen binding. Spine with false raised bands decorated with gilt compartments. Shagreen-textured cloth boards with blind fillets. Gilt edges. White moiré endpapers.
Fine copy, in perfect condition, free from foxing and retaining its tissue guards.
This book which visits all the cities along the Rhine was published during the golden age of tourism there; the spa towns of the Rhine were then fashionable, as were the Swiss and German cities. The work consists of descriptions, contemporary and historical anecdotes and notes on customs.

The rare first edition, illustrated with 8 lithographs of Swiss views by Courtin.
Romantic binding in half green sheep. Smooth spine decorated with monastic rolls and fillets, as well as blind tooling. A small lack at head of volume 1. Upper joint of volume 2 split at head along the first compartment with a lack of leather at head. Rubbing. Some scattered foxing, some gatherings browned.
Account of a journey to Switzerland and northern Italy in 1833. A tableau of events in Switzerland since 1830 and an itinerary.

First edition.
Half fir-green shagreen binding, darkened spine with five raised bands, initials with faded gilding at foot of spine, one joint split then reglued at foot, marbled paper boards, marbled endpapers and pastedowns, one corner slightly bumped without consequence, contemporary binding.
Work complete with its 11 lithographs or wood engravings: 1 folding plate of a view of Cagliari at the beginning of the volume, 1 folding map at the end as well as 9 plates of which 4 are heightened in watercolor representing Sardinians in traditional costumes, ceramics and sculptures.
Some minor foxing without consequence, a lack without consequence and not touching the text at the...

New edition of Claude de Varennes' Voyage de France, edited and expanded by du Verdier. Final edition of this travel guide which contains 100 additional pages.
Full brown glazed sheep binding. Spine with raised bands, decorated. Red morocco title label. Upper cover split at foot. Rubbing, corners bumped and worn at edges. Good copy.
Textual reprint of Varennes' travel guide, but Du Verdier added an itinerary of French roads, towards the south, Brittany, Germany, Spain... departing from Paris. Besides this very useful addition, one also finds the value of foreign currencies, and more unexpectedly, a record of relics and treasures found at Saint-Denis. Of particular interest is the...

New edition, after the original published in 1591 and 1593. Illustrated with 4 folding maps by Gioseppe Rosatio, Europe, Asia, America and Africa, on grayed background. The work had numerous reprints in the 17th century.
Contemporary limp vellum binding. Spine with raised bands, Jansenist style. Title in black ink.
Botero's universal geography is a means of evaluating the real power of all states. Botero wrote his Relazioni following his great political work "De la raison d'état" and cannot be understood except in its wake. While the work is a classic universal geography, with a description of all regions of the world then known in the first part, the other parts describe the world...

First edition, one of 900 numbered copies on vélin teinté paper.
A good copy.

First edition illustrated with a folding map and 56 plates at the end of the volumes (Landscapes, costumes, figures). Printed in two columns.
Half black shagreen binding. Ornate spine with false raised bands. Thick fillets on the boards. Borders slightly depressed at the top over 1cm.
70 volumes were published in this famous collection on the history and description of all countries and peoples of the world, from 1833 to 1865.

NB: This work is available at the bookshop on request within 48 hours.

First edition. Rare. Dedication to Monseigneur the Duke of Orléans, Philippe Égalité, Chartres was then under the same jurisdiction as Orléans.
Romantic binding in half blonde sheep. Smooth spines decorated with fleurons and gilt fillets. Corners very slightly bumped. A few pages of volume II very slightly stained.
Rare work not concerned solely, as its title might suggest, with history, but also with the geography of the city of Chartres, the origin of its main arteries. The author, lawyer and surveyor of the city, extensively documented himself in the archives and gathered everything that had been written of note since the origin of the city, anecdotes, events... The work...

Illustrated edition with 16 original watercolor compositions enhanced with pochoir by H. Cassiers, one of 500 numbered copies on Japan paper, the only printing with 100 other Japan copies.
Spine and covers lightly and marginally sunned without concern, handsome copy.

Edition illustrated with 40 hors-texte plates as well as 200 vignettes.
Publisher's binding in half dark green shagreen, smooth spine decorated with gilt decorative motifs, headcaps rubbed, joints rubbed with a small lack at foot, boards illustrated with gilt decorative motifs, corners slightly bumped, edges gilt.
Work illustrated with 40 hors-texte plates including 1 frontispiece and 200 vignettes in the text.
Foxing, marginal dampstain at foot of the last leaves (from page 249 to page 321), endpapers uniformly sunned.

First edition printed in a small number of copies of this offprint.
A good and rare copy.

First edition printed in a small number of copies of this offprint.
A good and rare copy.

First edition.
Illustrated with 9 plates hors texte.
A good copy.

New edition, published one year after the original compilation by Saint-Leu. Epistle to the Duke of Saint-Simon, the famous memorialist, in his capacity as governor of Senlis.
Contemporary full tanned sheep binding. Spine with five raised bands decorated with a blonde sheep title-label, gilt compartments and fleurons. Gilt roulette on the leading edges. Headcaps worn. Joints cracked along their entire length. Loss at foot of spine. Three corners slightly bumped.
Commentaries on the custom of Senlis (and the jurisdictions that depend on it: Beauvais, Compiègne, Pontoise, etc.), published for the first time in 1540; the present edition also groups together the commentaries of lawyer...

First edition.

Publisher's full grey cloth binding, complete with its dust jacket illustrated by Yves Brayer.

Rich iconography.

A small tear at head of spine partially and slightly browned, occasional foxing.

First edition.
Publisher's binding over yellow plain paper boards citron, dust jacket missing.
Richly illustrated.

The rare first edition of this revised, commented and annotated edition by Johann Jakob Leu of Josias Simler's major work: "De republica helvetiorum" (1576). With a large folding map of Switzerland by Michael Kauffer after Christoph Weigel. A frontispiece by Fussli, often lacking elsewhere, has not been included with this copy.
Contemporary half vellum with corners. Smooth spine with title in black ink. Boards rubbed. Some marginal foxing. Map reinforced on verso with old paper. A good copy.
Hans Jakob Leu was called upon by the publisher David Gessner to revise Simler's edition: De republica helvetiorum. From 1720, Leu gathered a great quantity of information on the regiments of...

First edition.
Half mouse-colored cloth bindings, smooth spines, marbled paper boards, contemporary bindings.
Work illustrated with numerous figures in the text.
Some minor foxing.
Handsome copy.

The first edition, of which there were no deluxe copies.
Half hazelnut calf binding, smooth spine decorated with double gilt fillets, marbled paper boards, original covers mounted on guards and preserved, speckled top edge, modern pastiche binding unsigned by Goy & Vilaine.
Work decorated with original illustrations by L. Benett.
Very rare signed autograph inscription from Jules Verne to [Achille] Tournier, then Prefect of the Somme.
Jules Verne settled in Amiens, his wife's birthplace, in 1871: "At my wife's wish I settled in Amiens, a wise city, polished, of even temper, where society is cordial and learned. One is close to Paris, close enough to have...

Third edition illustrated with 10 plates hors-texte including a frontispiece by Dalbou after Hoüel, 5 plates hors-texte by Laurent after Favray and 4 folding plates hors-texte by Laurent after Massit. The first three volumes contain all the letters on Greece, the last contains other opuscules by the author: Essays on Tibullus's Elegies (followed by their translation), The Seasons and Light Poetry.
Numerous floral headpieces and tailpieces (flower baskets, carnations...).
Contemporary full marbled blonde calf binding. Smooth spines decorated with green morocco title and volume labels, small gilt floral fleurons, and gilt dentelle at tail. Triple gilt frames on boards. All edges...

First edition.
Half black shagreen binding, spine slightly faded with four raised bands decorated with quadruple gilt fillets and adorned with a gilt fleuron enriched with a red shagreen mosaic piece, light scratches of no consequence to the joints, cold-stamped fillet and interlacing frame on boards, gilt edges, binding signed by Charles Magnier.
Work illustrated with 73 engravings in and outside the text.
Some minor foxing.

Original engraving. Optical view heightened in watercolor, depicting a view of Holyrood Palace in Scotland. Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was first developed in Paris, then London and finally...

Original engraving. Optical view heightened in watercolors, representing a view of Westminster Abbey and Saint Margaret's Church in London. Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the forerunners of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlor entertainments. The process developed first in...

Original engraving. Optical view heightened in watercolor, depicting a view of the interior of Westminster Abbey.
Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was developed first in Paris, then London...

Original engraving. Vue d'optique heightened in watercolour, depicting an interior view of the Royal Exchange in London.
Vues d'optique, also called vues, perspectives or "mondo nuovo", are engravings that were highly fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Vues d'optique can be considered the precursors to three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Vues d'optique appear to have emerged in the 1740s and were drawing-room entertainments. The process was first developed in Paris...

Original engraving. Vue d'optique heightened in watercolour, depicting a view of the Lord Mayor's residence in London.
Vues d'optique, also called vues, perspectives or "mondo nuovo", are engravings that were highly fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Vues d'optique can be considered the precursors to three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Vues d'optique appear to have emerged in the 1740s and were drawing-room entertainments. The process was first developed in Paris...

First edition.
Contemporary full parchment binding. Smooth spine with pen-and-ink title faded at head. Lacking one third of the leather on upper board, also at edges. Without endpaper. Good freshness of paper.
Aragonese naval ordinances from the 14th century. In appendix, English naval ordinances and various documents relating to the Spanish navy, notably ordinances from the 16th century.

Second edition.
Half black shagreen binding, spine with four fine raised bands decorated with double gilt compartments, frame of gilt fillet on black paper boards, some tears to leading edges, cream watered silk endpapers and pastedowns.
Work illustrated after drawings by the author as well as 15 hors-texte drawings by Calame.
Occasional light foxing affecting mainly the beginning and end of the volume.

First edition.
Half-brown cloth binding, smooth spine decorated with gilt fillets and gilt title, marbled paper boards, speckled edges. Spine uniformly sunned, a lack to upper left corner, other corners bumped.
A folding map of Switzerland divided into 22 cantons created by the author.
Scattered foxing.

Original wood engraving heightened with watercolor and gum arabic of the period, signed in the plate by Clerman lower right.
Print created for "Recuerdos de un viage por España" by Francisco de Paula Mellado, an account of his journey through the multiple provinces of Spain and overseas territories in which the author studies the customs, legends, literature, history and geography of each place. This type of illustration is emblematic of Spanish Romantic aesthetics and its fashion for "tableaux de coutumes" ("Cuadro de costumbres"), veritable galleries of generic characters in the manner of "Les Français peints par eux-mêmes" of the same period.
Superb watercolor whose gum arabic...

Original wood engraving heightened with watercolor and gum arabic of the period, signed in the plate by Clerman lower right. Plate engraved by Pannemaker.
Print created for "Recuerdos de un viage por España" by Francisco de Paula Mellado, an account of his journey through the multiple provinces of Spain and overseas territories in which the author studies the customs, legends, literature, history and geography of each place. This type of illustration is emblematic of Spanish Romantic aesthetics and its fashion for "tableaux de coutumes" ("Cuadro de costumbres"), veritable galleries of generic characters in the manner of "Les Français peints par eux-mêmes" of the same period.
Superb...

Original wood engraving heightened with watercolor and gum arabic of the period. Plate engraved by Pannemaker.
Print created for "Recuerdos de un viage por España" by Francisco de Paula Mellado, an account of his journey through the multiple provinces of Spain and overseas territories in which the author studies the customs, legends, literature, history and geography of each place. This type of illustration is emblematic of Spanish Romantic aesthetics and its fashion for "costume paintings" ("Cuadro de costumbres"), veritable galleries of generic characters in the manner of "Les Français peints par eux-mêmes" at the same period.
Superb watercolor whose gum varnish accentuates the...

Original wood engraving heightened with watercolor and gum arabic of the period, signature in the plate by Clerman at bottom right. Plate engraved by Duverger.
Print created for "Recuerdos de un viage por España" by Francisco de Paula Mellado, an account of his journey through the multiple provinces of Spain and overseas territories in which the author studies the customs, legends, literature, history and geography of each place. This type of illustration is emblematic of Spanish Romantic aesthetics and its fashion for "costume paintings" ("Cuadro de costumbres"), veritable galleries of generic characters in the manner of "Les Français peints par eux-mêmes" at the same period. Superb...

Original wood engraving enhanced with watercolor and gum arabic highlights from the period, signature in the plate by Clerman at lower right. Plate engraved by Duverger.
Print created for "Recuerdos de un viage por España" by Francisco de Paula Mellado, an account of his journey through the multiple provinces of Spain and overseas territories in which the author studies the customs, legends, literature, history and geography of each place. This type of illustration is emblematic of Spanish Romantic aesthetics and its fashion for "costume studies" ("Cuadro de costumbres"), veritable galleries of generic characters in the manner of "Les Français peints par eux-mêmes" from the same...

Original wood engraving enhanced with watercolor and gum arabic highlights from the period. Plate engraved by Pannemaker.
Print created for "Recuerdos de un viage por España" by Francisco de Paula Mellado, an account of his journey through the multiple provinces of Spain and overseas territories in which the author studies the customs, legends, literature, history and geography of each place. This type of illustration is emblematic of Spanish Romantic aesthetics and its fashion for "costume studies" ("Cuadro de costumbres"), veritable galleries of generic characters in the manner of "Les Français peints par eux-mêmes" from the same period. Superb watercolor whose gum arabic varnish...

Original wood engraving heightened with watercolor and gum arabic highlights of the period, signature in the plate by Clerman at lower right. Plate engraved by Pannemaker.
Print created for "Recuerdos de un viage por España" by Francisco de Paula Mellado, an account of his journey through the multiple provinces of Spain and overseas territories in which the author studies the customs, legends, literature, history and geography of each place. This type of illustration is emblematic of Spanish Romantic aesthetics and its fashion for "tableaux de costumbres" ("Cuadro de costumbres"), veritable galleries of generic characters in the manner of "Les Français peints par eux-mêmes" of the same...

Original wood engraving heightened with watercolor and gum arabic highlights of the period. Plate engraved by Pannemaker.
Print created for "Recuerdos de un viage por España" by Francisco de Paula Mellado, an account of his journey through the multiple provinces of Spain and overseas territories in which the author studies the customs, legends, literature, history and geography of each place. This type of illustration is emblematic of Spanish Romantic aesthetics and its fashion for "tableaux de costumbres" ("Cuadro de costumbres"), veritable galleries of generic characters in the manner of "Les Français peints par eux-mêmes" of the same period.
Superb watercolor whose gum arabic...

Original woodcut heightened with watercolor and gum arabic highlights of the period, signed lower right by Clerman. Plate engraved by Pannemaker.
Print created for "Recuerdos de un viage por España" by Francisco de Paula Mellado, an account of his journey through the multiple provinces of Spain and overseas territories in which the author studies the customs, legends, literature, history and geography of each place.
This type of illustration is emblematic of Spanish Romantic aesthetics and its fashion for "tableaux de coutumes" ("Cuadro de costumbres"), veritable galleries of generic characters in the manner of "Les Français peints par eux-mêmes" of the same period.
Superb...

Original woodcut heightened with watercolor and gum arabic highlights of the period, signed lower left by Clerman. Plate engraved by Duverger. Print created for "Recuerdos de un viage por España" by Francisco de Paula Mellado, an account of his journey through the multiple provinces of Spain and overseas territories in which the author studies the customs, legends, literature, history and geography of each place.
This type of illustration is emblematic of Spanish Romantic aesthetics and its fashion for "tableaux de coutumes" ("Cuadro de costumbres"), veritable galleries of generic characters in the manner of "Les Français peints par eux-mêmes" of the same period.
Superb watercolor...

First edition. Half chocolate shagreen binding, spine slightly faded with five raised bands decorated with gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, modern binding. Work illustrated with 28 engravings and complete with its folding map at the end. Handsome copy almost free from foxing.

Edition published under the author's direction illustrated with 100 wood engravings.
Publisher's binding in full polychrome boards, smooth spine richly decorated with stylized floral motifs, boards decorated with a plaque by A. Souze, endpapers and pastedowns of cream watered silk, all edges gilt.
Occasional foxing.
Handsome copy in polychrome boards, complete with its folding map at rear.

Second issue of the first edition with alternate title, illustrated with 3 folding maps (Spain, Madrid and the Bay of Cadiz) including the map of Spain hand-colored, and 9 plates of which 7 are folding.
Contemporary half brown sheep binding. Spine with raised bands decorated with bold fillets. Title-label and volume label in fawn calf. Headcap of volume I partly worn, split on volume 2, a lack to volume 3; tail of volumes I and 2 partly split. Lower joint of volume 2 open at tail. Upper joint of volume 3 cracked at tail. Set heavily rubbed. Edges of volume I trimmed and those of other volumes bumped. 3 plates with tears. Dampstain at beginning of volume II.
The interest of this...

First edition illustrated with 24 hand-colored plates, hors-texte, depicting Austrians dressed in various period costumes.
Half red Russian morocco binding, smooth spine with cold-stamped fleurons and gilt title, boards with double cold-stamped fillet frame and roulette decoration, front joint cracked at head, headcaps lightly rubbed, contemporary binding.
Some discreet foxing otherwise handsome and rare work describing the Austrian people in the 19th century, abundantly illustrated with hand-colored engraved plates.

New edition.
Half aubergine sheep bindings, smooth spines slightly faded decorated with gilt arabesques, minor rubbing traces on some spines, gilt roulettes on headcaps, worn headcaps with some small losses, gilt fillet frames on boards enhanced with Romantic blind-stamped decoration, gilt laurel leaves surmounted by a gilt crown bearing the inscription "collège de Chateau-Thierry Ainse" stamped to center of front covers, gilt dots on edges, marbled endpapers and pastedowns, marbled edges, contemporary bindings. Our copy is complete with its rare atlas which is almost always missing.
The atlas complete with its 31 engraved plates, dated 1819, is bound in full navy sheep, smooth...

First edition, illustrated with two engraved titles (in English), one colored plate and 117 steel engravings (with tissue guards) by Allom, Bartlett, and M'Culloch, engraved by Griffiths, Varrall, Prior, etc. Superb illustration, as English engravers were particularly prized during this period for their fineness of execution, and French publishers placed extensive orders in England for the illustration of their books.
Full publisher's binding. Half red morocco decorated with a large special gilt stamp (arms and symbols of Scotland) on wine-colored sheep boards stamped with a large decorative floral stamp in blind. Edges gilt. Magnificent and rare English publisher's binding, despite...

First French edition, translated from English by Jacques Rebauld de la Chapelle (Barbier).
Contemporary full marbled calf binding. Decorated spine with raised bands. Black morocco title label. Restored headcaps. A thin crack to the lower joint at the head.
Stanyan resided in Switzerland from 1705 to 1714. Haller appreciated the unbiased exposition without prejudice or value judgments from its author, whose reading he recommends. It was seeing the paucity of works on Switzerland that prompted the author to take the trouble to write his own.

First edition, quite rare, illustrated with a panoramic view of the city of Clermont and the surrounding volcanoes.
Half midnight blue calf Restoration binding. Smooth spine with large romantic tooling lengthwise. Good copy. The last leaf of the table of contents is frayed at the margin.
The author having spent five months in Clermont Ferrand and visited Auvergne, proposed to make a travel account to the glory of an unknown and remarkable region for tourism; a large part of the work is a description of the city of Clermont-Ferrand. The rest of the book is devoted to the particularities of Auvergne, namely its volcanoes and springs. At the very end of the work, the author provides...

Edition illustrated with in-text and full-page illustrations.
Publisher's red cloth binding, smooth spine, front cover decorated with floral design in gold and silver, corners very slightly bumped, all edges gilt. Manuscript inscription dated August 1899, on the occasion of the superior certificate prize-giving.
Handsome copy.