Paris

Paris

Local nameParis
CountryFrance
DepartmentParis
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59525 results
Paris (France)
  1. Charles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet, s'étant approché de l'ogre, lui tira doucement ses bottes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet, s'étant approché de l'ogre, lui tira doucement ses bottes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A light marginal dampstain, not affecting the design, as well as some foxing in the margin.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the...
    €100
  2. Charles Perrault, Contes, La Belle au bois dormant, "Cette bonne femme n'avait point entendu parler des défenses que le roi avait faites de filer au fuseau" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, La Belle au bois dormant, "Cette bonne femme n'avait point entendu parler des défenses que le roi avait faites de filer au fuseau" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A very light marginal dampstain, not affecting the design, as well as some soiling in the left margin.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that...
    €120
  3. Charles Perrault, Contes, La Belle au bois dormant, "Le fils du roi qui régnait alors demanda ce que c'était que ces tours qu'il voyait au-dessus d'un grand bois fort épais" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, La Belle au bois dormant, "Le fils du roi qui régnait alors demanda ce que c'était que ces tours qu'il voyait au-dessus d'un grand bois fort épais" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Very faint marginal dampstain not affecting the drawing and foxing in upper margin not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details...
    €100
  4. Charles Perrault, Contes, La Belle au bois dormant, "Il entra dans la salle des gardes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Emile DESCHAMPS, Gustave DORÉ

    Charles Perrault, Contes, La Belle au bois dormant, "Il entra dans la salle des gardes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Emile Deschamps on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Occasional light foxing in margins, not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the...
    €100
  5. Charles Perrault, Contes, La Belle au bois dormant, "Ce n'étaient que des corps étendus d'hommes & d'animaux qui paraissaient morts" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, La Belle au bois dormant, "Ce n'étaient que des corps étendus d'hommes & d'animaux qui paraissaient morts" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Light lack to lower right corner of margin not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism...
    €100
  6. Charles Perrault, Contes, Cendrillon, "Ne pouvant deviner comment cette citrouille pourrait la faire aller au bal" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, Cendrillon, "Ne pouvant deviner comment cette citrouille pourrait la faire aller au bal" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Rare and light worming to margins not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the...
    €120
  7. Charles Perrault, Contes, Cendrillon, "On n'entendait qu'un bruit confus : 'Ah ! qu'elle est belle !' " - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Jules FAGNION, Gustave DORÉ

    Charles Perrault, Contes, Cendrillon, "On n'entendait qu'un bruit confus : 'Ah ! qu'elle est belle !' " - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Jules Fagnion on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Excellent condition.
    These illustrations of the Contes are considered the most successful treatment of this text: Gustave Doré presents an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique called "tinted wood." He uses...
    €90
  8. Charles Perrault, Contes, Le Chat botté, "Bonnes gens qui moissonnez, si vous ne dites pas que tous ces blés appartiennent à M. le marquis de Carabas, vous serez tous hachés menu comme chair à pâté" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Jean François Prosper DELDUC, Gustave DORÉ

    Charles Perrault, Contes, Le Chat botté, "Bonnes gens qui moissonnez, si vous ne dites pas que tous ces blés appartiennent à M. le marquis de Carabas, vous serez tous hachés menu comme chair à pâté" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Jean Delduc on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Tales in 1862.
    Very rare foxing in the margin not affecting the design.
    These illustrations of the Tales are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying realism thanks to the technique called...
    €100
  9. Charles Perrault, Contes, Le Chat botté, "L'ogre le reçut aussi civilement que le peut un ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Le Chat botté, "L'ogre le reçut aussi civilement que le peut un ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Tales in 1862.
    Some soiling and foxing in the margins not affecting the engraving.
    These illustrations of the Tales are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the...
    €100
  10. Charles Perrault, Contes, Riquet à la houppe, "Elle vit sous ses pieds comme une grande cuisine pleine de cuisiniers, de marmitons, & de toutes sortes d'officiers nécessaires pour faire un festin magnifique" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Riquet à la houppe, "Elle vit sous ses pieds comme une grande cuisine pleine de cuisiniers, de marmitons, & de toutes sortes d'officiers nécessaires pour faire un festin magnifique" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition by Gustave Doré and engraved by François Pannemaker on China paper and laid down on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Worming to margins not affecting the engraving.
    These illustrations of the Contes are considered the most successful for this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known as...
    €80
  11. Charles Perrault, Contes, Peau d'Âne, "Les grands de l'Etat s'asemblèrent & vinrent en corps prier le roi de se remarier. Cette proposition lui parut dure" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Peau d'Âne, "Les grands de l'Etat s'asemblèrent & vinrent en corps prier le roi de se remarier. Cette proposition lui parut dure" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition by Gustave Doré and engraved by François Pannemaker on China paper and laid down on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Rare worming to margins not affecting the engraving and crease to lower left corner of margin.
    These illustrations of the Contes are considered the most successful for this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate...
    €100
  12. Charles Perrault, Contes, Peau d'Âne, "Le roi, qui s'était mis en tête ce bizarre projet, avait consulté un vieux druide" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    BOETZEL, Gustave DORÉ

    Charles Perrault, Contes, Peau d'Âne, "Le roi, qui s'était mis en tête ce bizarre projet, avait consulté un vieux druide" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Boetzel on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Occasional light worming in margins not affecting the engraving.
    These illustrations for the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the composition to the smallest details that generate terrifying realism through the...
    €100
  13. Charles Perrault, Contes, Peau d'Âne, "La joie de se trouver si belle lui donna envie de s'y baigner, ce qu'elle exécuta" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, Peau d'Âne, "La joie de se trouver si belle lui donna envie de s'y baigner, ce qu'elle exécuta" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition executed by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Fold in the lower right corner and very rare worming.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique...
    €90
  14. Charles Perrault, Contes, Peau d'Âne, "Il vint des rois de tous les pays" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    HEBERT, Gustave DORÉ

    Charles Perrault, Contes, Peau d'Âne, "Il vint des rois de tous les pays" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition executed by Gustave Doré and engraved by Hébert on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Fold in the lower left corner and very rare and pale worming.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique known...
    €100
  15. Charles Perrault, Contes, Les Fées, "Un jour qu'elle était à cette fontaine, il vint à elle une pauvre femme qui lui pria de lui donner à boire" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Charles MAURAND, Gustave DORÉ

    Charles Perrault, Contes, Les Fées, "Un jour qu'elle était à cette fontaine, il vint à elle une pauvre femme qui lui pria de lui donner à boire" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Charles Maurand on China paper and mounted on laid Holland paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Occasional worming and soiling to lower right corner, not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré presents an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying...
    €80
  16. Charles Perrault, Contes, La Barbe bleue, "Les voisines & les amies tant elles avaient d'impatience de voir toutes les richesses de sa maison" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Gustave DORÉ

    Charles Perrault, Contes, La Barbe bleue, "Les voisines & les amies tant elles avaient d'impatience de voir toutes les richesses de sa maison" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved on China paper and mounted on laid Holland paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Small fold to lower right corner not affecting the engraving and occasional light worming to margin.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré presents an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying realism...
    €100
  17. Charles Perrault, Contes, La Barbe bleue, "Ils lui passèrent leur épée au travers du corps" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, La Barbe bleue, "Ils lui passèrent leur épée au travers du corps" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and the engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Worming in margins not touching the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying realism through the technique known as...
    €80
  18. Charles Perrault, Contes, La Barbe bleue, "Dieu soit loué ! s'écria-t-elle, ce sont mes frères" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, La Barbe bleue, "Dieu soit loué ! s'écria-t-elle, ce sont mes frères" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and the engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Two scratches in the margin, a small tear in the upper margin without loss and very rare worming not touching the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the...
    €100
  19. Pourquoi suis-je moi ? Journal 1993-1996
    Julien GREEN

    Pourquoi suis-je moi ? Journal 1993-1996

    Fayard|Paris 1996|14 x 22.50 cm|broché
    First edition, one of 80 numbered copies on Ingres Lana laid paper, the only deluxe copies.
    Very handsome copy.

    €450
  20. Ce qui reste de Jour. Journal 1966-1972
    Julien GREEN

    Ce qui reste de Jour. Journal 1966-1972

    Plon|Paris 1972|13.50 x 22 cm|broché
    First edition, one of 28 numbered copies on Madagascar paper, deluxe copy.
    Very handsome full-margined copy.

    €450
  22. Journal 1946-1950
    Julien GREEN

    Journal 1946-1950

    Plon|Paris 1951|13.50 x 22 cm|broché
    First edition, one of 26 numbered copies on Japan paper, deluxe issue.
    Very fine full-margined copy.

    €450
  23. Perles et Parures, Les Joyaux, fantaisie par Gavarni, texte par Méry. Minéralogie des dames par le Cte Foelix. [suivi de] Les Parures, fantaisie par Gavarni, texte par Méry. Histoire de la mode par le Cte Foelix.
    Paul GAVARNI, Joseph MÉRY

    Perles et Parures, Les Joyaux, fantaisie par Gavarni, texte par Méry. Minéralogie des dames par le Cte Foelix. [suivi de] Les Parures, fantaisie par Gavarni, texte par Méry. Histoire de la mode par le Cte Foelix.

    G. de Gonet|Paris 1850 (S.d)|18.80 x 27.80 cm|2 volumes reliés
    First edition, illustrated with a repeated frontispiece and 30 plates by Gavarni engraved on steel by Geoffroy. Printed on fine vellum. Copy from the deluxe issue with plates finely heightened in watercolor; These engravings are presented in very beautiful frames with lace-cut margins. Illustrated orange-tinted covers preserved (spine and back covers with advertisements also preserved).
    Half lemon yellow morocco binding with corners, late 19th century. Spine with false raised bands richly decorated with roses in compartments ornamented with stars and other decorations. Red morocco title labels, second title labels in soft green shagreen. Some rubbing. Small brown spots on the leather of...
    €1,600
  24. Le Fichier parisien
    Henry de MONTHERLANT

    Le Fichier parisien

    La Palatine|Paris 1960|12 x 19 cm|broché
    First edition, one of 55 numbered copies on vellum, deluxe issue.
    Work illustrated with 6 photographs by Joublin.
    Spine and covers slightly and marginally lightened without significance, handsome copy.


    €180
  26. Journal 1950-1954
    Julien GREEN

    Journal 1950-1954[Diary 1950-1954]

    Plon|Paris 1955|13.50 x 22 cm|broché
    First edition, one of 26 numbered copies on Japan paper, deluxe issue.
    A very fine full-margined copy.

    €450
  27. Racine
    Jean GIRAUDOUX

    Racine

    Grasset|Paris 1930|14.50 x 19.50 cm|broché
    First edition, one of 600 numbered copies on alfa paper, ours one of 50 hors commerce copies.
    Handsome copy.
    Autograph inscription signed by Jean Giraudoux to Jacques Patin.
    €150
  28. La Grande Aventure des éléphants
    Georges BLOND

    La Grande Aventure des éléphants

    Fayard|Paris 1959|14.50 x 19.50 cm|broché
    First edition, of which there were no deluxe copies.
    Autograph inscription signed by Georges Blond: "A monsieur Peret, ces éléphants qui ne lui feront pas oublier les toros, en souhaitant qu'il les trouve quand même sympathiques" ["To Mr. Peret, these elephants who will not make him forget the bulls, hoping that he will find them sympathetic nonetheless"].
    Fine illustrated cover by Cyril, iconography.
    €50
  29. En trente-trois Morceaux
    René CHAR

    En trente-trois Morceaux

    GLM|Paris 1956|14.50 x 20.50 cm|broché
    First collected edition, one of 950 numbered copies on alfa paper.
    Handsome copy.
    Signed autograph inscription from René Char to art critic and writer Charles Estienne.
    Provenance: from the library of Georges Goldfayn with his blind stamp at head of an endpaper as bookplate.
    €300
  31. Lettres de Jeunesse avec des Poèmes inédits
    Paul ÉLUARD

    Lettres de Jeunesse avec des Poèmes inédits

    Seghers|Paris 1962|14.50 x 23 cm|broché
    First edition, one of 32 numbered copies on Hélio neige Libert paper, ours being one of the 12 hors commerce copies, deluxe issue.
    Very handsome copy.

    €500
  32. Album de la mode. Chroniques du monde fashionable
    Alexandre DUMAS, COLLECTIF

    Album de la mode. Chroniques du monde fashionable

    Louis Janet|Paris 1833|12.50 x 21.30 cm|relié
    First edition, very rare, illustrated with 12 lithographs by Deveria and Johannot (men and women in period costumes). Not listed in Carteret who nevertheless records all romantic collections. In the Bibliographie Sommaire Des Keepsakes (Frédéric Lachèvre) and other collective collections of the romantic period, on this album listed: "Exceptionally, given the rarity of this work, we give the titles of the pieces that compose it."
    Full cardboard Bradel binding early 20th century in glazed tender green signed Lavaux at the top of the first endpaper. Superb pastiche of a period binding using romantic tools. Smooth spine decorated with rocaille ornaments. Brown morocco title label...
    €700
  33. Touchez pas aux Souvenirs
    André POUSSE

    Touchez pas aux Souvenirs

    Robert Laffont|Paris 1989|15 x 23 cm|broché
    The first edition, of which there were no deluxe copies.
    Spine and boards lightly and marginally sunned without gravity.
    Handsome copy, iconography.
    Signed autograph inscription from André Pousse to Claude-Jean Philippe.

    €70
  34. L'Arc-en-Ciel. Journal 1981-1984
    Julien GREEN

    L'Arc-en-Ciel. Journal 1981-1984

    Seuil|Paris 1988|15 x 21.50 cm|broché
    First edition, one of 80 numbered copies on Ingres de Lana laid paper, the only deluxe copies.
    Very handsome copy.

    €450
  35. Essais de Morale prospective
    Jean FOURASTIÉ

    Essais de Morale prospective

    Editions Gonthier|Paris 1966|13.50 x 21.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Signed autograph inscription from Jean Fourastié to the philosopher Etienne Soureau erroneously dated 1948.

    €100
  36. Entretiens 1 1981-1996
    Alain BADIOU

    Entretiens 1 1981-1996

    Nous|Paris 2011|15 x 20 cm|broché
    The first edition, of which there were no deluxe copies.
    Signed autograph inscription from Alain Badiou to a friend named Barbara: "... ces conversations datant d'un temps révolu. Je t'embrasse..." ["... these conversations dating from a bygone era. I embrace you..."]

    €400
  38. De la Révolution aux Années molles, chroniques parisiennes suivi de Le Génocide culturel de la France
    Jean-Claude MASSON

    De la Révolution aux Années molles, chroniques parisiennes suivi de Le Génocide culturel de la France

    Garamond|Paris 2005|15 x 23 cm|broché
    First edition, of which there were no deluxe copies.
    Handsome copy.
    Precious dated autograph inscription signed by Jean-Claude Masson: "A Julien Gracq avec le souvenir (vif) de notre rencontre (furtive) autour d'Octavio Paz, très cordialement." ["To Julien Gracq with the (vivid) memory of our (brief) meeting about Octavio Paz, very cordially."]

    €60
  39. Autour d'Alain Badiou
    Alain BADIOU, COLLECTIF

    Autour d'Alain Badiou

    Editions Germina|Paris 2011|13 x 20.50 cm|broché
    First collected edition of these texts compiled by Isabelle Vodoz and Fabien Tarby, of which there were no deluxe copies.
    Autograph inscription signed by Alain Badiou to a friend named Barbara: "Pour Barbara, ces gloses disparates, Alain." ["For Barbara, these disparate glosses, Alain."]

    €400
  40. Cromwell
    Victor HUGO

    Cromwell

    Ambroise Dupont|Paris 1828|13 x 19.50 cm|relié
    First edition. Edition of 1,075 copies according to Clouzot.
    Half-calf binding with lavallière corners from the early 20th century signed Lavaux at the top of the first endpaper. Smooth spine decorated with 5 tools, gilt and blind fillets. Red edges. Spine uniformly faded. Foxing on the first 4 leaves and in the notes and some scattered foxing throughout. Handsome copy.
    Hugo's play, of unusual length at 6,920 verses, was reputed to be unplayable, notably due to its numerous changes of scenery. It breaks definitively with classical theater. The famous preface to the play would remain as a manifesto of romantic theater.
    €650
  41. Voyage sentimental
    François FETJO

    Voyage sentimental

    Editions des Syrtes|Paris 2001|14.50 x 22.50 cm|broché
    The first edition, of which there were no deluxe copies.

    Spine and boards marginally lightened.

    Signed autograph inscription from François Fejtö to his fellow historian Jean-Pierre Rioux.

    €70
  43. La Terre est si belle. Journal 1976-1978
    Julien GREEN

    La Terre est si belle. Journal 1976-1978

    Seuil|Paris 1982|15 x 22.50 cm|broché
    First edition, one of 65 numbered copies on Lana laid Ingres paper, the only deluxe copies.
    A very handsome copy.

    €450
  44. La Lumière du Monde. Journal 1978-1981
    Julien GREEN

    La Lumière du Monde. Journal 1978-1981

    Seuil|Paris 1983|15 x 22.50 cm|broché
    First edition, one of 65 numbered copies on Lana Ingres laid paper, the only deluxe copies.
    A very handsome copy.

    €450
  45. La Fin d'un Monde. Juin 1940
    Julien GREEN

    La Fin d'un Monde. Juin 1940

    Seuil|Paris 1992|14.50 x 21.50 cm|broché
    First edition, one of 80 numbered copies on Lana Ingres laid paper, the only deluxe copies.
    A very handsome copy.

    €450
  46. Hamlet suivi d'une Idée de la Traduction
    Yves BONNEFOY, William SHAKESPEARE

    Hamlet suivi d'une Idée de la Traduction

    Mercure de France|Paris 1962|14.50 x 19 cm|broché
    First edition of the French translation by Yves Bonnefoy, one of 35 numbered copies on Arches vellum, ours one of the few hors commerce copies, the only deluxe copies after 10 on Holland paper.
    Handsome copy.
    Precious autograph inscription signed by Yves Bonnefoy to Gilbert Lély.
    €400
  48. Gardez-vous à Gauche
    Paul SÉRANT

    Gardez-vous à Gauche

    Fasquelle|Paris 1956|11.50 x 17 cm|broché
    First edition, a Service de Presse (advance) copy.
    Handsome copy complete with publisher's slip and a large part of its wraparound band: "... ou soyez communiste"
    Signed autograph inscription from Paul Sérant to Georges Goldfayn.

    €50
  49. Le Regard éloigné
    Claude LÉVI-STRAUSS

    Le Regard éloigné

    Plon|Paris 1983|13 x 20 cm|broché
    The first edition, of which there were no deluxe copies.
    Iconography, handsome copy.
    Precious signed autograph inscription from Claude Levi-Strauss to Jean-Claude Carrière: "... le jour où nous fimes connaissance et qui, j'espère sera suivi par d'autres." ["... the day we met and which, I hope, will be followed by others."]
    Reading notes by Jean-Claude Carrière written in black and blue ink throughout the final endpaper.
    €680
  50. Chateaubriand in Thirty-Two Volumes
    Oeuvres complètes
    François René de CHATEAUBRIAND

    Oeuvres complètes

    chez Ladvocat|à Paris 1826 -1831|12.50 x 21 cm, longueur totale de la série 89 cm|32 volumes

    First collected edition of the works of François-René de Chateaubriand, issued in parts between 1826 and 1831 and here gathered in 32 volumes. Partly a first edition, the series includes the first appearances of Les Natchez, Le Dernier Abencérage, Voyage en Amérique and Moïse. Each volume is illustrated with a wood-engraved frontispiece by Charles Thompson, the English engraver established in Paris from 1816, showing a young woman seated beside a stone inscribed

    €2,000
  51. La Voix humaine
    Jean COCTEAU

    La Voix humaine[The Human Voice - Copy Enhanced with an Original Drawing]

    Gallimard|Paris 1930|12 x 18.50 cm|relié

    First edition, one of 110 numbered copies on Rives laid paper.
    Half red morocco binding, smooth spine, gilt date at foot, boards covered with abstract patterned paper, red paper endpapers and pastedowns, covers and spine preserved, top edge gilt, signed binding by P. Goy & C. Vilaine.
    Autograph inscription signed by Jean Cocteau to a friend named Roger enhanced with a drawing in blue ink representing the face of a young man facing forward.

    €2,300
  53. Puissances du jazz
    Gérard LEGRAND

    Puissances du jazz

    Librairie Arcanes|Paris 1953|14.50 x 19.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Spine wrinkled and slightly sunned as usual.
    Iconography.
    Precious signed autograph inscription from Gérard Legrand to Robert Benayoun enriched with an original collage.
    €120
  54. Les Clefs du Pouvoir sont dans la Boîte à Gants
    SAN-ANTONIO

    Les Clefs du Pouvoir sont dans la Boîte à Gants

    Fleuve noir|Paris 1981|15.50 x 24 cm|broché
    The first edition, of which there were no deluxe copies.
    Handsome copy.
    Autograph inscription doubly signed by San Antonio-Frédéric Dard to a couple of friends named Cosette and Philippe.
    €300
  55. Oeuvres complètes : Les Fleurs du Mal - Curiosités esthétiques - L'art romantique - Petits Poèmes en prose - Histoires extraordinaires - Nouvelles Histoires extraordinaires - Aventures d'Arthur Gordon Pym. Eurêka
    Charles BAUDELAIRE

    Oeuvres complètes : Les Fleurs du Mal - Curiosités esthétiques - L'art romantique - Petits Poèmes en prose - Histoires extraordinaires - Nouvelles Histoires extraordinaires - Aventures d'Arthur Gordon Pym. EurêkaOeuvres completes with an autograph letter:

    Michel Lévy frères|Paris 1868-1870|11 x 18 cm|7 volumes reliés et une lettre montée sur onglet
    Œuvres complètes with an autograph letter:
    Les Fleurs du Mal – Curiosités esthétiques – L'Art romantique – Petits Poèmes en prose – Histoires extraordinaires – Nouvelles Histoires extraordinaires – Aventures d'Arthur Gordon Pym
    Michel Lévy Frères | Paris 1868-1870 | 11 x 18 cm 7 volumes bound in shagreen & one letter
    “Extremely important” edition according to Clouzot: “More and more sought after, rightly so, it includes in first edition: part of Fleurs du Mal, Petits Poèmes en prose, Curiosités esthétiques (except the two Salons), L'Art romantique (except Gautier and Wagner).”
    The Fleurs du...
    €25,000
  56. Kerguelen. Le Voyageur du Pays de l'Ombre
    Isabelle AUTISSIER

    Kerguelen. Le Voyageur du Pays de l'Ombre

    Grasset|Paris 2006|14 x 22.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Handsome copy.
    Autograph inscription signed by Isabelle Autissier to a man named Louis: "... quelques embruns très froids en provenance des 50èmes Sud." ["... some very cold sea spray from the 50th parallel South."]
    €70
  57. Les Brissac Maison de Cossé
    Duc de BRISSAC

    Les Brissac Maison de Cossé

    Fasquelle|Paris 1952|14 x 19 cm|broché
    First edition on ordinary paper.
    Small tear at foot of spine, light worming to upper left corner of front board.
    Fine autograph inscription signed by a member of the Brissac family: "Un cousin de l'auteur et un ami de Vincennes touché de l'intérêt que vous portez à une famille qui a connu jusqu'aux cachots du donjon. Charles de Cossé de Brissac 22 Novembre 1957." ["A cousin of the author and a friend from Vincennes, touched by the interest you show in a family that has known even the dungeons of the keep. Charles de Cossé de Brissac November 22, 1957."]
    €50
  58. La menteuse suivi de Les Gracques
    Jean GIRAUDOUX

    La menteuse suivi de Les Gracques

    Grasset|Paris 1958|13.50 x 19 cm|broché
    First edition, one of 52 numbered copies on Montval paper, deluxe issue.
    Handsome full-margined copy.
    Bookplate pasted to front pastedown.
    €120
  59. Esprit N°11 de la 17ème année
    COLLECTIF

    Esprit N°11 de la 17ème année

    Esprit|Paris Novembre 1949|14.50 x 22.50 cm|broché
    First edition of this issue of this important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
    Issue partly devoted to the crisis affecting the people's democracies. : J. Cep & Abbé Boulier: "The religious struggle in Czechoslovakia", François Fetjö: "The Rajk affair is an international Dreyfus affair", Claude Bourdet: "Journey to the second USSR"
    Other contributions by J.J. Brieux "Mao Tse-Tung's China, II: the men", André Bazin "The victorious test of Italian neo-realism"...
    Occasional foxing mainly marginal.


    €60
  60. Esprit N°3 de la nouvelle série
    COLLECTIF

    Esprit N°3 de la nouvelle série

    Esprit|Paris Mars 1960|14.50 x 22.50 cm|broché
    First edition of this issue of this important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
    Issue largely devoted to the subject "From coexistence to peace, twenty years of history": The confrontation: "American and Soviet positions", "economic systems", "between writers" by Pierre Emmanuel, André Fontaine, Claude Gruson notably. ; "The socialist camp": "The socialist bloc and détente", "China" by Bernard Feron and Stuart Schram ; "The trials of coexistence": "Laos", "Iraq", "Cuba", "Berlin", "Formosa" by Robert Guillain, Louis Péronne and Pierre Rondot notably ; "From coexistence to cooperation": "A new...
    €60
  61. Esprit N°9 de la nouvelle série
    COLLECTIF

    Esprit N°9 de la nouvelle série

    Esprit|Paris Septembre 1967|14.50 x 22.50 cm|broché
    First edition of this issue of the important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
    Contributions by L. Vandermeersch: "Les frontières sino-soviétiques" ["The Sino-Soviet borders"], Dina Dreyfus "Télévision et enseignement" ["Television and teaching"], Gamé Guilao: "La mort des fétiches" ["The death of fetishes"], "Socialisme et développement en Zambie et au Cambodge" ["Socialism and development in Zambia and Cambodia"] by René Dumont and Thierry de Beaucé...
    Occasional foxing mainly to margins.


    €60
  62. Esprit N°2 de la 18ème année
    COLLECTIF

    Esprit N°2 de la 18ème année

    Esprit|Paris Février 1950|14.50 x 22.50 cm|broché
    First edition of this issue of the important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
    Issue partly devoted to Yugoslavia: J.M. Domenach: "Une révolution rencontre le mensonge" ["A revolution encounters lies"], J. Baboulène: "Le sens de l'édification socialiste en Yougoslavie" ["The meaning of socialist construction in Yugoslavia"], H. Queffelec: "Perspectives" ["Perspectives"].
    Other contributions by JH. Duméry "L'athéisme sartrien" ["Sartrean atheism"], E. Mounier "Notes scandinaves ou du bonheur" ["Scandinavian notes or on happiness"]...
    Occasional foxing mainly to margins.


    €60
  63. Esprit N°5 de la 18ème année
    COLLECTIF

    Esprit N°5 de la 18ème année

    Esprit|Paris Mai 1950|14.50 x 22.50 cm|broché
    First edition of this issue of the important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
    Issue partly devoted to the French army: L. de Villefosse: "Armée nationale ou armée de guerre civile ?", J. Lacroix: "L'armée et la politique", A. Berger: "L'armée de nos moyens", Colonel X: "Positions et propositions", J.M. Domenach: "Pour la défense nationale"...
    Occasional light foxing mainly marginal.


    €60
  64. La deuxième lettre manuscrite adressée par Alphonse Boudard à son grand ami André Tillieu, également grand ami et biographe de Georges Brassens
    Alphonse BOUDARD

    La deuxième lettre manuscrite adressée par Alphonse Boudard à son grand ami André Tillieu, également grand ami et biographe de Georges Brassens

    S. n.|Paris 5 Mai 1972|21 x 27 cm|une feuille + un morceau d'enveloppe
    Handwritten letter dated and signed with 11 lines from Alphonse Boudard to his great friend and companion of convivial lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
    A handwritten note inscribed in blue ballpoint pen by André Tillieu at the head of the letter: "reçue le 5 mai 72" ["received May 5th 72"], another of several lines on the envelope explaining the absence of a piece of the latter.
    Envelope included.
    "Cher André Tillieu,
    de première votre article ! chaleureux, juste, bien composé... un des meilleurs consacré à ce livre... ça...
    €120
  65. "J'espère te voir bientôt à Paris avec Georges Brassens et Louis..."
    Alphonse BOUDARD

    "J'espère te voir bientôt à Paris avec Georges Brassens et Louis..."Handwritten letter addressed by Alphonse Boudard to his great friend, the Brussels journalist, also a great friend and biographer of Georges Brassens, André Tillieu

    S. n.|Paris 3 Avril 1979|14.50 x 21 cm|une feuille + une enveloppe
    Handwritten letter dated and signed with 21 lines from Alphonse Boudard to his great friend and companion of convivial lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Jean Giono.
    A fold mark inherent to the folding of the letter for mailing, envelope included.
    "ami,
    bien reçu "Relax"... Mille mercis... Je suis toujours un peu confus par tout ce que tu écris sur mes livres. Je ne suis peut-être pas si haut ? Tu me forces à me poser des questions. Enfin, je fais de mon mieux. J'espère te voir bientôt à Paris avec Georges Brassens et Louis... A moins que j'aille faire un tour vers Lille puis...
    €170
  66. "merci de m'envoyer des articles belges. En général je ne les reçois pas. condescendants... ils le sont tous... descendants et surtout cons ! N'importe !"
    Alphonse BOUDARD

    "merci de m'envoyer des articles belges. En général je ne les reçois pas. condescendants... ils le sont tous... descendants et surtout cons ! N'importe !"Handwritten letter addressed by Alphonse Boudard to his great friend, the Brussels journalist, also a great friend and biographer of Georges Brassens, André Tillieu

    S. n.|Paris 18 Octobre 1994|14.50 x 21 cm|une feuille
    Handwritten letter dated and signed with 22 lines from Alphonse Boudard to his great friend and companion of boozy lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Jean Giono.
    A fold mark inherent to the letter being placed in an envelope.
    "vieux,
    merci de m'envoyer des articles belges. En général je ne les reçois pas. condescendants... ils le sont tous... descendants et surtout cons ! N'importe ! Je pars tout à l'heure pour le salon du livre de St Etienne où je verrais sans doute Louis (si sa femme continue d'aller un peu mieux). Je le saluerai de ta part bien sûr. Si tu descends à Paris...
    €200
  67. Moderato Cantabile
    Marguerite DURAS

    Moderato Cantabile[Moderato Cantabile]

    Les Editions de Minuit|Paris 1958|14 x 19.50 cm|broché sous chemise et étui
    First edition, one of 37 numbered copies on pur fil, the only deluxe copies.
    Our copy is presented in a slipcase and chemise in full paper in the colors of Editions de Minuit.
    Handsome copy of this work adapted for cinema in 1960 by Peter Brook with Jeanne Moreau and Jean-Paul Belmondo in the leading roles.
    €4,500
  68. Hors Antenne. Conversations avec Maurice Achard
    Michel DRUCKER

    Hors Antenne. Conversations avec Maurice Achard

    Calmann Lévy|Paris 1987|14 x 21 cm|broché
    First edition, of which there were no deluxe copies.
    Handsome copy.
    Autograph inscription dated and signed by Michel Drucker to a woman named Geneviève.
    €50
  69. La Vie comme une Blessure
    Jean CLAVAL

    La Vie comme une Blessure

    La pensée universelle|Paris 1985|13.50 x 19 cm|broché
    First edition, one of 20 numbered copies on Dujardin vellum, ours bearing No. 1, the only deluxe copies.
    Handsome copy.
    €100
  70. Henri de Régnier
    Paul LÉAUTAUD, Manuel ORAZI

    Henri de Régnier

    Sansot & Cie|Paris 1904|12.50 x 18.50 cm|broché
    First edition on ordinary paper.
    Spine warped, one tear reglued on a joint, some minor foxing, paper yellowed as usual.
    Work illustrated with a photographic portrait of Henri de Régnier as frontispiece, a manuscript facsimile as well as typographical ornaments by Manuel Orazi.
    Signed autograph inscription by Paul Léautaud: "A Henri Chatelain, cet exercice." ["To Henri Chatelain, this exercise."]
    €150
  71. Visages d'Ecrivains. Les Aspects du Roman polonais
    Jan TOPASS

    Visages d'Ecrivains. Les Aspects du Roman polonais

    Félix Alcan|Paris 1930|12 x 18.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Two lacks at head and foot of spine, small marginal lacks to boards, one tear re-adhered at foot of one joint.
    Rare autograph inscription signed by Jan-Topass to Professor Louis Eisenmann, bookseller's label pasted just above the inscription.
    €200
  72. L'Ile de Barataria
    Henri COLLET

    L'Ile de Barataria

    Albin Michel|Paris 1929|12 x 19 cm|broché
    First edition, of which there were no deluxe copies, statement of one thousand copies.
    Handsome copy.
    Bilingual autograph inscription in French and Spanish, dated and signed by Henri Collet to his close friend Jean Claval: "... distingué hispaniste y lector asiduo del quijote afectuoso homenaje del autor. Henri Collet. Noviembre de 1942." ["distinguished hispanist and assiduous reader of Don Quixote, affectionate homage from the author. Henri Collet. November 1942."]
    €80
  73. Un Tour au Bois. Fantaisie équestre
    Léon VANIER, Henri de STA

    Un Tour au Bois. Fantaisie équestre

    Léon Vanier|Paris 1883|16.50 x 24.50 cm|broché
    First edition.
    Work illustrated with 13 drawings by Henry de Sta including the cover.
    Spine with restorations as well as lacks to head and foot, small corner lacks to boards, some foxing.
    Rare.
    €150
  74. Le Rêve et la Vie de Gérard de Nerval
    Madeleine OZERAY, René LACÔTE

    Le Rêve et la Vie de Gérard de Nerval

    Seghers|Paris 1958|11 x 18 cm|broché
    The first edition, of which there were no deluxe copies.
    Unlettered spine lightly sunned.
    Autograph inscriptions signed by Madeleine Ozeray and René Lacôte to the poet Charles Dobzynski.
    €40
  75. Bréviaire méditerranéen
    Pedrag MATVEJEVITCH

    Bréviaire méditerranéen

    Fayard|Paris 1993|15 x 23.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Handsome copy.
    Autograph inscription dated and signed by Pedrag Matvejevitch.
    €60
  76. Carte de voeux adressée à son grand ami le journaliste bruxellois, également grand ami et biographe de Georges Brassens, André Tillieu
    Alphonse BOUDARD

    Carte de voeux adressée à son grand ami le journaliste bruxellois, également grand ami et biographe de Georges Brassens, André Tillieu

    S. n.|Paris 11 Janvier 1989|10.50 x 14.50 cm|une feuille + une enveloppe
    Illustrated New Year's card signed with 13 lines by Alphonse Boudard, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
    A date inscribed in blue ballpoint pen at the head of the card.
    Envelope included.
    "Merci de tes voeux vieux frère... je te renvoie la balle... santé, sérénité, pognon pour le bi centenaire... pour toi et les tiens. Un livre me conduira peut-être à Bruxelles en mars et bien entendu je te ferai signe. Avec ma vive amitié. ABoudard." ["Thank you for your wishes old brother... I'm returning the favor...
    €120
  77. "A partir de demain je rejoins la rue Smolett et son champion cycliste écrivain. Au 42...".."
    Alphonse BOUDARD

    "A partir de demain je rejoins la rue Smolett et son champion cycliste écrivain. Au 42...".."Bristol manuscript addressed to his great friend, the Brussels journalist, also a great friend and biographer of Georges Brassens, André Tillieu

    S. n.|Paris 18 Aout 1992|14.50 x 10.50 cm|une feuille + une enveloppe
    Signed manuscript card of 16 lines by Alphonse Boudard, on a visiting card, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
    A year (92) added in blue ballpoint pen in the upper right corner of the card to specify the date.
    Envelope included.
    "Vieux,
    merci mille et une fois pour tes petits mots et les articles découpés dans la Presse belge. Avec mon éditeur ça voir le jour moins vite ! On ne peut être partout. meilleure santé à ta femme et bonnes vacances tout de même. A partir de demain je rejoins la rue Smolett     (à...
    €150
  78. "Les journalistes en place préfèrent tremper leur plume dans l'ersatz d'encre mélangée avec un peu d'eau croupissante...."
    Alphonse BOUDARD

    "Les journalistes en place préfèrent tremper leur plume dans l'ersatz d'encre mélangée avec un peu d'eau croupissante...."Bristol manuscript addressed to his great friend, the Brussels journalist, also a great friend and biographer of Georges Brassens, André Tillieu

    S. n.|Paris 22 Avril 1977|15.50 x 11 cm|une feuille + une enveloppe
    Signed manuscript card of 15 lines by Alphonse Boudard, on a bristol card, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
    Envelope included.
    "merci mon cher Tillieu, de ce formidable papier sur Julien Blanc et ses joyeux. il en faudrait beaucoup de cette encre-là ! Hélas ! elle est rare il faut croire... les journalistes en place préfèrent tremper leur plume dans l'ersatz d'encre mélangée avec un peu d'eau croupissante. à bientôt j'espère... Je finis un gros bouquin "Les combattants du petit bonheur'... l'accouchement comme toujours...
    €150
  79. Carte de voeux adressée à son grand ami le journaliste bruxellois, également grand ami et biographe de Georges Brassens, André Tillieu
    Alphonse BOUDARD

    Carte de voeux adressée à son grand ami le journaliste bruxellois, également grand ami et biographe de Georges Brassens, André Tillieu

    S. n.|Paris 30 Décembre 1978|11 x 15 cm|une feuille + une enveloppe
    Illustrated greeting card signed with 12 lines by Alphonse Boudard, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
    A date inscribed in black ballpoint pen in the upper right corner of the card.
    Envelope included.
    "Tous mes meilleurs voeux aussi... santé, fric, bonne fourchette et surtout qu'on puisse se retrouver entre amis... On va organiser ça avec Louis (Nucéra), le gros Georges (Georges Brassens) etc... Je publie "Le corbillard de Jules" fin février... ma pogne amie. ABoudard."...
    €120
  80. Jeunesse immortelle
    Julien GREEN

    Jeunesse immortelle

    Gallimard|Paris 1998|14 x 21.50 cm|broché
    First edition, one of 45 numbered copies on pure rag vellum, the only deluxe copies.
    Very handsome copy.

    €300
  81. Sur la Scène comme au Ciel
    Jean ROUAUD

    Sur la Scène comme au Ciel

    Les Editions de Minuit|Paris 1999|14 x 19.50 cm|broché
    First edition, one of 106 numbered copies on Vizille laid paper, the only deluxe copies.
    Handsome copy.
    €170
  82. Saint Jacob
    Jean CABRIÈS

    Saint Jacob

    Plon|Paris 1954|12 x 19 cm|broché
    First edition, one of 32 numbered copies on pure laid paper, ours one of 20 hors commerce copies, the only deluxe copies.
    A handsome copy.
    Autograph inscription signed by Jean Cabriès to Gérard Mainguet.

    €80
  83. Lettres 1919-1929
    Hugo von HOFMANNSTHAL, Carl Jacob BURCKHARDT

    Lettres 1919-1929

    Plon|Paris 1960|14.50 x 20.50 cm|broché
    First edition in French, one of 30 numbered copies on pure laid paper, the only deluxe copies.
    Two small dampstains on the verso, at head and foot, of the second cover and on the last endpaper, otherwise a handsome copy.
    €250
  85. Feuilles dans le Vent
    Francis JAMMES

    Feuilles dans le Vent

    Mercure de France|Paris 1913|12 x 19 cm|broché
    First edition, a Service de Presse (advance) copy.
    Spine sunned, handsome interior condition.
    Signed autograph inscription from Francis Jammes to Robert de Flers.


    €150
  86. Les Nuits qui me chantent
    Francis JAMMES

    Les Nuits qui me chantent

    Flammarion|Paris 1928|13 x 17.50 cm|broché
    First edition printed on esparto paper.
    Handsome copy.
    Signed and inscribed by Francis Jammes to the Marquise de Flers, wife and widow of Robert de Flers.


    €150
  87. Ma France poétique
    Francis JAMMES

    Ma France poétique

    Mercure de France|Paris 1926|12 x 19 cm|broché
    First edition, with printed service de presse statement at foot of title page.
    Spine very lightly sunned.
    Signed and inscribed by Francis Jammes to Robert de Flers.


    €150
  88. Le Démon du Bien
    Henry de MONTHERLANT

    Le Démon du Bien

    Grasset|Paris 1937|12 x 19 cm|broché
    First edition, one of the numbered copies on alfa.
    Handsome copy despite two fold marks on the first cover.
    €40
  89. Prisonniers de Guerre
    Henri ALLEG

    Prisonniers de Guerre

    Les Editions de Minuit|Paris 1961|14 x 22.50 cm|broché

    First edition, one of 17 numbered copies on alfa mousse paper, the only deluxe copies.
    Covers slightly and marginally soiled, otherwise handsome copy.
    Rare copy.
    Henri Alleg describes here his three years spent in preventive detention at Barberousse, the civil prison of Algiers, among his fellow fighters.

    €500
  90. Le Goret
    Anne GREEN

    Le Goret

    Plon|Paris 1954|12 x 19 cm|broché
    First edition, one of 35 numbered copies on laid paper, ours one of 10 hors commerce copies, the only deluxe copies.
    Handsome copy despite a transversal fold on the front cover and spine slightly sunned.
    Signed autograph inscription from Anne Green to Gérard Mainguet.

    €50
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