Sans nom d'éditeur

Sans nom d'éditeur

Follow this publisher
Be notified as soon as we catalog a work by this publisher
Other Names
  • s. n.
  • Sans nom d'éditeur

Do you have information to share about this publisher?

2801 results
Sans nom d'éditeur
  1. Humoristique dessin original signé et dédicacé à Luis Bunuel représentant Jésus-Christ portant sa croix et réclamant un porteur
    Maurice HENRY

    Humoristique dessin original signé et dédicacé à Luis Bunuel représentant Jésus-Christ portant sa croix et réclamant un porteur

    S. n.|s. l. s. d. [circa 1960]|22 x 28.50 cm|une feuille
    Amusant et surréaliste dessin original à l'encre noire, réalisé sur une feuille de dessin sur vélin Montgolfier, signé par Maurice Henry et qu'il a offert et dédicacé au cinéaste Luis Bunuel.
    Le dessin original représente Jésus-Christ mécontant de porter sa croix, une goutte de sueur perlant à sa tempe droite, et réclamant un porteur.
    Cet humoristique croquis est accompagné de cette décicace manuscrite de Maurice Henry : ""Pour Luis Bunuel avec l'affection, de Maurice Henry."
    Beau témoignage de la rencontre entre un poète et dessinateur et un cinéaste, tous deux marqués par l'empreinte surréaliste.
    Sold
  5. Programme des soirées de gala consacrées au "Soirée de Paris" du 17 Mai au 30 Juin 1924 au théâtre de La Cigale
    COLLECTIF, Pablo PICASSO

    Programme des soirées de gala consacrées au "Soirée de Paris" du 17 Mai au 30 Juin 1924 au théâtre de La Cigale

    S. n.|Paris 1924|18.50 x 25 cm|agrafé
    First edition of this program for the gala evenings organized around the "Soirées de Paris" and for the benefit of the war widows' assistance charity and the Russian refugees' relief committee.
    Prefaces by Lucien Daudet at the end of the program and by Count Etienne de Beaumont, the patron of the event.
    Issue illustrated with reproductions of paintings by Georges Braque, Pablo Picasso, André Derain and drawings by Jean Victor-Hugo.
    Some worming to margins of front cover, small tears to spine, handsome interior condition.
    Sold
  8. Lettre autographe datée et signée d'une page à Vivette Perret
    Albert CAMUS

    Lettre autographe datée et signée d'une page à Vivette PerretHandwritten letter dated 31 March 1956 and signed Albert Camus, written on 26 lines in black ink, addressed to the then suffering Vivette Perret and in which he evokes the completion of his adaptation of Faulkner's Requiem for a Nun which he plans to rename "Le cri".

    S. n.|Paris 31 mars 1956|13.50 x 21 cm|une feuille
    s. n. | Paris Monday 13 October [1947] | 13.5 x 21 cm | one leaf
    Handwritten letter dated 31 March 1956 and signed Albert Camus, written on 26 lines in black ink, addressed to the then suffering Vivette Perret and in which he evokes the completion of his adaptation of Faulkner's Requiem for a Nun which he plans to rename “Le cri”.
    Beautiful state despite one sign of a fold due to having been placed in an envelope.
    Sold
  13. Bronze du crâne du divin marquis
    Donatien Alphonse François de SADE

    Bronze du crâne du divin marquisBronze Cast of the Marquis de Sade's Skull

    S. n.|s. l. 2012|20 x 13.50 cm|autre
    Bronze Cast of the Marquis de Sade's Skull
    2012 | 20 x 13.5 x 15 cm | bronze
    Bronze cast of the Marquis de Sade's skull by the master founder Avangini. One of a unique numbered edition of 99 bearing a reproduction of Sade's signature.
    Also included is a certificate of authenticity signed by the Comtesse de Sade, with the family's wax seal.

    Provenance: family archives.

    On Friday 2nd December 1814, Donatien Alphonse François, Marquis de Sade died at the Charenton asylum, at the age of 74.
    Despite his final wishes, the Marquis had a religious burial in the cemetery at Charenton. In an ironic twist of fate, Sade would not stay...
    Sold
  26. Notice historique sur la vie et les ouvrages de Cervantès
    Prosper MERIMEE

    Notice historique sur la vie et les ouvrages de Cervantès

    S. n. • [ Sautelet & Cie]|s. l. • [Paris] s. d. [1826]|13 x 21.50 cm|relié
    First edition of this reprint on vellum intended for the edition of Don Quixote by Sautelet and reproduced in 1874, in Portraits histoirques et littéraires.
    It is the second writing by the young Prosper Mérimée after Clara Glazul's Theater published the previous year without an author's name and with an epigraph borrowed from Miguel de Cervantès.
    Binding in half morocco long grain mint with corners, back with five fine nerves decorated with double golden threads with a slight snag, framing of golden threads on the plates of marbled paper, guards and counterplates of blue paper, golden head, binding of the 'time.
    Rare autograph copy of Prosper...
    Sold
  27. Le musée Grévin
    [Louis ARAGON as] François LA COLERE

    Le musée Grévin

    S. n. • [ Les Editions de Minuit • La Bibliothèque Française]|s. l. • [Paris • & Saint-Flour] s. d. [1943]|21 x 27.50 cm|une feuille rempliée & un cahier agrafé
    n. n. [Les éditions de minuit & La Bibliothèque Française] | n. p. [Paris & Saint-Flour] n. d. [1943]
    | 21 x 28 cm & 13,5 x 20,5 cm | one folding leaf & one stapled booklet
    Rare double first edition of this masterpiece of the literature of the Resistance, probably published simultaneously in the northern and southern zone by the two most important underground publishers of the Resistance.

    The six-page fold-out cupboard produced in the Parisian cellar of Editions de Minuit is echoed by the equally modest brochure printed on the active resistant presses of Saint-Flour by René Amarger under a yellow cover “falling from wallpaper”. It...
    Sold
  30. Napoléon le Petit
    Victor HUGO

    Napoléon le Petit

    S. n.|s. l. • [Bruxelles] [Brussels] 1853|8 x 12.50 cm|relié
    First edition in deluxe copies ("grands papiers"), one of 16 numbered copies on fine Holland paper, only print after 6 China, the first edition published a year earlier does not include a print in deluxe copies.
    Nice copy.
    Binding in half red morocco, top edge gilt.
    Very rare and beautiful deluxe copy of this famous pamphlet against Napoleon III (see Clouzot).
    Sold
  31. La bête noire n°5
    COLLECTIF, Maurice RAYNAL

    La bête noire n°5

    S. n.|s. l. • (Paris) 1er octobre 1935|32 x 48 cm|un numéro
    First edition of this review edited by Maurice Raynal and Efstrathios Tériade, and in particular illustrated by Georges Braque, Balthus, Roger Vitrac published between April 1935 and February 1936.
    An artistic and literary review created by the writers Maurice Raynal and Michel Leiris, La Bête noire was conceived as an attempt at an intellectual counter-attack to the rise of fascism in France, awakened by the Parisian demonstrations of February 1934 . The review was baptized by the wealthy banker Marcel Moré, a friend of Max Jacob, Antonin Artaud, and Georges Bataille - and will also benefit from his financial support.
    Sold
  32. La bête noire n°7
    COLLECTIF, Maurice RAYNAL

    La bête noire n°7

    S. n.|s. l. • (Paris) 1er décembre 1935|32 x 48 cm|un numéro
    First edition of this review edited by Maurice Raynal and Efstrathios Tériade, and in particular illustrated by Georges Braque, Balthus, Roger Vitrac published between April 1935 and February 1936.
    An artistic and literary review created by the writers Maurice Raynal and Michel Leiris, La Bête noire was conceived as an attempt at an intellectual counter-attack to the rise of fascism in France, awakened by the Parisian demonstrations of February 1934 . The review was baptized by the wealthy banker Marcel Moré, a friend of Max Jacob, Antonin Artaud, and Georges Bataille - and will also benefit from his financial support.
    Sold
  33. La bête noire n°4
    COLLECTIF, Maurice RAYNAL

    La bête noire n°4

    S. n.|s. l. • (Paris) 1er juillet 1935|32 x 48 cm|un numéro
    First edition of this review edited by Maurice Raynal and Efstrathios Tériade, and in particular illustrated by Georges Braque, Balthus, Roger Vitrac published between April 1935 and February 1936.
    Marginal tears.
    An artistic and literary review created by the writers Maurice Raynal and Michel Leiris, La Bête noire was conceived as an attempt at an intellectual counter-attack to the rise of fascism in France, awakened by the Parisian demonstrations of February 1934 . The review was baptized by the wealthy banker Marcel Moré, a friend of Max Jacob, Antonin Artaud, and Georges Bataille - and will also benefit from his...
    Sold
  34. La bête noire n°3
    COLLECTIF, Maurice RAYNAL

    La bête noire n°3

    S. n.|s. l. • (Paris) 1er juin 1935|32.50 x 46 cm|un numéro
    First edition of this review edited by Maurice Raynal and Efstrathios Tériade, and in particular illustrated by Georges Braque, Balthus, Roger Vitrac published between April 1935 and February 1936.
    Marginal tears.
    An artistic and literary review created by the writers Maurice Raynal and Michel Leiris, La Bête noire was conceived as an attempt at an intellectual counter-attack to the rise of fascism in France, awakened by the Parisian demonstrations of February 1934 . The review was baptized by the wealthy banker Marcel Moré, a friend of Max Jacob, Antonin Artaud, and Georges Bataille - and will also benefit from his...
    Sold
  35. La bête noire n°2
    COLLECTIF, Maurice RAYNAL

    La bête noire n°2

    S. n.|s. l. • (Paris) 1er mai 1935|28 x 38 cm|un numéro
    First edition of this review edited by Maurice Raynal and Efstrathios Tériade, and in particular illustrated by Georges Braque, Balthus, Roger Vitrac published between April 1935 and February 1936.
    Marginal tears.
    An artistic and literary review created by the writers Maurice Raynal and Michel Leiris, La Bête noire was conceived as an attempt at an intellectual counter-attack to the rise of fascism in France, awakened by the Parisian demonstrations of February 1934 . The review was baptized by the wealthy banker Marcel Moré, a friend of Max Jacob, Antonin Artaud, and Georges Bataille - and will also benefit from his...
    Sold
  40. Le je ne sais quoi
    CARTIER DE SAINT PHILIP

    Le je ne sais quoi

    S. n.|à La Haye [The Hague] 1723|9 x 15.50 cm|2 volumes reliés
    Sold
  45. Querelle de Brest
    Jean GENET, Jean COCTEAU

    Querelle de Brest

    S. n. • [ Paul Morihien]|s. l. • [Paris] 1947|23.50 x 31.50 cm|broché sous chemise à lacets
    GENET Jean & COCTEAU Jean
    Querelle de Brest
    No printer (Paul Morihien), n.p. (but Paris) 1947, 23.5 x 31.5 cm, paper covers and chemise with ties.
    First edition, hors commerce, of 525 numbered copies, this one of the 460 numbered copies on vélin à la forme paper.
    This copy has its card chemise with ties, repairs to joints.
    Lacking the advertising leaf.
    With 29 original lithographs by Jean Cocteau, including a frontispiece and 28 others hors texte.
    Sold
  46. Anachroniques
    Fernand BOTTI

    Anachroniques

    S. n.|s. l. s. d. [circa 1950]|13.50 x 21 cm|broché
    First edition, one of 20 copies numbered on Alfa paper, only large papers.
    Handwritten thought of a previous owner on the cover page.
    We are enclosing three typescripts of poems by Fernand Botti with three handwritten corrections, two handwritten corrections by the author page 24.
    Sold
  47. Lettre autographe signée de deux pages
    Gabriele D'ANNUNZIO

    Lettre autographe signée de deux pages

    S. n.|s. l. 25 Décembre 1913|17.50 x 23 cm|une feuille avec enveloppe
    Autograph letter dated December 25 (1913, postmarked) and signed two pages by Gabriele d'Annunzio thanking his correspondent Mrs. L. Boulenger for the gift she sent him and praising her generosity.
    "Dear Madam, I received the tube before your ticket, but I guessed without hesitation that the gift came from you. I know your delicate kindness: it touches me deeply, once again. Thank you. I will think of you , over there, in the moor, warming my frozen hands, during my morning walks. Goodbye, see you next Sunday. Accept my most affectionate wishes, dear madam, and believe in my deep devotion. Gabriele d'Annunzio. December 25th."
    Envelope attached.
    Sold
  48. Lettre autographe signée d'une page
    André GIDE

    Lettre autographe signée d'une page

    S. n.|s. l. • [Paris] 18 Février 1910|16.50 x 22 cm|une feuille
    Autograph letter dated February 18, 1910 and signed with a page by André Gide in which he offers his correspondent two choices of meeting because he is again Parisian, having returned from his Norman property in Cuverville.
    "My dear friend, yes I would see you with pleasure; here I am back from Cuverville where time has not allowed me to rest as much as I would have liked - because I was quite tired. Can you without Is it worth coming to Auteuil on Sunday morning? If not, it would be me who would pass AV de Saxe one of the first days of next week at the time you want to tell me. Affectionately yours. André Gide "."
    Sold
  49. [Manuscrit] Poème autographe intitulé "Le totem"
    Léopold Sédar SENGHOR

    [Manuscrit] Poème autographe intitulé "Le totem"[Manuscript] Autograph Poem Entitled "Le totem"

    S. n.|s. l. 1984|21 x 21 cm|une feuille plus deux autres
    Very beautiful manuscript poem by Léopold Sédar Senghor entitled "The totem" comprising seven stanzas:
    "The totem.
    I must hide it from the innermost of my veins /
    The storm-skinned ancestor streaked with lightning and lightning /
    My guardian animal, I must hide it /
    Let me not break the barrage of scandals /
    It is my faithful blood that requires fidelity /
    Protecting my naked pride from /
    Myself and the superb of happy breeds.
    Senghor. "
    We enclose a typed letter signed by Léopold Sédar Senghor, dated December 5, 1984, and sent from Dakar, in which he requests to find with this present the handwritten copy of his poem "The...
    Sold
  50. Humoristique dessin original sur calque signé et légendé de Sacha Guitry sur le thème de la photographie
    Sacha GUITRY

    Humoristique dessin original sur calque signé et légendé de Sacha Guitry sur le thème de la photographie

    S. n.|s. l. s. d. [circa 1930]|23.50 x 15.50 cm|une feuille sous Marie-Louise et encadrée
    Funny original drawing, on tracing paper, on the theme of the photography of Sacha guitry that he captioned and signed.
    The drawing represents a photographer ready to set in motion the mechanism of his camera to immortalize, by photographing her, an imposing countess little reassured by this new technology to which she does not seem yet broken.
    Below his humorous drawing, Sacha Guitry added these few words: "The photographer. - Do not be afraid countess, he is not loaded!"
    The drawing is presented under Marie-Louise and in a frame.
    Sold
  53. Lettre autographe signée d'une page
    COLETTE

    Lettre autographe signée d'une page

    S. n.|s. l. s. d. [circa 1950]|21 x 27 cm|une feuille
    Funny autograph letter signed by a page of Colette apologizing for refusing, arguing of her great age, the proposal that she was made to participate in conferences.
    "My dear President, do you think I still have my brilliant fiftieth birthday? I will be 77 in three months, and I cannot think of speaking by train and path. I assure you of all my sympathy, and my regret . "
    Sold
  55. Lettre autographe signée d'une page
    Simone de BEAUVOIR

    Lettre autographe signée d'une page

    S. n.|s. l. s. d. [circa 1960]|21.50 x 27 cm|une feuille
    Autograph letter signed by a page of Simone de Beauvoir about a draft article concerning her and that her correspondent wants to write.
    "Dear madam, I wrote to you
    Sold
  56. Lettre autographe datée et signée d'une page à Ernest Feydeau
    George SAND

    Lettre autographe datée et signée d'une page à Ernest Feydeau

    S. n.|Nohant [Nohant-Vic] 30 Juin 1858|13.50 x 21 cm|une feuille
    Autograph letter dated and signed on a page from George Sand to Ernest Feydeau in which she recommends Emile Aucante, his godson, who would be the most suitable person and able to edit the novels he plans to print:
    "Sir, I always hope to have the pleasure of seeing you soon, as you made me the good promise. In the meantime, since you also promised to make other novels, I come to recommend the agency from Mr Emile Aucante who is one of my best and safest friends, and to whom came a good and useful idea whose moral and serious side you will appreciate, at the same time as you may have an interest in taking advantage of the lights and the dedication he places in our service...
    Sold
  57. Lettre autographe signée à son ami Georges Raillard enrichie de trois dessins originaux dont deux sur l'enveloppe jointe
    Louis PONS

    Lettre autographe signée à son ami Georges Raillard enrichie de trois dessins originaux dont deux sur l'enveloppe jointe

    S. n.|Paris 28 Octobre 2008|20 x 20.50 cm|une feuille
    Letter autograph signed by Louis Pons, to his friend Georges Raillard, art critic, specializing in the works of Joan Miro and Antoni Tapies, about a work on Monticelli that he recently received from one of their common friend and for whom Georges Raillard wrote the text.
    On the attached envelope, which he recomposed in his fanciful and ornithological manner, Louis Pons drew, in black ink, on the front and back, two curious beasts: a magpie in a tail-tail suit and a rat. of which just the head and the tail emerge from the envelope, the place of his body being crossed by a nail.
    Finally, on the sidelines of the handwritten letter, Louis Pons drew a human-looking character...
    Sold
  58. Enveloppe adressée par Emmanuel Lévinas à Emmanuel Moses enrichie d'un mot autographe
    Emmanuel LEVINAS

    Enveloppe adressée par Emmanuel Lévinas à Emmanuel Moses enrichie d'un mot autographe

    S. n.|s. l. 13 Octobre 1989|13.50 x 22 cm|une enveloppe
    Handwritten envelope addressed by Emmanuel Lévinas to Emmanuel Moses containing this autograph word "with my heartfelt thoughts" accompanying a photocopy of an article by Emmanuel Lévinas published in the Figaro of April 14, 1986 concerning the Shoah and entitled "The mystery of Israel ".
    Sold
  59. L'automne
    Éphraïm MIKHAËL

    L'automne

    S. n.|s. l. • [Paris] 1886|16 x 23.50 cm|relié
    First edition, one of the few copies on Holland paper.
    Braid binding in half blue cloth, smooth back, marbled paper plates.
    Beautiful and rare copy.
    Our copy is enriched by the two-page manuscript poem entitled "Autumn", which includes some corrections by Ephraim Mikhael, and which inuagure this very rare collection of poems.
    Sold
  60. Affiche originale : "Mise en accusation et jugement de M. Maurice Barrès par Dada"
    DADA (Maurice BARRÈS)

    Affiche originale : "Mise en accusation et jugement de M. Maurice Barrès par Dada"

    S. n.|13 mai 1921|32 x 24 cm|une affiche encadrée sous verre
    Original poster: «Charges against and trial of M. Maurice Barrès by Dada»


    13 May 1921 | Poster: 32 x 24 cm / Frame: 45.5 x 37.5 cm | poster, framed and glazed
    An original Dadaist poster entitled «Charges against and trial of M. Maurice Barrès by Dada» framed and glazed on both sides. On the verso is an «Extract from the charge sheet» written by André Breton, followed by a list of the contributors. A manuscript annotation «VI n°47» to left-hand corner of verso. One small repair using a strip of paper not touching text to verso. Folds, otherwise a well-preserved poster with vibrant yellows.
    A poster announcing the fictitious criminal trial of Maurice Barrès...
    Sold
  62. Célèbre ex-libris d'André Breton dit "Le tamanoir" dessiné et gravé par Salvador Dali
    Salvador DALI, André BRETON

    Célèbre ex-libris d'André Breton dit "Le tamanoir" dessiné et gravé par Salvador DaliAndre Breton's famous ex-libris, known as eThe Anteatere, drawn and engraved by Salvador Dali

    S. n.|Paris s. d. [circa 1930]|6.50 x 4 cm|une feuille
    André Breton's famous ex-libris, known as «The Anteater», drawn and engraved by Salvador Dalí
    n. n. | Paris [ca 1930] | 6.5 x 4 cm | one leaf
    An ex-libris with an engraving by Dalí, with his signature, and titled «André Breton the Anteater», done for Breton.
    Rare.
    Sold
  65. L'Université libre, série mensuelle N°2
    ANONYME

    L'Université libre, série mensuelle N°2

    S. n.|[Paris] Février 1942|22 x 28 cm|une feuille
    L'Université libre, série mensuelle n° 2


    no publisher | [Paris] February | 1942 | 22 x 28 cm | one leaf
    First edition, clandestinely printed, of this Parisian Resistance journal, only two issues of which appeared in September/October 1941 and February 1942.
    Small marginal tears, not serious, two folds as originally folded.
    hough taking the name of the «L'Université libre» Resistance group of intellectuals created by Georges Politzer, Jacques Decour, Paul Langevin and Jacques Solomon, this «monthly review» more than likely was not the work of this group. The 103 issues of Politzer's newspaper were roneotyped and not, like the present...
    Sold
  70. Penser la littérature aujourd'hui
    Jean RICARDOU

    Penser la littérature aujourd'hui

    S. n.|s. l. s. d. [circa 1972]|16 x 24.50 cm|agrafé
    First edition printed to a small number of this reprint reprinted and extending various indications proposed in "Problems of the New Roman" and "For a theory of the New Roman".
    Signed autograph of Jean Ricardou to Georges Raillard: "These few elements, dear Georges Raillard, to thank you for your" Nausea "(and especially to have mentioned this beginning where I was involved) and because I can thus say again my friendship."
    Sold
  72. Louis Jourdan
    Léon DESHAIRS

    Louis Jourdan

    S. n.|s. l. 1951|25 x 33 cm|broché
    First Edition printed in 300 numbered copies.
    Pleasant illustrated copy of reproductions of works of Louis Jourdan.
    Preface by Léon Deshairs.
    Autograph signed by Léon Deshairs to his godson.
    Sold
  74. Pacific Palisades. Cahier N°1. 6 stations
    Francis LIMÉRAT

    Pacific Palisades. Cahier N°1. 6 stations

    S. n.|Los Angeles 1996|14.50 x 19.50 cm|en feuilles

    Pacific Palisades. Cahier N°1. 6 stations
    n. n. | Los Angeles 1996 | 14.5 x 19.5 cm | in leaves
    First edition, printed in a small number of copies, of this fascicule No. 1, the only one that appeared, showcasing the artist's graphic work. 
    A good and rare copy consisting of a collection of 6 hors-texte engravings.
    "My desire is that the reading of this journey of lines, their crossings, their very suspense, should be of the very slowest possible and free of all leading thoughts, so that the mind can relish the figures of the voids thus defined.
    It is this place, this out-of-place that summons, I think, these paradoxical gestures of construction carefully destroyed, subject...

    Sold
  77. Carte postale adressée à Noël B. de la Mort lui souhaitant bonne fortune pour un ouvrage publié récemment
    Henry de MONTHERLANT

    Carte postale adressée à Noël B. de la Mort lui souhaitant bonne fortune pour un ouvrage publié récemment

    S. n.|Paris Octobre 1938|15 x 10.50 cm|une feuille
    Postcard dated October 1938 and addressed to the writer, journalist and chronicler Noël B. de la Mort humorously presenting his wishes for success probably in connection with one of his recently published works.
    "All my best wishes, dear sir, if the wishes of the author of J. Filles, in the circumstances, are not a guineaguard, Sincerely yours, Montherlant."
    Sold
  78. Lettre autographe signée à son ami Georges Raillard enrichie de trois dessins originaux dont deux sur l'enveloppe jointe
    Louis PONS

    Lettre autographe signée à son ami Georges Raillard enrichie de trois dessins originaux dont deux sur l'enveloppe jointe

    S. n.|Paris 28 Octobre 2008|20 x 20.50 cm|une feuille
    Letter autograph signed by Louis Pons, to his friend Georges Raillard, art critic, specializing in the works of Joan Miro and Antoni Tapies, about a book on Monticelli that he recently received from one of their common friend and for whom Georges Raillard has written the text.
    On the attached envelope, which he recomposed in his fanciful and ornithological manner, Louis Pons drew, in black ink, on the front and back, two curious beasts: a magpie in a tail-tail suit and a rat. of which just the head and the tail emerge from the envelope, the place of his body being crossed by a nail.
    Finally, on the sidelines of the handwritten letter, Louis Pons drew a human-looking...
    Sold
  80. Le misanthrope
    MOLIÈRE

    Le misanthrope

    S. n. • [ Daniel Elzevier]|A Paris • [Amsterdam] 1679|7.50 x 13.20 cm|relié
    Sold
  82. Carte postale adressée à Noël B. de la Mort à propos d'un ouvrage de Michel Mohrt récemment paru
    Henry de MONTHERLANT

    Carte postale adressée à Noël B. de la Mort à propos d'un ouvrage de Michel Mohrt récemment paru

    S. n.|Paris 19 Janvier 1943|10.50 x 14.50 cm|une feuille
    Postcard dated January 19, 1943 and addressed to the writer, journalist and chronicler Noël B. de la Mort about the book recently published by his friend Michel Mohrt "French intellectuals before the defeat of 1870".
    Henri de Montherlant wishes to draw the attention of his correspondent to this book, which "seems to me to be a burning issue, and I believe that nothing would be easier than to quote it in one of your brilliant chronicles".
    Finally, he thanked him in advance for the service he would render to his friend, whose third book he published, and which in 1943 published the book entitled "Montherlant, a free man".
    Sold
  83. Fragment manuscrit de "L'oblat"
    Joris-Karl HUYSMANS

    Fragment manuscrit de "L'oblat"

    S. n.|s. l. 1903|21.50 x 31.50 cm|une page
    Preparatory manuscript fragment of the novel " The Oblate" written in black ink on 35 lines, part of the second chapter of the book.
    Some erasures and corrections of the hand of Joris-Karl Huysmans.
    A trace of central fold inherent in the enveloping, a marginal tear at the fold.
    The manuscript fragment is a variant of Chapter II of "The Oblate" and seems not to have been used by Joris-Karl Huysmans for the final drafting of this text.
    Sold
  85. Le quartier aux échelles. Un atelier de poésie à la maison d'arrêt de Fresnes
    André D. LAHAYE

    Le quartier aux échelles. Un atelier de poésie à la maison d'arrêt de Fresnes

    S. n.|s. l. 1978-1980|21 x 29.50 cm|broché
    First edition copied.
    Two pale wettings at the bottom of the first board and at the head of the second board.
    Autograph dedication signed by André Lahaye to a friend whom he calls Momo: "A Momo who - I know - is at the heart of sad songs from beyond the walls."
    Sold
  86. Histoire de Mr. Vieux Bois
    Rodolphe TÖPFFER

    Histoire de Mr. Vieux Bois

    S. n.|Paris 1860|28 x 19.50 cm|relié
    Rodolphe TÖPFFER
    Histoire de Mr. Vieux Bois
    Paris 1860 | 28 x 19.5 cm | publisher's binding
    New edition, original for parts, texts and drawings reviewed by Töpffer's son. 92 pages of illustrations
    Publisher's illustrated cloth in full red glazed calico, spine decorated at the top and bottom with gilt fillets and motifs with a gilt title, boards framed with black fillets and friezes, the first with a large golden illustration in the centre, original blue endpapers, all edges gilt.
    A damaged corner and glazed calico cracked around the top of the joint on the second board. Very fresh copy without any foxing whatsoever.
    Sold
  87. Photographie originale représentant André Breton attablé
    (André BRETON)

    Photographie originale représentant André Breton attablé

    S. n.|s. l. s. d. [circa 1940]|5.80 x 8.30 cm|une photographie
    Original black and white photograph
    of André Breton seated over a drink
    [ca 1940] | 5,8 x 8,3 cm | one photograph
    Original black and white photograph of André Breton seated, smoking a cigarette and drinking wine. Contemporary print probably unique.
    Provenance : Destribats collection.
    Sold
  89. Carte postale signée de Mistinguett et Max Dearly
    Jeanne Florentine Bourgeois, dite MISTINGUETT, Max DEARLY [Lucien Paul Marie-Joseph ROLLAND]

    Carte postale signée de Mistinguett et Max Dearly

    S. n.|s. l. 1912|13.50 x 8.50 cm|une feuille verso
    Postcard depicting Mistinguett and Max Dearly in a scene from the play "Happiness under the hand" created in 1912 at the Théâtre des Variétés.
    Signed autograph dedication of Mistinguett, at the foot of his portrait, to Mr. Humbert Oberlé enriched by the signature of Max Dearly.
    Sold
  90. Carte postale photographique signée de Sarah Bernhardt et Julia Bartet
    Henriette-Marie-Sarah Bernhardt, dite Sarah BERNHARDT, Julia BARTET

    Carte postale photographique signée de Sarah Bernhardt et Julia Bartet

    S. n.|s. l. s. d. [circa 1900]|9 x 14 cm|une feuille verso
    Photographic postcard depicting the great tragedians Sarah Bernhardt and Julia Bartet in a scene from Alfred de Musset's "The Night of May".
    Nice copy.
    On the back of the card, handwritten signature of Sarah Bernhardt and an autograph signed by Julia Bartet in the form of a quote borrowed "The Night of May" Alfred de Musset: "Nothing makes us so great that great pain. "
    Sold
Results per page