Paris

Original wood engraving signed in the plate by the artist and the engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
Worming in margins not touching the engraving.
These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying realism through the technique known as "ti

Original wood engraving signed in the plate by the artist and the engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
Two scratches in the margin, a small tear in the upper margin without loss and very rare worming not touching the engraving.
These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smalle

First edition, of which there were no deluxe copies.
Autograph inscription signed by Les Nuls: "Pour toi, cordialement. Ton ami. Les Nuls." ["For you, cordially. Your friend. Les Nuls."]

First edition, one of 80 numbered copies on Ingres Lana laid paper, the only deluxe copies.
Very handsome copy.

First edition, one of 28 numbered copies on Madagascar paper, deluxe copy.
Very handsome full-margined copy.

The first edition, of which there were no deluxe copies.
Signed autograph inscription from Alain Badiou to a friend named Barbara: "Chère Barbara, voici des comprimés didactiques. Je t'embrasse, Alain." ["Dear Barbara, here are some didactic tablets. Love, Alain."]

First edition, one of 26 numbered copies on Japan paper, deluxe issue.
Very fine full-margined copy.

First edition, illustrated with a repeated frontispiece and 30 plates by Gavarni engraved on steel by Geoffroy. Printed on fine vellum. Copy from the deluxe issue with plates finely heightened in watercolor; These engravings are presented in very beautiful frames with lace-cut margins. Illustrated orange-tinted covers preserved (spine and back covers with advertisements also preserved).
Half lemon yellow morocco binding with corners, late 19th century. Spine with false raised bands richly decorated with roses in compartments ornamented with stars and other decorations. Red morocco title labels, second title labels in soft green shagreen. Some rubbing. Small brown spots on the leather of

First edition, one of 55 numbered copies on vellum, deluxe issue.
Work illustrated with 6 photographs by Joublin.
Spine and covers slightly and marginally lightened without significance, handsome copy.

First edition, one of 80 numbered copies on Lana laid paper, the only deluxe copies.
Very fine copy.

First edition, one of 26 numbered copies on Japan paper, deluxe issue.
A very fine full-margined copy.

First edition, one of 600 numbered copies on alfa paper, ours one of 50 hors commerce copies.
Handsome copy.
Autograph inscription signed by Jean Giraudoux to Jacques Patin.

First edition, of which there were no deluxe copies.
Autograph inscription signed by Georges Blond: "A monsieur Peret, ces éléphants qui ne lui feront pas oublier les toros, en souhaitant qu'il les trouve quand même sympathiques" ["To Mr. Peret, these elephants who will not make him forget the bulls, hoping that he will find them sympathetic nonetheless"].
Fine illustrated cover by Cyril, iconography.

First collected edition, one of 950 numbered copies on alfa paper.
Handsome copy.
Signed autograph inscription from René Char to art critic and writer Charles Estienne.
Provenance: from the library of Georges Goldfayn with his blind stamp at head of an endpaper as bookplate.

First edition, one of 80 numbered copies on Ingres laid paper by Lana, the only deluxe copies.
Very handsome copy.

First edition, one of 32 numbered copies on Hélio neige Libert paper, ours being one of the 12 hors commerce copies, deluxe issue.
Very handsome copy.

First edition, very rare, illustrated with 12 lithographs by Deveria and Johannot (men and women in period costumes). Not listed in Carteret who nevertheless records all romantic collections. In the Bibliographie Sommaire Des Keepsakes (Frédéric Lachèvre) and other collective collections of the romantic period, on this album listed: "Exceptionally, given the rarity of this work, we give the titles of the pieces that compose it."
Full cardboard Bradel binding early 20th century in glazed tender green signed Lavaux at the top of the first endpaper. Superb pastiche of a period binding using romantic tools. Smooth spine decorated with rocaille ornaments. Brown morocco title label. Illustrat

The first edition, of which there were no deluxe copies.
Spine and boards lightly and marginally sunned without gravity.
Handsome copy, iconography.
Signed autograph inscription from André Pousse to Claude-Jean Philippe.

First edition, one of the numbered copies on Téka, the only issue after 1 Arches and 20 Marais.
Spine browned, small tears to joints.
Cover illustrated by Wifredo Lam.
Autograph inscription signed by François Valorbe on this text paying homage to literary and musical "Négritude" to the surrealist Georges Goldfayn: "... avec mes sentiments les plus mélano-surréalistes..." ["... with my most melano-surrealist sentiments..."]

First edition, one of 80 numbered copies on Ingres de Lana laid paper, the only deluxe copies.
Very handsome copy.

The first edition, of which there were no deluxe copies.
Signed autograph inscription from Jean Fourastié to the philosopher Etienne Soureau erroneously dated 1948.

The first edition, of which there were no deluxe copies.
Signed autograph inscription from Alain Badiou to a friend named Barbara: "... ces conversations datant d'un temps révolu. Je t'embrasse..." ["... these conversations dating from a bygone era. I embrace you..."]

First edition, one of 80 numbered copies on Lana Ingres laid paper, the only deluxe copies.
Very handsome copy.

First edition, of which there were no deluxe copies.
Handsome copy.
Precious dated autograph inscription signed by Jean-Claude Masson: "A Julien Gracq avec le souvenir (vif) de notre rencontre (furtive) autour d'Octavio Paz, très cordialement." ["To Julien Gracq with the (vivid) memory of our (brief) meeting about Octavio Paz, very cordially."]

First collected edition of these texts compiled by Isabelle Vodoz and Fabien Tarby, of which there were no deluxe copies.
Autograph inscription signed by Alain Badiou to a friend named Barbara: "Pour Barbara, ces gloses disparates, Alain." ["For Barbara, these disparate glosses, Alain."]

First edition. Edition of 1,075 copies according to Clouzot.
Half-calf binding with lavallière corners from the early 20th century signed Lavaux at the top of the first endpaper. Smooth spine decorated with 5 tools, gilt and blind fillets. Red edges. Spine uniformly faded. Foxing on the first 4 leaves and in the notes and some scattered foxing throughout. Handsome copy.
Hugo's play, of unusual length at 6,920 verses, was reputed to be unplayable, notably due to its numerous changes of scenery. It breaks definitively with classical theater. The famous preface to the play would remain as a manifesto of romantic theater.

The first edition, of which there were no deluxe copies.

Spine and boards marginally lightened.

Signed autograph inscription from François Fejtö to his fellow historian Jean-Pierre Rioux.

First edition, one of 80 numbered copies on Lana laid Ingres paper, the only deluxe copies.
A very handsome copy.

First edition, one of 65 numbered copies on Lana laid Ingres paper, the only deluxe copies.
A very handsome copy.

First edition, one of 65 numbered copies on Lana Ingres laid paper, the only deluxe copies.
A very handsome copy.

First edition, one of 80 numbered copies on Lana Ingres laid paper, the only deluxe copies.
A very handsome copy.

First edition of the French translation by Yves Bonnefoy, one of 35 numbered copies on Arches vellum, ours one of the few hors commerce copies, the only deluxe copies after 10 on Holland paper.
Handsome copy.
Precious autograph inscription signed by Yves Bonnefoy to Gilbert Lély.

First edition, one of 28 numbered copies on Madagascar paper, deluxe copy.
Very handsome copy.

First edition, a Service de Presse (advance) copy.
Handsome copy complete with publisher's slip and a large part of its wraparound band: "... ou soyez communiste"
Signed autograph inscription from Paul Sérant to Georges Goldfayn.

The first edition, of which there were no deluxe copies.
Iconography, handsome copy.
Precious signed autograph inscription from Claude Levi-Strauss to Jean-Claude Carrière: "... le jour où nous fimes connaissance et qui, j'espère sera suivi par d'autres." ["... the day we met and which, I hope, will be followed by others."]
Reading notes by Jean-Claude Carrière written in black and blue ink throughout the final endpaper.

First collected edition of the works of François-René de Chateaubriand, each volume decorated with a frontispiece engraved by Charles Thompson depicting a young woman seated on a stone engraved "Chateaubriand, Œuvres complètes" and contemplating the horizon. The author contributed largely to the publication of this edition through the organization of the whole and by writing new prefaces for all the texts. As he writes himself these prefaces are more pieces of autobiography than prefaces.
Binding in half brown calf strictly contemporary Restoration period. Spine with raised bands decorated with 2 blind stamps, roulettes at head and tail and on the bands. Brown calf title label and volum

First edition, one of 110 numbered copies on Rives laid paper.
Half red morocco binding, smooth spine, gilt date at foot, boards covered with abstract patterned paper, red paper endpapers and pastedowns, covers and spine preserved, top edge gilt, signed binding by P. Goy & C. Vilaine.
Autograph inscription signed by Jean Cocteau to a friend named Roger enhanced with a drawing in blue ink representing the face of a young man facing forward.

During the first performance in 1930, L'Echo de Paris already prophesied: "The best actresses in the world will want to interpret La voix humaine."
Indeed, on stage and screen followed Berthe Bovy, Anna Magnani,

Very rare first edition of the catalogue for the inaugural exhibition of the "Le Grand Jeu" group, held from 8 to 22 June 1929.
Texts by Roger Gilbert-Lecomte and René Daumal.
A very fine and rare copy illustrated with two reproductions of works by Joseph Sima.

The first edition, of which there were no deluxe copies.
Spine wrinkled and slightly sunned as usual.
Iconography.
Precious signed autograph inscription from Gérard Legrand to Robert Benayoun enriched with an original collage.

The first edition, of which there were no deluxe copies.
Handsome copy.
Autograph inscription doubly signed by San Antonio-Frédéric Dard to a couple of friends named Cosette and Philippe.

The first edition, of which there were no deluxe copies.
Handsome copy.
Autograph inscription signed by Isabelle Autissier to a man named Louis: "... quelques embruns très froids en provenance des 50èmes Sud." ["... some very cold sea spray from the 50th parallel South."]

First edition on ordinary paper.
Small tear at foot of spine, light worming to upper left corner of front board.
Fine autograph inscription signed by a member of the Brissac family: "Un cousin de l'auteur et un ami de Vincennes touché de l'intérêt que vous portez à une famille qui a connu jusqu'aux cachots du donjon. Charles de Cossé de Brissac 22 Novembre 1957." ["A cousin of the author and a friend from Vincennes, touched by the interest you show in a family that has known even the dungeons of the keep. Charles de Cossé de Brissac November 22, 1957."]

First edition, one of 52 numbered copies on Montval paper, deluxe issue.
Handsome full-margined copy.
Bookplate pasted to front pastedown.

First edition of this issue of this important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
Issue partly devoted to the crisis affecting the people's democracies. : J. Cep & Abbé Boulier: "The religious struggle in Czechoslovakia", François Fetjö: "The Rajk affair is an international Dreyfus affair", Claude Bourdet: "Journey to the second USSR"
Other contributions by J.J. Brieux "Mao Tse-Tung's China, II: the men", André Bazin "The victorious test of Italian neo-realism"...
Occasional foxing mainly marginal.

First edition of this issue of this important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
Issue largely devoted to the subject "From coexistence to peace, twenty years of history": The confrontation: "American and Soviet positions", "economic systems", "between writers" by Pierre Emmanuel, André Fontaine, Claude Gruson notably. ; "The socialist camp": "The socialist bloc and détente", "China" by Bernard Feron and Stuart Schram ; "The trials of coexistence": "Laos", "Iraq", "Cuba", "Berlin", "Formosa" by Robert Guillain, Louis Péronne and Pierre Rondot notably ; "From coexistence to cooperation": "A new internati

First edition of this issue of the important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
Contributions by L. Vandermeersch: "Les frontières sino-soviétiques" ["The Sino-Soviet borders"], Dina Dreyfus "Télévision et enseignement" ["Television and teaching"], Gamé Guilao: "La mort des fétiches" ["The death of fetishes"], "Socialisme et développement en Zambie et au Cambodge" ["Socialism and development in Zambia and Cambodia"] by René Dumont and Thierry de Beaucé...
Occasional foxing mainly to margins.

First edition of this issue of the important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
Issue partly devoted to Yugoslavia: J.M. Domenach: "Une révolution rencontre le mensonge" ["A revolution encounters lies"], J. Baboulène: "Le sens de l'édification socialiste en Yougoslavie" ["The meaning of socialist construction in Yugoslavia"], H. Queffelec: "Perspectives" ["Perspectives"].
Other contributions by JH. Duméry "L'athéisme sartrien" ["Sartrean atheism"], E. Mounier "Notes scandinaves ou du bonheur" ["Scandinavian notes or on happiness"]...
Occasional foxing mainly to margins.

First edition of this issue of the important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
Issue partly devoted to the French army: L. de Villefosse: "Armée nationale ou armée de guerre civile ?", J. Lacroix: "L'armée et la politique", A. Berger: "L'armée de nos moyens", Colonel X: "Positions et propositions", J.M. Domenach: "Pour la défense nationale"...
Occasional light foxing mainly marginal.

Handwritten letter dated and signed with 11 lines from Alphonse Boudard to his great friend and companion of convivial lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
A handwritten note inscribed in blue ballpoint pen by André Tillieu at the head of the letter: "reçue le 5 mai 72" ["received May 5th 72"], another of several lines on the envelope explaining the absence of a piece of the latter.
Envelope included.
"Cher André Tillieu,
de première votre article ! chaleureux, juste, bien composé... un des meilleurs consacré à ce livre... ça fai

Handwritten letter dated and signed with 21 lines from Alphonse Boudard to his great friend and companion of convivial lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Jean Giono.
A fold mark inherent to the folding of the letter for mailing, envelope included.
"ami,
bien reçu "Relax"... Mille mercis... Je suis toujours un peu confus par tout ce que tu écris sur mes livres. Je ne suis peut-être pas si haut ? Tu me forces à me poser des questions. Enfin, je fais de mon mieux. J'espère te voir bientôt à Paris avec Georges Brassens et Louis... A moins que j'aille faire un tour vers Lille puis Br

Handwritten letter dated and signed with 22 lines from Alphonse Boudard to his great friend and companion of boozy lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Jean Giono.
A fold mark inherent to the letter being placed in an envelope.
"vieux,
merci de m'envoyer des articles belges. En général je ne les reçois pas. condescendants... ils le sont tous... descendants et surtout cons ! N'importe ! Je pars tout à l'heure pour le salon du livre de St Etienne où je verrais sans doute Louis (si sa femme continue d'aller un peu mieux). Je le saluerai de ta part bien sûr. Si tu descends à Paris, n'o

First edition, one of 37 numbered copies on pur fil, the only deluxe copies.
Our copy is presented in a slipcase and chemise in full paper in the colors of Editions de Minuit.
Handsome copy of this work adapted for cinema in 1960 by Peter Brook with Jeanne Moreau and Jean-Paul Belmondo in the leading roles.

First edition, of which there were no deluxe copies.
Handsome copy.
Autograph inscription dated and signed by Michel Drucker to a woman named Geneviève.

First edition, one of 20 numbered copies on Dujardin vellum, ours bearing No. 1, the only deluxe copies.
Handsome copy.

First edition on ordinary paper.
Spine warped, one tear reglued on a joint, some minor foxing, paper yellowed as usual.
Work illustrated with a photographic portrait of Henri de Régnier as frontispiece, a manuscript facsimile as well as typographical ornaments by Manuel Orazi.
Signed autograph inscription by Paul Léautaud: "A Henri Chatelain, cet exercice." ["To Henri Chatelain, this exercise."]

The first edition, of which there were no deluxe copies.
Two lacks at head and foot of spine, small marginal lacks to boards, one tear re-adhered at foot of one joint.
Rare autograph inscription signed by Jan-Topass to Professor Louis Eisenmann, bookseller's label pasted just above the inscription.

First edition, of which there were no deluxe copies, statement of one thousand copies.
Handsome copy.
Bilingual autograph inscription in French and Spanish, dated and signed by Henri Collet to his close friend Jean Claval: "... distingué hispaniste y lector asiduo del quijote afectuoso homenaje del autor. Henri Collet. Noviembre de 1942." ["distinguished hispanist and assiduous reader of Don Quixote, affectionate homage from the author. Henri Collet. November 1942."]

First edition.
Work illustrated with 13 drawings by Henry de Sta including the cover.
Spine with restorations as well as lacks to head and foot, small corner lacks to boards, some foxing.
Rare.

The first edition, of which there were no deluxe copies.
Unlettered spine lightly sunned.
Autograph inscriptions signed by Madeleine Ozeray and René Lacôte to the poet Charles Dobzynski.

The first edition, of which there were no deluxe copies.
Handsome copy.
Autograph inscription dated and signed by Pedrag Matvejevitch.

New edition of the French translation, one of 200 numbered copies on Rives laid paper, deluxe copy.
Light sunning at foot of spine, handsome full-margined copy.
Work illustrated with wood engravings by Vassyl Khmeluk.

Illustrated New Year's card signed with 13 lines by Alphonse Boudard, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
A date inscribed in blue ballpoint pen at the head of the card.
Envelope included.
"Merci de tes voeux vieux frère... je te renvoie la balle... santé, sérénité, pognon pour le bi centenaire... pour toi et les tiens. Un livre me conduira peut-être à Bruxelles en mars et bien entendu je te ferai signe. Avec ma vive amitié. ABoudard." ["Thank you for your wishes old brother... I'm returning the favor... heal

Signed manuscript card of 16 lines by Alphonse Boudard, on a visiting card, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
A year (92) added in blue ballpoint pen in the upper right corner of the card to specify the date.
Envelope included.
"Vieux,
merci mille et une fois pour tes petits mots et les articles découpés dans la Presse belge. Avec mon éditeur ça voir le jour moins vite ! On ne peut être partout. meilleure santé à ta femme et bonnes vacances tout de même. A partir de demain je rejoins la rue Smolett (à

Signed manuscript card of 15 lines by Alphonse Boudard, on a bristol card, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
Envelope included.
"merci mon cher Tillieu, de ce formidable papier sur Julien Blanc et ses joyeux. il en faudrait beaucoup de cette encre-là ! Hélas ! elle est rare il faut croire... les journalistes en place préfèrent tremper leur plume dans l'ersatz d'encre mélangée avec un peu d'eau croupissante. à bientôt j'espère... Je finis un gros bouquin "Les combattants du petit bonheur'... l'accouchement comme toujours

Illustrated greeting card signed with 12 lines by Alphonse Boudard, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
A date inscribed in black ballpoint pen in the upper right corner of the card.
Envelope included.
"Tous mes meilleurs voeux aussi... santé, fric, bonne fourchette et surtout qu'on puisse se retrouver entre amis... On va organiser ça avec Louis (Nucéra), le gros Georges (Georges Brassens) etc... Je publie "Le corbillard de Jules" fin février... ma pogne amie. ABoudard." ["Al

First edition, one of 45 numbered copies on pure rag vellum, the only deluxe copies.
Very handsome copy.

First edition, one of 106 numbered copies on Vizille laid paper, the only deluxe copies.
Handsome copy.

First edition, one of 32 numbered copies on pure laid paper, ours one of 20 hors commerce copies, the only deluxe copies.
A handsome copy.
Autograph inscription signed by Jean Cabriès to Gérard Mainguet.

First edition in French, one of 30 numbered copies on pure laid paper, the only deluxe copies.
Two small dampstains on the verso, at head and foot, of the second cover and on the last endpaper, otherwise a handsome copy.

First edition, of which there were no deluxe copies for each of the volumes.
Handsome set.
Dated and signed autograph inscriptions from Pierre Vidal-Naquet to a couple of his friends named Jacques and Marie-Claude.

First edition, a Service de Presse (advance) copy.
Spine sunned, handsome interior condition.
Signed autograph inscription from Francis Jammes to Robert de Flers.

First edition printed on esparto paper.
Handsome copy.
Signed and inscribed by Francis Jammes to the Marquise de Flers, wife and widow of Robert de Flers.

First edition, with printed service de presse statement at foot of title page.
Spine very lightly sunned.
Signed and inscribed by Francis Jammes to Robert de Flers.

First edition, one of the numbered copies on alfa.
Handsome copy despite two fold marks on the first cover.

First edition, one of 35 numbered copies on laid paper, ours one of 10 hors commerce copies, the only deluxe copies.
Handsome copy despite a transversal fold on the front cover and spine slightly sunned.
Signed autograph inscription from Anne Green to Gérard Mainguet.

First edition in French, of which there were no deluxe copies.
Handsome copy, with newspaper clipping included.
Autograph inscription dated and signed by Saul Bellow to his friend Nadine Nimier, wife and widow of Roger Nimier.

Handwritten letter dated and signed, 20 lines by Alphonse Boudard to his great friend and companion of boozy lunches, Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens as well as Louis Nucéra.
Two fold marks inherent to placing the letter in its envelope, envelope included.
"Old friend,
yes indeed, I'm working... screenplays... television... and I no longer have time for friends.. alas! finally I'm releasing "La lanterne magique" in September under the title "Vulcanos" (name of the main character) for "Le gala", it's Balland who republished it. Without success... so he remaindered it. I must have a few

Amusing handwritten letter dated and signed, 30 lines by Alphonse Boudard to his great friend and companion of boozy lunches, Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens as well as Louis Nucéra.
Two fold marks inherent to placing the letter in its envelope, envelope included.
"Old friend,
your letter is precious to me... no you're not playing the teacher! Some errors have already been noted for a reprint. The most curious thing is that most come from people who correct the proofs and make new ones. Félicien Rops for example or this parket.bombing (I had written carpet in my manuscript though) The

Dated and signed manuscript letter of 28 lines from Alphonse Boudard to his great friend and companion of boozy lunches, the Brussels journalist André Tillieu, who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
Two fold marks inherent to the envelope folding of the letter, envelope included.
"Vieux,
merci de ta petite carte... il n'est pas encore trop tard pour te renvoyer la balle des meilleurs voeux pour 86... souhaitons que toute se passe le mieux possible. aujourd'hui Louis (Nucéra) est entré à l'hosto... juste q.qs jours... on va lui pulvériser un calcul au laser. Le dernier cri de la méde

Dated and signed manuscript letter of 17 lines from Alphonse Boudard to his great friend and companion of boozy lunches, the Brussels journalist André Tillieu, who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
Two fold marks inherent to the envelope folding of the letter, envelope included.
"J'ai reçu ta formidable lettre, vieux frère, et elle m'a procuré un sacré plaisir. Hier j'ai fait enregistrer tes corrections chez Laffont pour une réimpression très prochaine. Pas le temps de t'écrire plus longuement, je suis un peu débordé, tu te doutes. As-tu reçu en même temps que Monsieur Joseph, le livre d'entretiens de Lucien d'Azay "Con

Manuscript dated and signed letter of 37 lines by Alphonse Boudard to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
Two fold marks inherent to the letter's insertion in the envelope, envelope included.
"Vieux,
Je deviens de + en + niçois sous la protection, bien sûr, du cher Louis (Louis Nucéra) qui arrive tout de même à pédaler dans les collines malgré les ennuis de santé de Suzanne. Un mal difficile à cerner mais qui la fait souffrir beaucoup. Merci de ta chaleureuse lettre. Là, j'ai voulu faire du pur divertiss

Manuscript signed letter of 14 lines by Alphonse Boudard, on a visiting card, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Louis Nucéra.
A date inscribed in blue ballpoint pen at the head of the card.
Envelope included.
"Mon cher André
bien reçu Le Rail... et comme toujours ton papier amical et percutant. Quel dommage que tu ne sois pas critique au Nouvel Obs ou à l'Express ! J'espère (ou espère Louis aussi) que tu viendras un de ces quatre te propulser sur les derniers trottoirs fréquentables de Pantruche. Porte-toi le mieux possible

The first edition, of which there were no deluxe copies.
Some foxing on the endpapers.
Touching autograph inscription signed by Annette Blier: "A Marc ce souvenir de son ami qui doit être très touché que vous soyiez fidèle à sa mémoire. Mille bravos Marc, et merci pour Bernard. Bien affectueusement. Annette le 28.02.92." ["To Marc this memory from his friend who must be very touched that you remain faithful to his memory. A thousand bravos Marc, and thank you for Bernard. Most affectionately. Annette 28.02.92."]

Handwritten letter dated and signed, 26 lines from Alphonse Boudard to his great friend and companion of boozy lunches, the Brussels journalist André Tillieu, who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Jean Giono.
A fold mark inherent to the folding of the letter for mailing, envelope included.
"old friend,
magnificent your piece on Louis's book! (Louis Nucéra) It is written with friendship and competence... and then the one on Arland... bravo! We would need people like you in the Parisian literary press.. Alas, it is in the hands of pedants! I'm out of the woods... I'm getting back on my feet... a few more bandages

First edition in French, of which there were no deluxe copies.
A tear with loss at the head of one joint, a small blue ballpoint pen inscription in the upper left corner of the title vignette on the front cover.
Rare dated manuscript signature by Dymphna Cusack on this work denouncing the ostracism and racism suffered by Aborigines in their native land of Australia.

First illustrated edition with 64 plates by Philippoteaux. Clouzot erroneously announces 1863 for this first illustrated edition by Dufour, Mulat and Boulanger, confusing it with the edition published by Legrand and Boulanger. Placement sheet for the engravings at the end of volume 2.
Contemporary half black shagreen binding. Spine with false raised bands decorated with blind-tooled compartments and gilt fillets. Gilt title and volume number. Traces of rubbing. A tear at the foot of volume 1. Lower corners bumped. Scattered foxing. Lower edges rubbed.
Novel inspired by the life of Count Cagliostro, whose goal, at the head of a secret organization, is to overthrow the French monarch

The first edition, of which there were no deluxe copies.
Minor stains of no consequence on the edges, handsome copy complete with its wraparound band.
Signed autograph inscription by Bernard Giraudeau to Nadine Nimier, wife and widow of Roger Nimier, with a drawing representing a bouquet of marsh plants.

Signed manuscript card of 21 lines by Alphonse Boudard to his great friend and companion of boozy lunches, the Brussels journalist André Tillieu, who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Jean Giono.
An erroneous date (4.1.91) written in blue ballpoint pen on the card by André Tillieu whereas the date of 4.1.90 is indicated at the top of the envelope.
Envelope included.
"Dear André,
good wishes serve mainly not to forget friends too much. I wish you of course health, cash, clear sight, lively step... etc... I'm invited on March 14th to Brussels for a book fair. I'll keep you informed and we could probably grab

Signed manuscript letter on Bristol card of 15 lines by Alphonse Boudard, on letterhead from his Parisian address in Nouvelle Athènes in the 9th arrondissement, to his great friend and companion of well-watered lunches, the Brussels journalist André Tillieu who was, like Alphonse Boudard, a great friend of Georges Brassens but also of Jean Giono.
A date (4.2.99) written in blue ballpoint pen at the top of the envelope.
Envelope included.
"Merci, mon cher André, de ta magnifique lettre. J'ai parfois des doutes sur l'intérêt de ma production, eh bien tu me rassures. Je sais que j'ai en Belgique un lecteur attentif et qui pige mes moindres intentions, qui apprécie mes pet