L'aryenne
Cover illustration by Antoon van Welie.
Two slight tears to foot of joints near edges, occasional small spots essentially to ffep, but otherwise a good, well-margined copy.
Rare.

They are called deluxe papers, limited editions, tirages de têtes or simply first editions. They were printed in small numbers on special paper and carefully preserved, from the very beginning, by the first readers and admirers of these literary geniuses. These copies are the origin of the work and its legacy.
First edition, one of 100 numbered copies on Hollande paper, the only large paper copies along with 5 on Japon.
Elegant brown morocco by G. Levitzsky, spine in six compartments, gilt roulettes to head- and tail-pieces, date at foot of spine, double gilt fillets to edges of covers, pastedowns with a frame of dentelles and quintuple gilt fillets, marbled pastedowns and endpapers, covers and spine preserved, top edge gilt.
Cover illustrated by Riou.
A very good copy in a handsome binding.
The program is illustrated by V. Barthe (wrapper) and includes hors-texts by Chatzman, Manet (a reproduction of his Olympia), Picasso, Vassilieff, Fotinsky and Ganovsky (a spatial composition).
Appearing at this event were: Olga Koklova and the Ballets Suédois of Juger Friis and Jean Borlin, the “dance of the lobster, crab and crocodile” with costumes by Marie Vassilieff and Fernand Léger, the Petrograd Puppet Theatre with costumes and puppets by Goncharova and music by Bohslav Martinou and Vernon Duke, three-dimensional poems by Iliazd and Katabadze as well as futurist poems from Vazry, a dance by Thamara Svirskya to Satie's Gymnopédies, “Japanese...
First edition, one of 50 numbered copies on pur fil paper, the tirage de tête (firsts deluxe) copies after 10 Chine paper.
Illustrated with drawings by Georges Ribemont-Dessaignes.
Spine slightly faded, a few pale spots, not serious, to upper wrapper, internally good.
A rare copy.