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Sans nom d'éditeur
  10. "cette étrange foire d'empoigne à laquelle j'essayai de donner quelque grâce"
    Jean COCTEAU

    "cette étrange foire d'empoigne à laquelle j'essayai de donner quelque grâce"Autograph letter signed to his friend Carlo Rim about the 1954 Cannes Film Festival, of which Jean Cocteau chaired the jury

    S. n.|s. l. 27 avril 1954|21 x 27 cm|une feuille

    Autograph letter signed by Jean Cocteau, president of the jury of the 1954 Cannes festival which was held from March 25 to April 9, addressed to his friend Carlo Rim, 17 lines in blue ink : "this strange free-for-all to which I tried to give some grace" Jean Cocteau further praises Carlo Rim's impartiality and clairvoyance: "I must tell you my gratitude for your eye which knew how to see above the place..." and denounces the struggles of influence troubling and surrounding the awarding of prizes of which he bore the brunt  : "The funniest thing is that my last attempt at justice still disturbed some schemes - Clément's entourage" [This refers to René...

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  21. [SEGREGATIONNISME] Circulaire condamnant les mariages mixtes

    [SEGREGATIONNISME] Circulaire condamnant les mariages mixtes[SEGREGATIONISM] Circular forbidding mixed-race marriages

    S. n.|Angoulême 30 Nivôse an XI de la République [20 janvier 1803]|18.50 x 24 cm|une page imprimée sur un double feuillet
    [SEGREGATIONISM] Circular forbidding mixed-race marriages
    n.n., Angoulême 30 Nivôse an XI de la République [20 January 1803], 4to (18,5x24cm), a printed page on a double sheet.

    First edition of this circular from the Prefect of the department of Charente addressed to the city mayors and deputy mayors: “I hasten to inform you, citizens, that the intention of the Government is that no marriage act be received between Whites and Negresses, nor between Negroes and Whites; you will please comply with this provision that the Grand Judge, Minister of Justice, transmitted to me by his letter of the 18th of this month, and acknowledge receipt of the present letter...
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  23. Histoire d'Angleterre
    Paul RAPIN DE THOYRAS

    Histoire d'Angleterre

    S. n.|à La Haye [The Hague] 1749|21 x 26 cm|16 volumes reliés
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  25. Mémoires d'Anne de Gonzagues, Princesse Palatine
    Impératrice de Russie MARIA FEODOROVNA, Gabriel SÉNAC DE MEILHAN

    Mémoires d'Anne de Gonzagues, Princesse Palatine

    S. n.|A Londreset [London] • se trouve à Paris 1786|12 x 19.60 cm|relié
    First edition.

    Binding with central arms of Maria Feodorovna, Empress of Russia, née Duchess Sophie Dorothea of Württemberg-Montbéliard (1759-1828), wife of Paul I, and mother of Alexander I and Nicholas I. Double-headed eagle with Russian and Württemberg state symbols, set within the ribbon of the Order of Saint Catherine.

    Contemporary Russian binding in full red morocco, central arms of the Empress. Small black mark on the bottom of the first board, slightly bumped corner. Crisp paper with a few spotting and browning to the endpapers' margins.

    Provenance: Pavlovsk Palace library with its storage label on the first pastedown...
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  26. L'an deux mille quatre cent quarante
    Louis-Sébastien MERCIER

    L'an deux mille quatre cent quarante

    S. n.|Londres [London] 1774|11.50 x 19.50 cm|relié
    New edition of this literary utopia published anonymously and which ranks among the very first works of anticipation.
    Endpapers partially shadowed, some small foxing of no consequence at beginning and end of volume.
    Half aubergine sheep binding, smooth spine lightened and decorated with triple gilt fillets, marbled paper boards.
    Copy slightly warped.
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  27. L'Aigle, collage original de Max Ernst - Ensemble : le dernier Album de Cartes Postales conçu par Paul Eluard encore en mains privées
    Max ERNST, Paul ÉLUARD

    L'Aigle, collage original de Max Ernst - Ensemble : le dernier Album de Cartes Postales conçu par Paul Eluard encore en mains privées

    S. n.|s. l. S.d. (Circa 1930)|34 x 31.40 cm|relié
    Original collage by Max Ernst made from different colored stamps, in the shape of a bird of prey with spread wings. The claws were drawn by the artist in pencil. Framed in a green mat, the collage in postcard format was originally placed on the twelfth plate of the enclosed album that belonged to Paul Eluard. The stamps that we were able to identify were produced between 1906 and 1913. The collage was probably made in the late 1920s or early 1930s. To our knowledge, it is the only bird of its kind made by Ernst from stamps, and it was most likely specifically created by the artist to pay tribute to his friend Eluard and his passion for cartophily. Werner Spies (Max Ernst -...
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  28. Shunga
    ANONYME

    Shunga

    S. n.|s. l. 1880|17.50 x 23.50 cm|autre
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  30. Lettre autographe signée adressée à Alice Rim lui présentant ses voeux pour l'année 1955
    Maurice CHEVALIER

    Lettre autographe signée adressée à Alice Rim lui présentant ses voeux pour l'année 1955

    S. n.|Marnes-la-Coquette 3 Janvier 1955|21 x 27 cm|une feuille + une enveloppe
    Autograph letter dated and signed by Maurice Chevalier addressed from his property "La Louque" in Marnes-la-Coquette to Alice Rim (10 lines in blue ink, envelope included).
    Crease mark inherent to folding for mailing, letter with letterhead featuring Maurice Chevalier's famous boater hat in upper left corner.
    The letter is addressed to Caro Canaille, pen name of Alice Rim, Carlo's wife:
    "3 - 1- 55,
    Chère Caro,
    merci de la pensée. J'arrive de Londres où j'ai fonctionné à la T.V. et me prépare à roucouler içi - la - et la bas     (sic) Que 1955 vous apporte santé - travail - amour. Ami. Chevalier". ["Dear Caro, thank you for the thought...
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  31. Les Liaisons dangereuses
    Pierre-Ambroise-François CHODERLOS DE LACLOS

    Les Liaisons dangereuses

    S. n.|Londres [London] 1796 [1812]|12 x 20.50 cm|2 tomes reliés en un volume
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  42. Carte postale autographe signée adressée à Emile Straus
    Ernest LA JEUNESSE

    Carte postale autographe signée adressée à Emile Straus

    S. n.|Paris 2 février 1904|14 x 9 cm|une carte postale

    Autograph postcard signed by Ernest La Jeunesse addressed to Emile Straus: "Je crois, mon vieux, que vous aimerez cette carte-là. A vous, Ernest La Jeunesse" ["I believe, my old friend, that you will like this card. Yours, Ernest La Jeunesse"]
    A great enthusiast of epistolary art, Emile Straus founded in 1899 La Carte postale illustrée, the bulletin of the association he had just launched, the International Poste-Carte Club.

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  43. Carte postale autographe signée adressée à Emile Straus
    Ernest LA JEUNESSE

    Carte postale autographe signée adressée à Emile Straus

    S. n.|Paris février 1904|14 x 9 cm|une carte postale

    Autograph postcard signed by Ernest La Jeunesse addressed to Emile Straus: "Voici, cher ami, avec mes meilleurs sentiments. Annoncez des séries napoléoniennes, républicaines et autres fantaisies socialistes, votre Ernest La Jeunesse" ["Here, dear friend, with my best regards. Announce Napoleonic series, republican and other socialist fantasies, your Ernest La Jeunesse"]
    A great enthusiast of epistolary art, Emile Straus founded in 1899 La Carte postale illustrée, the bulletin of the association he had just launched, the International Poste-Carte Club.

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  47. Portrait photographique dédicacé de Salman Rushdie
    Salman RUSHDIE

    Portrait photographique dédicacé de Salman RushdieSigned portrait of Salman Rushdie

    S. n.|s. l. 2008|19.50 x 25.50 cm|une feuille
    Signed portrait of Salman Rushdie
    n.p., 2008, 19,5x25,5cm, a photograph.

    Original color photograph, profile portrait of Salman Rushie smiling.
    A label pasted on the back of the photograph presented under mount: "Salman Rushdie Glamour's Women of the year After-party. Essex house. November 10, 2008."
    Signed by Salman Rushdie.
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  48. Pronostic sur Maximilien Robespierre par un animal amphibie. Portraict exact de cet animal. [précédé de] Réponse à la justification de Maximilien Robespierre adressée à Jérôme Pétion par Olympe de Gouges.
    [Olympe de GOUGES as] POLYME

    Pronostic sur Maximilien Robespierre par un animal amphibie. Portraict exact de cet animal. [précédé de] Réponse à la justification de Maximilien Robespierre adressée à Jérôme Pétion par Olympe de Gouges.Prognostic of Maximilien Robespierre, by an Amphibious Animal. A Precise Portrait of this Animal [preceded by] Response to Maximilien Robespierre's Justification

    S. n. • [ Le Jay]|[Paris] s. d. [1792]|12 x 19 cm|broché
    Pronostic sur Maximilien Robespierre par un animal amphibie. Portraict exact de cet animal [preceded by] Réponse à la justification de Maximilien Robespierre adressée à Jérôme Pétion par Olympe de Gouges [Prognostic of Maximilien Robespierre, by an Amphibious Animal. A Precise Portrait of this Animal [preceded by] Response to Maximilien Robespierre's Justification]
    [Le Jay] | [Paris 1792] | 12 x 19 cm | in original wrappers
    First edition of an extraordinarily rare pamphlet addressed by Olympe de Gouges to Robespierre, predicting all the downward spirals of the Revolution one year before the Reign of Terror. She will...
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  60. Carte postale autographe signée adressée à Emile Straus
    Frédéric MISTRAL

    Autograph postcard signed to Emile Straus

    S. n.|Maillane 1903|13.90 x 8.90 cm|une carte postale
    Autograph postcard signed by Frédéric Mistral, addressed to Emile Straus and written in black ink on the verso of a black-and-white photographic view of the Arch and Mausoleum of Saint-Rémy near Arles: "A Martine [one of Straus's pseudonyms] qui trop embrase mal éteint."
    A passionate devotee of epistolary art, Emile Straus founded in 1899 La Carte postale illustrée, the newsletter of the International Poste-Carte Club he had just established.
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  71. Philippe
    Michèle VERT-NIBET

    Philippe

    S. n.|Paris 1984|17 x 22 cm|une feuille en accordéon sous chemise-étui
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  78. Le Gisant mis en Lumière
    René CHAR, Alexandre GALPÉRINE

    Le Gisant mis en Lumière

    S. n. • [ Marie Claude de Saint Seine]|Paris 1987|25 x 32 cm|en feuilles sous chemise et étui
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  79. Photographie dédicacée par Natalie Clifford-Barney
    CAROLUS-DURAN, Natalie Clifford BARNEY

    Photographie dédicacée par Natalie Clifford-BarneyInscribed photograph signed by Natalie Clifford Barney

    S. n.|s. l. s. d. [ca 1966]|8 x 10.90 cm|une photographie
    Inscribed photograph signed by Natalie Clifford Barney
    [ca 1900] | 8 x 10,9 cm | one photograph
    Original photograph in albumen print from the early 20th century, showing the black and white childhood portrait of Natalie Clifford Barney, painted by Carolus-Duran in 1887.

    On the back in blue ink, a later (ca 1960) handwritten inscription by Natalie Clifford Barney: “Triste et doux petit page, – moi-même de jadis... peint par Carolus Duran” ("Sad and sweet little page, myself of yesteryear...painted by Carolus-Duran.")
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  86. Histoire de l'Oeil
    [Georges BATAILLE as] LORD AUCH

    Histoire de l'Oeil

    S. n. • [ Jean-Jacques Pauvert]|Burgos 1941 (1951)|12 x 18.50 cm|broché
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  87. Composition féérique. Photomontage original dédicacé au dos par Christian Boltanski
    Christian BOLTANSKI

    Composition féérique. Photomontage original dédicacé au dos par Christian BoltanskiComposition feerique. Original photomontage inscribed on the back by Christian Boltanski

    S. n.|s. l. s. d. [1979]|67.50 x 53 cm|une photographie sous cadre
    Composition féérique. Original photomontage inscribed on the back by Christian Boltanski
    [1979] | 67,5 x 53 cm | one photograph in a frame
    Original contemporary silver print framed under glass and a light frame by the artist.

    Handwritten inscription signed by Christian Boltanski on the back of the frame.

    Referenced in the annotated catalogue raisonné of the artist.
    Rare photomontage signed by the artist who, after a working for a long time on pure photography, makes a radical transformation towards an aesthetic of shadow and fantasy.
    Through double exposure and lighting, the photograph...
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