Gift Ideas – Rare Editions

First edition, one of 15 numbered copies on pure wove paper, the only deluxe copies.

A very handsome copy.

First edition on ordinary paper.

A pleasant copy.

Precious signed autograph inscription from André Pieyre de Mandiargues: "A Henri Michaux le coeur de son vieil ami André Pieyre de Mandiargues" enriched with Yvonne Caroutch’s handwritten signature.

The first edition for large parts of the text, printed in 550 copies with the correct date of 1891 on the title.

Contemporary paper boards with blindstamped floral motifs, spine very slightly browned, brown shagreen title-piece, gilt date to foot of spine, covers preserved.
Biographical press clippings bound in at end, bookseller's description laid down on head of one endpaper, leaving a mark on the opposite page.
This copy is complete with the original preface by Rodolphe Darzens, removed from most copies of this printing.
A good copy in a contemporary binding, which is rare, according to Clouzot.

First edition of the French translation, one of 200 copies numbered on Marais vellum, the only deluxe paper issue.

Minor rubbing along the joints. A rare and attractive copy.

First edition dedicated to Louis Jouvet, one of 108 numbered copies on Lafuma Navarre laid paper, reimposed in quarto tellière format, deluxe issue.
Half red morocco-backed marbled boards, spine with five raised bands framed with blind fillets, date gilt at foot, marbled paper sides, comb-marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, binding signed by D.H. Mercher.
Premiered by Louis Jouvet at the Comédie des Champs-Élysées on 14 December 1923. The actor also oversaw the staging and set design; in 1933, the play was later adapted for the screen by Roger Goupillières, again starring Louis Jouvet in the leading role.

First edition on ordinary paper.

Small defects skillfully restored at the head and tail of the spine.
Rare inscribed presentation copy signed by Albert Cohen to Denise Mercier.

First edition, one of the review copies stamped "M.F." on the front cover and numbered in the colophon.

Small restored tears to the spine and upper part of the front cover, slight traces of creasing to the margins of the front cover.

Precious inscribed copy signed by Louis Pergaud to J.H. Rosny jeune, one of the historic members of the Goncourt Prize jury. Pergaud had won the 1910 Goncourt for his collection of short stories De Goupil à Margot.

First edition. Quérard I, 271 lists only one edition: "Paris, Née de La Rochelle, 1789." Kress B.1163; Goldsmiths 13858. Not in Einaudi."

With loose printed title pages for each volume, dated 1789.

The first volume, with an engraved pictorial title after Meunier, contains 52 double-page or folding plates inserted into the pagination, without following its numbering logic.

The second volume has an engraved pictorial title by Zaveris after Meunier and includes 154 etched plates of coins.

Full mottled calf, spines with six raised bands, gilt fillets and double gilt panels, red morocco lettering-pieces, green morocco numbering-pieces, gilt rolls on...

First edition, illustrated with a frontispiece portrait of Magellan and four maps and plans depicting the Strait of Magellan (cf. Sabin, 16765; Leclerc, 1971; Chadenat, 552).

Our copy does not include the appendix published in 1793. "A work difficult to find with the second part" (cf. Chadenat).

Full brown calf binding, spine with five raised bands framed by gilt fillets and decorated gilt compartments, gilt rolls on the caps, marbled endpapers and pastedowns, red edges, gilt fillets along the edges, modern binding in period style.

An engaging account of this region of South America, containing the following illustrations: Carta Esferica de la parte sur de la America...

First edition.
Contemporary half red shagreen over marbled paper boards, (a few discreet repairs), spine in six compartments, date to foot, marbled paper-lined endpapers and pastedowns, covers preserved, top edge red.
A very handsome autograph inscription signed by Victor Hugo to Alphonse Daudet.
Mrs. Daudet's collection stamp to first endpaper.

Victor Hugo represented for Alphonse Daudet, as for the other writers of his generation, the incontestable master of the Pantheon of the arts. His benevolent attention runs through Daudet's work, often listed side by side with Rousseau, Byron, Sand and Delacroix.
If during Daudet's childhood and youth, Hugo, an...

First edition, of which there were no large paper copies.

Complete with dj (slightly sunned at edges of spine and covers), small tears to head of upper cover. 
Handsome autograph inscription, signed and dated by Canetti to Raymond Queneau : " Für Raymond Queneau aus Freude über eine unerwartete Begegnung, Juni 1951 [for Raymond Queneau, the pleasure of an unexpected meeting, June 1951]".

Autograph postcard signed by Albert Einstein to Ludwig Hopf. 18 lines written verso and recto, address also in Einstein's handwriting. Postmarked June 21, 1910. 

Published in The Collected Papers of Albert Einstein, Volume 5: The Swiss Years: Correspondence, 1902-1914, Princeton University Press, 1993, n°218, p. 242.

An exceptional and highly aesthetic card from Albert Einstein to "the friend of the greatest geniuses of his time" - according to Schrödinger - mathematician and physicist Ludwig Hopf, who introduced Einstein to another 20^th-century genius: Carl Jung.
The master invites his pupil Hopf to a dinner...

Signed letter hand-written by Charles Baudelaire, written in paper pencil, addressed to his mother. Dry-stamped headed paper from the Grand Hôtel Voltaire, Faubourg Saint-Germain. Madame Aupick's address in Honfleur (Calvados) in the author's hand, as well as several postage stamps dated 13 and 14 July 1858. Some highlighting, crossing out and corrections by the author. Signs of a wax seal with Charles Baudelaire's initials in pencil, likely written by the author. A small section of paper from the second leaf has been removed, without affecting the text.
This letter was published...

First edition of one of the most important revolutionary publications against the African slave trade and the first manifesto of the Society of the Friends of the Blacks, founded in February 1788 by Jacques-Pierre Brissot, Étienne Clavière, and Mirabeau, barely nine months after the London Society for Effecting the Abolition of the Slave Trade, which served as their model.
 

 

First edition, one of 10 numbered copies on Holland paper, deluxe issue.

Some minor foxing mostly at the beginning and end of the volume.

Inscribed and signed by Maurice Genevoix to Jacques Gommy: "... en pensant aux forêts qu'il aime, avec les hommages et les amitiés de Maurice Genevoix."

First edition, printed in a small number of copies, of this offprint from the Revue de Paris dated 15 February 1906.

Émile Boutmy was the founder of the École libre des sciences politiques, which would later become the Institut d'études politiques de Paris, now widely known as Sciences Po.

Wrappers slightly toned at the margins, inevitable minor edge tears and small losses consistent with the fragile nature of the pamphlet.

Inscribed and signed by Lucien Lévy-Bruhl: "A Emile Durkheim, affectueusement, L.L.B."

First edition in book form; the rare original edition was issued in parts between 1845 and 1856 (Brunet, I, 1707. Garrison and Morton reference three works by Cazenave on skin diseases).

Illustrated with 60 large and striking hand-colored plates.

Contemporary half red shagreen binding, spine with five raised bands adorned with double gilt and black fillets, sides covered in marbled “cat’s eye” paper, some rubbing to the upper portion of the front board, endpapers and pastedowns in combed marbled paper, corners a bit worn; later binding.

Minor foxing, a pleasing copy overall.

First edition.
Elegant half navy blue morocco over marbled paper boards by Pierre-Lucien Martin, spine in six compartments with gilt fillets to bands and geometric decoration of red morocco onlays, date gilt at foot of spine, gilt fillet to boards, marbled endpapers and pastedowns, gilt dentelle frame to pastedowns, covers and spine preserved, top edge gilt.

A very good copy in a handsome binding. 
Exceptional autograph inscription from Claude Farrère : "A Pierre Louÿs son très petit disciple [To Pierre Louÿs, his very humble disciple]", along with Chinese ideograms.

First edition, one of 1,200 numbered copies on alfa paper, the only large paper copies after 50 on Marais.

Spine very slightly faded as usual.
Handsome autograph inscription signed by Henri Michaux to Raymond Queneau.

Almost entirely unpublished handwritten letter from the painter Eugène Delacroix to the love of his youth, the mysterious “Julie”, now identified as being Madame de Pron, by her maiden name Louise du Bois des Cours de La Maisonfort, wife of Louis-Jules Baron Rossignol de Pron and daughter of the Marquis de La Maisonfort, Minister of France in Tuscany, patron of Lamartine and friend of Chateaubriand.

90 lines, 6 pages on two folded leaves. A few deletions and two bibliographical annotations in pencil on the upper part of the first page (“n^o114”).

This letter is one of the last to his lover in private ownership, all of Delacroix's correspondence to...

First edition, one of 150 numbered copies on offset, only print after 20 numbered copies.
Title vignette glued on the first board.

Text in French, English and German.
Illustrated with 14 photographs of the author performing different kinds of suicides.

First edition on ordinary paper, without edition statement, bearing the correct colophon dated 30 November 1918.

The 128 deluxe paper copies would only be issued six months later, during the summer of 1919.

Light spotting to the margins of the endleaves, small l and a faint dampstain to the title page and following leaves, a bluish stain to the margins of pp. 339-340 inherent to the quality of the paper.

Bound in contemporary half forest-green morocco over corners, spine with five raised bands ruled in black, gilt date at foot, cat’s-eye patterned paper boards, comb-marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, binding signed...

First edition, one of the press copies.
Half brown shagreen binding, smooth spine with gilt floral panels, gilt initials C.T. at foot, marbled paper boards, marbled endpapers, covers preserved, gilt edges, one upper corner slightly rubbed, binding dating from some years later.
Inscribed by Charles Terrasse (son of Claude) in ink at the head of a flyleaf.

Discreet restorations to the joints.
Precious presentation copy signed and inscribed by Alfred Jarry: "A Claude Terrasse son admirateur et son ami. Alf. Jarry" [his admirer and friend]

 

First edition and definitive and posthumous edition, arranged in strict chronological order, of a very rare iconographic series whose publication had begun as early as 1806 in somewhat disorderly instalments, but was never completed (only 49 instalments had appeared at the author’s death).

Cf Brunet V, 1453.

Work illustrated with 300 plates: lithographed and watercoloured title-frontispiece and 149 engraved plates, most finely hand-coloured, for the first volume; 150 plates for the second.

Contemporary bindings in half cherry-red morocco-grained shagreen with corners, spines with five raised bands decorated with blind fillets and panels, some minor rubbing to spines...

First edition, a Service de Presse (advance) copy.
Some worming to margins of covers.
Precious autograph inscription signed by Marcel Aymé: "A monsieur Valery Larbaud en sincère hommage. Marcel Aymé." ["To Mr. Valery Larbaud with sincere homage. Marcel Aymé."]
 

First edition, on ordinary paper, of the French translation.
A small tear restored at the foot of the spine, a pleasing copy.
Letter-preface by Jean Cocteau, preface by Somerset Maugham.
Illustrated cover with a portrait of the Aga Khan by Kees Van Dongen, with iconography.

Rare and precious signed autograph presentation from the Aga Khan to Madame Avrillier.

 

First edition, for which there was not printed any grand papier (deluxe) copies.
Publisher's binding in full grey cloth.
Illustrations.

Copy complete of its dust jacket illustrated by Jimmy Ernst, the dust jacket being in a poor state with several tears and corners missing.

Very precious handwritten dedication signed by Harriet Janis to Boris Vian: “To Boris Vian with Paris greetings for Rudi Blesh & myself, Harriet Janis. May 1953.”

Three original childhood photographs of Maurice Béjart, and his birth announcement 
[after 1927] | 12.2 x 17.2 cm| three photographs and a card
Three original photographs of Maurice Béjart as a child beside his mother, taken in Mougins.
We attach the birth announcement, dated 1 January 1927, printed with his name “Maurice Jean Berger.”
Provenance: Maurice Béjart's personal archives.

Personal diary handwritten by Maurice Béjart, written in a 1969 diary celebrating the centenary of the birth of Mahatma Gandhi.
52 handwritten leaves, written in red and blue pen in a spiral-bound notebook. This diary features amongst Béjart's very rare, privately owned manuscripts, the choreographer's archives being shared between his house in Brussels, the Béjart foundation in Lausanne and the Théâtre Royal de la Monnaie.
The choreographer Maurice Béjart's diary written during the year 1969. An extremely rare collection of thoughts, questions and introspections from the point of view of Hinduism and Buddhist wisdom, which Béjart adopts following his first trip to...

First edition, a numbered copy on alfa du Marais paper, this one not included in the justification.
Handsome autograph inscription signed and dated by Aimé Césaire to Raymond Queneau: “Très sympathique hommage de ces bucoliques de sang et de soleil... [a very affectionate homage of these bucolics of blood and sunshine...]”
Covers and spine slightly sunned at edges (but not seriously).

Rare first edition.

Contemporary full black cloth, spine gilt-stamped with a floral tool, double gilt fillet at foot of spine, red shagreen lettering-piece, blue paper endpapers and pastedowns, sprinkled edges, slightly frayed corners, contemporary binding.

A pleasing copy.

Very rare signed and inscribed copy by Georges Gilles de la Tourette: “À mon cher confrère et ami le Dr Diamantberger. Gilles de La Tourette.”

First edition, one of 55 numbered copies on pure wove paper, the only deluxe paper issue.
Bound in half brown morocco, spines with five raised bands, gilt dates at foot, boards covered with abstract patterned paper, endleaves and doublures of brown paper, original wrappers and backstrips preserved, gilt edges, bindings signed by Thomas Boichot.
A precious copy of this foundational text of modern feminism.

Black cloth binding. A white star made by Mugler in corrector fluid on the first cover.

Fifteen pages of the notebook filled in by the fashion designer:
- The first page, in neon blue felt-tip pen, with the word "Yes" as and large exclamation mark ending with the iconic Mugler star.
- A double page with the word "white" enhanced with corrector fluid and in capital letters on a black felt-tip background, in orange the words "Indehain" (?) and "TRIBE" with a drawing depicting a sun, several notes in black ballpoint pen: "Aelino Rock-Elektro", "DJ", "Syath Choreographie".
- A double page with a wonderful drawing of a naked Black woman with voluminous pink...

One of the very few copies bearing an autograph inscription—fewer than ten are recorded—of this first edition, containing the Marseillaise.
First edition illustrated with an engraved frontispiece by Charles-Étienne Gaucher after Jean-Jacques Le Barbier and four pages of engraved musical score at the end of the volume. La Marseillaise appears here in its true first edition, having first been pre-published in the Almanach des Muses in 1793 and circulated as separate leaves.
Contemporary half-sheepskin binding, smooth spine gilt-decorated with compartments, fleurons and fillets, red morocco title-piece, black pasteboard...

Complete set of 115 copper-engraved plates with an additional plate (116 plates), all printed on either laid or wove paper, all hand-colored with watercolor. Two entirely different plates 39 follow each other, in first issue: "Les Titus et les cache-folies" was published in the 1817 and 1822 sets, and the other "La Politicomanie" appeared in 1827. This is the most complete series, which also includes the 11 new plates published from 1818 to 1822, numbered 105 to 115.

According to Vicaire, the plates were probably all printed between 1801 and 1822, and only the text preceding the plates was reprinted in 1827.

3/4 long-grained cherry half-morocco...

Celebrated edition entirely engraved both images and text, richly illustrated with 6 engraved titles, a frontispiece and an engraved half-title for volume I, together with 243 figures, 473 vignettes and tail-pieces engraved by Fessard.

The illustration of the first three volumes is the work of Monnet, and in the last three by Fessard after Bardin, Bidauld, Caresme, Desrais, Houel, Kobell, Le Clerc, Leprince, Loutherbourg, and Meyer. The text is entirely engraved by Montulay and Drouet within decorative borders.

Second edition, first for some parts, one of 100 copies on vergé blanc paper.
Contemporary Bradel half dark-green cloth over marbled paper boards, the spine with gilt fleuron, date and double gilt fillets at foot, upper corners rubbed, covers preserved.

An attractive copy in a pleasant binding.
Handsome autograph inscription from Paul Verlaine to Alice Densmore.

New edition.
Contemporary binding in half green shagreen, spine in four compartments set with gilt stippling, gilt fillets and gilt fleurons in the corner pieces, multiple blind tooled frames on the boards, white iridescent paper endpapers, all edges gilt.
Some leaves shorter in the bottom margin.

Handwritten inscription signed by George Sand on the first endpaper: “à mon bon ami Edmond Plauchut. G. Sand".

Today the only outsider to the family buried in the cemetery of the Nohant house, is Lucien-Joseph-Edmond Plau
chut (1824-1909) who began an epistolary relationship with George Sand in the autumn of 1848 when he was a voluntary expatriate after...

First edition on ordinary paper.

A small nick on the spine, slightly split at the foot.
Precious signed autograph inscription from Jean Giraudoux to André Gide: "... avec gratitude..."

First edition printed on alfa paper.

A small tear at the foot of one joint discreetly restored, a pleasant copy.
Precious autograph inscription signed by Philippe Soupault to René Crevel in pencil.

First edition, one of 500 numbered copies on Featherweight, the only deluxe issue.
Small loss and foxing to the headcap and upper edge, a crease and minor tears to the front cover, endpapers slightly toned without consequence.
Exceptional signed autograph presentation from Benjamin Fondane: « A Jacques Prévert cordialement. B. Fondane. Paris / 3 / 33. »

First edition, one of 20 deluxe copies on Holland paper, the only large-paper issue, reimposed in octavo format (the ordinary edition being in duodecimo).

Cf. Vicaire III, 305-306. Carteret I, 222.

Contemporary full stiff ivory vellum, smooth spine, marbled endpapers and pastedowns.

Fine copy.

Bibliographers mention 25 copies, which seems difficult to account for, as the limitation is clearly stated on the verso of the half-title. This procedure was customary for the author (Les Six aventures, 1857, was issued in the same dual printing).

Precious presentation copy inscribed and signed by Maxime Du Camp to the celebrated critic Jules Janin...

Second edition only one month after the first edition.
Spine lightly wrinkled, small signs of folding in the margins of the boards, a light mark on the second board.

Claude Couffon, a French specialist and translator of the major Spanish-speaking writers of the second half of the 20th century, translated...

First edition.
Half beige cloth Bradel binding, flat spine, date at foot, black shagreen title-piece skillfully restored, marbled paper boards, contemporary binding.
Inscribed by Guy de Maupassant to his friend the writer Catulle Mendès.
A fine copy, attractively bound.
Provenance: from the library of Arthur Christian with his bookplates on the front pastedown.

Autograph letter from George Sand to Gustave Flaubert dated December 21, 1867, 8 pages on two lined leaves. Published in Sand's Correspondance, XX, pp. 642-645.
From one of the finest literary correspondences of the century, this letter written on Christmas Eve 1867 is a sublime testament to the frank friendship between George Sand, the “old troubadour”, and Gustave Flaubert, christened “cul de plomb” [leaden ass] after declining his invitation to Nohant to complete L'Éducation sentimentale.

Despite their seventeen year-age gap, opposing temperaments...

First edition with 25 full-page photographs.
Green cloth publisher's binding. Copy complete with its dust jacket, with very slight tears, and traces of wear to the margins.
Rare autograph signature of Maria Callas on the title page.

First edition of the author's second work, one of 10 numbered copies on Holland paper, the only deluxe paper issue.
Bound in yellow half morocco with corners, spine with five raised bands, gilt date at foot, a small black spot at head of spine, floral and moiré patterned paper boards, pale green paper endpapers and pastedowns, original wrappers preserved, gilt edges, bookplate of Gérard Pesme Baron de Saint-Genies pasted on a pastedown, binding signed by Thomas Boichot.
Half-title entirely toned.
A fine copy, handsomely bound.

First edition, very rare. "Aucun exemplaire de ce livre imprimé aux frais de la duchesse d'Orléans avant 1814 ne fut distribué de son vivant (Tourneux, Bibl. de l'hist. de Paris pendant la Révolution fr., IV, 21752)

Cf Quérard, VIII, 258. Brunet, II, 1136. Tourneux, 21572.

Some leaves browned or foxed.

Contemporary Bradel bindings in full purple paper boards imitating long-grain morocco, spines slightly faded, decorated with gilt fillets, friezes, and fleurons, gilt crowned monogram at the head of the spines, entirely uncut, headcaps slightly worn, some wear to the corners of volumes 3 and 4, bindings contemporary to the publication.

Some leaves slightly...

Rare first edition of the French translation prepared by Thomas-François Dalibard at the request of the Comte de Buffon (cf Wheeler Gift 367d. Waller 11339. DSB V, pp. 129-139).

Full mottled calf, spine with five raised bands ruled in gilt and decorated with double gilt compartments with floral tools, red morocco lettering-piece, gilt rolls on the caps (partly rubbed), restorations to head and tail of spine as well as to the corners of the boards, marbled endpapers and pastedowns, gilt fillets on the edges, marbled edges, contemporary binding.

Some foxing, a dampstain to the upper right corner of the first endpaper.

The English first edition was published in London in...

Rare first edition of Euler's first work devoted to astronomy (cf. Houzeau and Lancaster I, 11948. Poggendorff I, 689. La Lande 422. DSB IV, 467-484.)

Illustrated with a frontispiece (printed on f. A4) and 4 engraved plates at the end of the volume.

Some minor foxing, mostly towards the end of the volume.

Modern half vellum binding, smooth unlettered spine, comb-marbled paper boards, red edges.

This work dates from the very beginning of Euler's stay in Berlin (where he had been invited by Frederick II of Prussia), a period of intense activity across several fields of science.

The work is described as a "fundamental work on calculation of orbits" in...

First edition of the most significant 19th-century scientific expedition to Iceland and Greenland.

A few light spots of foxing, otherwise a very good copy.

The 8 volumes of text include:

- History of the voyage, by Joseph-Paul Gaimard and Eugène Robert: 2 volumes with a portrait.

- History of Iceland, by Xavier Marmier: 1 volume.

- Icelandic Literature, by Xavier Marmier: 1 volume.

- Travel journal, by E. Mecquet: 1 volume.

- Zoology and medicine, by Eugène Robert: 1 volume, with folding table.

- Physics, by V. Lottin: 1 volume.

The 4 atlas volumes comprise:

- Mineralogy and geology, by Eugène Robert: 1 volume...

First edition of this exceptionally rare complete set of twelve dance scores, each comprising a color-printed wrapper and five leaves (title page, four numbered pages of engraved music, and one blank leaf). All covers were lithographed and hand-colored using stencil techniques by Adolphe Cathelin, whose name appears on the title pages.

The musical works are by composers Alexandre Croisez, Alexandre Artus, Eugène Dupuis, Camille Michel, Alphonse Leduc, Émile Waldteufel, Voctir-Auguste Dolmetsch, Félix Joufferoy, and Antony Lamotte.

Contemporary half green calf binding, smooth spine decorated with gilt and blind-stamped fillets and dotted lines, joints rubbed; granite-patterned...

First edition of this beautifully lithographed album after various artists, alternating picturesque views with architectural details. (Not listed in the Ornamentstischsammlung catalogue, Berlin.)

This splendid album contains 51 lithographed plates outside the text, our copy with two additional duplicate plates bound in.

Contemporary binding in half black morocco, smooth spine decorated with gilt typographic motifs, original black moiré paper boards with gilt title on upper cover preserved, original delivery wrappers bound in, corners rubbed, some marginal tears and wear to board edges, modern binding.

Some occasional foxing.

First edition of the French translation by Jean Dutourd, one of 86 numbered copies on pur fil, only grand papier (deluxe) copies. 

Anthracite morocco binding, gilt title lengthwise, date at the foot, black stingray boards framed in morocco, gilt decorative paper endleaves, original wrappers preserved, gilt edges, an elegant binding signed Boichot. Like most copies, two sunned spots to head and foot of spine, title-page and half-title slightly shaded due to the paper’s acidity.

Rare deluxe-paper copy of one of the most influential...

New edition illustrated with 47 engraved and hand-colored costume plates (cf. Colas 2784).

This is a reissue, under the Metz imprint, of a portion (volume IV) of the Tableau Historique des costumes, des moeurs et des usages des principaux peuples de l'antiquité et du moyen âge, originally published in Paris and Metz between 1804 and 1809.

Rare and attractive copy preserved in its original publisher’s wrappers, with the original plain waiting cover and a printed title label affixed at the head of the spine.

Rare first edition of one of the many promotional pamphlets extolling the virtues of the celebrated Aqua mirabilis, or "eau admirable", invented by Giovanni Paolo Feminis and produced through the distillation of grape spirits with neroli oil, bergamot, lavender, and rosemary.

Unless, of course, it is one of its many imitations.

Fourth edition after the original of 1577 published in Paris by Nicolas Chesneau and the edition by Abel L'Angelier printed in 1584. It is identical to the 1612 edition by Artus Thomas d'Embry, the first to contain engravings and to offer the four final texts. It is illustrated with a large folding plan of Constantinople, a double plate captioned « Portraict de l'Armée de l'Empereur Turc rangée en Bataille », 17 plates for the prophetic tableaux, 62 full-page engravings representing the different inhabitants of the Ottoman Empire (men and women) and 27 plates of portraits of Turkish personalities. Repeated title-frontispiece. Title pages in red and black.
Contemporary full brown calf...