Paris

First edition of some parts, falsely stated the sixth.
With a frontispiece portrait of Arthur Rimbaud by Henri Fantin-Latour.
Three tiny tears without lack to head and foot of spine, a good copy.

First edition, one of 700 numbered copies on vellum, with 10 single draw China, Japan and 30 out of 30 trade.
autograph dedication of the author autograph signed by Abel Hermant Claude Farrère: "... excellent French writer, his admirer and friend ..."
Book illustrated with a frontispiece and vignettes engraved on wood by Alfred Latour.
Guards slightly shaded, nice copy.

With original woodcuts by Hermann-Paul, one of 120 numbered copies on China paper.
A good copy.

First edition, one of 220 numbered copies on Montval paper, the only printing with 25 on Japan paper and 20 hors commerce copies.
With original woodcuts by Hermann-Paul.
Endpapers slightly sunned, a good copy.

First edition, one of 929 numbered copies on B.F.K. de Rives paper.
With original illustrations by Maxime Dethomas.
A good copy.

First edition illustrated with more than 1000 plates.
A good copy.

Edition of wich no leading copies exists, review copy.
autograph dedication of the author autograph signed by André Germain Jean Denoël: "... in remembrance of the kind complicity of the Rue des Saint-Peres and pleasure of this unexpected meeting ..."
A pale wetting at the foot of the first guard, boards marginally insolated, yellowed paper as often.

First edition for which there were no large paper copies.
A discreet note in ink to head of first free endpaper.
A good copy.

First edition.
Grey cloth, black shagreen title label, ex-libris pasted onto a pastedown, covers and spine preserved.

Collective Edition, one of the 350 copys numbered on "pur-fil" paper only leading copies after 110 taxed back.
autograph dedication of the author autograph signed by Léon-Paul Fargue Marguerite Quintin "these green tales" and these nightmares ... scientists ... "

First edition of the French translation by Jules Janin.
Binders full glossy red calf, back with four nerves set with ornate golden dotted double gilded nets and gilded boxes decorated with golden typographical reasons, two split bits and restored heads and feet, wheels on golden headdresses, supervision of a wide gold lace and a lace cold stamped on the boards, gilded with gold initials hit the centers of plates, nets gilded on the cuts, framing a golden lace on contreplats, guards and contreplats paper to the bowl, gilt edges, upper corners very lightly bumped, beautiful bindings then signed Lebrun.
Signed autograph of her dear Jules Janin Massol, "... I ask you to keep...

First edition of the French translation.
Rare autograph dated and signed by Victor Andreyevich Kravchenko in English Pomier a miss.
Some small marginal tears on flat minor.

first edition.
Binding to bradel half percaline burgundy, smooth back with a gold jewel, date and dual gold tail thread, marbled paper plates, guards and contreplats of handmade paper, wrappers and back preserved and bound in, a blunt upper corner, contemporary binding.
autograph dedication of the author autograph signed by Abel Hermant on the half-title page on lift tab Catulle Mendes.
Two tiny angular gaps minor legs pages half-title and title.

First edition, a service de presse (advance) copy.
Autograph inscription from André Gide to Christian Michelfelder.
A good copy.

Edition, review copy.
autograph dedication of the author autograph signed by André Gide Christian Michelfelder.
Nice copy.

First edition.
Highly elegant contemporary Romantic binding in half long-grain blue morocco over marbled paper boards, spine in five compartments with delicate raised bands and gilt garlands and fleurons, gilt friezes at head and foot of spine, light insignificant scuffing to foot of joints, gilt fillet frame to covers, marbled endpapers and pastedowns.
Retaining its frontispiece portrait of Louis-Gabriel Suchet to first volume, as well as the two folding maps at the end of volume two.
A good copy with practically no foxing in a charming contemporary Romantic binding.

First edition of only 197 copies, this one numbered on vélin du Marais paper.
Illustrations by Maurice Utrillo, made up as follows: 11 lithographs, of which 8 in color, 1 unfinished, 2 in sepia – of which one making up the title - and 1 in black; 2 lithographs of Suzanne Valadon, his mother, and Lucie Valore, his wife, after a pastel drawing.
A very good and rare copy.

First edition, one of 110 numbered copies on laid Lafuma Navarre and taxed back at quarto foolscap, deluxe edition.
Binding half black morocco, smooth back set with nine bands burgundy morocco, marbled paper plates, guards and contreplats of handmade paper, wrappers and back preserved and bound in, gilded head, binding the Art Deco era.
autograph dedication of the author signed autograph of Paul Morand later his friend FF Leguen "... this Europe before the hemiplegia, his friend ..."
Few minor bites.
Copy set in a charming Art Deco Contemporary binding.

First edition, one of 110 numbered copies on laid Lafuma Navarre and taxed back at quarto foolscap, deluxe edition.
Binding half black morocco, smooth back set with nine bands burgundy morocco, marbled paper plates, guards and contreplats of handmade paper, wrappers and back preserved and bound in, gilded head, binding the Art Deco era.
autograph dedication of the author signed autograph of Paul Morand later his friend FF Leguen "... this Europe before the hemiplegia, his friend ..."
Few minor bites.
Copy set in a charming Art Deco Contemporary binding.

First edition, one of 20 copies on China paper, tirage de tête.
A small lack at head of upper cover, wich retains also traces of marginal folding to head.

First edition, one of 50 copies on Hollande, the only large paper copies after 20 Chine.
A good copy.

First edition.
Small tears with tiny lacks, not serious, to head and foot of spine, scattered foxing.

New edition.
Half shagreen Binding navy maroquiné, smooth back slightly discolored, boards, guards and contreplats paper moiré effect, a blunt upper corner, gilded head, wrappers and back preserved and bound in.
Bel autograph signed Maxime Weygand FG Pernet.
Yellowed paper as often with regard to the poor quality of the paper war.

Edition, one of 1440 numbered copies on tinted Alfa paper.
Binding to bradel half chocolate brown morocco, flat spine cleared with a gold central jewel, golden tail date marbled paper plates, guards and contreplats of handmade paper, gilded head, preserved covers.
Precious autograph signed by Paul Eluard in Victoria Ocampo.
Illustrated book with a portrait of the author and four drawings by Pablo Picasso

First edition, an advance (service de presse) copy.
Half turquoise calf Bradel binding by Goy & Vilaine, decorated paper boards, gilt date to foot of spine, endpapers and pastedowns of papier uni, covers and spine preserved, top edge gilt.
Autograph inscription signed by Samuel Beckett to Monsieur Bjurström.
A perfectly bound copy.