Gift Ideas – Rare Editions

First bilingual edition, with the Spanish text and its French translation printed on facing pages.

Not recorded by Sabin; see no. 38614 for the "Memorandum".

Contemporary pink half cloth, smooth spine lettered in gilt, gilt date at foot with a small tear, marbled paper boards, marbled endpapers, wrappers preserved, contemporary binding.

Spine slightly faded.

This work constitutes a supplement to the "Memorandum" published by Lafragua in 1857, which contained the correspondence exchanged between Mexican and Spanish diplomats during a particularly critical period in Mexican history, spanning the fall of the Santa Anna dictatorship and the Liberal victory under Juárez...

Rare first edition. The first volume dated 4 August 1876, followed by the second volume published on 6 November with Un drame au Mexique bound in. All first editionswere published in 18° format. 

Half brown shagreen bindings, spines with four raised bands ruled in black and framed in black with with central gilt fleurons, marbled paper boards, paste-down endpapers and flyleaves of hand-marbled paper, sprinkled edges, contemporary bindings.

A handsome first edition copy of this celebrated Siberian adventure, attractively bound in contemporary bindings.

This first appearance of the text in book form was Jules Verne's preferred format, as Jauzac...

First edition on ordinary paper for the second volume; statement of 1000th edition on the first volume.

Minor foxing to the top edges.

A handsome set, housed in a white paper covered chemise and slipcase.

Exceptional presentation copies signed by Marcel Pagnol to Maurice Druon on each volume: "à Maurice Druon, écrivain véritable, hommage du romancier amateur, son ami, MarcelPagnol. 1958" [to Maurice Druon, true writer, homage from an amateur novelist, his friend, Marcel Pagnol] and "Cher Maurice, puisque ça te plaît, voilà la suite. Mais rassure-toi, il n'y en a plus qu'un ! affectueusement, Marcel." [Dear Maurice, since you liked it...

First edition, one of 25 numbered copies on pur fil, the only deluxe copies.

A rare and fine copy.

"A thunderclap of a title, a bitter draught that rings out like "Blue Note" in jazz, like "Cuba libre" among Caribbean cocktails. Damas, the stammerer, sings of solitude, the fear of being abandoned by the woman he loves and waits for, the sorrow and cowardice of "whitening," as do the jazz musicians he venerates" (Kathleen Gyssels)

First edition, one of the scarce copies on Holland laid paper, not mentioned in the justification.

The seven volumes of text are in their original wrappers, with deckle edges preserved, showing small marginal tears and, at times, minor losses to certain spines and covers.

Our copy is complete with its in-folio atlas volume comprising 30 maps with outlines heightened in colour (cf. Vicaire VI, 397-398. F. Monaghan p. 74, no. 1157.)

The atlas is bound in contemporary full dark blue cloth, smooth spine, printed title label laid down on the spine, gilt device on the upper cover, a few scratches to the boards, contemporary binding.

This remains the finest contemporary...

First edition (see Brunet V, 1041. Quérard X, 472. Gay 299. Hoefer, XLVI, 498, who specifies that the last four volumes were written by Eyries).

Contemporary half red Russia morocco bindings with corners, spines with five raised bands, covers framed with blind fillets; marbled paper sides, endpapers and pastedowns; a few light scuffs to some covers; gilt top edges, others untrimmed; bindings of the period.

Some spines slightly faded; occasional foxing.

This work, originally intended to comprise 60 volumes, was never completed; only the section devoted to Africa was published.

It is illustrated with three folding maps at the end of volumes XVI, XVII and XVIII...

Charming illustrated edition featuring, as the frontispiece to the first volume, a portrait of Alfred de Musset after the original painting by Charles Landelle, together with 28 drawings by Alexandre Bida; one of the numbered copies printed on laid paper.

Bound in full midnight-blue Russian morocco, spines with five raised bands gilt-tooled with garlands and decorated with gilt fillets and blind-stamped typographical ornaments, gilt rolls to the spine ends, gilt dates at the foot, a few joints slightly split at the head or tail, covers framed with quintuple gilt fillets, gilt armorial bearings stamped at the centres, red moiré silk endleaves and doublures, gilt dentelle border to...

A precious complete set (10 volumes for the first series and 7 volumes for the second) of this handsome children’s periodical (cf. Gumuchian 2211).

Gumuchian describes it as "extremely rare".

For bibliographers of children’s books, the collection is complete in two series, whose union, as here, comprises 17 volumes.

According to the collation of the copy described in the Catalogue des périodiques de la Bibliothèque nationale (II, 383), the second series would extend to volume IX, dated 1851. The work is illustrated with 214 plates in black or in two tones, drawn by Louis Lassalle and lithographed by him with the assistance of Cattier.

Thus, the first series is...

First edition, one of 55 numbered copies on mould-made Arches wove paper, the only deluxe issue.

Rear cover slightly and marginally sunned, very faint offsetting to the head and foot of the endpapers.

Rare first edition illustrated with 2 plates outside the text, including a frontispiece and a large folding facsimile of the inscription.

Contemporary green half sheep, spine faded and decorated with blind fillets and raised bands, a few scuffs to the spine, marbled paper boards, marbled endpapers, speckled edges, corners bumped.

A few spots of foxing.

This inscription had been unearthed in Marseille in June 1845 and had already given rise to numerous attempts at interpretation.

It is now known as the “Carthage Tariff” and lay at the origin of the enduring myth of the city’s Phoenician origins: the religious regulations it records appeared to provide proof that...

First edition, limited to 1,100 copies, divided into four fictitious editions within the same year, in order to create the illusion of commercial success. These were subsequently reissued with a new title-page bearing an edition statement and the author’s name, together with a volume designation on the half-titles (cf. Clouzot). Our copy carries the designation “third edition.” Contemporary bookplate traces on the upper pastedowns. Expert restorations to headcaps and joints, with a tiny loss at the foot of the lower joint of vol. I. A clean copy, entirely free of foxing.

Contemporary half chocolate calf bindings...

First edition.

Publisher's full cloth-backed pictorial boards, front board with color illustration, pictorial endpapers, a newspaper clipping photograph of the Disney couple pasted on the front pastedown. Minor lacks to the upper cover, corners slightly creased.

Exceptional incribed copy by Walt Disney on the front pastedown: "Best wishes / Walt Disney," below a portrait of him with his wife and their dog.

First edition on ordinary paper.

Bradel binding in chocolate-brown half shagreen, smooth spine, date gilt at the tail, contemporary leather boards japonisants, embossed and polychrome, decorated with gilded and colorful floral motifs, marbled paper endpapers and pastedowns, original wrappers and restored spine preserved, later binding.

Exceptional presentation copy signed by Emile Zola: "à Edmond de Goncourt son ami Emile Zola."

Below the presentation inscription, a manuscript gift inscription by Edmond de Goncourt: "Edmond de Goncourt à Pauline Zeller."

First edition, one of 35 numbered copies on pur fil, most limited issue. In addition, 25 hors-commerce copies on vélin labeur.

A fine and rare copy.

First edition of the French translation, one of 60 numbered copies on Lana vellum paper, this being one of 10 hors commerce copies, the only deluxe paper issue.

Wrappers illustrated with a drawing by Kees Van Dongen, with a prefatory letter by Jean Cocteau and a preface by Somerset Maugham.

Spine very lightly sunned, with a few minor nicks at the head.

First edition, one of 50 numbered copies on Arches wove paper, the sole deluxe issue.

Spine slightly sunned.

A rare and pleasing copy.

The program is illustrated by V. Barthe (wrapper) and includes hors-texts by Chatzman, Manet (a reproduction of his Olympia), Picasso, Vassilieff, Fotinsky and Ganovsky (a spatial composition).

Appearing at this event were: Olga Koklova and the Ballets Suédois of Juger Friis and Jean Borlin, the “dance of the lobster, crab and crocodile” with costumes by Marie Vassilieff and Fernand Léger, the Petrograd Puppet Theatre with costumes and puppets by Goncharova and music by Bohslav Martinou and Vernon Duke, three-dimensional poems by Iliazd and Katabadze as well as futurist poems from Vazry, a dance by Thamara Svirskya to Satie's Gymnopédies, “Japanese...

Rare first edition under this title, complete with the engraved title-page. The first edition of 1607, Remonstrance faicte au Roy Très Chrétien pour la réunion des religions à la foy catholique, was printed in Tournon in only 96 pages. This second edition, of which there were probably two issues from the same bookseller, was substantially revised and enlarged by the author.

Contemporary limp vellum with turn-ins, smooth spine, faded ink manuscript title to spine, original ties present...

First edition describing the 388 items offered in the sale.

A few pencilled hammer prices in the margins, a loss to the upper right corner of the front wrapper and title-page, and small corner losses to the wrappers.

The introduction is by Fröhner, though the expert in charge of the sale was Hoffmann.

Of Baden origin, the numismatist Ludwig Wilhelm Fröhner (1834–1925) settled in Paris in 1859; he became a close friend of Napoleon III and assisted him in the preparation of his Histoire de Jules César (1865–1866), which helped him obtain both French naturalisation (1866) and an important post at the Louvre.

He later devoted himself to the cataloguing of...

Rare first edition of this lecture delivered at the Cercle de France in Paris on January 8, 1958, no copy referenced in Worldcat. Light foxing to the front board.

Rare utopian pamphlet celebrating the creation of Brasilia and laying the theoretical foundations for the cities of the future. Inscribed and signed by Robert Miocque to his friend Marcel Dollfus at the top of the first page of text.

First edition, taken from the Mémoires de la Société royale et centrale d'agriculture, for the year 1824.

Illustrated with a folding plate inserted out of text.

Our copy is preserved in its original state, sewn and issued in a plain blue provisional wrapper.

Scattered light foxing.

A grandson of the founder and first director of the Académie royale de marine, Pierre-Marie-Sébastien Bigot de Morogues (1776-1840) devoted himself principally to agricultural matters.

Complete autograph manuscript of 50 pages, written on the recto of each leaf and containing numerous deletions and revisions.

The manuscript was published in the December 1872 issue of the Bulletin de la Société de Géographie.

Full red shagreen binding, spine with five raised bands decorated with gilt fleurons and double gilt panels adorned with floral tools, double gilt fillets on the boards, comb-marbled endpapers and pastedowns, gilt dentelle border on the pastedowns, gilt edges on the boards, corners rubbed, contemporary binding.

The leaves are numbered 1 to 50 in the upper left corner; an earlier numbering, struck through, appears in the upper...

Exceptional collection of 49 original watercolours depicting daily life in Tonkin, most illustrating rural scenes.

These unsigned watercolours, each measuring approximately 20 x 15 cm (excluding margins), are finely executed in Indian ink and watercolour, with touches of gouache, on paper sheets—some bearing the watermark "Latune et Cie Blacons."

Contemporary half red cloth binding, smooth spine covered in red shagreen, some rubbing to the spine, boards of marbled paper, blue endpapers and pastedowns.

Minor foxing to the margins of some watercolours.

The scenes depict a variety of subjects: a military post guarded by four soldiers, one standing...

Very scarce first edition of the Armenian translation, illustrated with a lithographed frontispiece and title-frontispiece printed on tinted heavy stock by Weger (Leipzig), together with several in-text figures reproducing seals.

The CCFr records only copies of the French edition (indeed, the same year 1871 saw the publication of a first French translation; a second French edition was issued in Paris in 1888, at which time a German version was also printed at the Leipzig address).

Bradel binding in half brown percaline, smooth spine gilt-ruled and tooled with a gilt frieze, marbled paper boards, endpapers soiled, corners rubbed, edges sprinkled in blue.

Some minor...

Very rare first edition illustrated with 14 plates, three of which are in colour, issued as a supplement to the "Guide pratique de la fabrication de la bière" and the "Guide raisonné de la fabrication de la bière" published in 1867 and 1868.

Not in Vicaire or Bitting. Oberlé, Fastes, 1125, does not record this supplement.

Spine restored with minor losses, small marginal defects to the boards, and a stain along the right margin of the upper cover.

The author was a hop dealer and purveyor of brewery equipment in Strasbourg and in Gray (Haute-Saône).

This volume reflects the advances achieved by the brewing industry, particularly in northern France and in...

Rare first edition of this project, whose development was certainly collective (with contributions from several democrats, including Frédéric Charrassin, Charles Fauvety, Adolphe Louis Chouippe, and Alexandre Erdan), but which was authored by the neo-criticist philosopher Charles Renouvier (1815–1903).

Bound in contemporary half cherry-colored sheepskin, with a smooth spine adorned with gilt fillets; some rubbing to the spine and boards. Marbled paper over boards, handmade laid paper endpapers and pastedowns, modern bookplate affixed to the front pastedown, slightly bumped corners, minor tears to the joints, speckled edges. Original binding.

Minor, insignificant foxing.

First edition of the author's third book, with no copies printed on deluxe paper, here a review copy.

Spine very lightly sunned, without seriousness, faint spotting to the board edges.

Rare and desirable presentation copy signed by Patrick Modiano to the woman of letters Christiane Baroche: "Pour Christiane ces boulevards de ceinture avec lesquels elle est bien indulgente. Avec l'amitié de Patrick."

First edition, illustrated at the close of the volume with six plates printed out of text.

Only three copies recorded in the CCF (BnF, Institut, Strasbourg).

Our copy is preserved in its original state, issued in a temporary paper wrapper.

Spine restored at head with small losses; marginal losses to the soiled covers; two small adhesive strips along the right margins of the final plate; author’s name and title pencilled on the upper cover.

The study of Phoenician languages was the speciality of Auguste-Célestin Judas (1805–1873).

Rare first edition.

Our copy is issued in its original state, unbound and preserved in wrappers.

Not recorded by Oberlé. Only two copies located in the CCFr (Cherbourg and Montpellier).

Alexandre Lesdos (1813-1865) was a member of the Société d'Agriculture and of the Société Académique de Cherbourg.

In this work, he devotes an entire chapter to the wines of Saint-Émilion, noted for their "bouquet as delicate as that of the violet." (our own translation)

First edition of this important work on former French Indochina, comprising:

• Geography and Travels. Volumes 1 to 7 (1901–1919), illustrated with 52 maps and portraits (40 in color), plus numerous plates and maps within the text or pagination.
• Miscellaneous Studies. Literature, History, Natural History. Volumes 1 to 3 (1898–1904), illustrated with 43 plates and maps (35 in color), plus numerous plates within the pagination.
• Atlas. Notices and Maps. 1 volume (1903), illustrated with 10 color maps.
• For 9 volumes (of 11) in the set: contemporary bindings in half green cloth with tips, smooth spines with some staining and fading, red morocco title labels...

First edition printed in two columns, one in French and the other in Italian.

Not recorded by Starace or Roland Bonaparte.

Contemporary limp vellum-style boards, smooth unlettered spine; covers soiled.

Some scattered foxing; one quire working loose.

First edition of the English translation of "De Logomachiis eruditorum" (Amsterdam, 1688) by the Swiss Reformed theologian Samuel Werenfels (1657–1740), a notably engaging essay on the obstacles to concord among Christians created by the endless disputes over the terminology used to define points of belief.

A few small spots of foxing.

Full speckled fawn calf, the spine with five raised bands decorated with gilt compartments and gilt tools; rubbing to the spine, the gilt title almost entirely effaced, headcaps trimmed down with a small loss to the tailcap; gilt double-fillet border with gilt corner tools on the covers; some wear to the board edges...

First edition, one of 35 numbered copies on Rivoli vellum, the only deluxe-paper issue.

A particularly handsome copy

First edition, one of 24 numbered copies on Vélin Rivoli, the only deluxe issue.

A particularly handsome copy.

First edition, one of 36 copies on pure-wire vellum, the only copies printed on deluxe paper.

A particularly attractive copy.

First edition from the Imprimerie Royale, complete in nine quarto volumes with all 262 black-and-white engraved plates.

Contemporary full mottled calf, spines with raised bands decorated with guilloche tooling and gilt ornaments in the compartments, red morocco lettering-pieces and numbering-pieces, triple gilt fillet border on boards, double gilt fillet on board edges, marbled endpapers and pastedowns, marbled edges. Minor variations in the tooling on volume 3.

In...

First edition on standard paper.

A handsome copy, complete with its publisher’s wraparound band.

Fine presentation inscription signed by Milan Kundera: "Paris 1998. Pour Michel Tournier avec l'amitié fidèle de Milan Kundera."

Photographic three-quarter bust portrait of Jean de Lattre de Tassigny in uniform.

Slight foxing.

Autograph inscription signed by Jean de Lattre de Tassigny in faded blue ink in the upper right corner: "To my friend Pauchant, President of Rancourt-Verdun, most cordially and faithfully... Verdun 1937 - Colmar 1947." (our own translation)

Exceptional album comprising 54 original caricatures, some captioned, executed in India ink, pencil, and watercolour (including three small pencil sketches on loose leaves), together with several blank leaves.

This entertaining and highly personal album, evidently compiled by an amateur artist, appears to chronicle the various adventures and misadventures of a small cast of recurring characters, all seemingly connected in one way or another with the French Embassy to the Ottoman Porte, as suggested by a piece of official letterhead inserted between two leaves.

Contemporary full ivory vellum with yapped edges, smooth spine ruled in red, a restored split at the head of the...

First issue of the fifty large hors-texte lithographs drawn from life by Henry John Terry (cf. Vicaire, VII, 1164).

Publisher’s binding in full red cloth, smooth spine decorated with blind-ruled compartments and fillets, light rubbing to the head- and tailcaps, gilt-lettered title on the front board, yellow endpapers, trace of a removed bookplate on one pastedown, one lower corner softened, slight discoloration to the lower left corner of the rear board, occasional marginal foxing, a small loss to the foot of page 119, and minor wormholes at the foot of the last three leaves, not affecting the text.

The fifty striking black lithographs depict the most...

Second illustrated edition, comprising 15 engraved plates outside the text. (cf. Kayser, Bücher-Lexicon VI, 265.)

Thirteen plates have been delicately hand-coloured at the time, several set against scenic alpine backgrounds; one of the two uncoloured plates depicts traditional alpine cheesemaking tools.

The French text is printed on the verso of the German text.

Very rare suite presented with its original upper wrapper, housed in a modern black box with flat spine, red morocco title-piece, and a large matching morocco label on the upper cover; light and inconsequential surface wear to the boards.

Some text leaves are toned and trimmed short in the margins; one...

First edition of the French translation (cf. Atabey, 557 (text) and 569 (atlas). Blackmer, 788 (atlas). Hage Chahine, 2105.)

Contemporary half brown shagreen, spines uniformly sunned and faded, raised bands framed with black fillets, marbled paper boards, comb-marbled endpapers, gilt edges; a few lightly rubbed corners, one small defect to the foot of the edges of the fifteenth volume.

Some light foxing in the text volumes.

The atlas volume, folio, is issued in parts under ten beige paper wrappers with printed blue labels; the wrapper of part 6 is lacking; the general map of the Ottoman Empire has been restored in the final part; light foxing to the covers.

The...

First edition of the French translation, one of 25 numbered copies on pur fil, the only copies printed on deluxe paper.

Blood red morocco binding, gilt title lengthwise, gold stingray boards framed in morocco, gilt decorative paper endleaves, original wrappers preserved, top edge gilt, an elegant binding signed Boichot. Front free endpaper slightly toned, otherwise a handsome untrimmed copy.

A rare first edition, of which no subsequent reprint exists, complete with all his Neo-Latin poems, chiefly composed in Rome. The volume also contains two Greek poems at ff. 60 and 62, together with a poem which inspired the celebrated sonnet Happy he who like Ulysses.

Modern binding in full limp vellum, smooth spine, red edges, white pastedowns and endleaves.

Some defects within: discreet restoration to inner margin of title verso; small tear without loss at foot of ff. 2-3; dampstaining to lower margin of ff. 25-28 and 45-48; minimal marginal defect to f. 44, not affecting...

Very rare first edition of the new laws enacted in 1775 by Catherine II, Empress of Russia, here translated into Turkish for the recently annexed Turkic-speaking provinces taken from the Ottoman Empire.

The work is divided into two parts: the first, dated 12 November 1775, comprises the first 28 chapters (pp. 1–190); the second contains chapters 29 to 31 (pp. 191–248).

Contemporary-style half mottled sheep with small corners, unlettered spine with five raised bands decorated with double gilt fillets and gilt thistle tools, marbled paper boards, red edges, modern binding.

Pale marginal dampstaining to the upper right corner of the initial leaves.

Handsome and uncommon album comprising 36 vintage silver-print photographs (18.5 × 23 cm, mounted and captioned by hand), depicting exterior views—façades, gardens, and architectural perspectives—of this English neo-Gothic estate built between 1868 and 1872 by Thomas Smith and the Cannes contractor Scavy for one Michael Hugh Scott, who never lived in it: the property quickly passed to the businessman Debionne, who resold it to Lord Wolverton after furnishing and decorating the interior.

Publisher’s blue percaline binding, smooth unlettered spine, blind-ruled frame on the boards, gilt-lettered title to the upper cover, marbled endpapers and pastedowns; contemporary binding.

A...

Very rare first edition of this splendid photographic album, produced in Cairo in 1871, representing the first illustrated catalogue of the earliest museum devoted to Egyptology.

The photographs by Hippolyte Delié and Émile Béchard depict the rooms and antiquities of the Boulaq Museum, founded in Cairo in 1863 by the eminent Egyptologist Auguste Mariette (1821–1881).

The album comprises forty albumen prints (approx. 24.5 × 18 cm), mounted on thick card leaves set on guards, each accompanied by a letterpress commentary leaf (except plates 4 and 11, which each have two). The prints are mounted on the versos of the plates, the rectos bearing the printed captions.

New edition and the first printing of Jacques Tardi’s illustrations.
Publisher’s white boards, smooth spine.
A handsome copy.
Presentation inscription, dated and signed by Jacques Tardi to Joëlle Passani, with an original black-felt drawing depicting a sorrowful-faced Bardamu in a small vignette.
 

First French edition, illustrated by Arthur Rackham with 40 mounted colour plates on thick brown paper, each protected by a captioned tissue guard, along with 30 black-and-white line drawings within the text, one of the extremely rare 30 copies printed on japon, signed by Arthur Rackham on the limitation page; the deluxe issue.

Publisher’s Bradel binding in full vellum-style boards, smooth gilt-titled spine, upper board gilt-stamped with title and a tree design, top edge gilt; the silk tie on the lower board is lacking.

...

First edition, printed on vélin d’Angoulême, with the usual typographical errors, and containing the six banned poems; one of the few author’s copies “intended for friends who render no literary services”.

Full bordeaux red morocco binding, spine with five raised bands richly decorated with multiple gilt- and blind-tooled fillets; third-state covers; boards framed with multiple blind-tooled fillets; marbled endpapers; gilt turn-ins; all edges gilt; marbled paper slipcase with morocco border; signed binding by Semet & Plumelle.

Very rare first edition, bilingual, quarto in format and printed on laid paper, of the Corsican cahier de doléances.

(Cf. Starace 4747. Not in Roland Bonaparte. Conlon, xxiv, 89:1617, who notes only the 32-page octavo edition. No copy located in CCF or Worldcat.)

Our copy is preserved in a plain grey paper wrapper, with minor internal flaws, a few discreet paper restorations to the lower right margin of the opening leaves, not affecting the text.

"Les cahiers des Tiers, en même temps que des mesures spécifiques, exigent les mêmes réformes que le reste du royaume. Cette imbrication du régional et du national est jalonnée d'événements illustrant la dynamique...

First edition of the French translation prepared by Michel Vaucaire, who would later write the lyrics to the famous song Non, je ne regrette rien, singed by Édith Piaf. One of the rare named copies printed on japon. 

Vertical creasing to spine, minor corner losses to spine and boards, traces of erasure to first two leaves, as issued.

Illustrated with 9 black-and-white photographs, including one on the cover.

Illustrated edition with 13 colour plates on brown paper by Arthur Rackham tipped in with captioned tissue guards, together with 14 black-and-white illustrations in the text by Rackham, including a frontispiece portrait of Alice, one of the very rare 20 copies on japon, signed by Arthur Rackham on the limitation page, copy from the deluxe issue. A few name copies on the same paper were also issued.

Publisher’s full vellum binding, flat spine lettered in gilt with a gilt illustration of the Cheshire Cat, upper cover stamped in gilt with the title and an illustration of two fantastic...

First edition on ordinary paper.

Half black long-grain morocco binding, smooth spine tooled in palladium with author, title, and date, anthracite-grey paper boards, original wrappers and spine preserved (the latter with two small stains at head and foot), endpapers and pastedowns of anthracite-grey paper, binding signed Thomas Boichot.

Precious and exceptional signed presentation inscription by Louis-Ferdinand Céline: "A Mac Orlan son admirateur et ami fidèle. LFerd"

First edition, printed on thick wove paper.
Bound in contemporary half brown shagreen, smooth spines decorated with black typographic motifs, marbled paper boards, hand-marbled endpapers and pastedowns, modern slipcase edged in brown morocco with matching marbled paper sides and olive-green felt lining. 
Some occasional foxing, the note "Henri Beyle" in black ink at the upper corner of the title page of the first volume, without the final catalogue leaf at the end of the second volume, small corner restorations to four leaves of the first volume.
"Very rare and extremely sought after. Usually quite simply bound at the time. Often foxed" (Clouzot). "This work is of great rarity in...

First edition, illustrated with four plates, including a folding world map (cf. Sinkankas 3466; Agassiz III, 370).

Full fawn calf, spine with five slender raised bands, gilt-tooled compartments with occasionally softened floral tools, rubbed gilt headcaps, brown morocco lettering-piece, marbled endpapers and pastedowns, gilt dentelle framing the pastedowns, gilt fillets to board edges, marbled edges, contemporary binding.

Repairs to the spine, one joint split at head and foot, browning along the board margins with surface scratches, scattered foxing, a waterstain at the head of all leaves.

A noteworthy treatise devoted to yellow amber and above all to ambergris, the...

First edition, one of 45 numbered copies on Holland paper, the deluxe issue.

Full chocolate-brown morocco binding, spine with five raised bands framed with black fillets, date gilt at foot, gilt rolls on the caps, marbled paper endpapers and doublures, gilt double fillet borders on the doublures, gilt fillets along the edges, original wrappers and spine preserved, all edges gilt, slipcase edged with matching chocolate morocco, sides in marbled paper, interior lined with grey felt. A splendid binding signed by Semet & Plumelle.

A very handsome copy, perfectly bound in full morocco by Semet & Plumelle.

A collection of extremely rare prospectuses, prefaces, prolegomena, and appendices to a monumental work of political and economic philosophy by the Le Havre lawyer J.-B.-J. L'Aignel (1741-1806), former mayor of Le Havre.

The work was intended to be published in several volumes, but illness prevented the author from completing it.

Contemporary full marbled calf binding, spine with five raised bands ruled in gilt (partly faded) and decorated with double gilt compartments, black morocco title labels, gilt fillet borders on the edges (partly rubbed), red edges.

Worming in the lower margin of the final section, not affecting the text; small restorations to the boards.

Rare first edition with bilingual text (French with facing Italian translation).

Our copy is preserved in its original state, uncut and unbound in temporary dominoté paper wrappers (with pen and black ink accounts and trials on the verso of the second cover). Minor foxing.

Only one copy recorded in the CCF (Avignon). Not listed in Starace.

A very rare collection documenting a little-known aspect of the famous "Miot decrees", which have given rise to much commentary, though only concerning their fiscal and customs provisions.

The regulatory activity of this unflinching State official extended into many other areas. When he disembarked from the Hirondelle on 25 March...

First edition, one of 500 copies on ordinary paper.
This copy has a chemise and slipcase.
A little light spotting, not serious, nice copy.
Retaining its advertising band and slip.
Handsome autograph inscription signed by René Char: “à Man Ray au voyant carnassier de tout cœur R. Char.” (“To Man Ray to the carnivorous fortune teller, with all my heart, R. Char.”)

Unpublished, handwritten, signed letter from André Breton addressed to critic Charles Estienne; one page and a few lines in black ink on a paper from the à l'étoile scellée gallery.
Two transverse folds from having been sent, a small corner missing in the upper right margin.
Very beautiful letter giving an account of the death of one of André Breton's dearest friends and of his quarrel with Albert Camus.
Breton tells his friend about the death of the Surrealist Czech artist Jindřich Heisler: “Your letter spoke of those days where it seemed “that there was only just enough fire to live”: on Monday there was far from enough fire, when it reached me: one of my two...

Extremely rare first edition, probably printed in Prussia, of this essay written directly in French by Baron de Bielfeld (1716–1770), inspector of Prussian universities and a friend of Frederick the Great since the time when he was still Crown Prince of Prussia.

GV 1700–1910, vol. 111, p. 374. Not in Conlon (who only cites the Amsterdam edition of the same year). No copy located in the U.S.A.

Full red morocco with gilt decoration, smooth spine elaborately tooled in the grotesque style, gilt rolls on the caps, triple gilt fillet border on the covers, gilt fillets on the edges, star-patterned gilt paper endpapers and doublures, gilt dentelle border on the inside covers, all...

First edition of this collection of political speeches.

Full red percaline binding, smooth spine without lettering showing slight rubbing, gilt inscription stamped to the upper cover: "République de Guinée R.D.A. à S.E. Jean Paul Sartre. N°30"; endpapers partly toned, a contemporary presentation binding offered to Jean-Paul Sartre.

Frontispiece photographic portrait bearing the autograph signature of President Ahmed Sékou Touré: Secretary General of the Parti Démocratique de Guinée, Supreme Leader of the Revolution.

Second edition.

Full forest-green morocco binding, spine with five raised bands framed with gilt dotted lines and decorated with double gilt panels, gilt rolls at head and tail, triple gilt fillets bordering the covers, marbled paper endpapers and doublures, gilt dentelle frame on the inside covers, all edges gilt, double gilt fillets along the edges, an elegant binding signed by Krafft.

Bound following it are:

- Nicolas Papin’s “De pulvere sympathico dissertatio”, printed in Paris by Siméon Piget in 1650 (8 unnumbered leaves, the last blank, and 40 pp.).

- By the same author, “La poudre de sympathie, deffendue contre les objections de Mr. Cattier...

Rare and sought-after first edition, first issue.

Includes the subscribers' list and the foreword, later removed when the remainder of this edition passed into the hands of another publisher, Dion-Lambert. It also features the pagination error in volume two: page 164 instead of 364. 

Black half-morocco bindings, smooth spines with double gilt fillets and double blind-stamped compartments, black paper boards...

Rare first edition illustrated with one table and two plates showing cranial shapes and portraits of the insane.

See Garrison Morton, 4922. En français dans le texte, 203. Kelly, p. 326. Foucault, Histoire de la folie, 523. Jan Goldstein, Console and classify, 65. Bariéty & Coury, 882.

Half calf binding with corners, smooth spine decorated with gilt floral and ornamental motifs, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges; modern pastiche binding.

Some foxing mainly affecting the second volume.

Bound at the end of the volume is Jean-Etienne Esquirol’s "Des Établissemens consacrés aux aliénés en France, et des moyens de les...

First edition, one of 30 numbered copies on Holland paper, the deluxe issue.
Bound in full ebony morocco, smooth spine decorated with small inlays of garnet morocco and pearl-grey box calf, the latter framing the author’s initials and the title; the first numeral of the date, given in Roman numerals, appears within a square of pearl-grey box calf. Morocco boards framed with wide panels of chocolate suede, the upper cover with a large granulated paper panel lettered with the title and date of the edition set in garnet morocco, the initials framed by a rectangle of paper taken from a map of Haute-Savoie; bluish paper...

First edition, one of 160 hors commerce copies on Lana vellum, ours being one of 60 hors commerce copies, the only deluxe issue.

Half long-grain black morocco binding, smooth spine lettered with the author’s name, title, date, and the palladium inscription “EX. JOSEPH KESSEL 1958”, wood-patterned paper boards, grey endpapers and pastedowns, wrappers and spine preserved, binding signed by Thomas Boichot.

Some foxing, mainly affecting the wrappers and the first and last leaves.

Exceptional and moving signed autograph presentation from Maurice Druon to Joseph Kessel: "A toi mon grand Jef, cet Alexandre le grand né lui aussi sous le signe du...