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Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

Short Stories & TalesShort Stories & Tales
Short Stories & Tales

Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
The Ancient Authors

From Attic classics to apothecary's Latin. come feast at the banquet of the ancients. On the menu at Aesop's tables: Roman let us scroll, Gaelic reads,  Ovid's spoil, Chinese feud.

Foreign LiteratureForeign Literature
Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

Our Great ModernsOur Great Moderns
Our Great Moderns

A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

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Gift ideas between 1 000 and 1 500 €
  1. Les boulevards de ceintureLes boulevards de ceinture
    Patrick MODIANO

    Les boulevards de ceinture[Ring Roads]

    Gallimard|Paris 1972|12 x 18.5 cm|Broché

    First edition of the author's third book, with no copies printed on deluxe paper, here a review copy.

    Spine very lightly sunned, without seriousness, faint spotting to the board edges.

    Rare and desirable presentation copy signed by Patrick Modiano to the woman of letters Christiane Baroche: "Pour Christiane ces boulevards de ceinture avec lesquels elle est bien indulgente. Avec l'amitié de Patrick."

    €1,200
  2. L'identitéL'identité
    Milan KUNDERA

    L'identité[Identity]

    Gallimard|Paris 1997|14 x 20.5 cm|Broché

    First edition on standard paper.

    A handsome copy, complete with its publisher’s wraparound band.

    Fine presentation inscription signed by Milan Kundera: "Paris 1998. Pour Michel Tournier avec l'amitié fidèle de Milan Kundera."

    €1,500
  3. Des Larmes et des SaintsDes Larmes et des Saints
    Emil Michel CIORAN, Sultana MAITEC

    Des Larmes et des Saints

    Méandres • L'Herne|Paris 1986|11 x 20 cm|broché
    First edition in French, one of 50 numbered copies on pure paper, the only deluxe copies.
    Very handsome copy.
    Our copy, like the deluxe copies, includes the original engraving by Sultana Maïtec which she justified and signed in pencil.
    Manuscript signature of Emil Michel Cioran below the justification page.

    €1,200
  4. Voyage au Bout de la NuitVoyage au Bout de la Nuit
    Jacques TARDI, Louis-Ferdinand CELINE

    Voyage au Bout de la Nuit[Journey to the End of the Night]

    Gallimard • & Futuropolis|Paris 1988|22 x 30 cm|reliure de l'éditeur

    New edition and the first printing of Jacques Tardi’s illustrations.
    Publisher’s white boards, smooth spine.
    A handsome copy.
    Presentation inscription, dated and signed by Jacques Tardi to Joëlle Passani, with an original black-felt drawing depicting a sorrowful-faced Bardamu in a small vignette.
     

    €1,000
  5. Voyage historique et politique au Monténégro, contenant l'origine des Monténégrins, peuple autocthone ou aborigène, et très peu connu ;Voyage historique et politique au Monténégro, contenant l'origine des Monténégrins, peuple autocthone ou aborigène, et très peu connu ;
    Jacques Louis VIALLA DE SOMMIÈRES

    Voyage historique et politique au Monténégro, contenant l'origine des Monténégrins, peuple autocthone ou aborigène, et très peu connu ;[Historical and Political Voyage to Montenegro, containing the origin of the Montenegrins, an indigenous or aboriginal people little known; a topographical, picturesque, and statistical description of the country; the manners of this nation, its customs, usages, and prejudices; its government, legislation, political relations, religion, and the curious and singular ceremonies of its worship; together with various accounts of courage, generosity, and ferocity commonly found among this people. Adorned with a detailed map drawn on site, and twelve hand-coloured engravings representing the costumes of the country, two of their festivals, several plants, etc.]

    Alexis Eymery|Paris 1820|12.8 x 20.4 cm|2 volumes reliés

    First edition of this rare work, offering the very first description in French of this small canton, still nominally under Ottoman rule—though in fact largely autonomous—and which appeared as exotic to early 19th-century Westerners as the most remote corners of China.

    Illustrated with 13 hand-coloured plates, including a large folding map, two botanical plates, two depicting celebrations, three views of churches, and five costume plates. (cf. Atabey 1286. Lipperheide 1443. Not in Blackmer or Colas.)

    Contemporary half calf binding, smooth spines decorated with gilt fillets, garlands, and floral tools, red morocco lettering-piece, black morocco...

    €1,000
  6. [MAGIE - PRESTIDIGITATION] La Baguette magique. Collection complète de la deuxième série[MAGIE - PRESTIDIGITATION] La Baguette magique. Collection complète de la deuxième série
    Charles-Emile SAUTY

    [MAGIE - PRESTIDIGITATION] La Baguette magique. Collection complète de la deuxième série[MAGIC – CONJURING] La Baguette magique. Complete Set of the Second Series]

    Der Zauberstab|Geneva 1945-1948|16.7 x 23.8 cm|2 volumes reliés

    First edition, complete in 23 instalments, of the second series of this magic periodical (cf. Fechner, p. 503).

    Text in two columns; each instalment, richly illustrated, comprises between 12 and 16 pages (20 for the final one).

    Contemporary half-sheep bindings: the first volume in brown, the second in tan, the spines with four raised bands tooled with gilt ornaments, moiré-patterned paper sides, marbled endpapers and pastedowns, sprinkled edges; one original wrapper preserved. Bindings from the period, though mismatched in tone between the two volumes.

    Complete collection of the second series of this Swiss periodical, whose first publication appeared in 1941–42 as the...

    €1,000
  7. Œuvres de Monsieur de Montesquieu Œuvres de Monsieur de Montesquieu
    Charles de Secondat MONTESQUIEU [MONTESQUIEU]

    Œuvres de Monsieur de Montesquieu [ZWEIBRUCKEN PRINTING - Works of Monsieur de Montesquieu]

    Société typographique|Deux-Ponts 1792|10 x 16.8 cm|8 volumes reliés

    New edition, revised, corrected, and considerably enlarged.

    Contemporary bindings in half mottled fawn calf over corners, smooth spines gilt with fillets, morocco title and volume labels, brown paper-covered boards, sprinkled edges.

    Some minor rubbing to the spines, a few corners slightly bumped.

    L'Esprit des lois occupies volumes I to IV; La Défense de l'Esprit des lois volume V (with a general index); Lettres persanes volume VI; volume VII gathers the Considérations and related pieces; volume VIII contains the posthumous works.

    This collected edition of Montesquieu's works offers no particular bibliographical peculiarities in its...

    €1,500
  8. Carte autographe signée « Ce que je suis rasé par les reporters à propos du centenaire d'Hugo ! »Carte autographe signée « Ce que je suis rasé par les reporters à propos du centenaire d'Hugo ! »
    Joris-Karl HUYSMANS (Victor HUGO)

    Carte autographe signée « Ce que je suis rasé par les reporters à propos du centenaire d'Hugo ! »[How fed up I am with reporters about Hugo’s centenary!’]

    4 février 1902|11.50 x 9 cm|Une carte recto-verso
    "Paris, February 4, 1902
    I regretted, my dear friend, not to see you! The poet did not walk, as you have seen, I had gone for a walk on the quays.
    That's for lunch at Crespel Saturday, at noon ½. Would you write to him if you do not see him before.
    What I am shaved by reporters about Hugo's centenary! It is to be believed that all the newspapers and magazines will make a number apart!
    What we are going to defecate imbecilities [sic] on his remains! A reporter confessed to me that he had been visiting about Hugo, the members of the Academy of Medicine (??? !!) and also the painters. It appears that it will be monumental on this side.
    So Saturday, dear friend...
    €1,000
  9. L'affaire CourilofL'affaire Courilof
    Irène NÉMIROVSKY

    L'affaire Courilof[The Courilof Affair]

    Grasset|Paris 1933|12 x 19 cm|broché

    First edition, one of the numbered copies on alfa paper reserved for the press.

    Spine very slightly sunned, otherwise a well-preserved copy.
    Signed autograph inscription from Irène Némirovsky to Charles Laval.

    €1,000
  10. Oeuvres complètes de W. ShakespeareOeuvres complètes de W. Shakespeare
    William SHAKESPEARE, François-Victor HUGO (Trad.)

    Oeuvres complètes de W. Shakespeare[The Complete Works of W. Shakespeare]

    Pagnerre|Paris 1865-1866|13.7 x 22.2 cm|18 volumes reliés

    Second edition of the French translation prepared by François-Victor Hugo.

    Half red shagreen bindings, slightly faded spines with four raised bands numerously framed in gilt and central gilt tooled motif, marbled paper boards, marbled endpapers, speckled edges, contemporary bindings.

    Some occasional foxing, minor black specks on a few spines, upper corners of volume 10 slightly damaged.

    Our set, attractively bound uniformly in contemporary bindings, is complete in 18 volumes including the often lacking final three volumes of apocryphal writings.

    €1,200
  11. Les mains de Jeanne-MarieLes mains de Jeanne-Marie
    Arthur RIMBAUD

    Les mains de Jeanne-MarieJeanne-Marie's Hands

    Au sans pareil|Paris 1919|13.50 x 20 cm|relié

    First edition, one of 42 numbered copies on Japon paper, the leading copies after 8 hors commerce on Chine paper.
    Elegant Bradel binding in half black calf over floral paper boards by P. Goy & C. Vilaine, covers preserved (lightly soiled at edges), top edge gilt.
    With a frontispiece portrait of the author on Chine paper by Jean-Louis Forain.
    One tiny foxing as well as a small, clear marginal dampstain touching frontispiece.
    A very good copy nicely bound.

    €1,200
  12. EzéchielEzéchiel
    Albert COHEN

    Ezéchiel[Ezekiel]

    Gallimard|Paris 1956|12 x 19 cm|broché
    First edition, one of the numbered copies on vellum paper, the only deluxe issue after 75 copies on pur fil paper.
    Spine slightly sunned, otherwise a pleasant copy.
    Inscribed and signed by Albert Cohen to Denise Mercier.

    €1,200
  13. Le vin de solitudeLe vin de solitude
    Irène NÉMIROVSKY

    Le vin de solitude[The Wine of Solitude]

    Albin Michel|Paris 1935|12 x 19 cm|broché

    First edition, an advance (service de presse) copy.
    Some lacks to foot of spine, clear stains and scratches to head and foot of upper cover, tiny foxing to the endpapers, the last endpaper is covered with notes in pencil made by the dedicatee.

    Autograph inscription from Irène Némirovsky to Michel Corday.

    €1,000
  14. D'un château l'autreD'un château l'autre
    Louis-Ferdinand CELINE

    D'un château l'autre

    Gallimard|Paris 1957|13.50 x 20 cm|reliure de l'éditeur
    First edition, one of 850 numbered copies on vellum paper.
    Publisher’s binding designed after Paul Bonet’s original model.
    A fine copy, complete with its glassine jacket.
    €1,000
  15. [PHOTOGRAPHIE] Portrait photographique de Richard Wagner[PHOTOGRAPHIE] Portrait photographique de Richard Wagner
    Richard WAGNER

    [PHOTOGRAPHIE] Portrait photographique de Richard Wagner

    Ghemar Frères|Bruxelles [Brussels] s. d. [circa 1860]|6 x 9.30 cm|une photographie
    Original albumen print, in carte de visite format, mounted on a card from the Ghemar Brothers' studio in Brussels, depicting Richard Wagner in profile.
    Handwritten annotations on the verso.
    Richard Wagner made only one visit to Belgium, to conduct two concerts in the capital on 25 and 28 March 1860. It was most likely on this occasion that he posed before the Ghemar Brothers' camera.
    We have not located any other copy of this photograph in international public collections.
    €1,200
  16. Fendre les flots - Exemplaire de Jean DubuffetFendre les flots - Exemplaire de Jean Dubuffet
    Raymond QUENEAU (to Jean DUBUFFET)

    Fendre les flots - Exemplaire de Jean Dubuffet[Cleaving the Waves – Copy from the library of Jean Dubuffet]

    Gallimard|Paris 1969|12 x 19 cm|broché
    First edition, an advance (service de presse) copy.
    Handsome autograph inscription from Raymond Queneau to Jean Dubuffet and to his wife Lili.
    A good copy.
    €1,000
  17. Le portefeuille - Exemplaire de Jules Renard avec le célèbre ex-libris dessiné et gravé par Henri de Toulouse-LautrecLe portefeuille - Exemplaire de Jules Renard avec le célèbre ex-libris dessiné et gravé par Henri de Toulouse-Lautrec
    Octave MIRBEAU, Henri de TOULOUSE-LAUTREC

    Le portefeuille - Exemplaire de Jules Renard avec le célèbre ex-libris dessiné et gravé par Henri de Toulouse-Lautrec

    Charpentier|Paris 1902|13 x 19 cm|broché

    First edition, with no mention of deluxe paper copies.
    Precious signed autograph inscription from Octave Mirbeau to his friend Jules Renard.
    Blue pencil mark by Jules Renard on the front cover.

    Our copy is further enriched with Jules Renard's celebrated ex-libris, designed and engraved by Henri de Toulouse-Lautrec.

    €1,200
  18. D'Eugène Delacroix au Néo-ImpressionnismeD'Eugène Delacroix au Néo-Impressionnisme
    Paul SIGNAC

    D'Eugène Delacroix au Néo-Impressionnisme

    Henri Floury|Paris 1921|14 x 19 cm|broché
    Henri Floury | Paris 1921 | 14 x 19 cm | original wrappers
    The first edition, of which there is no mention of grand papier (deluxe) copies, noted the third edition.
    Handsome cover drawn by Théo van Rysselberghe.
    Autograph inscription signed by Paul Signac to his good friend, Director of the École nationale supérieure des arts décoratifs.
    €1,200
  19. Dissertation sur les Whigs et les TorysDissertation sur les Whigs et les Torys
    Paul RAPIN DE THOYRAS

    Dissertation sur les Whigs et les Torys[Dissertation on the Whigs and the Tories]

    Chez Charles Le Vier|The Hague 1717|9.2 x 16.5 cm|Relié

    First edition, cf Conlon 17:710. Quérard VII, 455 ("Cette Dissertation est très-estimée").

    Full marbled blond calf, spine with five raised bands richly gilt in compartments decorated with gilt bees, red morocco lettering-piece, marbled endpapers and pastedowns, gilt fillet on board edges, mottled edges, contemporary binding.

    Lower corner rubbed, endpapers partially browned.

    Notable treatise on the two great English political parties, their history, development, and respective positions.

     

    €1,000
  20. Blanche ou l'oubliBlanche ou l'oubli
    Louis ARAGON

    Blanche ou l'oubli

    Gallimard|Paris 1967|14 x 21 cm|broché
    First edition, one of 60 numbered copies on Hollande, deluxe issue.
    Minor, insignificant spotting to the spine.
    A handsome copy.
    €1,200
  21. Copy on Japan paper, exceptionally enriched with 2 original drawings by Auguste Leroux, one heightened with watercolour
    Copy on Japan paper, exceptionally enriched with 2 original drawings by Auguste Leroux, one heightened with watercolour
    WertherWerther
    Auguste LEROUX, Johann Wolfgang von GOETHE

    Werther

    Javal & Bourdeaux|Paris 1928|24 x 28.50 cm|relié

    Edition illustrated with 16 original watercolours by Auguste Leroux, engraved on copper by Delzers and Feltesse, one of 90 numbered copies on Imperial Japan paper.
    Bound in navy blue half morocco with corners, spine with four raised bands decorated with gilt pointillé and triple gilt panels with typographic motifs, gilt date at foot, gilt fillet borders on marbled paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, gilt edges, contemporary binding signed by Bernasconi. 
    As stated in the justification of the print run for the copies on Imperial Japan paper, our copy is complete with its two suites: one in colour with remarques and the other in...

    €1,200
  22. Les confidences d'Arsène LupinLes confidences d'Arsène Lupin
    Maurice LEBLANC

    Les confidences d'Arsène Lupin

    Pierre Laffitte & Cie|Paris 1913|12 x 19 cm|broché
    First edition, with no mention of copies on deluxe paper.
    Spine slightly creased at the foot, a minor stain at the lower margin of the final leaves, not affecting the text.
    A pleasing and rare copy, given the fragility of this work.
    €1,200
  23. Second voyage de Mungo Park dans l'intérieur de l'Afrique, pendant l'année 1805 ; précédé d'une notice historique et biographique sur la mort de ce célèbre voyageur, composée d'après des documens officiels et particuliers relatifs à ce voyage, et communiqués par sa familleSecond voyage de Mungo Park dans l'intérieur de l'Afrique, pendant l'année 1805 ; précédé d'une notice historique et biographique sur la mort de ce célèbre voyageur, composée d'après des documens officiels et particuliers relatifs à ce voyage, et communiqués par sa famille
    Mungo PARK

    Second voyage de Mungo Park dans l'intérieur de l'Afrique, pendant l'année 1805 ; précédé d'une notice historique et biographique sur la mort de ce célèbre voyageur, composée d'après des documens officiels et particuliers relatifs à ce voyage, et communiqués par sa famille[The Journal of a Mission to the Interior of Africa, in the Year 1805]

    J.-G. Dentu|Paris 1820|12.8 x 20.7 cm|Relié

    First edition of the French translation based on the second English edition, with additions drawn from Robert Adams's narrative in Africa, 1810. (cf. Gay 2788.)

    Illustrated with 10 plates, including a frontispiece portrait of Mungo Park and a map showing his route from Kayee on the Gambia to Boussa on the Niger.

    Contemporary full marbled tan sheep, smooth spine decorated with gilt fillets, garlands and fleurons, cream title labels, gilt dentelle and fillet frames on boards, marbled endpapers and pastedowns, gilt fillets on board edges, speckled edges.

    Some wear with minor losses at head and foot of one joint, a few scuffs to the covers, occasional foxing, otherwise a...

    €1,000
  24. Photographie originale - Christopher Street Liberation Day March, New York - Le Baiser, Judy Bowen et Philip RaiaPhotographie originale - Christopher Street Liberation Day March, New York - Le Baiser, Judy Bowen et Philip Raia
    Jean-Pierre LAFFONT

    Photographie originale - Christopher Street Liberation Day March, New York - Le Baiser, Judy Bowen et Philip Raia

    Paris 1970|19.50 x 30 cm|une photographie

    "On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)

    Original photo - Christopher Street Liberation Day March, New York - "The Kiss, Judy Bowen and Philip...
    €1,000
  25. Tiny type printing of the Essays in a single volume, in Thouvenin's cathedral-style binding
    Tiny type printing of the Essays in a single volume, in Thouvenin's cathedral-style binding
    Essais de MontaigneEssais de Montaigne
    Michel Eyquem de MONTAIGNE [Michel de MONTAIGNE]

    Essais de Montaigne

    Librairie Furne|Paris 1831|15.5 x 24.5 cm|Relié

    New edition. A steel-engraved portrait frontispiece, printed on China paper and mounted. Printed in very small type, arranged in two columns.

    Full polished blond calf binding, signed by Thouvenin at foot of spine. Smooth spine with blind-stamped Gothic architectural elements heightened with gilt dots, gilt fillets and title. Covers blind-stamped with a large Gothic window surrounded by architectural ornaments. Multiple blind-ruled frames with corner fleurons and gilt fillets. Inner dentelles. All edges gilt. Joints discreetly cracked at head. Some foxing and occasional browning to a few pages. Minor rubbing. Spine slightly dulled. A handsome copy.

    €1,200
  26. Photographie originale dédicacée représentant Yves Montand à ses débutsPhotographie originale dédicacée représentant Yves Montand à ses débuts
    Yves MONTAND

    Original inscribed photograph of Yves Montand in his early years

    S. n.|s. l. s.d. (ca 1946)|12 x 16.50 cm|une feuille

    Original inscribed photograph showing Yves Montand dressed as a cowboy and pointing a revolver in his right hand.


    Yves Montand is slightly facing forward. Vintage silver gelatin print. 
    On the verso, Yves Montand's name is misspelled twice.


    Autograph inscription signed by Yves Montand at the bottom of the photograph: "Pour Michel amicalement Y.Montand."


     

    €1,000
  27. La Ville dont le Prince est un EnfantLa Ville dont le Prince est un Enfant
    Henry de MONTHERLANT

    La Ville dont le Prince est un Enfant

    Gallimard|Paris 1951|13 x 19 cm|broché
    First edition, one of 26 numbered copies on japon impérial, ours being one of 6 lettered hors commerce copies, the deluxe commercial issue.
    A very handsome copy.
    €1,200
  28. Cinq semaines en ballon - Voyage au centre de la terreCinq semaines en ballon - Voyage au centre de la terre
    Jules VERNE

    Cinq semaines en ballon - Voyage au centre de la terre

    Hetzel|Paris s. d. [1905-1914]|18 x 28 cm|cartonnage de l'éditeur
    Edition illustrated by Riou and Montaut.
    Publisher's Hetzel binding "à l'éventail et à l'éléphant" in full red cloth signed Engel, front board polychrome signed Engel presenting the title in the black and gilt fan, several black and gilt frames, a gilt elephant head at top left, three small illustrations as well as various gilt navigation and exploration instruments, all framed within green foliage, second board type "i" as indicated by Jauzac, spine with lighthouse decorated with several color and gilt illustrations, original blue endpapers, all edges gilt.
    Head slightly sunken, corners slightly twisted, some light foxing at beginning of volume, trace of label at head of one blue...
    €1,350
  29. Real life in London or, The Rambles and Adventures of Bob Tallyho, Esq. and His Cousin, the Hon. Tom Dashall, through the MetropolisReal life in London or, The Rambles and Adventures of Bob Tallyho, Esq. and His Cousin, the Hon. Tom Dashall, through the Metropolis
    George CRUIKSHANK, [Pierce EGAN attribué à]

    Real life in London or, The Rambles and Adventures of Bob Tallyho, Esq. and His Cousin, the Hon. Tom Dashall, through the Metropolis

    Jones & co|London 1821 - 1822|13 x 21.50 cm|2 volumes reliés
    First edition illustrated with 32 plates including 2 frontispieces and 2 engraved titles by George Cruikshank, engraved in aquatint by Brooke, Rowlandson and hand-painted (watercolored). First issue, without the footnote on page 9. The table of plates correctly lists 32 plates. 3 leaves of music.
    Half-cherry red glazed calf binding with corners ca 1870. Spine with raised bands richly decorated with leaves and flowers, roulettes at head and foot. Tobacco calf title-label, dark green calf volume label. Lower joints of volumes 1 and 2 with some cracking and rubbing, but joints solid and consistent. A small fragment missing from the head of volume II. A fine copy.
    In many respects, the...
    €1,400
  30. Féerie pour une autre fois Féerie pour une autre fois
    Louis-Ferdinand CELINE

    Féerie pour une autre fois

    Gallimard|Paris 1952|11.50 x 18 cm|reliure de l'éditeur
    First edition, one of 1,050 numbered copies on 'vélin labeur' paper.
    Publisher's cloth binding after an original design by Paul Bonet.
    A very fine copy, without rhodoïd (plastic dust jacket).
    €1,000
  31. Féerie pour une autre fois II - NormanceFéerie pour une autre fois II - Normance
    Louis-Ferdinand CELINE

    Féerie pour une autre fois II - Normance

    Gallimard|Paris 1954|13.50 x 20 cm|reliure de l'éditeur
    First edition, one of 550 numbered copies on laid paper.
    Publisher's binding executed after Paul Bonet's original design.
    Very handsome copy lacking its cellophane wrapper.
    €1,200
  32. L'Invasion de la Mer. Le Phare du bout du mondeL'Invasion de la Mer. Le Phare du bout du monde
    Jules VERNE

    L'Invasion de la Mer. Le Phare du bout du monde

    Hetzel|Paris 1905|18 x 28 cm|cartonnage de l'éditeur
    First and only octavo edition illustrated by L. Benett with numerous photographs.
    Publisher's Hetzel binding "à l'éventail et à l'éléphant" in full red cloth signed Engel, polychrome front board signed Engel, back board type "i" as indicated by Jauzac, lighthouse spine, original blue endpapers, all edges gilt.
    Original blue endpapers with marginal shading as usual, one fold and a micro-tear on the first endpaper, small black stains and discoloration on the back board, printed bibliophile's stamp at head of half-title page.
    L'Invasion de la Mer is an adventure novel set in Tunisia evoking an authentic project, representative of the French colonial spirit. In the...
    €1,000
  33. Nord contre sudNord contre sud
    Jules VERNE

    Nord contre sud

    Edition Hetzel|Paris 1905-1914|17 x 28 cm|reliure de l'éditeur
    First edition illustrated with 85 drawings by Benett and a map of central Florida on page 33.
    Hetzel "à l'éventail et à l'éléphant" publisher's binding signed Engel, first board signed Engel, "i" type second board as indicated by Jauzac, spine "dos au phare" with several colored and gilt illustrations, original blue endpapers, all edges gilt.
    Spine lightened, small discoloration to lower right corner of first board, second board with light black discolorations, blue endpapers lightened to margins as usual.
    This adventure story set during the American Civil War marks Jules Verne's return to adventure novels after several science fiction novels.
    €1,200
  34. Sand publishes her response to Lerminier
    Sand publishes her response to Lerminier
    "N'y changez rien. Relisez-en vous même et vous seul l'épreuve""N'y changez rien. Relisez-en vous même et vous seul l'épreuve"
    George SAND

    "N'y changez rien. Relisez-en vous même et vous seul l'épreuve"Autograph letter signed to François Buloz

    s. d. [23 février 1838]|11 x 20.40 cm|1 page sur feuillet
    Autograph letter signed by George Sand addressed to François Buloz. One page in black ink on a single sheet.
    Fold marks, sheet reinforced with paper on verso.
    Published in her correspondence (ed. Georges Lubin), vol. IV, pp. 331-332.
    Exasperated by the attitude of the Revue des deux mondes of her friend Buloz, George Sand decides to defend the progressive thinker Félicité Lammenais, targeted by a scathing critique published in the review. She takes up her pen here and orders Buloz to publish her response article, without changing a single line.


    Mon cher Buloz, voici la lettre à M. Lerminier...

    €1,200
  35. "Le film est populaire... et les chansons de Tino sont applaudies comme à l'ABC...""Le film est populaire... et les chansons de Tino sont applaudies comme à l'ABC..."
    Marcel PAGNOL

    "Le film est populaire... et les chansons de Tino sont applaudies comme à l'ABC..."Autograph letter signed about the success of his new film "La belle meunière"

    Paris s. d. [ca 1948]|21 x 26.50 cm|une page recto verso
    Autograph letter signed by Marcel Pagnol sent from Monte Carlo, 40 lines in black ink, concerning the distribution and success of his new film "La belle meunière" freely adapted from the life of Franz Schubert with Tino Rossi, Jacqueline Bouvier and Raoul Marco in the leading roles.
    Central folds inherent to postal delivery.
    Marcel Pagnol shows enthusiasm and is even somewhat overwhelmed, with cinemas clamoring for "La belle meunière": "Guinot must have told you about the great success in Marseille. If I had prints, the 3 best theaters in Nice are offering to stop their programs to show La Belle Meunière. It's actually foolish since one theater is enough...
    €1,200
  36. Lettre autographe datée et signée adressée à sa cuisinière Augustine Bastide Lettre autographe datée et signée adressée à sa cuisinière Augustine Bastide
    Charles DE GAULLE

    Lettre autographe datée et signée adressée à sa cuisinière Augustine Bastide

    Paris 28 Novembre 1960|13.50 x 21 cm|une feuille
    Dated and signed autograph letter from Charles de Gaulle, addressed to his cook Augustine Bastide, who served him from 1940 to 1958. 8 lines in blue ink on his headed paper.
    Trace of folding inherent to envelope insertion.
    The de Gaulles had taken in the recipient of this letter, Augustine Bastide, upon their arrival in London. Of Provençal origin, she served the family from 1940 to 1958, first in Great Britain then in France. At the de Gaulle couple's table in an England severely affected by rationing, one could then find rabbits, periwinkles, and other frogs. The "outspoken Southerner" would remain in the general's service for nearly twenty years, sometimes arousing the hilarity...
    €1,000
  37. Lettre autographe datée et signée adressée à sa cuisinière Augustine Bastide la remerciant pour ses souhaits d'anniversaireLettre autographe datée et signée adressée à sa cuisinière Augustine Bastide la remerciant pour ses souhaits d'anniversaire
    Charles DE GAULLE

    Lettre autographe datée et signée adressée à sa cuisinière Augustine Bastide la remerciant pour ses souhaits d'anniversaire

    Paris 23 Novembre 1958|13.50 x 21 cm|une feuille
    Autograph letter dated and signed by Charles de Gaulle, addressed to his cook Augustine Bastide, who served him from 1940 to 1958. 9 lines in blue ink on his headed paper.
    Fold mark inherent to postal folding.
    The general thanks her for her birthday wishes: "... wholeheartedly, thank you for your thoughtfulness."
    The de Gaulles had taken in the recipient of this letter, Augustine Bastide, upon their arrival in London. Of Provençal origin, she served the family from 1940 to 1958, first in Great Britain then in France. At the de Gaulle couple's table in an England severely affected by rationing, one could then find rabbits, periwinkles, and other frogs. The...
    €1,200
  38. An appointment with Gilles de La Tourette
    An appointment with Gilles de La Tourette
    Lettre autographe datée et signée adressée à son ami le médecin Maurice de FleuryLettre autographe datée et signée adressée à son ami le médecin Maurice de Fleury
    Émile ZOLA (Georges GILLES DE LA TOURETTE)

    Lettre autographe datée et signée adressée à son ami le médecin Maurice de FleuryAutograph letter, dated and signed, addressed to his friend, the doctor Maurice de Fleury

    Paris 15 octobre 1893|13.50 x 20.50 cm|une page 1/4 sur un bifeuillet

    Autograph letter dated and signed by Emile Zola, addressed to his friend the physician Maurice de Fleury, dated in his hand October 15, 1893. 1 page 1/4, 19 lines in black ink on a double sheet. Horinzontal and vertical folds due to mailing. Stain on verso, not affecting the text.

    A most unusual invitation from the master of Naturalism, who wishes to organize a luncheon with two eminent specialists in nervous diseases: "Vous êtes bien aimable de m'inviter à déjeuner. Mais cela va vous faire perdre du temps et à moi aussi [...] pourquoi ne prendriez-vous pas un rendez-vous pour deux heures et demie par exemple, avec M. Gille de la Tourette, soit jeudi, soit...

    €1,350
  39. Lettre autographe datée et signée adressée à son ami le médecin Maurice de Fleury "je crois bien que j'ai trouvé quelque chose pour le supplément du Figaro"Lettre autographe datée et signée adressée à son ami le médecin Maurice de Fleury "je crois bien que j'ai trouvé quelque chose pour le supplément du Figaro"
    Émile ZOLA

    Lettre autographe datée et signée adressée à son ami le médecin Maurice de Fleury "je crois bien que j'ai trouvé quelque chose pour le supplément du Figaro"

    Paris 22 oct[obre] 1891|13.30 x 20.50 cm|une page sur un bifeuillet
    Autograph letter dated and signed by Emile Zola, addressed to his friend the physician Maurice de Fleury, dated in his hand October 22, 1891. 16 lines in black ink on one page.
    "Mon cher de Fleury, je crois bien que j'ai trouvé quelque chose pour le supplément du Figaro. Venez donc causer entre cinq et dix heures [...] Si vous étiez au Théâtre libre samedi soir, je songe que nous pourrions en causer dans un entr'acte, ce qui vous éviterait de vous déranger [...]" ("My dear de Fleury, I do believe I have found something for the Figaro supplement. Do come to chat between five and ten o'clock [...] If you were at the Théâtre Libre Saturday evening, I think we could discuss...
    €1,200
  40. Les modes de Paris : variations du goût et de l'esthétique de la femme 1797 - 1897.Les modes de Paris : variations du goût et de l'esthétique de la femme 1797 - 1897.
    Octave UZANNE

    Les modes de Paris : variations du goût et de l'esthétique de la femme 1797 - 1897.

    Société française d'édition d'art|Paris 1898|17.50 x 25.90 cm|relié
    First edition, one of the deluxe copies on grand papier (90 copies on japon impérial) with a duplicate suite of one hundred plates hors-texte, before coloring, being 200 plates hors-texte, and numerous in-text illustrations in black. No. XCIX. Illustrations by François Courboin.
    Half-cherry red morocco Bradel binding with corners signed at the top of the first endpaper S. David. Smooth Jansenist spine with author, title and date in gilt. Top edge gilt. Small scratches and traces of rubbing on spine. A few dark spots on upper board. Some very occasional foxing.
    Illustrated covers preserved. Copy entirely uncut.
    Very handsome copy.
    Dry stamp on half-title, monogram G.A.
    €1,200
  41. "Je ne pouvais m'empêcher de penser que les "dormeurs" ne craignaient pas de simuler pour se rendre intéressant...""Je ne pouvais m'empêcher de penser que les "dormeurs" ne craignaient pas de simuler pour se rendre intéressant..."
    Philippe SOUPAULT

    "Je ne pouvais m'empêcher de penser que les "dormeurs" ne craignaient pas de simuler pour se rendre intéressant..."Autograph note of one-page memories regarding the experience of surreal sleeps

    S. n.|s. l. s. d. [ca 1980]|14.50 x 21 cm|1 page

    Manuscript note by Philippe Soupault, 22 lines in mauve ink on a sheet, headed with this inscription: "Les séances", devoted to the famous "sleep" sessions conducted in André Breton's studio consisting of oneiric writings or texts dictated by a dreamer.
    The manuscript notes contain three deletions and corrections.
    Philippe Soupault considers his attempts questionable and even labels them as imposture, distancing himself from any active participation in these practices: "Neither Aragon nor I participated actively in the experiments called sleep sessions, while Breton accepted with great interest Crevel's suggestion to engage in experiments he had discovered among...

    €1,000
  42. Un cœur sous une soutaneUn cœur sous une soutane
    Arthur RIMBAUD

    Un cœur sous une soutane

    R. Davis|Paris 1924|15 x 23.50 cm|broché
    First edition printed in only 183 numbered copies on Holland paper.
    First endpaper slightly shadowed, otherwise a rare and handsome copy.
    €1,200
  43. La belle au bois dormant  - La barbe bleue - Cendrillon - Collection complète La belle au bois dormant  - La barbe bleue - Cendrillon - Collection complète
    Charles PERRAULT, Henry LEMARIÉ

    [Sleeping Beauty – Bluebeard – Cinderella – Complete Collection]

    Jean Porson|Paris 1948-1950|16 x 24.50 cm|3 volumes en feuilles sous étuis oblongs

    First printing of the 109 colored wood miniatures by Henry Lemarié, one of the numbered copies on Rives laid paper for each of the volumes.
    Small tear at foot of spine of the Bluebeard slipcase, very light rubbing without significance to the slipcases, two small tears at foot of second board of the silent wrapper encasing Cinderella.


    We include the illustrated catalogue of Jean Porson editions as well as the catalogue, printed on Rives, announcing the collection of Charles Perrault tales illustrated by Henry Lemarié. This descriptive catalogue is decorated with the frontispiece of Sleeping Beauty in black, two vignettes and two in-text illustrations by Henry...

    €1,000
  44. La montagne magiqueLa montagne magique
    Thomas MANN

    La montagne magique

    A. Fayard & Cie|Paris 1931|14 x 22.50 cm|2 volumes brochés
    First edition, on ordinary paper, of the French translation established by Maurice Betz.
    A handsome copy.
    Fine autograph inscription signed by Maurice Betz: "A Claude Aveline, cette montagne enchantée qui n'a plus de secrets pour l'auteur de Madame Maillard, avec l'amicale sympathie de Maurice Betz." ("To Claude Aveline, this magic mountain which no longer holds secrets for the author of Madame Maillard, with the friendly sympathy of Maurice Betz.")



    €1,000
  45. L'immortalitéL'immortalité
    Milan KUNDERA

    L'immortalité[Immortality]

    Gallimard|Paris 1990|14 x 20.5 cm|Broché

    First edition in French, one of the ordinary paper copies.

    A pleasant copy despite three small stains to the edges.

    Signed presentation copy inscribed by Milan Kundera to Jacques Brenner, conveying his best wishes for 1990.

    €1,000
  46. Vipère au poingVipère au poing
    Hervé BAZIN

    Vipère au poing[Viper in the Fist]

    Grasset|Paris 1948|12 x 19 cm|broché

    First edition, one of 175 numbered copies on alfa paper, being the only large-paper copies after 23 on pure laid and 155 on vellum.
    A fine copy despite two small tears at the head and foot of the spine.

    Autograph presentation inscription signed by Hervé Bazin to Robert Géry, accompanied by a small drawing of a viper with its forked tongue extended.

    €2,000
  47. HebdromadairesHebdromadaires
    Jacques PRÉVERT, André POZNER

    Hebdromadaires[Hebdomadaries]

    Guy Authier|Paris 1972|17 x 24.50 cm|en feuilles sous chemise et boîte

    First edition, one of 70 numbered copies on Arches wove paper.

    Our copy is enriched with the autograph signatures of Jacques Prévert — who signed as Jacques Rêve-vert (with the word “vert” highlighted in green) — and of André Pozner, each accompanied by two small drawings: a little cat for Jacques Prévert and a camel’s hump for André Pozner.

    A fine copy, complete with its slipcase.

    €1,200
  48. Evguénie SokolovEvguénie Sokolov
    Serge GAINSBOURG

    Evguénie Sokolov

    Gallimard|Paris 1980|10.50 x 19.50 cm|broché

    First edition, with no deluxe copies printed.
    Pleasant copy, which is uncommon given the fragility of this book, often handled without care.
    Inscribed and signed by Serge Gainsbourg to a recipient named Georges.
     

    €1,000
  49. La belle FranceLa belle France
    Georges DARIEN

    La belle France

    P.V. Stock|Paris 1901|12 x 18.50 cm|relié
    First edition.
    Bradel binding in full paper, smooth spine, chocolate brown morocco title-label, covers preserved, signed binding by Thomas Boichot.
    Handsome copy attractively bound.
    Autograph inscription signed by Georges Darien to Henri Fèvre.
    €1,000
  50. Requiem pour une nonneRequiem pour une nonne
    William FAULKNER, Albert CAMUS

    Requiem pour une nonne[Requiem for a Nun]

    Gallimard|Paris 1957|12 x 19 cm|broché sous chemise et étui

    First French edition, one of 77 numbered copies on pur fil, only deluxe issue.


    Preface by Albert Camus.


    Nice copy housed under a chemise and slipcase by Devauchelle.

    €1,000
  51. SpectacleSpectacle
    Jacques PREVERT

    Spectacle

    Gallimard|Paris 1951|14 x 19.50 cm|broché
    First edition, a Service de Presse (advance) copy.
    Minor rubbing to spine, a tiny hole at head of first cover, clear marks from adhesive paper on endpapers.
    On the half-title page, autograph inscription signed by Jacques Prévert to his friend the Resistance fighter Pierre Hervé enriched with a small multicolored drawing in black felt-tip pen and red colored pencil depicting a little figure holding a placard framing the title of the work.
    €1,000
  52. La terre sous ses piedsLa terre sous ses pieds
    Salman RUSHDIE

    La terre sous ses pieds

    Plon|Paris 1999|15.50 x 24 cm|broché
    The first edition, of which there were no deluxe copies.
    One stain to the lower edge, otherwise a handsome copy.
    Dated autograph inscription signed by Salman Rushdie to a man named Bruno.
    €1,000
  53. Les merveilleux nuagesLes merveilleux nuages
    Françoise SAGAN

    Les merveilleux nuages

    Julliard|Paris 1961|12 x 19 cm|broché
    First edition on ordinary paper.
    Spine very lightly sunned, minor stains of no consequence to front cover.
    Precious autograph inscription signed by Françoise Sagan to Michel Déon.
    €1,000
  54. CromwellCromwell
    Victor HUGO

    Cromwell

    Ambroise Dupont & Cie|Paris 1828|13 x 21 cm|relié
    First edition enhanced with 5 engravings from the 1840 collected edition by Furne, by Camille Rogier and Tony Johannot. The print run, as specified by Clouzot (Guide du bibliophile français), was 1075 copies on laid paper, and some copies on rather fine vellum, with a question mark. This copy is part of the special printing on vellum of which the number of copies is unknown, but it is necessarily from a small print run.
    Full morocco binding ca 1860 signed Amand at top of endpaper. Spine with raised bands richly decorated, triple ruled frame on boards. Wide interior border. Edges gilt. Traces of rubbing on bands, joints and corners. Narrow split in leather at beginning of lower joint at...
    €1,200
  55. Le silence de la merLe silence de la mer
    VERCORS

    Le silence de la mer

    Comité national des écrivains|Paris 1944|11.50 x 16.50 cm|broché
    First public edition, published two years after the original clandestine edition, and first edition for which a deluxe issue was printed, one of 100 numbered copies on coated paper, the only deluxe copies.
    This edition precedes the first public edition from Éditions de Minuit which also includes a deluxe issue.
    Minor foxing to covers lightly and marginally sunned without consequence, handsome interior condition.
    €1,000
  56. "il s'assurera que toutes choses sont dans l'état où il les a laissées""il s'assurera que toutes choses sont dans l'état où il les a laissées"
    Alexandre DUMAS

    "il s'assurera que toutes choses sont dans l'état où il les a laissées"Autograph letter signed to his lover Marie Richon

    lundi soir [1866 ?]|13.30 x 20.90 cm|une page sur un bifeuillet
    Autograph letter signed by Alexandre Dumas to his mistress Marie Richon. 6 lines on one page of a bifolium of laid paper, with the writer's crowned initials.

    « Chère amoi [sic]
    Ton ami arrivé moulu brisé de deux nuits de voitures et de chemins de fer. Il t'attend demain soir mardi. Oh ce sera avec grand bonheur qu'il s'assurera que toutes choses sont dans l'état où il les a laissées
    a toi »




    Nothing is known of this affair with Marie Richon, addressed to this mistress evidently sensitive to literature ("Fais-moi de bons vers pour mon retour," he requests of her in another note). Actress, society woman or woman of learning, the...
    €1,500
  57. Opéra - Oeuvres poétiques 1925-1927Opéra - Oeuvres poétiques 1925-1927
    Jean COCTEAU

    Opéra - Oeuvres poétiques 1925-1927

    Stock|Paris 1927|12 x 19 cm|relié
    First edition, one of 28 numbered copies on Japan paper, deluxe issue.
    Handsome copy attractively bound.
    Half red morocco binding with corners, smooth spine decorated with gilt quadruple vertical fillets at head and tail, gilt fillet frame on moiré-effect paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, contemporary binding signed Franz.
    Cover illustrated by Christian Bérard.
    €1,200
  58. Through the dark continent or the sources of the Nile around the great lakes of equatorial Africa and down the Livingstone river to the atlantic oceanThrough the dark continent or the sources of the Nile around the great lakes of equatorial Africa and down the Livingstone river to the atlantic ocean
    Henry Morton STANLEY

    Through the dark continent or the sources of the Nile around the great lakes of equatorial Africa and down the Livingstone river to the atlantic ocean

    Sampson Low, Marston, Searle & Rivington|London 1878|14.50 x 23 cm|2 volumes en reliures de l'éditeur
    First edition.
    Publisher's full brown cloth binding, smooth spines illustrated in black with African landscapes, gilt publisher's imprints at foot of spines, front boards decorated with black illustrations depicting African landscapes and stamped at their centers with a map of Africa crossed by the gilt Livingstone river framed by the two gilt lakes Victoria and Tanganika, yellow paper endpapers and pastedowns, corners slightly bumped.
    Work illustrated with 2 frontispiece portraits, 8 maps, 2 large folding maps contained in a pocket at the end of each volume, as well as 33 plates and numerous illustrations in the text.
    Two small black stains on the rear board of the first...
    €1,400
  59. Histoires extraordinairesHistoires extraordinaires
    Edgar Allan POE, Charles BAUDELAIRE

    Histoires extraordinaires

    Michel Lévy frères|Paris 1856|11 x 17.70 cm|relié
    First edition of the French translation by Charles Baudelaire, of which there were no deluxe copies.
    Contemporary half brown sheep binding. Smooth spine decorated with fillets. Spine uniformly sunned. Scattered foxing.
    Armorial bookplate, Comte Coustant d'Yanville, Daniel de Grangues.
    The first work by Poe translated by Baudelaire, with his preface Sa vie, son oeuvre, first link in Baudelaire's conquest of his literary prose double, destined to definitively establish the name of Charles Baudelaire alongside Poe.
    €1,000
  60. Le capitaine FracasseLe capitaine Fracasse
    Théophile GAUTIER, Gustave DORÉ

    Le capitaine Fracasse

    Charpentier|Paris 1866|19 x 27.30 cm|relié
    First illustrated edition, uncommon, with 60 wood-engraved plates by Gustave Doré, engraved by Huyot, Jonnard... Edition with the first address: Quai de l'école, preferable to the second.
    Half old red morocco binding with corners. Jansenist spine with raised bands bearing title, author and date at foot. Series of double fillets on boards. Light traces of rubbing. Corners and boards rubbed. Paper superbly fresh, of exquisite whiteness, except for one signature lightly browned and a slight trace of dampstain to upper margin of one engraving, and foxing to upper margin of table of contents.
    Rare condition in contemporary half morocco with beautifully fresh paper.
    "A highly...
    €1,100
  61. From barbarian invasions to the Romantic era : France as seen by its most famous cartoonist
    From barbarian invasions to the Romantic era : France as seen by its most famous cartoonist
    Folies gauloises depuis les Romains jusqu'à nos jours - Album de moeurs et de costumesFolies gauloises depuis les Romains jusqu'à nos jours - Album de moeurs et de costumes
    Gustave DORÉ

    Folies gauloises depuis les Romains jusqu'à nos jours - Album de moeurs et de costumes

    Au bureau du journal amusant|s. l. s. d. [1859]|34.50 x 26.50 cm|relié

    20 full-page lithographs in black by Gustave Doré, in second state.
    Red half oblong Bradel-style cloth binding, smooth spine, black morocco title label, marbled paper boards, beige paper endpapers and flyleaves, corners slightly dulled.

    €1,200
  62. Le chercheur d'orLe chercheur d'or
    Jean-Marie Gustave LE CLÉZIO

    Le chercheur d'or

    Gallimard|Paris 1985|14.50 x 22 cm|relié
    First edition, one of 50 numbered copies on Arches vellum, the only deluxe copies after 45 on Holland paper.
    Half petroleum blue shagreen binding, spine with five raised bands underlined with blind fillets, spine lightly faded, marbled paper boards, endpapers and pastedowns, covers and spine preserved.
    €1,200
  63. Féerie pour une autre fois Féerie pour une autre fois
    Louis-Ferdinand CÉLINE

    Féerie pour une autre fois

    Gallimard|Paris 1952|11.50 x 18 cm|reliure de l'éditeur
    First edition, one of 1050 numbered copies on wove paper.
    Publisher's binding executed after the original design by Paul Bonet.
    Very fine copy complete with its cellophane wrapper.
    €1,000
  64. Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Quand fleurit le marronnier du square"Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Quand fleurit le marronnier du square"
    Boris VIAN

    Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Quand fleurit le marronnier du square"

    S. n.|s. l. s. d. [entre 1954 et 1959]|21 x 27 cm|2 feuillets
    Complete set of Boris Vian's working manuscript and typescript, genesis of the song "Quand fleurit le marronnier du square".
    - one perforated leaf handwritten in pencil and ink by Boris Vian.
    - one perforated leaf typed, fair copy of the manuscript.

    This song was never performed.

    Quand fleurit le marronnier du square
    Autour de nous, le printemps se prépare
    De ses doigts verts, il bat le jeu
    Donnant aux deux amoureux
    Un as de coeur, la carte du bonheur

    ["When the chestnut tree blooms in the square / Around us, spring is preparing / With its green fingers, it plays the game / Giving to the two lovers / An ace of hearts, the...
    €1,200
  65. Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "La première fois"Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "La première fois"
    Boris VIAN

    Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "La première fois"

    S. n.|s. l. s. d. [entre 1950 et 1954]|21 x 27 cm|2 feuillets
    Complete set of Boris Vian's manuscript and working typescript, genesis of the song "La première fois".
    - one perforated leaf handwritten in ink by Boris Vian. One deletion and correction in pencil.
    - one perforated leaf typed by machine, clean copy of the manuscript.

    This song, narrating the composer's first encounter with a lady, was never performed.

    La première fois, sur ton tailleur bleu
    Un grand foulard vert !

    ["The first time, on your blue suit
    A big green scarf!"]

    Fausse note

    ["False note"]

    La seconde fois, j'ai baisé ta main

    ["The second time, I kissed your hand"]

    Tu sentais...

    €1,200
  66. Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Toi l'inconnu(e)"Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Toi l'inconnu(e)"
    Boris VIAN

    Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Toi l'inconnu(e)"

    S. n.|s. l. s. d. [entre 1954 et 1959]|17 x 22 cm|2 feuillets
    Complete set of Boris Vian's working manuscript and typescript for the genesis of the song "Toi l'inconnu(e)".
    - one perforated squared sheet handwritten in blue ink by Boris Vian.
    - one perforated sheet typed on machine, fair copy of the manuscript

    This song was set to music by Claude Vence and performed by Magali Noël in 1990.

    Toi l'inconnu(e)
    Ombre entrevue
    Tendre mirage
    Soleil de ma vie
    Emporte mes soucis



    Provenance: Fondation Boris Vian.
    €1,200
  67. "elle sort le mois prochain (et elle le mérite bien) elle vous est bien reconnaissante.""elle sort le mois prochain (et elle le mérite bien) elle vous est bien reconnaissante."
    Louise MICHEL

    "elle sort le mois prochain (et elle le mérite bien) elle vous est bien reconnaissante."Signed autograph letter addressed to Lucien Barrois

    s. l. • [Paris] 16 juillet s. d. [ca 1885?]|13.40 x 21.10 cm|1 page 1/2 sur un bifeuillet
    Autograph letter signed by Louise Michel addressed to Lucien Barrois; one and a half pages written in black ink on a bifolium of white paper with black border. Transverse folds inherent to posting.
    Mrs. Vernier will be released from prison thanks to Louise Michel's assistance: "elle sort le mois prochain (et elle le mérite bien) elle vous est bien reconnaissante. Remerciez Clémenceau Lafont et Clovis Hugues avec Laguerre (peut-être tous les quatre qui ont apostillé la demande)." ["she is released next month (and she well deserves it) she is very grateful to you. Thank Clémenceau Lafont and Clovis Hugues with Laguerre (perhaps all four who endorsed the...
    €1,200
  68. " Il faut enfin que ce soit vous qui rappeliez cette pauvre femme qui a rendu tant de services."" Il faut enfin que ce soit vous qui rappeliez cette pauvre femme qui a rendu tant de services."
    Louise MICHEL

    " Il faut enfin que ce soit vous qui rappeliez cette pauvre femme qui a rendu tant de services."Signed autograph letter addressed to Lucien Barrois

    s. l. • [Paris] 12 juin 1885|11 x 16.90 cm|2 pages 1/2 sur un bifeuillet
    Autograph letter signed by Louise Michel addressed to Lucien Barrois; two and a half pages written in black ink on a white paper bifolium with black border. Transverse folds inherent to postal delivery.
    Louise Michel requests help for one of her acquaintances: "Madame Maron à qui Lafont ou Clémenceau avait fait avoir promesse à la mairie d'un terme de son loyer (elle en doit trois) n'a plus entendu parler de rien et il faut qu'elle déménage pour aller en face où elle paiera moins. Sa propriétaire l'aurait attendue avec un terme payé sur les trois. Il faut enfin que ce soit vous qui rappeliez cette pauvre femme qui a rendu tant de services." ["Madam...
    €1,000
  69. Aventures du Capitaine Hatteras au Pôle NordAventures du Capitaine Hatteras au Pôle Nord
    Jules VERNE

    Aventures du Capitaine Hatteras au Pôle Nord

    Hetzel|Paris 1905-1914|18 x 28 cm|cartonnage de l'éditeur
    Illustrated edition with 150 drawings by Riou.
    Publisher's Hetzel binding "à l'éventail et à l'éléphant" in full red percale signed A. Lenègre, first cover polychrome signed Engel, second cover type "i" as indicated by Jauzac, spine with lighthouse, original blue endpapers, all edges gilt.
    Volume slightly warped, some soiling to lower board.
    Les Aventures du capitaine Hatteras is an adventure novel that relates an expedition to the North Pole. It features themes such as ethnographic study of hyperborean peoples (the Eskimos) or the harsh survival in an extreme environment.
    €1,000
  70. Unique eunuqueUnique eunuque
    Francis PICABIA

    Unique eunuqueUnique Eunuch

    Au sans pareil|Paris 1920|13.50 x 18.50 cm|broché
    Francis PICABIA
    Unique eunuque [Unique Eunuch]
    Au sans pareil | Paris 1920| 13.5 x 18.5 cm | original wrappers
    First edition, one of 1000 numbered copies on vergé, the only deluxe issue with 10 Arches and 15 papier de couleurs.
    Slightly sunned spine, like most copies.
    Illustrated with a self-portrait of Picabia.
    Preface by Tristan Tzara.
    €600
  71. Une mort très douceUne mort très douce
    Simone de BEAUVOIR

    Une mort très douce

    Gallimard|Paris 1964|12 x 18.50 cm|broché
    First edition, a Service de Presse (advance) copy.
    Small rust stains on the first endpaper, small stains to the upper right corner of the title page, otherwise a handsome copy.
    Autograph inscription signed by Simone de Beauvoir to photographer Serge Tamagnot.
    €1,200
  72. Réflexions sur la peine capitaleRéflexions sur la peine capitale
    Albert CAMUS, Arthur KOESTLER

    Réflexions sur la peine capitale

    Calmann-Lévy|Paris 1957|14.50 x 21.50 cm|broché

    First collected edition, one of 260 numbered copies on tinted wove paper, the only large-paper issue after 45 copies on white Dutch wove paper.
    Introduction and critical study by Jean Bloch-Michel.
    Spine and covers slightly and marginally sunned, with a faint offset mark from a bookseller's description label to the margin of one endpaper.

    €1,000
  73. Photographie originale - Christopher Street Liberation Day March, New York - "Perverts' Union for Gay Liberation"Photographie originale - Christopher Street Liberation Day March, New York - "Perverts' Union for Gay Liberation"
    Jean-Pierre LAFFONT

    Photographie originale - Christopher Street Liberation Day March, New York - "Perverts' Union for Gay Liberation"

    Paris 1970|19.50 x 30 cm|une photographie

    "On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)

    Original photo from Christopher Street Liberation Day March, New York - "Perverts' Union for Gay...
    €1,200
  74. Les plantes insectivoresLes plantes insectivores
    Charles DARWIN

    Les plantes insectivores

    C. Reinwald & Cie|Paris 1877|14.50 x 23.50 cm|reliure de l'éditeur
    Rare first edition of the French translation established by Edmond Barbier.
    Biographical introduction and additional notes by Charles Martins.
    Publisher's full green cloth binding, smooth spine, headcaps skillfully restored, blind-ruled frame on boards, grey paper endpapers and pastedowns.
    Some foxing, gift inscription dated in blue ballpoint pen at head of half-title page.
    Work illustrated with 30 figures in the text.
    €1,200
  75. Les nus et les mortsLes nus et les morts
    Norman MAILER

    Les nus et les morts

    Albin Michel|Paris 1966|12.50 x 20 cm|broché
    New edition of the French translation.
    Preface by André Maurois.
    Two fold marks at upper corner of front cover and lower corner of back cover, small stains on bottom edge.
    Rare bilingual autograph inscription signed by Norman Mailer: "To Jean-Claude merci pour les bons mots. Cheers Norman Mailer".
    €1,000
  76. Là-basLà-bas
    Joris-Karl HUYSMANS

    Là-bas

    Tresse & Stock|Paris 1891|12 x 19 cm|relié
    First edition, with statement of sixth edition.
    Bradel binding in full cream white cloth, smooth spine decorated with a black floral motif, double fillet and black date at foot, contemporary binding.
    Endpapers partially shadowed, some marginal foxing affecting mainly the first and last leaves.
    Rare autograph inscription signed by Joris-Karl Huysmans on this text to P. Edeline.
    €1,000
  77. Sept ans d'aventures au TibetSept ans d'aventures au Tibet
    Heinrich HARRER

    Sept ans d'aventures au Tibet

    Arthaud|Paris 1953|14.50 x 20.50 cm|reliure de l'éditeur
    First edition in French.
    Publisher's full grey cloth binding, smooth spine, front board decorated with chiseled vignettes, black paper endpapers and pastedowns.
    Work illustrated with 40 heliogravures.
    Small stains on verso of first endpaper and on the following page.
    Rare autograph signature of Heinrich Harrer in Tibetan and Roman characters on the endpaper.

    €1,200
  78. La Tentation de Saint AntoineLa Tentation de Saint Antoine
    Gustave FLAUBERT

    La Tentation de Saint Antoine

    Boutitie & Cie|Paris 1922|20 x 25.50 cm|relié
    First edition illustrated with woodcuts by Raphaël Drouart. Copy no. 728 (66 to 1050 on Vélin d'Arches). 18 full-page color plates printed in different tones: sepia, grey, blue, gold, green...), 7 black and white vignettes at chapter beginnings, 3 at chapter ends and one at text end.
    Contemporary signed full brown marbled calf binding by René Kieffer, with his label at top of first endpaper. Raised band spine decorated with 2 diamond shapes with stylized foliage panel in blind. Boards decorated with 2 large panels with alternating foliage in blind, one darker brown, the other lighter. The spine and edges are lighter, only the panels and tools are dark brown. Minor rubbing. Some...
    €1,200
  79. Ritratto di Roma modernaRitratto di Roma moderna
    Filippo de ROSSI

    Ritratto di Roma moderna[Portrait of Modern Rome]

    Filippo de Rossi|Roma [Rome] 1652|11.50 x 17 cm|relié
    First edition illustrated with a frontispiece title, 82 copperplate engravings and 27 wood-engraved medallions in the text. The frontispiece and several engravings are heightened in green and red watercolor.
    Contemporary full vellum binding with overlapping flaps, smooth spine with handwritten title at head.
    Bookworm damage to inner margin without loss of text in signatures E, M and Q. The engraving on page 235 is pasted down; this same page shows a corner lack affecting a few words of the text.
    Handsome copy of this guide to Rome with a very detailed index at front.
    €1,000
  80. Photographie originale représentant Edith Piaf et Alice Rim sur un pédalo dans le port de Cassis en 1942Photographie originale représentant Edith Piaf et Alice Rim sur un pédalo dans le port de Cassis en 1942
    (Edith PIAF)

    Photographie originale représentant Edith Piaf et Alice Rim sur un pédalo dans le port de Cassis en 1942Original photograph depicting Edith Piaf and Alice Rim on a pedalo in the port of Cassis in 1942

    S. n.|s. l. • [Cassis] 1942|13.50 x 8.50 cm|une feuille
    Original photograph depicting Édith Piaf and Alice Rim on a pedalo in the port of Cassis in 1942
    [Cassis] 1942 | 13,5 x 8,5 cm | one photograph
    Original photograph taken by Carlo Rim depicting his wife Alice sitting on a pedalo next to Edith Piaf, the latter raising her right hand to shield her face from the sun, contemporary silver print.
    Details handwritten in black felt tip by Carlo Rim on the back of the photograph: “Alice [et] Edith Piaf à Cassis 1942.” , other annotations in pencil and red pencil.


    In its newspaper Le Grenier d'Arlequin 1916-1940, Carlo Rim recounts the first Édith Piaf concert he attended: “9...
    €1,000
  81. "Je te répèterai répondant ce que je t'ai dit pour ton style...""Je te répèterai répondant ce que je t'ai dit pour ton style..."
    Maurice LEBLANC

    "Je te répèterai répondant ce que je t'ai dit pour ton style..."Signed autograph letter

    s. l. 5 janvier 1891|14.20 x 19.20 cm|3 pages sur un double feuillet
    Autograph letter signed by Maurice Leblanc to an unknown recipient; three pages written in black ink on a double leaf. Transverse folds inherent to posting.
    At the beginning of this year, Maurice Leblanc left the Norman coast to spend the winter in Nice: "Je me souviens un peu tard que je t'avais promis mon adresse à Nice, puisque tu ne te la rappelais pas. 18 rue Alberti, villa Marie-Louise Nice. Tu m'excuseras aussi si je ne t'ai pas envoyé mes souhaits, je travaille énormément, le temps est merveilleux, on cause autour de moi, que te dire ?" ["I remember rather late that I had promised you my address in Nice, since you couldn't recall it. 18 rue...
    €1,000
  82. Journal du VoleurJournal du Voleur
    Jean GENET

    Journal du Voleur[The Thief’s Journal]

    Aux dépens d'un ami|s. l. • (Genève) [Geneva] s. d. [circa 1949]|19.50 x 29 cm|en feuilles sous chemise et étui
    First edition reserved for subscribers only, one of 400 numbered copies on handmade Lana laid paper, the only issue along with 10 copies on Arches laid paper.
    Autograph signature of the author on the justification page.
    Handsome copy.
    €1,200
  83. Portrait photographique de Salvador DaliPortrait photographique de Salvador Dali
    ANONYME (Salvador DALÍ)

    Portrait photographique de Salvador DaliPhotographic portrait of Salvador Dali

    Paris 1970|14.90 x 20.20 cm|une photographie
    Photographic portrait of Salvador Dalí
    Paris 1970 | 14,9 x 20,2 cm | one photograph
    Photographic portrait of Salvador Dalí, contemporary silver print in black and white. Interpress stamp at the bottom of the photograph and handwritten annotations in pencil. Roneotyped sticker: « Service spécial page radio TV FR3, Dimanche 6 avril 20 heures. Une certaine idée de la Correra avec Salvador Dalí » (Special service radio TV page FR3, Sunday 6 April 8 pm, "A certain idea of the Correra with Salvador Dalí").

    A very beautiful photograph taken at a press conference given by Salvador Dali at the Gustave Moreau Museum in Paris on 1st April 1970...
    €800
  84. Madame la Comtesse de Castiglione et Napoléon III ou Le bal aux Tuileries le mardi 29 janvier 1856Madame la Comtesse de Castiglione et Napoléon III ou Le bal aux Tuileries le mardi 29 janvier 1856
    [Comtesse de Virginia CASTIGLIONE ] Charles ROBERT

    Madame la Comtesse de Castiglione et Napoléon III ou Le bal aux Tuileries le mardi 29 janvier 1856[Madame Countess of Castiglione and Napoleon III, or The Ball at the Tuileries on Tuesday, January 29, 1856]

    Paris 1856|30 x 24 cm|une feuille sous marie-louise
    Original ink drawing signed and dated by Charles Robert, titled "Madame la Comtesse de Castiglione et Napoléon III ou Le bal aux Tuileries le mardi 29 janvier 1856".
    This drawing immortalizes the historic meeting of the 19-year-old Countess de Castiglione with Emperor Napoleon III at a ball given by his cousin Princess Mathilde. Invested by Cavour with a delicate diplomatic mission, the Countess came to Paris with the aim of seducing the Emperor and making him sympathetic to the Piedmontese cause and thus convert him to the idea of a unified Italy. She had a famed affair with the Emperor, which strengthened ties between France and Italy before coming to an end, as...
    €1,000
  85. Le grand TroupeauLe grand Troupeau
    Jean GIONO

    Le grand Troupeau[The Great Herd]

    Nrf|Paris 1931|17 x 21.50 cm|broché
    First edition, one of 109 copies numbered on Lafuma pure wove paper and reset in quarto tellière format, deluxe issue.
    Two discreet restorations to the head and tail of the spine.
    A pleasing copy.
    €1,200
  86. La tentation de Saint-AntoineLa tentation de Saint-Antoine
    Gustave FLAUBERT

    La tentation de Saint-Antoine

    Charpentier & Cie|Paris 1874|15 x 23 cm|relié
    First edition with all the typographical features of the first printing: the error "capitaine" instead of "capitale", page 152, and "éphémérides" for "éphémères" on page 295.
    Half green shagreen binding with corners, spine with five raised bands set with black fillets and decorated with triple blind-stamped compartments, marbled paper boards, marbled endpapers and pastedowns, speckled edges, contemporary binding.
    Some minor foxing of no consequence.

    €1,200
  87. Perles et Parures, Les Joyaux, fantaisie par Gavarni, texte par Méry. Minéralogie des dames par le Cte Foelix. [suivi de] Les Parures, fantaisie par Gavarni, texte par Méry. Histoire de la mode par le Cte Foelix.Perles et Parures, Les Joyaux, fantaisie par Gavarni, texte par Méry. Minéralogie des dames par le Cte Foelix. [suivi de] Les Parures, fantaisie par Gavarni, texte par Méry. Histoire de la mode par le Cte Foelix.
    Paul GAVARNI, Joseph MÉRY

    Perles et Parures, Les Joyaux, fantaisie par Gavarni, texte par Méry. Minéralogie des dames par le Cte Foelix. [suivi de] Les Parures, fantaisie par Gavarni, texte par Méry. Histoire de la mode par le Cte Foelix.

    G. de Gonet|Paris 1850 (S.d)|19 x 28.50 cm|relié
    First edition, illustrated with a repeated frontispiece and 30 steel-engraved plates by Gavarni engraved by Geoffroy on China paper laid down. Printed on fine white wove paper. Blue or neutral tissue guards. Illustrated orange-tinted covers preserved (spine and back covers with advertisements also preserved).
    Half lavender morocco binding with corners and long grain signed Mercier (1920) at the top of the first endpaper, in Romantic style. Spine with false raised bands richly decorated with two complex mirrored tools in each compartment, blind fillets and rolls on the bands. Separation fillets on the boards. Uncut copy, full-margined. Perfect paper freshness. Light rubbing traces...
    €1,200
  88. "L'aimable invitation me trouve ici, attendant, aux vitres que la dernière feuille vole."
    Stéphane MALLARMÉ

    "L'aimable invitation me trouve ici, attendant, aux vitres que la dernière feuille vole."Signed autograph card addressed to Alidor Delzant

    Valvins 25 novembre 1896|11.40 x 8.80 cm|une carte recto-verso et une enveloppe
    Autograph card signed by Stéphane Mallarmé addressed to Alidor Delzant, written on both sides in black ink. Envelope included.
    Alidor Delzant was a lawyer, collector and bibliophile. Friend of the Goncourts, he devoted a work to them and was secretary and testamentary legatee of Edmond.
    "L'aimable invitation me trouve ici, attendant, aux vitres que la dernière feuille vole. Vous me permettrez de m'en souvenir peu après ma rentrée à Paris." ["The kind invitation finds me here, waiting, at the windows for the last leaf to fly away. You will allow me to remember it shortly after my return to Paris."]


    €1,200
  89. Histoire du chevalier des Grieux et de Manon LescautHistoire du chevalier des Grieux et de Manon Lescaut
    ABBÉ PREVOST

    Histoire du chevalier des Grieux et de Manon Lescaut

    Javal et Bourdeaux|Paris 1927|24.50 x 29 cm|relié
    Illustrated edition, one of 175 copies printed on japon impérial with 3 states, one in colors with remarques, one in colors without remarques and one in a single color. The drawing, announced in the justification, is absent but our copy is enhanced with two color proofs with remarques printed on old paper and justified in pencil.
    Work illustrated, in first printing, with 15 watercolors by René Lelong, engraved on copper with wash and stipple by Delzers and printed in colors with registration.
    Full France blue morocco binding, smooth spine, covers decorated with silver-colored paper plates on three sides, France blue morocco enhanced with a septuple gilt fillet with return of the...
    €1,200
  90. Monsieur Paul à Cuba - Exemplaire de Régine DeforgesMonsieur Paul à Cuba - Exemplaire de Régine Deforges
    Georges WOLINSKI (inscribed to Régine DEFORGES)

    Monsieur Paul à Cuba - Exemplaire de Régine Deforges[Mr. Paul in Cuba]

    Albin Michel|Paris 1998|13 x 20 cm|broché
    First edition illustrated with drawings by Georges Wolinski.
    A fine copy.
    Precious dated and signed autograph inscription from Georges Wolinski to his friends Régine Deforges and her husband, the illustrator Pierre Wiazemsky, known as Wiaz, enriched with an original drawing depicting Régine Deforges smoking a cigar, the smoke forming a curl in which appear the following words, with a playful nod to Che Guevara: "Pierre et Régine à Cuba, Che calor !"
    €1,000
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