First Editions

first edition.
Binding to bradel right fabric, smooth back and cleared insolated, as part of black shagreen with traces of friction and marginal snags, preserved covers, marbled head bookplate pasted on a contreplat signed binding Jarrigeon.
Our copy is enriched with a handwritten autobiographical note of Alphonse Karr, a page and a tab mounted head of the book: "... Son of Henry Karr born in Munich or Zweibrucken (Bavaria). AK .. does not appear to conscription ... It has always been considered french ... "
Book illustrated with a portrait of the author as a frontispiece.
Some foxing.

First edition on current paper.
Small gaps in the head and foot of the back, some bites and clear spots on the boards.
Exceptional autograph dedication signed by Robert Dreyfus to his friend: "Marcel Proust. Very affectionately.
Childhood friends and students of Lycée Condorcet, Marcel Proust and Robert Dreyfus founded the magazine Le Banquet in 1892, with some of their classmates including Daniel Halévy. Will appear eight numbers that contain the first steps in literature of one and the other. In 1907, Dreyfus, when he wrote this letter to Proust imbued with deep sympathy, is a noted author for his essays: The Life and the prophecies of Count Gobineau published two years earlier earned him a prize from the French Academy . Proust, meanwhile, is then working on the writing of his great work, In Search of Lost Time , but still has a modest reputation as a writer.
The friendship between the two men crosses the decades, as evidenced by their correspondence, started in 1888 and continued until 1920. Well inspired, Dreyfus will preserve preciously the letters of Proust who, after the death of this one, will allow him to write a precious book for the Proustians, Souvenirs on Marcel Proust , accompanied by unpublished letters (1926): "Is it a consolation to think: if he had been better, [...] he would not have written these letters where the flares of his mind still sparkle. "
Copy of Marcel Proust's library, donated by his childhood friend Robert Dreyfus.

First edition of each volume.
Half bronze calf binding, smooth spine decorated with black and gilt fillets, gilt friezes at head and foot, joints rubbed, small lack to upper headcap, marbled paper boards, marbled endpapers and pastedowns, wrappers preserved for the first volume, speckled edges, contemporary Romantic binding.
A bibliophile's pen note about the work at the head of an endpaper.
We include the facsimile of a song virulently and racistly attacking the Count of Santo Domingo.
Half-title page shadowed due to the presence of a bookseller's descriptive slip, joints fragile.
Two bookplates pasted on a pastedown including that of Henri Rolland.

First edition of 300 copies on Hollande.
With an autograph inscription from André Gide to Henry Lerolle.
Small lacks, not serious, to head and foot of spine and covers.

First edition published anonymously, one of 125 copies on simili-Japon paper.
Work illustrated with a frontispiece by Clairin, an etching by Félicien Rops and a facsimile, on China paper, of a letter by Charles Monselet.
Two lacks at head and foot of spine, handsome interior condition despite small foxing at head of the facsimile on China paper.

Edition printed on vellum.
"Bradel" binding covered with paper moiré effect, smooth back, gilded tail date guards and contreplats of handmade paper, covers and spine slightly faded preserved, mottled head bookplate pasted on a contreplat, bookbinding signed Thiebaut.
Our copy is enriched by an autograph letter signed an Mery page addressed to Charles Reybaud and mounted on tab next to page 62 about a paid advertising on one of his works recently published in the "Constitutional" .
illustrated book, frontispiece, a portrait of Mery by Gustave Staal.
Some little foxing, evenly shaded guards and insolated.

First edition printed in 500 copies.
Half chocolate brown morocco binding with corners, spine with five raised bands set with gilt fillets and decorated with double gilt compartments, light rubbing traces on joints, double gilt fillet frame on marbled paper boards, small restored tear at foot of first board, marbled endpapers and pastedowns, top edge gilt retaining deckled edges, binding signed by Cottin-Simier.
Work illustrated with a photographic portrait of the author as frontispiece.
Occasional foxing.

first edition.
Bound in red half shagreen, back with four nerves decorated with gilded finials, marbled paper boards featuring feet scuffs, guards and contreplats of handmade paper, sprinkled edges, contemporary binding.
Signed autograph of Maxime Du Camp Larozerie his friend.
Some foxing.

First edition, one of 10 numbered copies and justified on laid by Edmond de Goncourt, deluxe edition.
Binding half shagreen chocolate brown back with four nerves, marbled paper plates, guards and contreplats of handmade paper, red head, contemporary binding.
Signed autograph of Edmond de Goncourt to his friend the painter and enameller Claudius Popelin.
Two light snagging minor on the cuts, nice copy.

First edition, one of 165 numbered copies on pure Arches laid paper, deluxe copy.
A crease mark to the foot of the second cover, light foxing to the top edge, handsome copy.

First edition, one of 165 numbered copies on pur fil paper d'Arches paper, the tirage de tête.

A little light foxing to top edge.

A very good copy.

first edition.
Binding to bradel half gray calico, flat spine decorated with a golden floral pattern, date and dual gold tail thread, as part of blue shagreen, marbled paper boards, contemporary binding.
Signed autograph Jean Lorrain Madame Alphonse Daudet.
printed stamp of Madame Daudet library head of a guard.

First edition of the French translation, one of 12 numbered copies on Japon, tirage de tête.
Small marginal tears, not serious, to foot of spine and covers, a very good copy with edges preserved.

First bilingual edition, one of 75 numbered copies on vélin blanc Lafuma paper, the tirage de tête.
With 30 color illustrations by Rihakou Harada.
Two snags and tears to spine, one small stain to head of upper cover, but otherwise a good copy.

First edition of the French translation, one of 109 numbered copies on Lafuma Navarre laid paper and reimposed in Tellière quarto format, deluxe copy.
Handsome copy.

First edition, one of the 38 copys numbered on "pur-fil" paper only leading copies.
autograph dedication of the author autograph signed and dated in full page, Hervé de Peslouan George Oudard ending form of a poem: "A Oudard Georges, the master of" Best teacher ", these pages about the love life of a man whose all the teachers were ... better. In very faithful homage and sincere gratitude.
Impromptu: When in September / Au pastor ... it Sicambrian, / I put the copy / of "Mesdam's Dumas" / I thought qu'tôt or late / You would Oudard Georges ... /. ..S'il got lost en route / Las, I do not understand then drop ... / Moral: / For the incorrectness of which your mind smoked / Forgive me, Lord ... here Lafuma "
Back insolated, nice interior state.

First mimeographed edition of this scurrilous pamphlet written by the Z.O.B. (Zénith Occulto Barbare) on the occasion of the centenary of Paul Claudel's birth.
The anti-Claudelian diatribe concluding with an invitation to violate the young girl Violaine.
Manuscript indication of the printing date of this document at the foot of the leaf and small tears to margins.
Rare and edifying document.

First edition, one of 45 numbered copies on pur fil, the only large paper copies.
A very attractive copy.

Edition of wich no leading copies exists.
Rare autograph signed François Marcantoni her friend Anne Patrick.
Iconography.
Small traces of marginal folds without gravity on the flat and over.

First edition, one of 300 numbered copies on Lana paper justified the form and signed by the author's initials.
Signed autograph Vincent Muselli Baptiste Galanti.
The title page, on which appears the shipment is shaded.

Edition for each volume.
"Bradel" binding vellum way, smooth back, calligraphic inscriptions in the medieval manner on the back and flat, black date tail back, wrappers and back preserved and bound in to each volume, guards and contreplats of handmade paper red head, signed binding Thiebaut.
complete copies of their headpieces and their facsimiles.
Our copy is enriched by an autograph letter (mounted on the first book upside tab) Eugene Mirecourt, a page addressed to Chamfleury in which its distance corresponding to about a piece showing that they have jointly written with Champfleury and does not provide enough promotion to the taste of Eugene de Mirecourt.
Some little foxing, clear wetting at the foot sheets of the second book.

First edition of each volume.
Bradel binding in full cardboard boards imitating vellum, smooth spine, calligraphic inscriptions in medieval style on spine and covers, black date at foot of spine, original wrappers preserved for each volume, marbled endpapers and pastedowns, red top edge, bookplate pasted at head of one pastedown, unsigned binding but attributable to Thiébaut.
Handsome set despite some light foxing.

First edition, one of 110 numbered copies on alfa paper, the only large paper copies.
A good copy.

First edition, one of 10 numbered copies on colored paper, the only major paper.
Our copy is complete, like copies of the deluxe edition of the original collage by Jean-Benoît Thirion he signed.
Illustrated book two collages of the author.

Edition, a numbered on puffing.
Signed autograph of Alain Bosquet Professor Georges Blin.
Tiny marginal minor bites on the plate.

First edition on ordinary paper.

Autograph inscription from Alain Bosquet to Daniel Leuwers.
A good copy.

First edition, one of 30 numbered copies on vélin bouton d'or paper, ours one of the 10 reserved for the Robert Cayla bookshop, the only deluxe copies.
Handsome copy.

BECKETT Samuel. Berceuse suivi de l'Impromptu d'Ohio [Rockaby and Ohio Impromptu]
Les éditions de minuit, Paris 1982, 10 x 18 cm, original wrappers
First edition, one of 99 numbered copies on vélin d'Arches, this one of some hors commerce copies, justified H.C., the only grand papier (deluxe) copies.
Autograph inscription from Samuel Beckett to a close friend.
A good copy.

First edition, one of 150 numbered copies on vélin d'Arches paper, this copy not justified, the only large paper copies along with 92 on vélin supérieur and a few hors commerce.
Autograph inscription signed by Samuel Beckett to a close friend.
A good copy.

first edition.
Binding to brzdel the editor in full blue-gray cloth, slightly discolored smooth back.
Precious autograph signed and dated Sisley Huddleston, in French, Henri Beraud for which he says his address.
Provenance: the Henri Beraud rétaise library.

First octavo edition illustrated by George Roux and Benett, including 12 chromotypographic engravings.
Hetzel publisher's "golden globe" binding in full red percaline signed Engel, polychrome front board signed Blanchelant, second board type "i" as indicated by Jauzac, lighthouse spine, original blue endpapers, all edges gilt.
Spine slightly sunned, some very minor rubbing to plates, two corners rubbed and original blue endpapers very lightly sunned at margins, as usual.

Edition of wich no leading copies exists.
Signed autograph André Beguin to his friend the painter and engraver Jacques (Castex) and his wife Simone.
Nice full copy of his trailer.

First edition, one of 25 numbered copies on pur fil paper, the tirage de tête.
A very good copy.

First edition, one of 37 numbered copies on pur fil du Marais, tirage de tête.
A good copy.

Edition established and annotated by Charles Charras, and of wich no leading copies exists.
Precious autograph signed Charles Charras Elvira Popescu: "... the greatest actress of comic poetry, Hubert de Malet, one of the few true Paris theater directors, in memory of the little ceremony for the tenth anniversary of the death of Charles Dullin ... "
Back slightly insolated without gravity, a small scratch in head first board.

First edition, one of 20 numbered copies on Arches paper, only large paper.
Signed autograph Madeleine Andral George Baugnies "... grandmaster" escholiers ", this small series of portraits, where despite the gaps, he will find some wise friends ...
Iconography.
Nice copy wide-margined.

First edition, one of 10 numbered copies on Japan paper, deluxe copy.
Endpapers uniformly shaded, some very light marginal tears of no significance to the boards.
Handsome full-margined copy.

First edition.
Autograph inscription from André Béguin to the painter and engravers Jacques (Castex).

Franco-Japanese Bilingual Edition.
Signed autograph Stéphane Quoniam the painter and engraver Jacques Castex.

Edition of wich no leading copies exists.
Signed autograph of the painter Philippe Gaulier and Jacques Castex writer who is not named in the shipment.
Preface Alain Gheerbrant and François Marthouret.
Nice copy.

Edition of wich no leading copies exists.
Signed autograph Alain Gheerbrant the painter and engraver Jacques Castex.
Nice copy.

Edition of wich no leading copies exists.
Signed autograph Alain Gheerbrant on Bristol headed the editor of the book.
A small flat head in the first spot.

Edition of wich no leading copies exists.
Signed autograph Alain Gheerbrant the painter and engraver Jacques Castex.
Two small snags with gaps at the top and walk back.

First edition large octavo illustrated with 74 drawings by Léon Benett, photographic reproductions and a map of the Lesser Antilles.
Publisher's "golden globe" boards. Plate signed Blancheland, bound by Souze. Spine with lighthouse design. Rear board of Engel "i" type according to Jauzac.
Spine uniformly faded, headcaps and corners slightly rubbed.
Pen gift inscription on the first blue endpaper.

First edition, one of 427 numbered copies on Rives laid paper, the only deluxe copies after 41 Japan.
A very slight and harmless tear to the head of the spine, handsome copy.

first edition on the current paper.
Binding to bradel full percaline almond green, smooth back discolored with a floral motif gold, double gold tail thread, as brown shagreen piece, preserved covers, modest contemporary binding signed Desnaux.
Signed autograph of Charles Maurice Barres of Peslouan.

First edition, rare.
Contemporary full brown sheep binding, spine with raised bands decorated with gilt fleurons. Headcaps eliminated, joints of first cover lightly rubbed. Rear endpaper split, very light worming to a few leaves, without loss.
All posthumous books by La Bruyère (died in 1696) were completed by his editor Louis Ellies Dupin, who wrote two dialogues for this work. La Bruyère takes part in this book in the theological quarrel between Bossuet and Fénelon, defender of quietism. The author criticizes quietism in an ironic tone modeled on Pascal's provincial letters.
First edition of a work by the famous author of the Caractères.

Edition of wich no leading copies exists.
Signed autograph of Pierre Gripari Patrick Rizzi.
pleasant copy

VERNE Jules
Le Testament d'un excentrique [The Will of an Eccentric]
Hetzel, Paris 1899, 18,5 x 28 cm, publisher's binding
First edition with 61 illustrations by Georges Roux, of which 20 large color plates and chromotypographic plates, 35 photographic views of the United States (cities and landscapes), a folding map of the USA and one of the Game of the Goose. This work had only one second edition in 1905 (with an à un éléphant binding).
Publisher's binding au globe doré, the design signed by Blancheland and bound by Souze. Dos au phare spine.
Spine uniformly sunned, head- and tail-pieces a little rubbed, one small lack to head of joint of upper cover, joint of lower cover discolored. Spotting.
$ 750

First edition in-8 illustrated with 59 drawings by George Roux.
Publisher's binding by Hetzel "au globe doré", the design signed by Blancheland, bound by Engel, "Au phare" spine, lower cover type Engel "h" according to Jauzac.
Spine a little faded and a corner slightly bumped, otherwise nice cop, with fresh gold.

first edition on the current paper.
illustrated book of five drawings of André Masson.
Some spots primarily on guards, slight wetness leads the joints of the first flat.
Signed autograph of André Frénaud to G (eorges) -A (lbert) Astre "In memory of our distant meetings."

First edition large octavo illustrated with 74 drawings by Léon Benett, photographic reproductions and a map of the Lesser Antilles.
Publisher's "globe doré" binding. Plate signed Blancheland, bound by Souze. Spine with lighthouse. Second cover of Engel "i" type according to Jauzac.
Spine very slightly faded, a tiny small lack to the polychrome plate and a stain on the second cover, original blue endpapers slightly lightened at margins as usual, otherwise handsome copy.

First edition, one of 35 numbered copies on Hollande, tirage de tête.
A very good copy, with edges preserved.

First edition of which there were only printed 10 deluxe copies numbered.
Contemporary half morocco, top edge gilt, covers preserved, spine slightly and uniformly discolored, rubbing (joints, corners, covers, headpieces).
Nice copy.

first edition on the current paper.
Bicolor autograph and signed Cami in Jacques Guéritat enriched with a self-portrait in the smoking cigarette.
Book illustrated with 30 drawings by the author.

first edition for which there is no mention of leading copies.
Autorgaphe dispatch dated and signed Auguste-Jean Boyer d'Agen: "To my friend the same letters and oil oc, and my compatriot from the same land Gascon, an exile, like him, the cradle where expensive he wants to return ...
Book illustrated with a frontispiece of A. Calbet and 16 drawings by Jean Torthe.
spine restored and insolated, nice interior state.

First edition on ordinary paper.
Two small tears to, not serious, to head and foot of spine.

First edition, one of 15 named copies on Crèvecoeur du Marais vellum, the only printing with 270 other Crèvecoeur du Marais vellum copies.
Work illustrated with 17 original etchings by Jean Couy.
Our copy, as stipulated in the justification of the printing, is indeed complete, like the 15 named copies, with its suite of illustrations on Japanese mulberry paper.
Handsome copy.

First edition, one of 109 numbered copies on "pur-fil" paper, only leading copies.
Back with discrete restorations.

First edition, one of 20 copies on pink paper, deluxe copy.
Half navy blue calf binding, spine with five raised bands set with gilt dots, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved.
Work illustrated with a facsimile as well as a portrait of the author as frontispiece, here in double state, which is the characteristic of deluxe copies.
A bookseller's descriptive label and a bookplate pasted at the head of a pastedown.
Another bookseller's descriptive label pasted on an endpaper has been torn away.
Some foxing affecting mainly the margins of certain leaves, a full-margined copy.

first edition.
Binding of the editor in full black calico, smooth back.
Rare autograph dated and signed Solomon Alhadef Rhodes, in French, to André Rolland Renéville: "... for his judex librorum prohibitorum ..." on guard.
Guards partially shaded.

First edition, one of 30 numbered copies on pure rag paper Auvergne, ours one of 10 reserved for employees, deluxe edition after 20 pure yarn.
Signature Autograph Henry Panneel below the justification of the draw.
Small tears without gravity top and bottom of the back, a few bites at the beginning and end of the volume.

First edition, an advance (service de presse) copy.
A good copy of the author's first book.

First edition, one of 35 numbered copies on papier grisaille, the only large paper copies.
A good copy.

First edition of which there were no large paper copies.
A small tear, not serious, to foot of spine.

First edition, one of 300 numbered copies on alfa, large paper copies after 100 Johannot.
A good copy.

First edition, one of 300 numbered copies on Rhapsodie Arjomari paper, the only deluxe copies.
Work illustrated with a frontispiece drawn by the author.
Handsome copy.

First edition, a service de presse (advance) copy.
Paper yellowed as generally, first endpaper with white stains at head, small tears at head and foot of spine.
Rare.

First edition of which there were no large paper copies.
A good and rare copy.

First edition, one of 730 copies on vergé ivoire paper, the only printing after 20 on pur fil Johannot paper .
A good copy.

First edition, one of 12 numbered copies on Mulberry Annam, one of ours 6 copies reserved for the collaborators, deluxe edition after 10 Montval.
Signed autograph of Robert Gaillard: "To my dear friend Charles E Laroche who held the forceps of the obstetrician to give birth to this child ...." Enriched autograph dedication of the author autograph signed Yves Brayer embellished with an original drawing in blue ink representing seated personages and busy drink consumption in a brewery.
Illustrated book of 6 original lithographs by Yves Brayer.
Our copy, as it is stated in the justification of the draw is full of his suite on China lithographs.
Rare copy and pleasant.

First edition, one of 50 numbered copies on vélin pur fil, the only large paper copies.
A good copy.

First edition, one of 35 numbered copies on vélin pur fil, the only large paper copies.
A good copy.

First edition on ordinary paper.
Autograph inscription from Edouard Dujardin to Henry Charpentier.
Spine slightly sunned.

First edition, one of 250 numbered copies on Alfa paper and reserved to the author.
Signed autograph of Charles Chassé to H (enry) Charpentier.
Book decorated with 10 illustrations and 2 unpublished drawings.

First edition, one of 20 numbered copies on Arches laid paper, deluxe issue.
The work is illustrated with a frontispiece portrait of Vincent Muselli by Gaston Pastré.
First cover marginally stained, handsome interior condition.
A full-margined copy.

First collected edition, one of 15 lettered copies on Japan Imperial, deluxe issue.
Spine slightly sunned with two small losses at head and foot, handsome interior condition.
A full-margined copy.

First edition, one of 60 numbered copies on vélin pur fil paper, the only large paper copies after 20 on Madagascar paper.
A good copy.

First edition, one of 34 numbered copies on vélin pur fil, the only large paper copies.
A good copy.

First edition, one of 27 numbered copies on chiffon de Lana, tirage de tête.
A good copy.

New edition, but first for many parts (Le roi se meurt was published 3 years earlier), one of 50 numbered copies on pur fil paper, the only large paper copies.
A very good copy.

First edition, one of 60 numbered copies on pur fil paper, the only large paper copies.
Cover illustrated with a photograph, a good copy.

First edition, one of 100 numbered copies on Madagascar paper, the only large paper copies after 7 on Japan paper and 15 on vélin d'Arches paper.
A good copy.

New edition, first in part, one advance (service de presse) copy.
Handsome autograph inscription from Eugène Ionesco to Tsilla Chelton and Jacques Mauclair : "... Pour Tsilla, pour Jacques affectueusement et avec ma sympathie profonde..."
Spine slightly sunned.

First edition on ordinary paper.
Autograph inscription from Jean Freustié to Guillain de Bénouville.

First edition, one of 89 numbered copies on pur fil, the only large paper copies.
Spine slighlty sunned.
A good and rare copy.

first edition on the current paper.
Signed autograph of Fraigneau Richard Negrou: "... with the hope that love Cynthia as a kind of loving Francoeur ..."
Back insolated with a clear wetting tail.

First edition, one of 350 numbered copies on Alfa paper and reserved to the press service.
Signed autograph of Jacques Chardonne Paul Rival.
Tiny bites are not serious, nice copy.

First edition, one of 350 numbered copies on Alfa paper and reserved to the press service.
Signed autograph of Jacques Chardonne Paul Rival.
Nice copy.