First edition, rare.
Contemporary full mottled brown calf. Spine with raised bands, gilt tooling. Gilt title. Loss at the head of the upper joint. Rubbing to joints, head of spine, and corners.
First edition, rare.
Contemporary full mottled brown calf. Spine with raised bands, gilt tooling. Gilt title. Loss at the head of the upper joint. Rubbing to joints, head of spine, and corners.
First bilingual French-German edition, illustrated with 71 plates and a fortification table.
Contemporary full ivory vellum binding. Smooth spine decorated with triple blind fillets, title and author in pen. Boards framed with triple blind fillets; traces of clasps. All edges blue. Six small contemporary leather bookmarks. Bavarian bookplate of the period.
Spine split with a small loss along its entire length. One joint slightly cracked (1.5cm). A small ink stain on the second board. Pages uniformly and lightly browned. Front pastedown affected by bookworm damage.
Rare assemblage of the two parts usually found separated of the Palais. While the Palais de la gloire does not constitute a sequel in the strict sense, it is a second volume envisaged by the author. It remains uncertain why this one appeared with another publisher; perhaps this change, together with the year separating the two first editions, accounts for the constant separation of the works.
Later edition of the Palais de l'honneur, first published in 1663, and first edition of the Palais de la gloire. The first work is illustrated with an allegorical frontispiece by Chauveau and 12 engraved plates of coats of arms.
Contemporary full brown sheep binding. Spine with raised bands, gilt-tooled. Red morocco lettering-piece. Headcap partially worn away (same at foot). Upper joint cracked and split at head along the first compartment. Corners rubbed. Initial leaves of the second work toned. The 12 plates are unpaginated; moreover, the Palais de la gloire begins at p. 288, without any loss, as in all copies (noting in particular numerous pagination errors).
First edition, rare and valuable.
Contemporary full brown sheep binding. Spine with raised bands, gilt tooling. Binding with some surface wear. Losses to the joints at headcap and to the upper joint at tail. One corner rubbed.
Sixth edition with some parts in first edition. It contains 54 new remarks compared to previous editions.
Contemporary full brown sheep binding. Decorated spine with raised bands. Red morocco title label. Rubbing. The last endpaper has been pasted down over the privilege. 3 wormholes on the spine.
Fifth edition, published at the same time as the quarto edition. The first edition dates from 1650.
Contemporary full brown sheep binding. Ornamented spine with raised bands. Red morocco title label. Lower joint partly split. Relatively invisible restorations to headcaps.
The work contains the letters and various poems of the author. Voiture (1597-1648) was throughout his life a gallant and courtier, brilliant in the salons and playing games. His epistolary talent earned him the distinction of making prose fashionable in France for a long time, and his poetry excels in the mannerist and precious tone, even though he knows how to be trivial when necessary. He is an essential figure of the literary scene of the early 17th century, a true Molière character.
First edition. P. Michel (works in Italian preserved in libraries in France) VIII, 120. Work illustrated with 95 plates on wood.
Contemporary binding in full vellum, handwritten title in ink. Spine browned and stains on the boards. A clear waterstain on the lower margin throughout the work, not affecting the text.
Giuseppe Viola Zanini (1575-1631), who was born in Vicenza and died in Padua, was a painter and an architect who worked in the Venice area. He was more of a decorative painter, renowned for such, than an active architect; architecture interested him as a means of expression of painted decoration. The work is divided into two parts, the first part focuses on the origins of architecture and its composing elements, as well as the way in which we must build; the second book is entirely devoted to the five orders. This book was largely studied outside of Italy, and in particular by Blondel in France.
Third and best edition of this apology for polygamy, the first dated from 1674 and comprised 96 p., the second was expanded in 1676 to 174 p., this final edition making 565 p. Most major libraries do not possess it, such as the BNF. Graesse, I, 68. Rare.
Contemporary full vellum binding, title in manuscript. Joint cracked at head.
Lyser (1631-1684) devoted his life and fortune in the hope of founding a sect of polygamists, he thus visited Europe, seeking followers and preaching that polygamy is most often a requirement. The book was condemned and numerous copies were burned.