Paris

First edition, one of 13 numbered copies on Or Turner paper, large paper copy, the fewest copies.
Rare and nice copy with double cover.

First edition of the exceedingly rare French translation, illustrated with 5 folding maps hors-texte (cf. Atabey 255. Not in Blackmer).

Contemporary half blond sheep bindings, smooth spines decorated with gilt fillets, a few rubs to the spines, marbled paper boards, engraved bookplates pasted onto the endpapers and pastedowns, yellow edges, contemporary bindings.

Some foxing, date erased from the title page of the first volume.

Quérard III, 216: "Le gouvernement ne permit pas la mise en vente de cette traduction ; il n'y en a eu que quelques exemplaires de répandus".

Provenance: notably from the library of H. Tronchin, with his engraved bookplates pasted onto the p

First edition of this thesis submitted for the agrégation examination (surgery and obstetrics section) and defended at the Faculty of Medicine of Paris on 19 July 1872.

Illustrated with 21 figures in the text.

Wrappers partially soiled, occasional foxing.

Just Lucas-Championnière (1843-1913) spent almost his entire career in the obstetrics departments of Parisian hospitals and was a pioneer in the field of antisepsis. 

Signed autograph inscription from Just Lucas-Championnière to Paul Bert on the half-title page.

First edition of the theatrical adaptation.
Bound in half red shagreen, spine in four compartments set with gilt stipples adorned with double gilt spine panels, marbled paper plates, marbled endpapers, contemporary binding.
Precious handwritten presentation signed by George Sand: “à monsieur Huart en lui demandant pardon de tout le mal que je lui donne.” “To Mr Huart asking for his forgiveness for all the harm I am causing him.”

Provenance: from the Grandsire library with its ex-libris.

First edition, one of the 90 numbered copies on pur fil Lafuma, deluxe copies ("tirage de tête").

Nice copy.
Signed handwritten inscription by Jean Anouilh to Robert Delaroche-Vernet.

Contemporary brown sheep, spine in compartments, headpiece and one corner repaired, wormtrack to middle of upper margin, a few insignificant wormholes. The final engraving is shaved and lacking the last lines of text from the legend. A very good copy.

Du Verney's first work; he was renowned for his knowledge of anatomy and physiology, was tutor to the Dauphin and taught in the Botanical Gardens.

This is the first scientific monograph on the structure of the ear and its illnesses, and is therefore very significant. It played a determining role in the understanding of this organ, whose study

Bilingual edition in Provençal with the French translation printed opposite.

Contemporary half brown shagreen, smooth spine sunned and decorated in gilt with floral tools and ornamental motifs, gilt initials at foot, cat’s-eye paper sides, comb-marbled endpapers and pastedowns, wrappers preserved.

A few minor foxing spots, the first gathering tending to loosen.

Precious dated autograph inscription signed by Frédéric Mistral in Provençal to his friend, the félibre poet Paul Arène.

First edition, printed in a small run of numbered copies.

With two photographic portraits: one of Charles Pathé and the other of his brother Émile, and a view of the Kodak-Pathé and Pathé-Cinéma factories.
3/4 beige sheepskin binding, spine with four raised bands decorated with black typographical motifs, date at foot of spine, marbled paper boards, endpapers and flyleaves.
Discrete restorations to spine, some rubbing to upper corners of boards.

Signed by Charles Pathé on his photographic portrait.

Rare first edition of this manual on film development.
Illustrated with 54 figures in the text and 6 folding plates at rear, containing 107 interest­ing samples of films negatives and celluloid.

With a frontispiece photographic portrait of Charles Pathé.

Skilfully restored brown half sheepskin pub­lisher's binding, smooth spine decorated with golden arabesques, small gaps filled at head of spine, marbled endpapers and past­edowns.

"In the early years of the twentieth century, the largest film production company was the Société Pathé Frères (Pathé Brothers Com­pany). Founded in 1897, the company was at its height in 1920s when it unveiled the first home

Touching autograph letter signed by Marcel Pagnol addressed from Monte Carlo to his great friend Carlo Rim, 9 lines in blue ink, : "Petit Carlo, Où es-tu? Donne-moi ton adresse, car il faut que je t'écrive sérieusement à propos du droit d'auteur au cinéma. C'est urgent, et important pour tous. Je t'embrasse et aussi Alice, Marcel. Monte Carlo" ["Little Carlo, Where are you? Give me your address, as I need to write to you seriously about film copyright. It's urgent, and important for everyone. I embrace you and also Alice, Marcel. Monte Carlo"]
Central folds inherent to postal handling, Carlo Rim having inscribed a date in pencil, probably that of receiving the letter.

First edition, one of 100 numbered copies on alfa, the only grands papiers (deluxe copies) after 5 pur-fil paper.

Bound in half green morocco, paste paper boards, marbled paper endpapers, wrappers and spine preserved, top edge gilt, contemporary binding signed Lucie Weill.
Skilful and discreet repair to the top of a joint.
Illustrated with 6 vignettes by André Derain.

Handsome inscription signed by Antonin Artaud: “à Alice & à Carlo Rim que j'aime beaucoup parce que j'aime dans la vie tout ce qui est nature, franc et sans fard et la vie d'Héliogabale aussi est franche et sans fard et dans la ligne de la grande Nature. Antonin Artaud le

First edition, one of 85 numbered copies on pure wove paper, the only issue following 15 copies on Montval vellum.

A few insignificant spots.

Work illustrated with four original engravings by Suzanne Roger, including a coloured frontispiece.

Manuscript signatures of Tristan Tzara, Suzanne Roger, and Jean Aubier beneath the limitation leaf.

First edition of the French translation, illustrated with 14 hand-coloured engravings depicting costumes (cf. Colas 961.)

Bindings in blue half morocco, spines slightly faded, with five raised bands and minor rubbing, dates gilt at the foot, illustrated wrappers preserved, marbled paper boards, comb-marbled endpapers and pastedowns, marbled top edges, corners slightly bumped.

Foxing, small paper flaw to the corner of page 37 and misbound leaves in volume 1.

First edition, printed in a small number of copies, of this offprint from the Bulletin de la Société géographique de Paris.

Copies recorded in the CCFr only at the BnF, BULAC, and Tarbes libraries.

Half hazel shagreen binding with corners, smooth spine slightly faded with minor rubbing, boards, endpapers and pastedowns in olive-green paper, top edge gilt, original wrappers and spine preserved; modern binding.

The Fourierist Armand-Jules Duval (1813–1870), an influential member of the Société de géographie, was a staunch advocate of the colonisation of Algeria.

He had himself lived in the colony from 1847 to 1862, overseeing the fortunes of an agricultural

This illustrated volume with 58 engraved plates numbered 1-57 (including a plate 15bis) serves as the atlas to the two text volumes of the Manual of Navigation to the West Coast of Africa, issued in 1851.

Not in Polak, although that bibliography carefully records all the author’s other works, as well as the extracts derived from the Manual.

Some foxing, a light marginal waterstain to the right margin of all leaves.

Contemporary half navy blue cloth, smooth spine ruled in blind, paper losses and abrasions to the marbled paper boards, a small label pasted at the head of the upper cover, a few nicks to the edges, corners rubbed.

A lieutenant in the French Navy, Charle

First edition of this important and very rare work, issued in a small number of copies (cf. Catalogue Petit 656. Bibliotheca piscatoria p. 75. Nissen Zool. 1018.)

Our copy is complete with its 51 plates (numbered I-L, including one bis plate), notably depicting the principal instruments of fish culture and fishing implements used by the Chinese.

Contemporary-style black half shagreen over corners, smooth spine decorated with double gilt fillets, gilt ornaments at head and foot, marbled paper sides, green endpapers and pastedowns, original wrappers preserved, lined and restored, modern binding.

Some foxing and marginal waterstaining to certain leaves (particularly at the

First edition, one of 100 copies printed on antique Montval wove paper, the only issue following 1 copy on old Japan paper, 10 on imperial Japan, and 20 hors commerce.

Work illustrated with 9 original drypoints by Jean Lurçat.

A rare and handsome copy.

Inscribed and signed by Jean Lurçat to Jean Bourgoin.

First edition illustrated with 1 folding plate consisting of a copper-engraved reproduction of the Choiseul Marble by Poisson (cf. Monglond II, 651.)

A restored tear to the verso of the folding plate.

Bradel binding in full marbled paper-covered boards, smooth spine, brown shagreen lettering-piece, red edges, modern binding.

A pleasing copy.

A fine large-paper copy on vellum of the 1796 edition, which contains several previously unpublished texts by the author, a frontispiece portrait, 13 illustrations and 2 maps, engraved by Pierre-Alexandre Tardieu, Claude-Nicolas Malapeau, P. F. Tardieu, A. Girardet, Jean Louis Charles Pauquet, François Denis Née, Emmanuel-Jean-Népomucène de Ghendt, Charles Emmanuel Patas, Noël Le Mire and Vincent-Marie Langlois (in order of appearance).

Contemporary half long-grain red morocco bindings, smooth spines divided by

Rare first edition.

Some foxing, spine slightly cocked.

Second edition.

Rare and pleasing copy, with an International Red Aid membership form loosely inserted.

First edition, with the false statement of 16th edition.

Light discoloration at the head of the spine and along the left margin of the upper cover.

Autograph inscription signed by Léon Blum to Charles-André Julien: "à André Julien, son camarade fidèle et son ami reconnaissant, Léon Blum."

Charles-André Julien was one of the leaders of the Communist Party in Algeria. He left it in 1926 and contributed to the journal Clartés edited by Henri Barbusse.

A committed anti-colonialist and activist, he established contacts with independence movements, notably with the group formed around Habib Bourguiba, who became his friend. Durin

Rare first edition of d'Alègre’s French translation (cf. Brunet V, 25. Barbier II, 596.)

Contemporary full marbled calf, spine in five raised bands richly gilt in compartments with floral tools, red shagreen lettering-piece, marbled endpapers, gilt fillets to board edges now almost rubbed away, red-speckled edges, contemporary binding.

Restorations to spine and joints, marginal dampstain at the foot of about ten leaves, annotations and a pen drawing on a flyleaf.

This is the second translation of this masterpiece by the Persian poet and philosopher Saadi, one of the great Sufi masters of the thirteenth century.

The first, by André Du Ryer, dates from 1634.

It

First edition illustrated with 19 lithographed plates in colour or printed on tinted grounds (including a plan), with captioned tissue guards.

Only two copies recorded in the CCF (BnF and Musée de l'Homme).

The sole edition of this report, in fact written by the duke’s secretary, A. Gory.

La Butte-Ronde lies near the Luynes family estate at Dampierre (though in fact within the commune of Saint-Forget): the learned archaeologist who was the eighth duke (1802-1867) could hardly fail to take an interest in excavations carried out on the site, which brought to light a Gallo-Roman fanum. The pamphlet enjoyed only confidential circulation, and the duke’s death, in that same ye

First edition illustrated with 4 hors-texte plates of line-engraved Greek coins.

Our copy is preserved in its original wrappers.

Appointed professor of archaeology at the Sorbonne in 1820, succeeding Quatremère de Quincy,

Désiré Raoul-Rochette (1789-1854) specialized principally in Greek antiquity. He also served as curator of the Cabinet des médailles.

Third edition, revised and augmented by the author, published during his lifetime. The copy is complete with the title-frontispiece depicting a "portico of Tuscan architectural order" according to the description of the 1805 edition, whose terrace shows a man ploughing the fields, indicating the content of the book. It is likewise complete with the folding plate and the eight elaborate vignettes. The first edition of this major text was issued from the press only five years earlier, in 1600.

Con

First trade edition, partly original in its enlarged form.

A portion of the work had first appeared in 1832 in the Revue Encyclédique (May-June), and had been issued separately in a first offprint of 23 pages (cf. Cordier, Sinica, 1399-1340.)

Wrappers backed and restored, manuscript bookplate in the upper left corner of the title-page, a pleasing copy internally.

This is the Da Xue, the first of the Four Confucian Classics, first incorporated into the Li Ji (Book of Rites), then regarded from the Neo-Confucian revival of the Song period onward as a mirror for the Prince and likewise a mirror for subjects, centered on good government.

The Chinese characters were com

First edition of the French translation, illustrated with 1 folding table inserted in the second volume (cf. Cordier 547.)

Contemporary full mottled tawny calf bindings, smooth spines richly gilt with ornamental rolls and fleurons, green morocco lettering and volume labels, gilt rolls to the spine ends partially rubbed, covers framed with gilt fillets and dotted rules, marbled endpapers, gilt fillets on board edges, marbled edges, period bindings.

Some restorations to the joints and spines, a few rubs to the covers.

An important work for the legal history of China.

Volume I contains the preface, and the general, civil, fiscal, ritual and military laws; Volume II co

First edition illustrated with a large folding plate inserted out of text reproducing the Greek portion of the Rosetta Stone (cf. Quérard I, 48.)

Our copy is preserved in its original wrappers, in temporary root-pattern paper covers.

A key figure in the establishment of literary repositories during the Revolution, and their transformation into libraries, the antiquarian Hubert-Pascal Ameilhon (1730-1811) remains an important, though far too neglected, figure in bibliography and the sciences.

This relative oblivion owes much to the small number of works published during his lifetime : the work offered here constitutes an essential link in the decipherment of the hierog

First edition, one of 37 numbered copies, ours one of a few hors commerce copies for collaborators and friends, signed by Man Ray on the justification. 15 photographs on watermarked vélin Montgolfier mounted on guards, each bearing Man Ray’s printed studio stamp (“Épreuve originale atelier Man Ray Paris”). The copy exceptionally contains the original subscription prospectus and an invitation to the book launch exhibition opening night organised by Simone Loliée.

Publisher’s binding by the renowned bookbinder Merch

First edition, one of 9 numbered copies on japon, only deluxe issue aside from 35 copies on pur fil, and a few on coloured paper.

Full black morocco binding, flat spine, author’s name palladium-stamped, title stamped lengthwise in palladium and blind, grey long-grain shagreen inlays to boards with author and title stamped lengthwise in palladium and in blind, turn-ins framed in morocco, light plum suede pastedowns and flyleaves, three palladium decorated deckled edges, outstanding custom binding by Thomas Boichot.

First edition which supposedly had an issue of 500 numbered copies. “Gallimard donated the paper required for the production of this book, but only 258 copies could be printed, rather than the 500 announced in the justification” (from a note by Paul Éluard). A slight crease to the covers, slight marginal sunning primarily affecting the rear cover.

Illustrated with 11 photographs of Nusch Éluard by Man Ray and Dora Maar.

Le temps déborde is a collection of eleven poems published

First edition, one of 1,400 numbered copies, only issue.

Outstanding publisher’s cream silk Bradel binding signed by Engel at the foot of the spine, flat spine decorated with Japanese characters; upper boards in excellent condition, elaborately decorated with a reproduction of Shinman’s starlings against a setting sun from the Henri Cernuschi collection (also illustrated pl. 26, vol. 1); corners slightly rubbed; both volumes complete with their illustrated dust jackets, showing tears and some losses.

Autograph letter signed “ta merre famme Babeuf” by Marie-Anne Babeuf, addressed to her son Émile. 3 pages on a bifolium.

An exceedingly rare and unpublished letter written from prison by Marie-Anne Victoire Babeuf (née Langlet), a revolutionary and wife of the celebrated leader of the Conspiracy of Equals, Gracchus Babeuf.

This appeal from a modest chambermaid turned political activist dates precisely from a period of her life about which almost nothing is know

First public edition of this text by Jean Guéhenno, written under the pseudonym Cévennes, one of 60 numbered copies on Madagascar paper, from the deluxe issue.

A fine copy.

First edition of this pioneering work in the history of psychiatry (cf. Garrison & Morton 4920; Semelaigne I, pp. 68-73; Waller records only the 1770 German translation; Wellcome III 547; Blake 277).

Contemporary half calf with vellum-tipped corners, smooth spines gilt with decorative rolls, some rubbing and small wormholes to the spines, marbled paper boards, sprinkled edges; bindings from the early nineteenth century.

Ink stains on pp. 72–76 of the first volume, a black ink spot at the head of the lower cover of the second volume, a few minor and unobtrusive foxmarks.

For Lorry, not all melancholic patients are driven by a single fixed idea, and melancholy is a stat

New quarto edition, revised and corrected by the author, with numerous decorated headpieces, initials and tailpieces.

Full brown calf, spine in six compartments with five raised bands richly gilt-tooled, red morocco lettering-piece, triple blind fillet border to boards, double gilt fillet to board edges, red edges, marbled pastedowns and endpapers.

Light scratches and scuffing to boards, corners slightly bumped, otherwise a very

First edition describing the 388 items offered in the sale.

A few pencilled hammer prices in the margins, a loss to the upper right corner of the front wrapper and title-page, and small corner losses to the wrappers.

The introduction is by Fröhner, though the expert in charge of the sale was Hoffmann.

Of Baden origin, the numismatist Ludwig Wilhelm Fröhner (1834–1925) settled in Paris in 1859; he became a close friend of Napoleon III and assisted him in the preparation of his Histoire de Jules César (1865–1866), which helped him obtain both French naturalisation (1866) and an important post at the Louvre.

He later devoted himself to the cataloguing of coll

Rare first edition (cf. Tailliart 1697, Playfair 554, Polak 5050).

Spine clumsily restored with small losses, slight marginal tears to the covers, a few scattered foxmarks.

The crew of the "Béarnaise," consisting of about thirty men, seized the citadel of Bone without firing a single shot.

First edition, taken from the Mémoires de la Société royale et centrale d'agriculture, for the year 1824.

Illustrated with a folding plate inserted out of text.

Our copy is preserved in its original state, sewn and issued in a plain blue provisional wrapper.

Scattered light foxing.

A grandson of the founder and first director of the Académie royale de marine, Pierre-Marie-Sébastien Bigot de Morogues (1776-1840) devoted himself principally to agricultural matters.

First edition of the French translation (cf. Sabin, 43416; Smith, Pacific Northwest Americana, 6381; Pilling, Bibl. of the Algonquian Languages, 327; Hoefer, XXXII, 566-567).

Illustrated with a portrait of the author after Sir Thomas Lawrence as frontispiece to the first volume and, at the end of each volume, three engraved maps showing the route from Fort Chipewyan to the Arctic Sea in 1789 and to the Pacific Ocean in 1793, together with the portion of North America lying between the 40th and 70th degrees north latitude and the 45th and 180th degrees west longitude.

Handsome half red shagreen bindings, flat spines ruled in gilt with quintuple fillets, traces of former label

First edition, illustrated at the end of the volume with three folding maps (cf. Tailliart 3080; Playfair 4334).

The original colour map, frequently lacking, has here been supplied in photomechanical reproduction, while the two others are later insertions.

Full brick-coloured sheep binding, unlettered spine with five raised bands showing traces of rubbing, comb-marbled endpapers and pastedowns, original wrappers preserved; modern binding.

Minor foxing, pencil annotations on the initial endpapers and in the margins of several passages, with a handwritten note in blue ink "états de service" at the head of the front endpaper, followed by a brief pencilled biography

Seventh edition, expanded with new annotations and an appendix containing descriptive and historical details on all the monuments recently erected in the capital by J.-L. Belin, avocat.

Bound in contemporary half midnight-blue Russian morocco, flat spines gilt with romantic arabesques, gilt fillet framing the marbled-paper boards, marbled endpapers and pastedowns; one lower corner lightly rubbed, contemporary bindings.

Scattered foxing.

Illustrated with 58 plates (including 11 archaeological plates), together with 5 folding colour plans hors texte.

A handsomely preserved copy in a period romantic binding.

First edition of the French translation prepared by F. Soulès of "An account on the present state of Nova Scotia", originally published in 1786.

Our copy is offered unbound.

Pages 31 to 39 are devoted to fishing practices.

First French edition, translated from the third English edition (Sabin, 30036.).

Each volume features a steel-engraved frontispiece.

Covers soiled, front boards detached, minor losses and tears to board margins, some foxing, cracked spines with losses; our copy in wrappers is housed in a modern brown full-cloth slipcase.

The second volume also includes a section on "Passage to Montreal and Quebec" (pp. 317-342) and "The Character of the Canadians" (pp. 331-332, 339-342).

Manuscript ex-libris signed Delecey de Mécourt on the front covers.

Rare first edition (see Cordier, Japonica 583; Nipponalia I, 2073. Neither of these bibliographies mentions the map. Polak 8448).

Contemporary half cherry-red calf, spine slightly faded, with four raised bands gilt with dotted tools and fillets; light rubbing to the spine, red paper-covered boards, corners slightly bumped, speckled edges.

Occasional light foxing; a pale dampstain affecting the opening leaves and the folding double-page map showing the plan of the Strait of Shimonoseki.

This work relates the Anglo-French naval campaign of 1862–1863, by Alfred Roussin (1839–1919), a naval officer who commanded the frigate Sémiramis.

First edition, published anonymously by Delaporte,  secretary and prompter of the Comédie-Française.

Contemporary black cloth Bradel binding, smooth spine, red shagreen lettering-piece with some loss, marbled paper boards, upper corners slightly worn, 19th-century binding.

Copies recorded only at the BnF and in Rouen (CCFr).

Printed initials at the foot of the title page.

Rare summary, by the Comédie-Française secretary and prompter, of the grievances held by the Company against the actor Talma, focusing particularly on performances of Marie-Joseph Chénier’s play Charles IX.

The play, which achieved immense public success, drew criticism from th

Autograph letter, dated and signed, addressed to the writer Christiane Baroche: 21 lines in blue ink concerning an issue of the journal Sud devoted to him.

Folding traces from mailing, with the original handwritten envelope, on which Christiane Baroche noted the sender’s name in pencil.

Michel Leiris thanks Christiane Baroche for the tribute paid to him by Sud : "Soyez sûre que je préfère de beaucoup quelque chose de ce genre à un ensemble de doctes analyses ! " but explains that he will not be able to attend the upcoming event dedicated to him: "Dites, je vous prie, à Mr Genêt que je lui sais gré d'avoir pensé à un

First edition, one of 50 numbered copies on Marais Crèvecoeur paper, issued as part of the publisher’s deluxe limitation.

Spine and boards faintly sunned and toned as usual, with a small spot to the lower outer corner of the front board.

As stated in the limitation, this copy includes its original etching by Jacques Villon, signed in the plate.

First edition, illustrated with an original etching as frontispiece and four hors-texte drawings by Henri Laurens, one of 324 numbered copies on Vélin du Marais.

Title page lightly toned, otherwise a pleasing copy.

Signed in pencil by Tristan Tzara and Henri Laurens beneath the limitation statement.

First edition of the catalogue published for the exhibition of works by Max Ernst, held from 15 November to the end of December 1961.

A fine copy.

Illustrated, with a foreword by Alain Bosquet.

Signed autograph inscription by Max Ernst to Madame de Harting.

First edition of the French translation, one of 26 lettered copies on Lana wove rag paper, issued as part of the tête-de-tirage.

A fine copy.

Rare first edition of this project, whose development was certainly collective (with contributions from several democrats, including Frédéric Charrassin, Charles Fauvety, Adolphe Louis Chouippe, and Alexandre Erdan), but which was authored by the neo-criticist philosopher Charles Renouvier (1815–1903).

Bound in contemporary half cherry-colored sheepskin, with a smooth spine adorned with gilt fillets; some rubbing to the spine and boards. Marbled paper over boards, handmade laid paper endpapers and pastedowns, modern bookplate affixed to the front pastedown, slightly bumped corners, minor tears to the joints, speckled edges. Original binding.

Minor, insignificant foxing.

First edition of the author's third book, with no copies printed on deluxe paper, here a review copy.

Spine very lightly sunned, without seriousness, faint spotting to the board edges.

Rare and desirable presentation copy signed by Patrick Modiano to the woman of letters Christiane Baroche: "Pour Christiane ces boulevards de ceinture avec lesquels elle est bien indulgente. Avec l'amitié de Patrick."

First edition, illustrated at the close of the volume with six plates printed out of text.

Only three copies recorded in the CCF (BnF, Institut, Strasbourg).

Our copy is preserved in its original state, issued in a temporary paper wrapper.

Spine restored at head with small losses; marginal losses to the soiled covers; two small adhesive strips along the right margins of the final plate; author’s name and title pencilled on the upper cover.

The study of Phoenician languages was the speciality of Auguste-Célestin Judas (1805–1873).

First edition, printed in a small run, of this offprint from the Journal des savants.

Work illustrated with a finely engraved plate printed outside the text.

Some scattered foxing internally and to the wrappers.

Appointed in 1820 to the chair of archaeology at the Sorbonne, succeeding Quatremère de Quincy, Désiré Raoul-Rochette (1789–1854) was chiefly known for his expertise in Greek antiquity. He also served as curator of the Cabinet des médailles.

On the upper cover, authorial presentation inscription from Désiré Raoul-Rochette to the physician and botanist Henri Dutrochet (1776–1847), the discoverer of the phenomena of exosmosis and endosmosis.<

First edition of this important work on former French Indochina, comprising:

• Geography and Travels. Volumes 1 to 7 (1901–1919), illustrated with 52 maps and portraits (40 in color), plus numerous plates and maps within the text or pagination.
• Miscellaneous Studies. Literature, History, Natural History. Volumes 1 to 3 (1898–1904), illustrated with 43 plates and maps (35 in color), plus numerous plates within the pagination.
• Atlas. Notices and Maps. 1 volume (1903), illustrated with 10 color maps.
• For 9 volumes (of 11) in the set: contemporary bindings in half green cloth with tips, smooth spines with some staining and fading, red morocco title labels

First edition, with no copies issued on deluxe paper.

A handsome copy.

With Pierre Bourdieu’s signed presentation inscription to the anthropologist Emmanuel Terray.

First edition, with a single copy recorded in the CCF (Dijon).

Our copy is preserved in its original wrappers and housed in a plain blue interim cover, with a mounted title label at the head of the spine.

Some foxing.

The sole edition of this compilation, conceived primarily for fiscal purposes: indirect taxes at the time were levied chiefly on beverages.

The bookseller Louis Rondonneau (1759–1834) is renowned as the author, compiler, or editor of numerous legal codes, manuals, collections, and repertories of legislation and jurisprudence.

Third edition.

Our copy is preserved in its original state, issued in temporary blue paper wrappers, with some losses to the corners and a mounted title label on the spine.

Some light foxing.

Pierre-Auguste Mutel (1795–1847) entered the École Polytechnique in 1813, graduating 34th in the class of 1815, and went on to serve in the artillery corps.

Manuscript ex-libris of Becquerel, dated 24 October 1833; it is difficult to determine which member of this illustrious family should be associated with this provenance.

First edition printed on alfa wove paper.

A fine copy.

Inscribed and signed by Jacques Perret to Charles Linder, the presentation augmented with a small drawing depicting a ballot box topped with a tricolour flag.

First edition of the French translation, one of 80 numbered copies on alfa paper issued in a special "du monde entier" wrapper, the only deluxe copies together with 35 on pur fil.

A handsome copy.

First edition, with no copies printed on deluxe paper, one of the publisher’s review copies.

Pleasing copy, complete with its publisher’s printed slip.

Autograph presentation inscription signed by Paul Valéry to Germaine Fiévé: "... petit souvenir d'une collaboration sans mauvaises pensées et autres..."

Autograph card, dated and signed, sent from his Paris residence to the writer Christiane Baroche, comprising twelve lines in blue ink.

With the accompanying handwritten envelope on which Christiane Baroche added "Leiris" in the upper right corner.

"5 avril 1979,

chère Christiane Baroche,

merci à vous ainsi qu’à tous ceux qui ont bien voulu m’adresser, par l’intermédiaire de Sud, un signe amical. Je ne puis qu’en être reconforté et trouver là un peu de courage dont je manque de plus en plus pour travailler ! Soyez donc certaine que votre idée m’a fait plaisir et croyez à mes sentiments les meilleurs. Mic