Gift Ideas – Rare Editions

Almost entirely unpublished handwritten letter from the painter Eugène Delacroix to the love of his youth, the mysterious “Julie”, now identified as being Madame de Pron, by her maiden name Louise du Bois des Cours de La Maisonfort, wife of Louis-Jules Baron Rossignol de Pron and daughter of the Marquis de La Maisonfort, Minister of France in Tuscany, patron of Lamartine and friend of Chateaubriand.

90 lines, 6 pages on two folded leaves. A few deletions and two bibliographical annotations in pencil on the upper part of the first page (“n^o114”).

This letter is one of the last to his lover in private ownership, all of Delacroix's correspondence to...

First edition, one of 150 numbered copies on offset, only print after 20 numbered copies.
Title vignette glued on the first board.

Text in French, English and German.
Illustrated with 14 photographs of the author performing different kinds of suicides.

First edition on ordinary paper, without edition statement, bearing the correct colophon dated 30 November 1918.

The 128 deluxe paper copies would only be issued six months later, during the summer of 1919.

Light spotting to the margins of the endleaves, small l and a faint dampstain to the title page and following leaves, a bluish stain to the margins of pp. 339-340 inherent to the quality of the paper.

Bound in contemporary half forest-green morocco over corners, spine with five raised bands ruled in black, gilt date at foot, cat’s-eye patterned paper boards, comb-marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, binding signed...

First edition, one of the press copies.
Half brown shagreen binding, smooth spine with gilt floral panels, gilt initials C.T. at foot, marbled paper boards, marbled endpapers, covers preserved, gilt edges, one upper corner slightly rubbed, binding dating from some years later.
Inscribed by Charles Terrasse (son of Claude) in ink at the head of a flyleaf.

Discreet restorations to the joints.
Precious presentation copy signed and inscribed by Alfred Jarry: "A Claude Terrasse son admirateur et son ami. Alf. Jarry" [his admirer and friend]

 

First edition and definitive and posthumous edition, arranged in strict chronological order, of a very rare iconographic series whose publication had begun as early as 1806 in somewhat disorderly instalments, but was never completed (only 49 instalments had appeared at the author’s death).

Cf Brunet V, 1453.

Work illustrated with 300 plates: lithographed and watercoloured title-frontispiece and 149 engraved plates, most finely hand-coloured, for the first volume; 150 plates for the second.

Contemporary bindings in half cherry-red morocco-grained shagreen with corners, spines with five raised bands decorated with blind fillets and panels, some minor rubbing to spines...

First edition, a Service de Presse (advance) copy.
Some worming to margins of covers.
Precious autograph inscription signed by Marcel Aymé: "A monsieur Valery Larbaud en sincère hommage. Marcel Aymé." ["To Mr. Valery Larbaud with sincere homage. Marcel Aymé."]
 

First edition, for which there was not printed any grand papier (deluxe) copies.
Publisher's binding in full grey cloth.
Illustrations.

Copy complete of its dust jacket illustrated by Jimmy Ernst, the dust jacket being in a poor state with several tears and corners missing.

Very precious handwritten dedication signed by Harriet Janis to Boris Vian: “To Boris Vian with Paris greetings for Rudi Blesh & myself, Harriet Janis. May 1953.”

Three original childhood photographs of Maurice Béjart, and his birth announcement 
[after 1927] | 12.2 x 17.2 cm| three photographs and a card
Three original photographs of Maurice Béjart as a child beside his mother, taken in Mougins.
We attach the birth announcement, dated 1 January 1927, printed with his name “Maurice Jean Berger.”
Provenance: Maurice Béjart's personal archives.

Personal diary handwritten by Maurice Béjart, written in a 1969 diary celebrating the centenary of the birth of Mahatma Gandhi.
52 handwritten leaves, written in red and blue pen in a spiral-bound notebook. This diary features amongst Béjart's very rare, privately owned manuscripts, the choreographer's archives being shared between his house in Brussels, the Béjart foundation in Lausanne and the Théâtre Royal de la Monnaie.
The choreographer Maurice Béjart's diary written during the year 1969. An extremely rare collection of thoughts, questions and introspections from the point of view of Hinduism and Buddhist wisdom, which Béjart adopts following his first trip to...

First edition, a numbered copy on alfa du Marais paper, this one not included in the justification.
Handsome autograph inscription signed and dated by Aimé Césaire to Raymond Queneau: “Très sympathique hommage de ces bucoliques de sang et de soleil... [a very affectionate homage of these bucolics of blood and sunshine...]”
Covers and spine slightly sunned at edges (but not seriously).

Rare first edition.

Contemporary full black cloth, spine gilt-stamped with a floral tool, double gilt fillet at foot of spine, red shagreen lettering-piece, blue paper endpapers and pastedowns, sprinkled edges, slightly frayed corners, contemporary binding.

A pleasing copy.

Very rare signed and inscribed copy by Georges Gilles de la Tourette: “À mon cher confrère et ami le Dr Diamantberger. Gilles de La Tourette.”

First edition, one of 55 numbered copies on pure wove paper, the only deluxe paper issue.
Bound in half brown morocco, spines with five raised bands, gilt dates at foot, boards covered with abstract patterned paper, endleaves and doublures of brown paper, original wrappers and backstrips preserved, gilt edges, bindings signed by Thomas Boichot.
A precious copy of this foundational text of modern feminism.

Black cloth binding. A white star made by Mugler in corrector fluid on the first cover.

Fifteen pages of the notebook filled in by the fashion designer:
- The first page, in neon blue felt-tip pen, with the word "Yes" as and large exclamation mark ending with the iconic Mugler star.
- A double page with the word "white" enhanced with corrector fluid and in capital letters on a black felt-tip background, in orange the words "Indehain" (?) and "TRIBE" with a drawing depicting a sun, several notes in black ballpoint pen: "Aelino Rock-Elektro", "DJ", "Syath Choreographie".
- A double page with a wonderful drawing of a naked Black woman with voluminous pink...

Complete set of 115 copper-engraved plates with an additional plate (116 plates), all printed on either laid or wove paper, all hand-colored with watercolor. Two entirely different plates 39 follow each other, in first issue: "Les Titus et les cache-folies" was published in the 1817 and 1822 sets, and the other "La Politicomanie" appeared in 1827. This is the most complete series, which also includes the 11 new plates published from 1818 to 1822, numbered 105 to 115.

According to Vicaire, the plates were probably all printed between 1801 and 1822, and only the text preceding the plates was reprinted in 1827.

3/4 long-grained cherry half-morocco...

Second edition, first for some parts, one of 100 copies on vergé blanc paper.
Contemporary Bradel half dark-green cloth over marbled paper boards, the spine with gilt fleuron, date and double gilt fillets at foot, upper corners rubbed, covers preserved.

An attractive copy in a pleasant binding.
Handsome autograph inscription from Paul Verlaine to Alice Densmore.

New edition.
Contemporary binding in half green shagreen, spine in four compartments set with gilt stippling, gilt fillets and gilt fleurons in the corner pieces, multiple blind tooled frames on the boards, white iridescent paper endpapers, all edges gilt.
Some leaves shorter in the bottom margin.

Handwritten inscription signed by George Sand on the first endpaper: “à mon bon ami Edmond Plauchut. G. Sand".

Today the only outsider to the family buried in the cemetery of the Nohant house, is Lucien-Joseph-Edmond Plau
chut (1824-1909) who began an epistolary relationship with George Sand in the autumn of 1848 when he was a voluntary expatriate after...

First edition on ordinary paper.

A small nick on the spine, slightly split at the foot.
Precious signed autograph inscription from Jean Giraudoux to André Gide: "... avec gratitude..."

First edition printed on alfa paper.

A small tear at the foot of one joint discreetly restored, a pleasant copy.
Precious autograph inscription signed by Philippe Soupault to René Crevel in pencil.

First edition, one of 500 numbered copies on Featherweight, the only deluxe issue.
Small loss and foxing to the headcap and upper edge, a crease and minor tears to the front cover, endpapers slightly toned without consequence.
Exceptional signed autograph presentation from Benjamin Fondane: « A Jacques Prévert cordialement. B. Fondane. Paris / 3 / 33. »

First edition, one of 20 deluxe copies on Holland paper, the only large-paper issue, reimposed in octavo, while the ordinary edition was issued in duodecimo. Vicaire and Carteret record 25 copies; the printed justification on the verso of the half-title in the present copy, however, states 20. Cf. Vicaire III, 305-306; Carteret I, 222.

Contemporary full stiff ivory vellum, smooth spine with longitudinal printed title, marbled-paper endleaves and pastedowns. A fine copy.

A particularly desirable signed autograph presentation inscription appears on the half-title...

Second edition only one month after the first edition.
Spine lightly wrinkled, small signs of folding in the margins of the boards, a light mark on the second board.

Claude Couffon, a French specialist and translator of the major Spanish-speaking writers of the second half of the 20th century, translated...

First edition.
Half beige cloth Bradel binding, flat spine, date at foot, black shagreen title-piece skillfully restored, marbled paper boards, contemporary binding.
Inscribed by Guy de Maupassant to his friend the writer Catulle Mendès.
A fine copy, attractively bound.
Provenance: from the library of Arthur Christian with his bookplates on the front pastedown.

Autograph letter from George Sand to Gustave Flaubert dated December 21, 1867, 8 pages on two lined leaves. Published in Sand's Correspondance, XX, pp. 642-645.
From one of the finest literary correspondences of the century, this letter written on Christmas Eve 1867 is a sublime testament to the frank friendship between George Sand, the “old troubadour”, and Gustave Flaubert, christened “cul de plomb” [leaden ass] after declining his invitation to Nohant to complete L'Éducation sentimentale.

Despite their seventeen year-age gap, opposing temperaments...

First edition with 25 full-page photographs.
Green cloth publisher's binding. Copy complete with its dust jacket, with very slight tears, and traces of wear to the margins.
Rare autograph signature of Maria Callas on the title page.

First edition of the author's second work, one of 10 numbered copies on Holland paper, the only deluxe paper issue.
Bound in yellow half morocco with corners, spine with five raised bands, gilt date at foot, a small black spot at head of spine, floral and moiré patterned paper boards, pale green paper endpapers and pastedowns, original wrappers preserved, gilt edges, bookplate of Gérard Pesme Baron de Saint-Genies pasted on a pastedown, binding signed by Thomas Boichot.
Half-title entirely toned.
A fine copy, handsomely bound.

Vérédishtad [Paris], chez les marchands de nouveautés, undated [before 1814]. Three parts in four octavo volumes.

Contemporary Bradel-style bindings in full aubergine boards imitating straight-grain morocco, smooth spines decorated with gilt fillets, rolls and floral tools, with the crowned cipher of Louis-Philippe d'Orléans at the head. Entirely untrimmed. The final two volumes remain unopened. Complete with the...

Rare first edition of the French translation prepared by Thomas-François Dalibard at the request of the Comte de Buffon (cf Wheeler Gift 367d. Waller 11339. DSB V, pp. 129-139).

Full mottled calf, spine with five raised bands ruled in gilt and decorated with double gilt compartments with floral tools, red morocco lettering-piece, gilt rolls on the caps (partly rubbed), restorations to head and tail of spine as well as to the corners of the boards, marbled endpapers and pastedowns, gilt fillets on the edges, marbled edges, contemporary binding.

Some foxing, a dampstain to the upper right corner of the first endpaper.

The English first edition was published in London in...

First edition of Leonhard Euler’s first book devoted entirely to astronomy, published in Berlin by Ambrosius Haude in 1744, with no date printed on the title-page. Quarto, illustrated with an allegorical frontispiece after F. H. Frisch, engraved by Berot, and four folding plates of astronomical and geometrical diagrams. The frontispiece was printed on leaf A4, which would normally have contained pages 7 and 8, and was then placed facing the title-page: the pagination consequently passes directly from 6 to 9, with no loss of text. 185 pages, numbered through 187.

Modern...

First edition of the most significant 19th-century scientific expedition to Iceland and Greenland.

A few light spots of foxing, otherwise a very good copy.

The 8 volumes of text include:

- History of the voyage, by Joseph-Paul Gaimard and Eugène Robert: 2 volumes with a portrait.

- History of Iceland, by Xavier Marmier: 1 volume.

- Icelandic Literature, by Xavier Marmier: 1 volume.

- Travel journal, by E. Mecquet: 1 volume.

- Zoology and medicine, by Eugène Robert: 1 volume, with folding table.

- Physics, by V. Lottin: 1 volume.

The 4 atlas volumes comprise:

- Mineralogy and geology, by Eugène Robert: 1 volume...

First edition of this exceptionally rare complete set of twelve dance scores, each comprising a color-printed wrapper and five leaves (title page, four numbered pages of engraved music, and one blank leaf). All covers were lithographed and hand-colored using stencil techniques by Adolphe Cathelin, whose name appears on the title pages.

The musical works are by composers Alexandre Croisez, Alexandre Artus, Eugène Dupuis, Camille Michel, Alphonse Leduc, Émile Waldteufel, Voctir-Auguste Dolmetsch, Félix Joufferoy, and Antony Lamotte.

Contemporary half green calf binding, smooth spine decorated with gilt and blind-stamped fillets and dotted lines, joints rubbed; granite-patterned...

First and only edition of this remarkable lithographed album devoted to Toledo, published in parts at Madrid between 1847 and 1848 under the direction of Doroteo Bachiller, Lithographer to the King, with the collaboration of several distinguished artists, among them José Vallejo y Galeazo, Andreas Pic de Leopold and Luis Carlos Legrand.

Picturesque views of the city alternate with studies of its most remarkable architectural details, forming one of the most ambitious Spanish lithographic enterprises of the mid-nineteenth century. The work is absent from the Katalog der Ornamentstichsammlung of...

First edition of the French translation by Jean Dutourd, one of 86 numbered copies on pur fil, only grand papier (deluxe) copies. 

Anthracite morocco binding, gilt title lengthwise, date at the foot, black stingray boards framed in morocco, gilt decorative paper endleaves, original wrappers preserved, gilt edges, an elegant binding signed Boichot. Like most copies, two sunned spots to head and foot of spine, title-page and half-title slightly shaded due to the paper’s acidity.

Rare deluxe-paper copy of one of the most influential...

New edition illustrated with 47 engraved and hand-colored costume plates (cf. Colas 2784).

This is a reissue, under the Metz imprint, of a portion (volume IV) of the Tableau Historique des costumes, des moeurs et des usages des principaux peuples de l'antiquité et du moyen âge, originally published in Paris and Metz between 1804 and 1809.

Rare and attractive copy preserved in its original publisher’s wrappers, with the original plain waiting cover and a printed title label affixed at the head of the spine.

Rare first edition of one of the many promotional pamphlets extolling the virtues of the celebrated Aqua mirabilis, or "eau admirable", invented by Giovanni Paolo Feminis and produced through the distillation of grape spirits with neroli oil, bergamot, lavender, and rosemary.

Unless, of course, it is one of its many imitations.

Fourth edition after the original of 1577 published in Paris by Nicolas Chesneau and the edition by Abel L'Angelier printed in 1584. It is identical to the 1612 edition by Artus Thomas d'Embry, the first to contain engravings and to offer the four final texts. It is illustrated with a large folding plan of Constantinople, a double plate captioned « Portraict de l'Armée de l'Empereur Turc rangée en Bataille », 17 plates for the prophetic tableaux, 62 full-page engravings representing the different inhabitants of the Ottoman Empire (men and women) and 27 plates of portraits of Turkish personalities. Repeated title-frontispiece. Title pages in red and black.
Contemporary full brown calf...

Autograph letter by Pierre-Joseph-Marie Proudhon, signed and dated 7 November 1862. 3 pages in black ink on a bifolium. Fold of the bifolium weakened, without affecting the text. Not included in the correspondence published by Lacroix in 1875.
Significant and likely unpublished letter from Proudhon to his publisher Alphonse Lebègue, whom he considers "the cause of liberty in France and independence in Belgium" in these lines. 

Proudhon underscores the importance of his ideological struggle for federalism in Europe, following the controversial publication of his pamphlet La Fédération et l’unité en Italie, and a...

First edition.

Bound in full cherry red morocco, smooth spine richly gilt with romantic typographic ornaments, gilt roll tooling on the caps, boards framed with double gilt fillets and interlaced motifs with gilt corner fleurons, gilt AO monogram stamped at the center of the boards, gilt garland border on the pastedowns, moiré sky-blue silk endpapers and pastedowns, trace of a removed bookplate on one pastedown, gilt fillets on the edges, all edges gilt, contemporary binding.

The sections relating to the colonies are as follows: Martinique, pp. 199–203; Guadeloupe and dependencies, pp. 204–209; French Guiana, pp. 210–212; Bourbon, pp. 216–220; French settlements in Oceania...

First edition, illustrated with 6 folding plates at the end of the volume (cf. Polak 5375).

Contemporary Bradel binding in full red boards, flat spine, black shagreen label with gilt lettering, the upper cover stamped in gilt with the monogram of Prince Eugène de Beauharnais, stepson of Napoleon. Lower corners a bit rubbed. Period binding.

A few minor spots, not affecting legibility.

Only two copies listed in the CCF (BnF and École Polytechnique).

The only edition of this insightful analysis of French naval doctrine at the close of the Revolutionary and Napoleonic Wars, significantly bearing the motto on the title page: Delenda est Britannia. Charles-Louis-Victor...

Highly interesting collection attributed either to the geographer Georges-Louis Le Rouge (according to Polak), or to the civil engineer La Serre (based on a manuscript version held at the Municipal Library of Le Havre).

Contemporary half Havana calf binding, smooth spine richly decorated with five gilt fillets and blind-stamped naval anchors, some minor restorations to joints, small green vellum corners, marbled paper boards, endpapers and pastedowns marbled à la cuve. Binding dating from the mid-19th century.

The work comprises 35 engraved plates depicting the plans of 42 ports.

From north to south, and west to east: 1. Antwerp. – 2. Flushing. – 3. Ostend. – 4. Dunkirk...

First edition, no deluxe copies on fine paper were issued.

Spine and rear cover slightly soiled; a clean and attractive copy internally.

Illustrations.

Valuable signed presentation copy from General Gambiez: "A monsieur J. Debu-Bridel en bien cordial hommage cet envoi de synthèse sur la libération de la Corse cette île qui nous est si chère. Château de Vincennes 26 septembre 1974."

A moving relic of the Resistance and Gaullist legacy.

New edition, with no deluxe copies printed.
Richly illustrated.
Slight sunning to spine.
With a precious signed autograph inscription from André Malraux to his friend, the prominent Gaullist resistance fighter Brigitte Friang: “Pour Brigitte. A. Malraux. Oct 1948.” accompanied by an original coloured drawing depicting the famous "dyable" walking in profile, sketched in red and blue pencil (used for the eye and bristling hair)
Brigitte Friang joined the Resistance at the age of 19 and quickly became a key operative in charge of coordinating parachute drops in the western region. She was arrested by the Gestapo after...

First edition, no grands papiers (deluxe) copies printed.
Half brown sheepskin, spine with four raised bands framed in blind and dec­orated with gilt floral motifs, some rubbing to the spine, marbled paper boards, marbled paper endpapers and flyleaves, modest contemporary bind­ing.

Rare signed and inscribed copy by Guy de Maupassant to the Baron de Vaux who inspired the character of Bel-Ami: “To Baron de Vaux / his friend / Guy de Maupassant”.

First edition of the French translation by Dominique Aubier, printed in 150 numbered copies on Rives wove paper, ours being one of 30 copies including the original print, numbered and signed by Louis Chavignier.

Our copy is one of only 10 exceptionally enriched with an additional suite on chine appliqué of the etching by Alberto Giacometti and the 14 burin engravings by Louis Chavignier.

The work is illustrated with an original etching as frontispiece by Alberto Giacometti, and 14 full-page original burin engravings by sculptor Louis Chavignier.

A handsome and rare copy.

Enclosed is the printed report, on Rives paper, of the...

First edition.

Official series not listed in Polak.

Full red morocco binding, smooth spine decorated with gilt Romantic arabesques, gilt roll-tooled bands at head and foot, elaborate gilt quadruple fillet frame, garland and lozenge design with gilt corner motifs on covers, gilt crowned monogram stamped in gilt at center of each board, blue moiré silk endleaves and doublures, gilt dentelle borders on doublures, gilt dotting on board edges, all edges gilt; a superb Romantic period binding.

Copy bearing the crowned monogram "FO" of Ferdinand Philippe, Duke of Orléans (1810–1842), eldest son of King Louis-Philippe. 

A very fine copy, beautifully preserved in an...

First edition, one of the 300 numbered copies printed on red “bouffant” paper, the only deluxe issue alongside 5 copies on hollande. Covers slightly and marginally soiled, two initials in red ink in the upper left corner of the front cover.

Illustrated with a “portrait de crotte de bique et couillandouille par eux-mêmes” [portrait of goat-dropping and dick-and-drumstick by themselves.]

Very famous work from the Dadaist canon, written by Pansaers one year before his untimely death — the...

First edition, published in Paris in 1933 by Jules Meynial under the direction of Jacques de Brunhoff. Limited to 500 numbered copies on Arches paper. Illustrated with 48 drawings in black in the text and 32 hors-texte plates after Alexandre Iacovleff, printed in bistre and black.

Original printed wrappers with flaps. Small losses at head and foot of spine, with a restored tear at head; small tears and stains to the lower wrapper. Final endpaper lightly shadowed in places, with a few marginal spots of foxing. An attractive copy.

By the time...

First edition of this highly significant document on the state of Parisian hospitals at the end of Louis XVI's reign, written by Jacques Tenon (1724–1816), surgeon at the Salpêtrière, which remained an influential reference for French hospital policy through to the Third Republic.

The work is complete with its 17 folding plates (including 2 tables and 14 architectural plans and elevations of hospitals).

Some light foxing; the copy appears to have been rebound in this later binding.

Contemporary pastiche binding in half Havana sheep, flat spine with gilt fillets and the gilt cipher and arms of the Chodron de Courcel family, green paper-covered boards, marbled endpapers...

Unpublished political, scientific and historical archives

The complete manuscript unpublished papers of Louis, Chevalier de Sade (1753-1832), author of the Lexicon politique and cousin of the famous Marquis.
The important geopolitical, historical, and scientific archives of a learned aristocrat, a privileged witness of the end of the Ancien Régime, the French Revolution, the Consulate, Empire, and Restoration.
A unique fund of research on the implementation of a constitutional monarchy.

First collected edition. No deluxe paper copies issued.

Publisher’s binding in full green cloth, flat spines, with their dust jackets designed by Adam Rusak, showing only minor and insignificant marginal tears.

Rare presentation copy dated May 1, 1992 and signed by Solzhenitsyn to USSR émigré journalist and writer Sam Yossman, on the title page of the first volume.

First edition, numbered copies on vélin pur fil, most limited deluxe issue.

A handsome copy complete with the publisher’s announcement slip.

Rare and important presentation copy inscribed by Irène Némirovsky: "A Benjamin Crémieux hommage de l'auteur. Irène Némirovsky". Némirovsky died in Auschwitz in 1942, and Crémieux in Buchenwald in 1944.

Crémieux had published a glowing review of Némirovsky’s first novel, David Golder. Its film adaptation by Julien Duvivier was among the earliest French talkies. On this short stories collection fittingly titled Films parlés (Talking Films) Némirovsky, the émigré writer, paid homage  to Crémieux...

First edition of De la Grèce moderne et de ses rapports avec l’Antiquité, published in Paris and Strasbourg by F.-G. Levrault in 1830. Two parts in one octavo volume. Cf. Blackmer 1372; Droulia 1817; Contominas 595; not in Atabey, the latter two references still requiring direct verification in the printed bibliographies. Blackmer and Droulia are confirmed by the bibliographical records consulted.

Contemporary half blond calf, smooth spine with five false bands framed by gilt garlands, compartments and fillets tooled in blind, gilt rolls at head and foot, marbled paper boards, marbled endpapers and...

First edition, one of 30 numbered copies on alfa paper, the only large paper copies along with a few hors commerce also printed on alfa.

A fine copy of this work dedicated to the memory of Simone Weil: "qui, si elle était morte assassinée, aurait consacré son dernier instant à prier pour ses bourreaux."

Partly first edition, revised and corrected, of which no deluxe copies were issued; one of the review copies.

Spine and covers slightly and marginally sunned, as usual.
Rare and valuable signed presentation inscription from Robert Antelme to Geneviève Hirsch.

"Il n'y a pas d'espèces humaines, il y a une espèce humaine. C'est parce que nous sommes des hommes comme eux que les SS seront en définitive impuissants devant nous."
["There are no human races; there is only one human race. It is precisely because we are men like them that the SS will ultimately be powerless against us."]

This seminal work on the Nazi concentration...

First edition (a reprint was issued in 1963) of one of the two major works by Marcel Sarrazin, known as Vassal, now considered one of the leading French-speaking 'mentalists'—a modern term borrowed from English (cf. Fechner, p. 554). Only 2 copies listed in the CCF (BnF and Sainte-Geneviève).

Small stains to the lower right corner of the title page, otherwise a well-preserved copy.

Contemporary half tawny sheep binding, spine with four raised bands and gilt fleurons, minor rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, original front wrapper preserved, sprinkled edges, very slight rubbing to corners.

Illustrated with in-text figures after...

First edition of the French translation by Marie Bonaparte, one of 70 numbered copies on pur fil, the only deluxe paper copies.

Covers slightly and marginally toned, otherwise a handsome and rare copy.

The text is preceded by a translation of the short story Gradiva by Wilhelm Jensen, rendered by E. Zak and G. Sadoul.

It is followed by a psychoanalytic study of the dream and the fascination experienced by the young archaeologist Norbert Hanold for the image of a young woman sculpted in a bas-relief from the collections of the Museum of Rome.

Complete set of the first quarter issues (11 April-12-19 July 1886) of the symbolist journal La Vogue, the most important literary review of the late nineteenth century, containing the first appearance in print of Rimbaud’s Illuminations. Issues 1-12, published weekly, were gathered under a quarterly wrapper and offered for sale in September 1886. No deluxe copies were issued for this first quarter of the journal, which had a very limited print run. Copy as published, spine restored, upper corner of the second cover lacking.

First edition, one of 249 numbered copies on B. F. K. de Rives, the only printing other than 1 copy on Hollande and 24 on vélin crème de Renage. Illustrated with 4 original colour lithographs by Rufino Tamayo.

This copy further contains an additional suite of the 4 lithographs by Rufino Tamayo, usually reserved for the deluxe copies. Printed stamps to the versos of each engraving: "Annulation d’estampille pour annulation de vente".

Autograph letter signed by Jean Cocteau, marked with his famous star, addressed to his great love, the actor Jean Marais. One page penned in black ink on a single sheet.
Traces of folds, horizontal creases inherent to mailing, two ink spots on the blank verso not affecting the text.
A magnificent love letter from Cocteau to Marais, who together formed one of the most iconic artistic couples of the 20th century. Set against the backdrop of turmoil and the German Occupation, their unbreakable bond is embodied in this letter of the writer, filled with desperate tones.

First edition in French, one of 1,000 numbered copies on Annonay rag paper, the only deluxe paper copies.

Illustrated with numerous photographs. Preface by Maurice Herzog. Foreword by the Duke of Edinburgh.

Publisher’s full flexible boards binding. Lacking slipcase, spine sunned with minor tears at head and foot.

Rare and handsome autograph inscription, dated and signed by General John Hunt: "A M. Robert Moch vous témoignant notre reconnaissance de nous avoir préparé la trace jusqu'au sommet du signal de l'Iséran le 3 janvier - et pour vous exprimer nos regrets de ne pas l'avoir suivie ! John Hunt...

First edition, one of 1,500 copies printed on vellum paper, this one unnumbered.

A handsome copy.

Illustrated with a frontispiece by Jean Berque.

Exceptional full-page signed presentation inscription from Abel Bonnard to Hubert Lyautey, the first Resident-General of the French Protectorate in Morocco: "A monsieur le maréchal Lyautey, qui, marmi tant d'autres illustres, a aussi sauvé la beauté du Maroc. En respectueux hommage. Abel Bonnard."

First edition on ordinary paper.
Small tears repaired at head and foot of spine.
Half black morocco binding, smooth spine, gilt date at foot, decorative abstract patterned paper boards, blue paper endpapers and pastedowns, original wrappers and spine preserved, binding signed Thomas Boichot.
Rare and precious autograph inscription signed by Charles De Gaulle on this text which he dedicated to Marshal Pétain: "A mon ami Louis Borel en souvenir de ses précieux conseils et de sa fidélité. Avec mon bien cordial témoignage. 7 octobre 1938. Charles." (To my friend Louis Borel in remembrance of his precious advice and his loyalty. With my most cordial testimony. October 7, 1938...

First edition, one of 70 numbered copies on pur fil paper, the deluxe issue after 25 hors commerce copies on Holland paper reserved for the Cercle lyonnais.

Rare and fine copy.

New edition, limited to 2,200 numbered copies.

Publisher's full-board bindings after the original design by Mario Prassinos.

An attractive complete...